scholarly journals MISSION OF CULTURAL SERVICE: ABOUT THE DEPARTMENT THAT TRAINS INFORMATION SPECIALISTS (to the 50th anniversary of VP «Nikolaev branch of KNUCA)

Author(s):  
Tatyana Sydorenko ◽  
Alla Sydorenko

Purpose of the Article. The research raises questions of history and generalization of experience of preparation of experts of information sphere in the Separate division «The Nikolaev branch of the Kyiv national university of culture and arts». The methodology of the study were methods of analysis, synthesis, comparative history, and retrospective, which allowed to study the history of the Department of Information, Library, and Archival Affairs for 50 years. The scientific novelty of the work is that for the first time the history of the departments that trained information specialists (librarians and documentologists) was comprehensively studied. Conclusions. The Mykolaiv Educational School of Library and Documentation which was the only one in the South of Ukraine for many decades has extensive experience in training information specialists and occupies a leading place in the half-century history of the Mykolaiv Branch of the Kyiv National University of Culture and Arts. The department, which trains specialists in the field of information, makes a significant contribution to the scientific development of problems of the documentary, history of library and book business, customer service. The department celebrates its anniversary at a new stage of its development, implementing new projects, startups, forms of work with students in a transformational educational environmentwhile maintaining a high professional level. Keywords: Mykolaiv branch of Kyiv National University of Culture and Arts, Department of Information, Library and Archival Affairs, Information Education.

2019 ◽  
Vol 2 ◽  
pp. 11
Author(s):  
Sеrhii Svіtlenko

The article aims to study the personality of Taras Shevchenko in the reflections of the Cyril and Methodius Society Members. The investigators of the figures of the Cyril and Methodius Society, the epistolary and memoir legacy of the participants of the Ukrainian National Movement and their sympathizers are analyzed. As a result, it is argued that the Cyril and Methodius Society Members had fruitful intellectual contacts with T. Shevchenko, knew well and highly respected his work, realized the importance of the poet as a true Ukrainian populist, who made a significant contribution to the national-cultural revival of Ukrainian culture and the creation of a Ukrainian national consciousness It was proved that the activities of the Cyril and Methodius completely coincided with the meaning of Shevchenkoʼs poetic creativity, while the charismatic personality of Kobzar organically entered into the intellectual core of the Cyril and Methodius Society circle, and made a powerful moral and psychological influence on the conscious Ukrainian youth. Members of the Cyril and Methodius Society appreciated the uncompromisingness, courage, radicalism, and deep folk of Shevchenkoʼs poetry. Ukrainian patriotism, patriotism for the fate of the native people united T. Shevchenko with other figures of the society, despite some ideological differences. Progressive Ukrainian youth valued Kobzar for great poetry talent, artistic plastic, extraordinary melodic singing, penetrating mind, deep vital sensibility and, at the same time, unique comic, humor and satire. At the same time, communicating with ideological supporters gav T. Shevchenko a new creative inspiration. During this period the Ukrainian poet was in a state of creative exaltation. It is concluded that the reflections of the Members of the Cyril and Mefodius Society, especially M. I. Kostomarov, P. O. Kulish, G. L. Andruzsky, V. M. Bilozersky, M. I. Gulak, O. D. Tulub, and others, written as during the life of T. Shevchenko, and retrospectively, is an important historical source of life and activity of Kobzar, one of the most prominent representatives of the Ukrainian national elite. The empirical article is written on various documentary and narrative primary sources, for the first time actualizes the problem of historical memory in the Ukrainian national movement at the beginning of its cultural-political stage, contains the original generalizations and conclusions regarding T. Shevchenko as a Ukrainian nation рорulist and harbinger of the Ukrainian national idea in reflections of the Cyril and Methodius Society Members. The material of the article may have practical application in scientific studios on the history of the Ukrainian national movement and the educational process of higher education.


2019 ◽  
Vol 11 (2) ◽  
pp. 182-190
Author(s):  
Marija Czepil ◽  
Oresta Karpenko

The article describes the forms of orphans’ care, custody of children deprived of parental care, their emergence and development in European countries of the 18th century – the first half of the 19th century. Attention is focused on the theory and practice of custodial education, socio-pedagogical concepts, which are based on the principle of family and living together, where you care for the child and love him. The concept of upbringing in Children’s homes, which for the first time in the history of upbringing was implemented in Switzerland, was highlighted. A significant contribution to the theory and practice of upbringing was the adoption to Rescue houses kids of both sexes. At that time that was an innovative idea.


Author(s):  
O.A. Yartseva

The article is devoted to the history of a unique collection made by famous American patron and curator Peggy Guggenheim. For several decades, she has been gathering works by European Cubists, Abstractionists and Surrealists, creating the huge collection of the 20th century art. But she made the most significant contribution to the development and popularization of modernism by organizing the «Art of this Century» gallery in New York. This gallery hosted for the first time exhibitions of artists who later became known as abstract expressionists. Their work loudly declared itself on the international art scene and won worldwide recognition. В фокусе внимания автора статьи — история создания уникального собрания произведений искусства ХХ века, принадлежавшего известной американской меценатке и куратору Пегги Гуггенхайм. На протяжении нескольких десятилетий она коллекционировала картины европейских кубистов, абстракционистов и сюрреалистов. Но самый значительный вклад в развитие и популяризацию модернизма она внесла, организовав в Нью-Йорке галерею «Искусство этого века», в которой впервые были проведены выставки художников, позже ставших классиками абстрактного экспрессионизма США, магистрального направления, громко заявившего о себе на международной художественной сцене и завоевавшего всемирное признание.


Author(s):  
V. K. Khilchevskyi ◽  
E. D. Gopchenko ◽  
N. S. Loboda ◽  
O. G. Obodovskyi ◽  
V. V. Grebin ◽  
...  

Development of the Hydrology in universities of Ukraine is the formation and development of scientific schools, which promote of the better training of professionals. Purpose of the article - to show the history of hydrological science in higher educational institutions of Ukraine, the formation of scientific schools, their achievements and problems, outline prospects for the development of Hydrology in universities . The article presents the history of hydrological science in higher educational institutions of Ukraine since 1922, when E. Oppokov first time in Ukraine established the Department of  Hydrology at the Kiev Polytechnic Institute, that passed difficult path of transformation and now is presented at the National University of Water Management and Nature (Rivne). It was described the development of hydrology at the Odessa State Environmental University (since 1932), Yuriy Fedkovych Chernivtsi National University (since 1946), Taras Shevchenko National University of Kyiv (since 1949), Oles Gonchar Dnipro National University (since 2008). The results of the work of scientists hydrologists at these universities, especially Odessa scientific school of theoretical and applied hydrology and Kiev University scientific school of hydrochemistry and hydroecology was considered. Hydrological Sciences at the Universities of Ukraine have a long tradition that has formed during last century. In general, it is today developing in the mainstream global hydrology. Prospects of Hydrological Sciences is closely linked to prospects of the national economy. Ukrainian hydrologists must work more closely with international institutions on joint research projects. The task of universities is not only intensify research, but also in improving the training of specialists hydrologists from the time when hydrology was included in "Earth Sciences".


Teosofia ◽  
2020 ◽  
Vol 9 (2) ◽  
pp. 251-274
Author(s):  
Mokhamad Rohma Rozikin

As one of disciplines, Sufism has undergone the stages of scientific development. It is difficult to reach an agreement related to the classification of Sufism schools from the first time it appeared until today. However, by taking the characteristics of each thought into account, Sufism can be classified into several schools, namely Rajā 'wa khauf Sufism, Maḥabbah Sufism, Happy Sufism, Al-Ḥallāj Sufism, Al-Gazzālī Sufism, Philosophical Sufism, and Ibn Taimiyyah Sufism. Sufism that grew in the early days, in the first and second centuries of Hegira, such as Maḥabbah and Rajā' wa khauf Sufism, was in general undisputed because it was still far from the influence of foreign elements and had strong attachments to Al-Qur'an and Sunah. Sufism in the third and fourth centuries of Hijra, although from the scientific side is more established, systematic, and structured, the symptoms of conflict with Fiqh began to grow which reached its peak in the time of Al-Hallāj. Sufism in the fifth century, at the time of Al-Gazzālī, was the most beautiful period in the history of Sufism because Sufism and Fiqh could be integrated. Sufism in the next period began to had another conflict because of the influence of philosophy until the time of Ibn Taimiyyah who wanted to return Sufism to its origin. This paper conducted a literature review on the history of Sufism to capture the schools that have emerged since its inception. In the final section, a critical analysis of the Sufism schools was carried out and it was closed with a few ideas on how to eclectically adapt the results of this critical analysis for the Islamic Education learning.


2021 ◽  
Vol 22 (22) ◽  
pp. 166-178
Author(s):  
Slyusarenko Tetyana

Background. The present of the national musical culture is characterized by a kind of synthesis between imitation of the original folk-instrumental traditions with the latest ideological models and performing means. The art of bandura players also occupies a proper place in the development of academic folk instruments of Ukraine. A prominent place in the diversity of ensemble groups of large forms is occupied by the bandura band “Sun” of Kharkiv I. P. Kotlyarevsky National University of Arts, whose artistic director and conductor is a famous and talented bandura player, senior lecturer at the Department of Folk Instruments of Ukraine, Kharkiv National University of Arts Nadiya Melnik. The band has a unique performance portrait, relatively long creative path and its own genre and style specifics of development. Today the band is the only large educational bandura ensemble in Kharkiv, which presents the performing traditions of Sloboda Ukraine but, unfortunately, in the musicological discourse there are no studies on the creative activity of this artistic association, analysis of development specifics and its role in the development of bandura performance of Ukraine, which determines the relevance of the article. Many scholars such as: L. Yashchenko, V. Umanets, R. Kiyanovska, A.Ivanysh, T. Cherneta and others studied the development, the stages of formation and the specifics of activities of large bandura groups in Ukraine. The main attention of musicologists and bandura practitioners is devoted to the activities of powerful and leading large ensembles and bandura groups. Among them there are National Honored Bandura Band of Ukraine named after G. I. Mayboroda, bandura choir “Magician” of the Dnipro Academy of Music named after M. Glinka, bandura choir “Lyubava” of Poltava College of Arts named after M. V. Lysenko and others. However, the study of the creative activity of the bandura band “Sun” of Kharkiv I. P. Kotlyarevsky National University of Arts under the direction of N. V. Melnyk, which today has a strong potential and vividly represents the bandura performance not only of Kharkiv, but of Ukraine as a whole remains unnoticed. The purpose and objectives of the article are to highlight the main stages of formation and specifics of the creative activity of the bandore band “Sun” as a bright representative of modern bandura performance in Kharkov. To achieve this goal, the following tasks must be completed: – to identify the main stages of development of the bandura band “Sun”; – to analyze the performance and repertoire of the bandura band “Sun”; – to determine the specifics of the development of creative activity of the bandura band “Sun”. Methods. To achieve this goal and solve the main tasks of the article, the method of artistic and scientific research was used. Results. Basing on the method of art research, it was found that at the present stage the band is the only large group that represents the bandura performance not only of Kharkiv but also in the Sloboda region. Significant events in the artistic life of the participants are marked, which characterize the main milestones in the history of formation and development of the band: the period of the band, the first state recognition of bandura conductors as a professional artists, creation of a bandore band for the first time, winning the laureate title (I place at the all-Ukrainian competition which is called “Ring, bandura” (Dnepropetrovsk, 2004)). The synthesis of traditional performance forms with modern elements of music, combination of vocal and instrumental material and dramatization, melodic recitation, artistic experiments etc. is characteristic for the work of the artistic team. Conclusions. Summarizing all what is written above, we can say that the bandura band “Sun” is a powerful highly professional team with its own performance and drama approach, genre and style features and specific development features: combination of vocal-instrumental material and theatrical performance, melodic, etc. The high appreciation of the bandura players’ creative activity by the leading musicologists of Ukraine and the popularity of the famous artistic group testifies to its recognition in the musicological circle and among the fans of bandura performance in Kharkiv and in Ukraine as a whole.


Author(s):  
Ivan A. Golovnev ◽  
◽  
Elena V. Golovneva ◽  

This paper considers a relevant but practically unexplored topic, i.e. visual anthropology as a tool of scientific cognition as well as constructing and representing the image of a territory. Professional researchers and travellers contributed considerably to the formation of images of the frontier regions of Russia in the imperial and Soviet periods. This work opens a little-known page in the history of the study of Sakhalin — the work of Pyotr Ignatievich Polevoy (1873–1938), one of the pioneers in the scientific development of the island. Based on archival data, many of which are published for the first time, the article focuses on the analysis of the scientist’s visual and anthropological legacy and follows the main directions of his work — anthropology, geology, and local history. The reflection of the post-penal period in the history of Sakhalin related to the transformation of the colonisation policy, gives special ideas in terms of studying and representing the island’s image in the Asia-Pacific. The authors compare text and photographic materials and specify the key images of Sakhalin in the works of Polevoy, an “island of oil”, “island of foreigners” and “island of colonists”. Interconnected by the cross-cutting theme of colonisation, these images clearly illustrate the researcher’s position on the futility of Sakhalin as an agricultural colony and the rationality of its industrial development. The paper also develops concepts from visual anthropology (“visual representation of a region”, “ethnographic photography”) and cultural geography (“image of a region”, “cultural landscape”). The authors come to the conclusion that the legacy of Pyotr Polevoy (his scientific works and photographic representations) can be considered an informative historical source for studying the dynamic image of the Far Eastern frontier in anthropology and related humanities.


2020 ◽  
pp. 42-51
Author(s):  
Vladimir Mikhailovich Riabkov

The article is devoted to the consideration of "Maslenitsa" in the historiography of social and cultural activities. It is noted that "Maslenitsa" as a national holiday appeared before the baptism of Russia. The author emphasizes that the study of the historiography of the holiday is of undoubted interest, both for scientists and practitioners of the leisure sphere, since such research is conducted for the first time. The purpose of the research is to reveal how historians, ethnographers, and folklorists studied Maslenitsa in various periods of Russian history. The author's task was to show the structure of Maslenitsa, the organization of its holding and numerous leisure forms of its holding, as well as to show through numerous studies how each day of Maslenitsa was celebrated. Methods. Various sources (monographs, articles, dissertations) that reveal the content and conduct of Maslenitsa in various historical periods are used in the study. The article provides a historiographical analysis of the national holiday "Maslenitsa". The author points out that at present the historiography of social and cultural activities, as a branch of pedagogical science, has become an independent section of research on a par with the history and theory of social and cultural activities. It is emphasized that the study of forms of holiday and entertainment culture in the history of socio-cultural activities is one of the directions of historiography in socio-cultural activities. Historiography of socio-cultural activity in its scientific development makes the first independent steps. The scientific novelty of this research is undeniable. Based on the fundamental historiographical material, the author shows the emergence of the "Maslenitsa", its structure, organization and conduct. In the article each day of the holiday and entertainment ways for its conduct are defined. Keywords: Maslenitsa, historiography, sociocultural activities, meeting, zaigryshi, lakomka, shirokij Chetverg, mother-in-law’s evening, sister in law’s gatherings, Sorry and Forgive day, holiday, holiday and entertainment culture, leisure.


Author(s):  
E.D. Fedotova

The article is devoted to the history of a unique collection made by famous American patron and curator Peggy Guggenheim. For several decades, she has been gathering works by European Cubists, Abstractionists and Surrealists, creating the huge collection of the 20th century art. But she made the most significant contribution to the development and popularization of modernism by organizing the «Art of this Century» gallery in New York. This gallery hosted for the first time exhibitions of artists who later became known as abstract expressionists. Their work loudly declared itself on the international art scene and won worldwide recognition. Статья посвящена серии акварелей «Campi Phlegraei», исполненной итальянским художником Пьетро Де Фабрисом (годы жизни не известны) во время научной экспедиции лорда Уильяма Гамильтона (1730–1803), посланника Великобритании, к кратеру Везувия. Оба они — художник и У. Гамильтон, меценат и коллекционер, увлеченно занимавшийся вулканологией, были яркими фигурами истории и культуры века Просвещения. Их сотрудничество является подтверждением научных и художественных достижений культуры Италии в век «просвещенного абсолютизма», когда в Королевстве обеих Сицилий правила династия испанских Бурбонов.


2019 ◽  
Vol 8 (1) ◽  
pp. 52-62 ◽  
Author(s):  
A. D. Kaprin ◽  
Yu. S. Mardinskiy ◽  
V. P. Smirnov ◽  
S. A. Ivanov ◽  
A. A. Kostin ◽  
...  

In 1903, on the basis of Morozov Institute of the Moscow Imperial University (currently, P. Herzen Moscow Oncology Research Center, a branch of the National Medical Research Radiological Center, Ministry of Health of the Russian Federation), the first specialized unit in Russia was opened – department of radiation therapy of oncological diseases, in which scientific research in the field of medical radiology was officially launched in our country for the first time. The first studies in the field of radiation therapy can be attributed to this period.The article presents a brief summary of the historical development of radiotherapy in the world and in Russia; provides information on the achievements of global importance, fundamental for this scientific field. The activities of leading Russian organizations in the field of radiation therapy are reviewed; names of scientists, doctors and other specialists who have made a significant contribution to its development are provided. The main literature sources relevant to the field are given.The data in this article may be of interest and be useful for biomedical scientists, practicing radiologists and radiotherapists, oncologists, medical and graduate students, interns and other specialists.


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