This article considers the state of human beings in a post-postmodern conditions and focuses on obversion as one version of posthuman reality in polyversion, which is lusciousness. Obversion is regarded as a logical and at the same time dynamic figure of dis-identity and non-presence. Trying to find out if a real human being is written leads one to consider the relationship of real and written reality and the possibility of posthuman writing. Posthuman writing becomes apparent in tracks, traces, scars and vestiges such an @ as a signifier of becoming t@iled. The vestiges of a human being are being investigated through the appeal to an actual post-postmodern conceptions such as speculative realism, speculative posthumanism, dark ecology, etc. In the post-postmodern context concepts such as tru(s)t/h, faith and kindness as a counterweight to the excessive postmodern quotation and theorization are being examined. Thus, a human being as a post-postscript is becoming a preface at the same time. This article explores such crucial postmodern issues as iterability, signature and others in a contingent context, in which an immanence of living itself becomes a writing in the postdigitality, post-Internet and post-media extent in relation to the realization of the disaster of technical or even mechanical as human. This research realizes on a showcase of post-postmodern architecture as an immanent spatiotemporal contingency, en-vironment of a human being. It shows how a minimalistic style in post-postmodern ethics and aesthetics correlates with obversive rocking in contrast to binary opposition logic. Thus, it realizes a movement from human to posthuman as scriptor, writing a postscript, and beyond to post-posthuman as postscriptor, writing a post-postscript as a human being, writing itself in its contingent immanence.
The Politics of Eroticism: Political Writing and Arundhati Roy's The God of Small Things