scholarly journals People, place, and space: Theoretical and empirical reflections in studying urban open space

2021 ◽  
Vol 14 ◽  
pp. 171-188
Author(s):  
Krishna Prasad Timalsina

People, place, and space are the main domain of spatial research which is widely discussed in the geographic discipline. Geographers always focus on the meanings related to space and human interactions to explain people, place, and space. The concept was explained by Richard Harsthrone (1959), Fred E Lukermann (1964), David Harvey (1969), Henri Lefebvre (1974), Yi-fu Tuan (1974),  Edward Relph (1976) and Doreen Massey (2005), etc.  As a human geographer, Yi.fu Tuan has a great contribution to explain people-place relations and further explained by Relph, Massey, and other scholars. Grounding on the geographic research traditions, this paper presents the concept of people, place, and space reviewing the historiographical literatures and some empirical research studies on people-space relations. Theorists have argued that people and space are deep-rooted in studying place attachment creating people’s sense of place. People’s actions and behaviors create meaning through their individual and communal behaviors in that space where they live and interact. Moreover, theoretical perspectives argue that placemaking is always associated with the social and cultural dimensions of a society. Empirically, as an indigenous society, people from the core area of Kathmandu Metropolitan City (KMC) have been perceiving urban open space as a commonplace for social and cultural life activities whereas migrants’ people living in the newly growing settlements have been perceiving the open space as a place for recreation and social capital enhancement.

2018 ◽  
Vol 24 (3) ◽  
pp. 389
Author(s):  
A Oka Suradiva ◽  
Muhamad Muhamad ◽  
Saryani Saryani

ABSTRACTThe development of tourism in Bali cannot be separated from the life of indigenous society which is affected by arts and cultural. One of the developing concept for tourism, especially in bali region is “Tourist Village”.within this concept, there are expectation that tourism can be spread evenly throughout the region. The youth has a important role in the development of tourism village, because they are the actors who will bring progress to each of their region. This research aims to examine the participation of youth in the development of tourist village to improving socio cultural resilience of village societies. This study use mix methods or descriptive method with concurrent procedure mixture methods which combine qualitative and qualitative approach. Basically, the determination sample was chosen by purposive sampling using criteria based on opinion. The data were collected using in depth interview and using questionnaire with assessment scale summated ratings model rating scale likert. Interview of the informant were determined through purposive sampling, while questionnaire respondents determined with the representation of population numbers through the slovin formula. The analysis of research will be using interactive Miles and Huberman for qualitative data and inferential statistical techniques (statistics probability) for quantitative data. The research has results that youth is a supporting actor in the management of tourist village in the Batubulan village. Youth participations are at the tokenism rate with an average 61%. The social and cultural life of the origin societies Batubulan village is became the main factor of tourism in this village. The indigenous life of youth and their organizations were proved to actualize socio cultural resilience. Socio cultural resilience was formed through the preservation of dynamically socio culture itself by protecting, developing, and utilizing local socio cultural tourism activities. ABSTRAKPerkembangan pariwisata di Bali tidak terlepas dari kehidupan masyarakat adat dengan seni dan budaya yang melekat di dalamnya. Desa wisata menjadi konsep yang berkembang belakangan ini yang diharapkan menjadi salah satu cara agar pariwisata bisa dinikmati secara merata di seluruh wilayah khususnya di Bali. Pemuda menjadi sangat penting dalam pengembangan desa wisata karena mereka merupakan aktor yang akan membawa kemajuan kedepannya untuk desa wisata di setiap wilayah mereka masing-masing. Penelitian ini bertujuan untuk mengetahui partisipasi pemuda dan upaya mereka dalam pengembangan desa wisata guna meningkatkan ketahanan sosial budaya masyarakat desa. Penelitian ini menggunakan mix methods atau metode deskriptif dengan prosedur metode campuran konkuren yang mengkombinasikan pendekatan kualitatif dengan kuantitatif. Penentuan informan dipilih berdasarkan purposive sampling dengan menggunakan kriteria berdasarkan pertimbangan. Teknik pengumpulan data dilakukan melalui wawancara mendalam, observasi, studi dokumentasi, kepustakaan, internet dan kuesioner skala penilaian summated ratings model rating scale likert. Responden kuesioner ditentukan melalui perwakilan jumlah populasi melalui rumus slovin. Analisis data penelitian menggunakan interaktif Miles dan Huberman untuk data kualitatif dan teknik statistik inferensial (statistik probabilitas) untuk data kuantitatif. Hasil penelitian menunjukkan bahwa pemuda hanya sebagai aktor pendukung dalam pengelolaan desa wisata di Desa Batubulan. Partisipasi pemuda berada pada tingkat partisipasi tokenism dengan bobot rata-rata sebesar 61,4%. Kehidupan sosial budaya masyarakat asli Desa Batubulan menjadi faktor utama pariwisata di Desa Wisata Batubulan. Pemuda dengan kehidupan masyarakat adat serta organisasi yang menjadi wadah terbukti mampu mewujudkan ketahanan sosial budaya. Ketahanan sosial budaya secara dinamis lahir dan terbentuk melalui pelestarian sosial budaya dengan cara melindungi, mengembangkan dan memanfaatkan potensi sosial budaya lokal melalui aktifitas pariwisata. 


Humaniora ◽  
2016 ◽  
Vol 7 (4) ◽  
pp. 555
Author(s):  
Dyah Kusuma Wardhani

The research goals were to identify a spacial pattern in craftsmen house and to see its relevance to the social-cultural life of the craftsmen. The existence of domestic and economic activity in craftsmen house creates a spacial pattern with particular characteristics. Data were collected through direct observation, interviews, and visual documentation to record productive house, settlement condition, and sequences of pottery production. The in-depth interview focused on the use of time, space, and house modification in craftsmen house. House in the craftsmen settlement was growing gradually by adjusting to the inhabitant's needs. This research was included in qualitative research that described observation results and then analyzed spacial pattern formed in craftsmen house. Research results show that in this settlement beside the mixed, balanced, and separated type of productive house, there is also pottery collectors house type. The changes in the productive house are related to housing adaptation or house adjustment to accommodate production process. The settlement orientation is along the streets, but the existence of open space in the form of pottery kiln and hay storage become the main orientation for productive spaces inside the craftsmen house. Pottery kiln and hay storage have become open cultural space that characterizes the pottery craftsmen settlement. 


2017 ◽  
Vol 6 (1) ◽  
pp. 153-168
Author(s):  
Celal Hayir ◽  
Ayman Kole

When the Turkish army seized power on May 27th, 1960, a new democratic constitution was carried into effect. The positive atmosphere created by the 1961 constitution quickly showed its effects on political balances in the parliament and it became difficult for one single party to come into power, which strengthened the multi-party-system. The freedom initiative created by 1961’s constitution had a direct effect on the rise of public opposition. Filmmakers, who generally steered clear from the discussion of social problems and conflicts until 1960, started to produce movies questioning conflicts in political, social and cultural life for the first time and discussions about the “Social Realism” movement in the ensuing films arose in cinematic circles in Turkey. At the same time, the “regional managers” emerged, and movies in line with demands of this system started to be produced. The Hope (Umut), produced by Yılmaz Güney in 1970, rang in a new era in Turkish cinema, because it differed from other movies previously made in its cinematic language, expression, and use of actors and settings. The aim of this study is to mention the reality discussions in Turkish cinema and outline the political facts which initiated this expression leading up to the film Umut (The Hope, directed by Yılmaz Güney), which has been accepted as the most distinctive social realist movie in Turkey. 


Panggung ◽  
2013 ◽  
Vol 23 (3) ◽  
Author(s):  
Indrayuda

ABSTRACT This article aims to explain the existence of Tari Piring dance as a culture identity of Minang- kabau people, both the people who live in the origin area and outside the area. Tari Piring dance is a traditional cultural heritage of Minangkabau people which is used and preserved by Minangkabau people in their life so that it becomes culture identity of Minangkabau people. As the identity of Minangkabau people, Piring dance is able to express attitudes and behaviors as well as the charac- teristics of Minangkabau people. The dance can serve as a reflection of social and cultural life style of Minangkabau society. Through Tari Piring performance, the outsider can understand Minangkabau people and their culture. Tari Piring, therefore, is getting more adhere to the social life of Minang- kabau people in West Sumatra and in the regions overseas. In the spirit of togetherness, Minang- kabau society preserves the existence of Piring dance as the identity and cultural heritage up to the present time. Keywords: Piring Dance, Minangkabau culture  ABSTRAK Artikel ini bertujuan untuk menjelaskan keberadaan Tari Piring sebagai identitas bu- daya masyarakat Minangkabau, baik yang berada di daerah asal maupun di daerah peran- tauan. Tari Piring merupakan warisan budaya tradisional masyarakat Minangkabau yang digunakan dan dilestarikan oleh masyarakat Minangkabau dalam kehidupannya sehingga menjadi identitas budaya Minangkabau. Sebagai jati diri masyarakat Minangkabau, Tari Piring mampu mengungkapkan sikap dan prilaku serta karakteristik orang Minangkabau. Tari Piring dapat berperan sebagai cerminan dari corak kehidupan sosial budaya masyara- kat Minangkabau. Melalui pertunjukan Tari Piring, masyarakat luar dapat memahami orang Minangkabau dan budayanya. Oleh karena itu, sampai saat ini Tari Piring semakin melekat dengan kehidupan sosial masyarakat Minangkabau di Sumatera Barat maupun di daerah perantauan. Dengan semangat kebersamaan, masyarakat Minangkabau mampu mempertahankan keberadaan Tari Piring sebagai identitas dan warisan budayanya hingga masa kini. Kata kunci : Tari Piring, budaya Minangkabau


2019 ◽  
Vol 4 (11) ◽  
pp. 151
Author(s):  
Nadiyanti Mat Nayan ◽  
David S Jones ◽  
Suriati Ahmad

In 1880, when the British moved their Federated Malay States administrative centre to Kuala Lumpur, the Padang quickly became a symbol of British economic and administrative colonisation, and a nucleus of the socio-cultural development of Kuala Lumpur. This paper discusses the layers of history, symbolism and cultural values that the Padang contributes to the socio-cultural tapestry of both Kuala Lumpur and Malaysia, and the lack of relevant planning and heritage measures to conserve these attributes and characteristics. The conclusions offer avenues to engage with pre- and post-colonisation that enable re-making and the conservation of the iconic space of Kuala Lumpur.Keywords: Urban open space; Merdeka Square; Kuala Lumpur City Hall; National Heritage Act 2005eISSN: 2398-4287 © 2019. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia.DOI: https://doi.org/10.21834/e-bpj.v4i11.1721


ISIS Propaganda offers a comprehensive overview and analysis of the Islamic State’s (IS) propaganda. Combining a range of different theoretical perspectives from across the social sciences and using rigorous methods, the authors pursue several interconnected tasks. They trace the origins of IS’s message, they lay bare the strategic logic guiding its evolution, they examine each of its many components (magazines, videos, music, social media, etc.) and show how they work together to radicalize audiences’ worldviews, and they highlight the challenges such a “full-spectrum propaganda” raises in terms of counterterrorism. The volume hence not only represents a one-stop point for any analyst of IS and Salafi-jihadism, but also a rich contribution to the study of text and visual propaganda, radicalization and political violence, and international security.


Author(s):  
Lexi Eikelboom

This chapter proposes a framework for approaching the theological significance of rhythm through phenomenology, prosody, and the social sciences. In accordance with the general categories of phenomenology established by Merleau-Ponty and the “rhythmanalysis” of Henri Lefebvre, the chapter investigates two experiences of rhythm: approaches to analysing the human encounter with rhythm in the reading of poetry and the role of rhythm in social interactions introduced through commonalities between rhythm in conversation and in jazz performance. These explorations establish two features of rhythm that are of analytical importance for the chapters that follow: (1) the synchronic and the diachronic as two necessary but distinct theoretical perspectives on rhythm, each of which emphasizes different features of rhythm and (2) the importance of interruption for understanding rhythm’s significance.


2021 ◽  
Vol 3 (1) ◽  
Author(s):  
Brett J. M. Petzer ◽  
Anna J. Wieczorek ◽  
Geert P. J. Verbong

AbstractAn urban mobility transition requires a transition in space allocation, since most mobility modes are dependent on urban open space for circulation and the storage of vehicles. Despite increasing attention to space and spatiality in transitions research, the finite, physical aspects of urban space, and the means by which it is allocated, have not been adequately acknowledged as an influence on mobility transitions. A conceptual framework is introduced to support comparison between cities in terms of the processes by which open space is (re-)distributed between car and bicycle circulatory and regulatory space. This framework distinguishes between regulatory allocation mechanisms and the appropriation practices of actors. Application to cases in Amsterdam, Brussels and Birmingham reveal unique relationships created by the zero-sum nature of urban open space between the dominant automobility mode and subordinate cycling mode. These relationships open up a new approach to forms of lock-in that work in favour of particular mobility modes within the relatively obdurate urban built environment. Empirically, allocation mechanisms that routinise the production of car space at national level within the EU are shown to be far more prevalent than those for bicycle space, highlighting the constraints faced by radical city-level policies aimed at space reallocation.


2008 ◽  
Vol 10 (1) ◽  
pp. 31-45 ◽  
Author(s):  
Elizabeth Wilson ◽  
Fergus Nicol ◽  
Leyon Nanayakkara ◽  
Anja Ueberjahn-Tritta

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