للكاتب البروناوي الحاج محمد حسين بن عبد الرحمن (Pancawarna)"سمات الأدب الإسلامي في رواية "الألوان الخمسة (Features of Islamic Literature in the Novel “Pancawarna” by Bruneian Writer Haji Md Hussain bin Abdul Rahman)

Author(s):  
رحمة بنت أحمد الحاج عثمان ◽  
كوجيمه بنت الحاج عبد ا بنت الحاج عبد القهار

الرواية فن من الفنون الأدبية التي نشأت حديثًا في المجتمع البروناوي، وقد تطور من حيث الكمية والنوعية منذ مطلع هذا القرن، ومن أدلة هذا التطور ظهور الرواية الإسلامية عند الكُتّاب البروناويين، ويتناول هذا البحث سمات الأدب الإسلامي في رواية "الألوان الخمسة" (Pancawarna) للكاتب البروناوي الحاج محمد حسين بن عبد الرحمن اعتمادًا على السمات التي أشار إليها نجيب الكيلاني في كتابة "مدخل إلى الأدب الإسلامي"؛ ليصل البحث إلى نتيجة أن رواية "الألوان الخمسة" ملتزمة بالقيم الفنية الجمالية المحافظة على طبيعة الأدب من حيث الشكل، وبالقيم الإسلامية من حيث المضمون. الكلمات المفتاحيّة: الأدب الإسلامي، الالتزام، رواية "الألوان الخمسة"، سمات الأدب الإسلامي. Abstract The field of novel writing is one of the growing literary works in Brunei Darussalam in this century, both in the aspect of novels’ genres or quantities. The most significant developments in novel writings in Brunei Darussalam these days is the emergence of Islamic novels written by the Bruneian writers. This study highlights the features of Islamic literature in the novel ‘Pancawarna’ written by Haji Md Hussain bin Abdul Rahman according to the criteria set by Najib Kilani in his book "Madkhal Ila al-Adab al-Islami". This study finds that the novel meets the criteria of Islamic literature that exhibits beautiful writings and artistic values to preserve the nature of literary works as well as portraying Islamic values as the core essence of the novel. Keywords: Islamic Literature, Commitment, the Novel ‘Pancawarna’, Features of Islamic Literature.

2021 ◽  
Vol 1 (1) ◽  
pp. 8-13
Author(s):  
Patricia Wulandari

A good literary work can provide information about various kinds of community life,including life related to religiosity. Literary works are closely related to religisiutas,because of that, various works appearing showing the religiosity of society, one ofwhich is the Javanese. Modern Indonesian literary works that illustrate this are thecollection of short stories from Umi Kalsum by Djamil Suherman, the lyrical prosePengakuan Pariyem by Linus Suryadi AG, and the novel Ronggeng Dukuh Paruk byAhmad Tohari. Each of these works represents the diversity of Javanese society. Thecollection of short stories from Umi Kalsum shows the religious side of the communitycalled the santri who are so obedient in carrying out their worship. The lyrical proseof Pariyem's confession provides information on how a babu is so resigned to seeinglife, but in her soul holds the wisdom of Kejawen. Meanwhile, Ronggeng Dukuh Parukdescribes the Javanese people who worship the spirits of their ancestors. Even thoughthey have different religions, they basically want harmony. Javanese people who livein santri enjoy harmony when they live with strong Islamic values. The Javanesepeople of the Gunung Kidul area live in harmony if they are always nrimo and see lifeas it is according to its Javanese nature. The Dukuh Paruk community attainsharmony that originates from the worship of the spirit of Ki Secamenggala.


2018 ◽  
Vol 3 (2) ◽  
Author(s):  
Himawan Pratama

Within the so many positive images of Japan produced and reproduced in Indonesia, there seems to be a convention to portray the relationship between Japanese culture and Islamic values as an oppositional one. This is evident in the depiction of the clash between the two in various stories of the Japanese Military Occupation Period in Indonesia, as well as in Indonesian Islamic literary works until the 2000s. However, through her Islamic-romantic novel “Akatsuki” (2009, 2012, 2017) Muliyatun N., by creating a story that entirely takes place in Japan and with all Japanese characters, depicts Japanese culture and Islamic values relations as non-oppositional and non-confrontational. This paper first describes the depiction of Japanese culture-Islamic values relations within “Akatsuki”. Furthermore, by considering contexts lingering the production of the novel, it analyzes how the “Akatsuki” marks the shift in Indonesian Muslim’s perception towards Japan in the decade of 2010s. My argument is that this shift is in line with the trends of creating a global and successful image of Muslims through literary works, and the recent development of the relationship between Japan and Islamic world.


2017 ◽  
Vol 2 (2) ◽  
pp. 159
Author(s):  
Mohammad Rokib

Ali Ahmad Bākathīr was a prolific Arab playwright, novelist and poet of the 20th Century. He wrote almost fifty literary works and more than thirty plays in Arabic which developed Islamic character in Arabic literature. His works sought to establish Islamic values and traditions that occurred in Islamic societies. Although his works contributed immensely to the Arabic and Islamic literature, Bākathīr has received lack of attention from scholars both in Islamic world and in non-Islamic world. This paper explores the Muslim effort in acquiring national independence on the literary works of Bākathīr, particularly on the concept of nationalism. In the process of acquiring national independence, Indonesia’s figures usually utilized the paradigm of nationalism through words of dialog. The words of figure that referred to nationalism will be discussed. In this paper, we argue that Bākathīr literary work’s ’Audat al-Firdaus contains the spirit of nationalism for gaining independence.      


2018 ◽  
Vol 3 (2) ◽  
pp. 141
Author(s):  
Mazka Hauzan Naufal

<p><em>The growth of islamic literature keeps a problem. For some critics, many works of fiction labeled "islamic literature" are problematic in terms of writing techniques and the value of aesthetic. Amidst the stream of criticism that highlighted the weaknesses of islamic literary products, emerged several literary works, which although not specifically labeled "islamic literature", contained symbols and islamic moral teachings that won prestigious literary awards. One of them is the novel </em>Kambing dan Hujan<em> by Mahfud Ikhwan. Using Robert Stanton's structural analysis approach, this article intends to describe how the values of da'wah and aesthetic values are combined in the novel </em>Kambing and Hujan<em>. Based on the analysis, two conclusions were drawn. </em>First<em>, the novel </em>Kambing dan Hujan<em> has structural density. Every intrinsic element is interrelated in harmony. </em>Second<em>, the novel </em>Kambing and Hujan<em> succeeded in combining aesthetic values (marked by structural density and harmony between elements) with the value of da'wah (which was marked by the existence of the content of Islamic teachings in it).</em></p><p> </p>


2012 ◽  
Vol 25 (1) ◽  
pp. 56-74
Author(s):  
Mohd. Faizal Musa ◽  

This article discusses the idea of Prophetic Literature or Sufi Literature that developed along the same lines as Transcendental Literature, founded by Kuntowijoyo. The core philosophies behind Transcendental Literature are the teachings of Sufism and mysticism. With Islam Kejawen (Javanese Sufism) as a background, Transcendental Literature emphasizes the spiritual experience and effort by humans to seek the love of Allah. It also emphasizes on traditional elements such as the “return to the roots of local culture”, including Kejawen (Javanese Sufism) as a source to respond to the post-colonial literary discourse. In comparison, in Malaysia, Genuine Literature, pioneered by Mohd. Affandi Hassan, attempts to differentiate between the term and concept of kesusasteraan (literature), which is linked to Western fiction, and persuratan (writing), Mohd. Affandi Hassan’s ambitious venture was to liberate Muslim authors from Western colonization. Genuine (Islamic) Literature focuses on ‘ ilm or knowledge, hence excluding aspects of superstition and imagination in literary works. Also, in Genuine Literature, the real beauty in literary works lies in the “combination of aesthetics and intellect”. Genuine Literature also rejects absolute freedom for authors, with creativity no longer taken to be a measure of creativity. As an early discussion, this paper will highlight aspects of the Transcendental Literature of Indonesia and Genuine Literature of Malaysia and how they were presented as a response to the Western discourse. Both clearly try to provide “Islamic Literature” with distinctive features to create a more meaningful post-colonial discourse. Keywords: Islamic Literature, Transcendental Literature, Genuine Literature, Javanese Sufism, Post Colonial Literature


2018 ◽  
Vol 3 (1) ◽  
pp. 1
Author(s):  
Zulfatun Anisah

The value of Islamic education is occupied in everyday life, depicted also in literary works. One of them is the novel "Little Letter to God". The Islamic values contained in the novel reflect the values of life. On the social values depicted kinship attitudes interwoven between humans, mutual help-help, and mutual cooperation with each other. The value of education is also depicted according to the teachings of the Prophet Muhammad is seriously in search of knowledge until death to pick human. Moral education can also be used as a reference. Wise in dealing with any event or fate. Do not blame others when he / she gets the accident. Able to deal with various problems with a spacious heart. In addition, the value of religiosity in the novel SKUT reflects that in initiating any activity should be based on prayer, and sincere in receiving trials and destiny


2016 ◽  
Vol 51 (4) ◽  
pp. 519
Author(s):  
Caroline Valada Becker

O escritor Rui Zink, em uma “Nota do autor” inserida ao final do romance O Destino Turístico, explica que pretende criar uma “tetralogia sobre a crise”, composta por três romances e um livro de contos – O Destino Turístico (2008), A Instalação do Medo (2012), A Metamorfose e Outras Formosas Morfoses (2014) e Osso (2015). Efetivamente, a crise é o cerne dessas narrativas e une-se à temática da violência, do terrorismo e do medo, dando eco a problemas da Europa contemporânea. A ficção, portanto, mimetiza facetas do mundo empírico, e Rui Zink, por meio de enredos alegóricos e irônicos, desenha a condição humana contemporânea – desesperada, assustada e cruel. Aceitando a proposta do autor como chave de leitura (e não como aspecto limitador da análise), este artigo dedica-se ao estudo de tais obras (especificamente os romances) para mapear o signo da crise, utilizando algumas proposições de Zygmunt Bauman (2008, 2014).********************************************************************Images of the crisis: Rui Zink’s fictional patternsAbstract: The writer Rui Zink, in an inserted “Author’s Note” at the end of the novel O Destino Turístico (The Tourist Destination), explains that he aims to create a “tetralogy about the crisis”, composed of three novels and a book of short stories – O Destino Turístico (2008), A Instalação do Medo (2012, The Installation of Fear), A Metamorfose e Outras Formosas Morfoses (2014, The Metamorphosis and Other Beautiful Morphosis), and Osso (2015, Bone). In fact, the crisis is at the core of theses narratives and joins the violence, the terrorism, and the fear, reflecting contemporary European problems. The fiction, thus, mimics facets of the empirical world; and Rui Zink, by means of allegoric and ironic plots, draws the contemporary human condition – desperate, frightened, and cruel. This article accepts the author’s proposal as a reading key (and not as an aspect limiting the analysis) and is dedicated to the study of such literary works (specifically the novels) in order to map the sign of the crisis, taking into consideration some propositions of Zygmunt Bauman (2008, 2014).Keywords: Portuguese novel; Crisis; Contemporaneity.


2020 ◽  
Vol 2 (2) ◽  
pp. 172-196
Author(s):  
Nurul Indana ◽  
Noor Fatikah ◽  
Nady Nady

Along with development of globalization, literary works also makes an important contribution to education. One of the novels that included Islamic values ??especially in moral messages is the novel "Kasidah-Kasidah Cinta" written Muhammad Muhyidin which is full of knowledge, especially about religious knowledge, so that it feels more alive and real. The Islamic education value is the value of Islam that supports education implementation and even becomes a series or system such values as the value of faith, knowledge, worship morals, and the value of struggle. Meanwhile the value of education in the Kasidah-Kasidah Cinta novel is about faith, worship and morals education.Along with development of globalization, literary works also makes an important contribution to education. One of the novels that included Islamic values ??especially in moral messages is the novel "Kasidah-Kasidah Cinta" written Muhammad Muhyidin which is full of knowledge, especially about religious knowledge, so that it feels more alive and real. The Islamic education value is the value of Islam that supports education implementation and even becomes a series or system such values as the value of faith, knowledge, worship morals, and the value of struggle. Meanwhile the value of education in the Kasidah-Kasidah Cinta novel is about faith, worship and morals education.


2013 ◽  
Vol 3 (2) ◽  
pp. 161-183
Author(s):  
Mary L. Mullen

This article considers the politics and aesthetics of the colonial Bildungsroman by reading George Moore's often-overlooked novel A Drama in Muslin (1886). It argues that the colonial Bildungsroman does not simply register difference from the metropolitan novel of development or express tension between the core and periphery, as Jed Esty suggests, but rather can imagine a heterogeneous historical time that does not find its end in the nation-state. A Drama in Muslin combines naturalist and realist modes, and moves between Ireland and England to construct a form of untimely development that emphasises political processes (dissent, negotiation) rather than political forms (the state, the nation). Ultimately, the messy, discordant history represented in the novel shows the political potential of anachronism as it celebrates the untimeliness of everyday life.


2020 ◽  
pp. 182-197
Author(s):  
Agnieszka Goral

The aim of the article is to analyse the elements of folk poetics in the novel Pleasant things. Utopia by T. Bołdak-Janowska. The category of folklore is understood in a rather narrow way, and at the same time it is most often used in critical and literary works as meaning a set of cultural features (customs and rituals, beliefs and rituals, symbols, beliefs and stereotypes) whose carrier is the rural folk. The analysis covers such elements of the work as place, plot, heroes, folk system of values, folk rituals, customs, and symbols. The description is conducted based on the analysis of source material as well as selected works in the field of literary text analysis and ethnolinguistics. The analysis shows that folk poetics was creatively associated with the elements of fairy tales and fantasy in the studied work, and its role consists of – on the one hand – presenting the folk world represented and – on the other – presenting a message about the meaning of human existence.


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