scholarly journals The Acculturation of Batik Lasem’s Culture With Chinese Motif in the 18th to 20th Century

2019 ◽  
Vol 2 (2) ◽  
pp. 59-67
Author(s):  
Vera Jenny Basiroen
Keyword(s):  
20Th Century ◽  
Research Method ◽  
Chinese Culture ◽  
18Th Century ◽  
Acculturation Theory ◽  
The City

Batik Lasem is one of the famous heritages in Indonesia. Lasem has a unique batik motif because it is a blend of Chinese and Javanese culture, which results in a combination of motifs with distinctive shapes and colors, as well as having motifs that are full of meaning. The city of Lasem was chosen because it plays an important role as a batik producer in Indonesia, which is bought by Chinese culture. The purpose of this research is to study and analyze the variety of Chinese decoration in Lasem and its development in the 18th century until the 20th century. The research method used is the study of literature, while the theory used is cultural acculturation theory and discussion of the theory from previous research.

scholarly journals An analysis of the Chinese techniques and methods in the objects of landscape heritage in the city of Saratov, Russia

2018 ◽  
Vol 212 ◽  
pp. 04018
Author(s):  
Yu. Barinov ◽  
O. Sokolskaya
Keyword(s):  
20Th Century ◽  
18Th Century ◽  
East Asian ◽  
Volga Region ◽  
Asian Countries ◽  
Poor Condition ◽  
Green Architecture ◽  
Landscape Heritage ◽  
Industry Relations ◽  
The City

In many regions of Russian Federatio, the objects of landscape heritage are in poor condition. They were created between the second half of the 18th century and the beginning of the 20th century. It was the period when landscape park constructions became widespread in Europe and Russia after establishing active trade and industry relations with East Asian countries, such as China. The research includes analysis of Chinese techniques and methods, which emerged in Russian objects of landscaping art, particularly in estate gardens and parks of the Volga region. The main criteria and flora used in “green” architecture in the territories of the landscape heritage objects of Saratov Volga region are discovered. The assessment of the range of greenery introduced from China and of the elements of the park architecture is given.

scholarly journals La Basilica di San Miniato al Monte di Firenze (1018-2018)

2021 ◽  
Keyword(s):  
20Th Century ◽  
18Th Century ◽  
Ecclesiastical Reform ◽  
Leading Role ◽  
Cultural Life ◽  
Points Of View ◽  
First Time ◽  
The City

Between the 11th and the 20th century, the monastery of San Miniato al Monte in Florence played a leading role in the religious and cultural life of the city. The volume analyses for the first time the historical and documentary evolution of this regular institute, famous almost only from the architectural and artistic points of view. The book focuses the period of the bishop’s patronage in the 11th century, when the monastery and some of its members emerged in the context of the ecclesiastical reform, and continues with the study of the the Olivetan monks community, during the 14th-16th centuries, to arrive at the important structural and functional, but also semantic, transformations of the monument between the 18th century and the contemporary times.

scholarly journals The History And Values of Tolerance In Tabot Traditional Ceremonies In Bengkulu Society

2020 ◽  
Vol 30 (2) ◽  
pp. 170-179
Author(s):  
Ahmad Suradi ◽  
Mary C Tabata ◽  
Buyung Surahman
Keyword(s):  
Data Collection ◽  
Growth And Development ◽  
Research Method ◽  
18Th Century ◽  
Religious Activity ◽  
Mutual Respect ◽  
The Public ◽  
The People ◽  
History Of ◽  
The City

This article aims to reveal the history of the Tabot tradition and the values of tolerance contained in the Tabot celebration in each month of Muharram in the Bengkulu Society. This research method uses qualitative and history methods, with data collection through documents, interviews, and observations to the perpetrators of the Tabot, traditional leaders, and the community around the Tabot event in Bengkulu. The results of this study indicate that; First, the Tabot tradition is related to the growth and development of Islam in Bengkulu, which was developed by a Shiite Islamic cleric from southern India named Syeh Burhanuddin who was later better known as Imam Senggolo, namely in the 18th century. He introduced the procedures of the Tabot ceremony to the people of Bengkulu, who then passed on to their descendants who assimilated with the people of Bengkulu. Secondly, the values of tolerance in the tabot ceremony every month in Muharram in Bengkulu include mutual respect, mutual respect, help, and cooperation. This is evidenced in the Tabot ceremony activities open to the public so that all people can follow it and do not side with a particular religion, ethnicity, and culture of a particular community, but embrace all the differences that exist. Tabot tradition activities are not only as a religious activity but also are expected to reduce the division of society and also non-Muslims in the city of Bengkulu.Artikel ini bertujuan untuk mengungkap sejarah tradisi Tabot dan nilai-nilai toleransi yang terkandung di dalamnya di setiap bulan Muharram di Masyarakat Bengkulu. Metode penelitian ini menggunakan metode kualitatif dan sejarah, dengan pengumpulan data melalui dokumen, wawancara, dan observasi terhadap para pelaku Tabot, tokoh adat, dan masyarakat di Bengkulu. Hasil penelitian menunjukkan bahwa; Pertama, tradisi Tabot terkait dengan tumbuh kembang Islam di Bengkulu yang dikembangkan oleh seorang ulama Islam Syiah dari India selatan bernama Syeh Burhanuddin yang kemudian lebih dikenal dengan nama Imam Senggolo, pada abad ke-18. Ia memperkenalkan tata cara upacara Tabot kepada masyarakat Bengkulu, yang kemudian diwariskan kepada keturunannya yang berasimilasi dengan masyarakat Bengkulu. Kedua, nilai-nilai toleransi dalam upacara tabot setiap bulan Muharram di Bengkulu meliputi saling menghormati, saling menghormati, membantu, dan gotong royong. Hal tersebut dibuktikan dalam kegiatan Upacara Tabot yang terbuka untuk umum sehingga semua masyarakat dapat mengikutinya dan tidak berpihak pada agama, suku, dan budaya tertentu dari masyarakat tertentu, melainkan merangkul segala perbedaan yang ada. Kegiatan tradisi tabot tidak hanya sebagai kegiatan keagamaan tetapi juga diharapkan dapat mengurangi perpecahan masyarakat dan juga nonmuslim yang ada di kota Bengkulu. 

Seismic Vulnerability of the Dey’s Palace (Algiers, Algeria)

2010 ◽  
Vol 133-134 ◽  
pp. 789-794
Author(s):  
Amina Abdessemed-Foufa ◽  
Hayet Bendjedia
Keyword(s):  
20Th Century ◽  
Seismic Vulnerability ◽  
18Th Century ◽  
16Th Century ◽  
The Third ◽  
Defensive Structure ◽  
Visual Screening ◽  
The City

The Palace of the Dey at Algiers is located inside the Citadel of Algiers which was built in the 16th century (1516) by ‘Arrudj (Barbarous). The citadel is located at the higher part of the city and was the first military building at that time. The citadel was the janissary barracks and initially contained a powder keg, a walk, Janissaries residence places and their mosque. Starting from the 18th century appear new constructive strata. In 1716 some part of this military edifice was destroyed by an earthquake. In 1783 the Spanish bombarded Algiers and a bomb fell into the first storey of the palace. The architectural transformations took place in 1817 when the Dey ‘Ali Khūdja lived at the janissary’s barracks. Thereafter and during 12 years several buildings were added to this whole defensive structure as the second and the third floors of the palace, the Dey’s mosque, the bath, the Bey’s palace and the winter garden. During the French colonization, the palace undergoes other transformations as the destruction of most of the rampart of the city contiguous to the palace which caused its instability and which until today accentuates its vulnerability. The lack of maintains, the abandonment and the bad restoration which took place during the 20th century increased this vulnerability. This work based on a visual screening will present the various aspects of vulnerability due to static weaknesses of the angles and absence of wind-bracing of this palace.

scholarly journals THE CITY IN THE MODERNIST POETRY. URBAN POEMS BY BOHDAN IHOR ANTONYCH AND GEORG HEYM

2020 ◽  
Vol 33 ◽  
pp. 480-493
Author(s):  
Tymofii HAVRYLIV
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
Semantic Analysis ◽  
18Th Century ◽  
Urban Landscapes ◽  
Analysis Method ◽  
Structural Element ◽  
Modernist Poetry ◽  
The 19Th Century ◽  
The City

For the first time in literary studies, a comparative analysis of the urbanistic poetry of Bohdan Ihor Antonych and Georg Heym is realized. The common and divergent in semantic codes and characteristic practices from which the poetics of both authors grows are investigated. The city is the defining topos of modernist writing and the central category of the modernist worldview. In no other epoch did the city enjoy the attention of writers as at the end of the 19th century and in the first third of the 20th century. The modern city acquires its outlines only in the middle of the 18th century, and the modernist city from the second half of the 19th century, but especially in the early 20th century through dialectical denial and overcoming the «city of enlightenment». The metaphor of the sea and the semantics of the element, usually water, characterize expressionist speech. Expressionist lyrics are imbued with apocalyptic visions. Urban modernist poetry is an extrapolation of the inner world (states of consciousness) to the outer world. Negative fascination is a defining feature of urbanistic discourse in expressionist poetry. Expressionist urbanistic lyricism is a romantic revolt against urbanization as a defining structural element of the civilizational evolution of mankind, and demonization is the main instrument of criticism of the city in expressionist lyricism. Special attention is paid to the function of memory and remembrance in big-city modernist poetry. While in Heym, a representative of early expressionism in German literature, the city appears as a topos of the apocalypse, in Antonych, the picture of the city is significantly more differentiated – and figuratively, and tonally, and substantial. The thematic blurring of Heym's urban landscapes is opposed by Antonychʼs structural urban subtopoi, the key one being the square. Antonychʼs poetics moves from the concrete to the abstract; his apocalypse is more mundane, aestheticized and playful, and the trumpets of the last day trumpet in the squares, which lovers meet. Antonychʼs city is more vitalistic than Heimʼs, even when the lyrical subject inflicts a flood on him. Not only expressionist but also formalistic and cubist melodies are heard in it. The article uses methods of textual, paratext, and contextual analysis, method of distributive analysis, method of poetic analysis, method of semantic analysis, method of stylistic analysis, method of phonological analysis, hermeneutic and post-structuralist methods. Keywords: modernism, expressionism, urbanistic lyrics, urban landscape, memory, remembrance.

TATA RUANG KOTA CIAMIS PASCAPERDAGANGAN DUNIA ABAD KE-19 – 20

PANALUNGTIK ◽  
2019 ◽  
Vol 1 (1) ◽  
pp. 41-60
Author(s):  
Nanang Saptono
Keyword(s):  
20Th Century ◽  
Development Process ◽  
Industrial Area ◽  
Spatial Layout ◽  
Research Data ◽  
City Development ◽  
Descriptive Research ◽  
Economic Infrastructure ◽  
Ancient Maps ◽  
The City

The capital of Ciamis Regency has experienced several displacements. During the reign of Raden Adipati Aria Kusumadiningrat the development of the capital was encouraged to develop into a city. After the kulturstelsel era, many European capitalists invested in Ciamis. At the beginning of the 20th century economic infrastructure, especially the means of distribution of commodities is much needed. Building economic facilities have sprung up in several locations in Ciamis. Such conditions result in the development of the city. This study aims to get a picture of the spatial layout of Ciamis and the city development process. The research method applied descriptive research. Data collection is done through direct observation in the field and accompanied by the utilization of instrument in the form of ancient maps. In the area of Ciamis City there are still some old building objects that can be used as a spatial bookmark of the city. At a glance the city's development spontaneously, but visible on the basis of existing infrastructure, in the 20th century the city of Ciamis showed a planned city. The growth of Ciamis city is of course influenced by several factors including economic and geographical factors.Keywords: city, layout, planned, industrial area

KEBANGGAAN TERHADAP BATIK MADURA BAGI WARGA SUMENEP

2014 ◽  
Vol 4 (2) ◽  
Author(s):  
Sayyida Sayyida ◽  
Nurdody Zakki
Keyword(s):  
Logistic Regression ◽  
Rural Areas ◽  
Research Method ◽  
Community Group ◽  
Parametric Regression ◽  
Logit Function ◽  
The Village ◽  
The City ◽  
Level Of Risk ◽  
Non Parametric

Diversity of Indonesian Batik hanging area. One of the very well-known Indonesian batik is Batik Madura. Batik Madura has become a pride for Indonesia, especially for Madura. The purpose of the study is to model the Sumenep pride to Batik Madura and to see the level of risk or tendency of batik madura pride for the community group Sumenep. This research method uses a non parametric regression used a non-parametric regression because the dependent variable in this study is the variable Y are variables not normally distributed. The results of this study states that the level of risk of the village in Sumenep proud of batik is almost 5 times higher than the islands while people in this city who live in the district town at risk Sumenep proud of Batik Madura 8-fold compared to the archipelago. So it can be concluded that the city is much more proud of batik than those who reside in rural areas especially those who reside in the islands. This study uses data from 100 questionnaires were analyzed using logistic regression analysis. The conclusion of this study is the pride of the batik model as follows: Function logistic regression / logit function: g (x) = 0,074 + 1,568X4(1)+2,159X4(2 this is case the islands as a comparison, X4(1)  is the place to stay in the village and X4(2)  is the place to stay in town, so the Model Opportunities p(x) = EXP(g(x))/1+EXP(g(x)).  Hopes for further research is to conduct research on the development of batik in an integrated region, the need to be disseminated to potential areas of particular potential in Madura batik, especially for residents who reside in the Islands.Keywords: Pride, Batik, Sumenep.

LITERARY ROMANTICISM AS A THEORETICAL ISSUE

2020 ◽  
pp. 19-27
Author(s):  
Vera V. Serdechnaia ◽  
Keyword(s):  
20Th Century ◽  
Conceptual Analysis ◽  
18Th Century ◽  
Theoretical Concept ◽  
Historical Research ◽  
Theoretical Issue ◽  
Main Research ◽  
Literary Process ◽  
History Of ◽  
The Subject

The article is devoted to the analysis of the concept of literary romanticism. The research aims at a refinement of the “romanticism” concept in relation to the history of the literary process. The main research methods include conceptual analysis, textual analysis, comparative historical research. The author analyzes the semantic genesis of the term “romanticism”, various interpretations of the concept, compares the definitions of different periods and cultures. The main results of the study are as follows. The history of the term “romanticism” shows a change in a number of definitions for the same concept in relation to the same literary phenomena. By the end of the 20th century, realizing the existence of significant contradictions in the content of the term “romanticism”, researchers often come to abandon it. At the same time, the steady use of the term “romanticism” testifies to the subject-conceptual component that exists in it, which does not lose its relevance, but just needs a theoretical refinement. Conclusion: one have to revise an approach to romanticism as a theoretical concept, based on the change in the concept of an individual in Europe at the end of the 18th century. It is the newly discovered freedom of an individual predetermines the rethinking for the image of the author as a creator and determines the artistic features of literary romanticism.

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