scholarly journals ПРАВОВИЙ МЕНТАЛІТЕТ ЯК ПІДҐРУНТЯ АНТРОПОЛОГІЗАЦІЇ ПРАВА

Author(s):  
В. В. Завальнюк

Тема правового менталітету - це тема національної самосвідомості й самовизначення людини, а сенс цісї категорії полягас в тому, що воно насамперед не фіксус позитивно-пра­вове явище, а становить форму самосвідомості народу (як і усвідомлення історичної долі цього народу з точки зору інших культур). Національний характер тотожний зі своєрідним способом життя, комплексом культурних цінностей, правилами поведінки та системою інституцій, притаманних певному народу.   Topic legal mentality - is a topic of national identity and self-determination rights, and the meaning of this category is that it fixes, primarily, but not positive-legal phenomenon, and is a form of self-consciousness of the people (as well as the awareness ot the historical destiny of the people with the perspective of other cultures). National character is identical to the original way of life, a complex of cultural values, rules of conduct and the system of institutions specific to certain people.

Author(s):  
Halima Kadirova ◽  

This scientific article highlights the place and role of the Karakalpak ethnic culture in the development and preservation of the identity of the people. The authors analyze the culture and life of the modern Karakalpak family, which inherits to the next generation the traditional way of life associated with national holidays and traditions, dastans performed by Karakalpak bakhshi (singers), legends and legends of the past, told by the older generation. The article argues that social changes in the global space contribute to the emergence of certain changes in the content of cultural identity, language, art, spiritual categories, which are elements of the basis of the national identity of each nation and various ethno-regional units, which further strengthens the study of this issue under the influence of the process of globalization.


2012 ◽  
Vol 6 (2) ◽  
Author(s):  
Wilma Akihary

The cultural values that are covered in the way of life is manifested in men’s activities. The cultural values themselves are symbolized through the proverbs. As the expression, the proverb is basically the principle guideline of behavior. Within the proverb is contained a profound experience of the world view as well as the life wisdom that is tightly integrated to the society to which the language belongs. The proverb - known as misil-masal, liat daliat and sukat sarang - is still well recorded and used by Kei community as Kei language speaker.  The people who live in the coastal area especially at the Kei Besar Island are generally the fishermen and farmers.  However, in this research it will  focus on the Kei Besar people’s view in managing their coastal area through the proverbs they use. The uses of words as the expression is closely related to the sea and their way of life especially in connected with fish and boat.  The proverbs which are used by the people in Kei is the summary of their way of thinking about the values of life.  The cultural values in these proverbs are firmness, strength, simplicity, mutual assistance, respect for the elders and leaders, wisdom, thinking before doing, and obedience.<br /><br />Keywords: Nilai Budaya, Peribahasa, Wilayah Pesisir<br /><br />


2019 ◽  
Vol 18 (4) ◽  
pp. 1002-1017
Author(s):  
Alexey Vladimirovich Lubkov

This article discusses the complex dialectics between the conservative and the liberal trends in the development of Russia´s socio-political thinking; it does so by studying the worldviews of Peter Chaadaev and Michael Katkov. What makes this issue relevant is the circumstance that the present generations of Russians are searching for their national identity, an identity that has practically been lost in the current circumstances of cultural degradation, of decreasing cultural values in the society, and of shifting meanings. The author compares the conceptions of Russian thinkers and public figures and focuses on the main facts and factors that determined the search for the national identity of social thought in Russia in the 19th century. Considering the methodology of the issue, the author comes to conclusion that it is necessary to turn away from the dichotomy towards an integration, and towards an understanding of the complex and controversial world of an individual in the non-linear movement of history. The task that the present paper formulates is to understand the new logic of the development of socio-political thought in nineteenth-century Russia not on the basis of the traditional contradistinction of the conservative and liberal ideologies, but through the synthesis of their positive principles in the historical context. The author sees the link and succession of the conceptual provisions of Peter Chaadaev and Michael Katkov. The ideology unites various institutions and systems, the individual and the people into a whole, facing the challenges of the country´s modernization. As a result, the well-known formula - autocracy, Orthodoxy, populism (narodnost´) - makes a deep semantic meaning, in close linkage with the original spiritual tradition of collectivity (sobornost´) and spiritual and moral values.


2021 ◽  
Author(s):  
AINUN CAHYA

A sense of nationalism is very important for the young generation of Indonesia to become a developed nation, a modern nation, a safe nation, and a peaceful, just and prosperous nation in the midst of globalization that increasingly challenges the Indonesian state. As a nation and a state in the midst of other nations in the world, a high national identity is needed from its citizens, especially among the young generation of Indonesia. The spirit of nationalism is still needed by the existence of the Indonesian people and the state. High nationalism from citizens or the younger generation will create positive and best behavior for the nation and state. In the current era of globalization, there are factors that cause the waning of the spirit of nationalism among the younger generation. This can be seen from several benchmarks, namely the lack of youth understanding of cultural values. Teenagers are now more likely to follow western culture which is very far in comparison with the norms and customs of the Indonesian nation, The main cause of the fading spirit of nationalism and nationality from the next generation of the nation is mainly due to the wrong and uneducational examples shown by the older generation or the elderly who tend to prioritize interests individuals and groups rather than prioritizing the interests of the nation and the people. This research method uses quantitative methods with data collection using literature studies based on the sources read.


Author(s):  
Sima T. Shafizadeh ◽  

The factor of national identity, which is the complete opposite of globalization, manifests itself in various spheres of human activity such as politics, public life, literature, and various fields of art. Today, national identity is being fought both at the individual and social levels. Globalist theory and globalist thinking in the twentieth century led to fundamental changes in the life of society. In particular, with the globalization of cultures, a synthesis of world cultural values is observed, the process of the emergence of new ones is underway. The development of this diversity in unity is the only possible historical, philosophical and political paradigm of globalization. The problem of national identity is becoming more and more relevant in the struggle between the West and the East. The article deals with the influence of traditions and the theory of global thought on the essence of the national literatures of Azerbaijan and Turkey. The methods of analysis are associated with a conceptual approach to the general directions of literary trends in the modern artistic word. In particular, these are historicalliterary, cultural-historical, comparative and typological research methods. This influence manifested itself through literary movements (modernism, postmodernism, existentialism, feminism), various styles and images oriented towards the West. The negative aspects of globalization tear the artistic image away from ethnic roots, national identity, national and moral values, a person remains alone with his problems, searches for and finds himself in the global world. In Azerbaijani literature, this process is often called �existentialism�, and in Turkish literature �varolusculuk ak?m?�, it is also called �literature of alienation�. In the literature, globalist writers are united by the following features: to keep up with this trend; to join this trend in accordance with the requirements and influences of innovative trends, as opposed to traditionalism; to be a supporter of the ideology of �common cultural values� of globalism with �world man�, �world home�, �secular thought�, �secular thought�, �secular art style�. The world in which a person lives is changing, chaos is formed in the human brain, and the hero in the spiritual world goes in search of truth. In many cases, when this is not achieved, he considers himself small, useless, powerless, helpless in the global world, prone to asceticism, alienation, the feeling of nearness of death becomes normal for him, and he is faced with psychological trauma. This not only alienates a person from national identity, national character, national moral self-awareness, but, as already noted, creates a number of psychological and moral problems.


2019 ◽  
Author(s):  
Priscilla Wehi ◽  
Tom Roa

He kūaha whānui e pūare ana ki te puna kai, ki te puna tangata. (Tāwhiao 1894)‘A doorway opened wide to the bounty of foods, to the multitudes of people.’In 1884, the Kīngitanga (Māori King Movement) instituted its first punakai (uniting of food sources) to feed its people. At that time the country was ravaged by warfare, which rendered access to prime food and water scarce to followers of the Kīngitanga. King Tāwhiao, the second Māori King, established the punakai to feed the widowed, the orphaned, and the destitute, and all who mourned the loss of loved ones in the war. Later re-named poukai, this institution continues to this day. A series of annual gatherings take place at Kīngitanga marae, the gathering places of the extended family who belong to that place, and who are responsible for each poukai. Marae pool their food resources to host the Māori King and his family, and to feed the people. The poukai is now an institution in itself with food at its very centre. We provide examples of traditional pre-European foods, as well as foods introduced after the arrival of Europeans in New Zealand. We discuss the relationships between the poukai, food and identity, and identify some of the issues that poukai marae face, as well as events and trends that have impacted and caused change. In Māori culture, mana recognises the reciprocal relationships between people, and between people and place, asserting that each has a responsibility to each other. Control over resources, and provision of traditional foods at events such as the poukai, is essential to the mana of Māori. We discuss the cultural value that marae place on their kai and how these cultural values are impacted by change. Finally, we comment on the sustainability of these poukai, and how the poukai connect to a continuing vision of revitalisation and self-determination for Tainui.


Adam alemi ◽  
2021 ◽  
Vol 78 (1) ◽  
pp. 78-90
Author(s):  
Nurbolat Nyshanbayev ◽  
◽  
Zhengisbek Tolen ◽  

Historical figures, cultural values and historical memory play a huge role in the formation of the identity of every nation.In determining any national identity, every individual tries to find a decent response to the question : "Who are we?". By answering this question, each nation determines its own national identity. For example, French, English, Kazakh national identity, etc. This article focuses on the peculiarities of the formation of modern statehood’s national identity and the role of historical figures on it. At the time of the declaration of independence of any state, to form state institutions and national identity are the most important and honourable tasks which have to be done at first. On the basis of the decree of President Q.Zh Tokayev K. 2020 has been announced for the anniversary of the two most prominient thinkers the 150th anniversary of Abay Kunanbayev, and 1150th years anniversary since the birth of Al-Faraby. The article analyse the role of Al-Farabi and Abay Kunanbayev in the formation of the national identity of the Kazakh people in the XXI century. The purpose of the article is to identify the peculiarities of the formation of national identity through the image of historical intellectual personalities on the example of Kazakhstan. In order to achieve this goal, the article used the method of retrospective analysis. Analyzing the historical role of Al-Farabi and Abay Kunanbayev, defined to what extend influenced the Abay’s, Faraby’s historical role to the formation of the national identity of the people of Kazakhstan in the XXI century.


Author(s):  
Ирина Юрьевна Кириллова

Статья посвящена вопросу национальной специфики литератур народов Поволжья, соотношению национального и регионального в понимании идентичности как таковой. В работе выявляются общие моменты в отражении национальной идентичности, этнических и общечеловеческих ценностей в современной драматургии Поволжья. В качестве объекта исследования выбраны произведения современных чувашских и татарских драматургов, в которых наиболее ярко выражена национальная проблема. Путем сравнительного анализа в статье рассмотрены формы проявления национальной идентичности в произведениях, такие как национальные мифы, образы, идеалы, архетипы, обращение к далекому прошлому народа, к типичным чертам национального характера. Важным идеологическим ресурсом национальной идентичности на современном этапе выступило историческое прошлое чувашского и татарского народов. В судьбе главных исторических личностей отразилась трагическая судьба булгарского народа. В чувашской драме «Часы с кукушкой» (2016) М. Карягиной и татарской монодраме «Микулай» (2019) М. Гилязова проблема идентичности рассматривается в отношении героев к национальным и общечеловеческим ценностям, таким как родная земля, дом, семья, память, нравственность, долг, ответственность и др. The article is devoted to national specifics of the literatures of the peoples of the Volga region, the correlation of national and regional to the understanding of identity as such. The paper reveals common points in the reflection of national identity, ethnic and universal values in the drama of the Volga region. The works of modern Chuvash and Tatar playwrights, in which the national problem is most clearly expressed, are chosen as the object of research. By means of comparative analysis, the article considers the forms of national identity in the works, such as national myths, images, ideals, archetypes, reference to the distant past of the people, to the typical features of the national character. An important ideological resource of national identity was the historical past of the Chuvash and Tatar peoples. The fate of the main historical figures reflected the tragic fate of the Bulgarian people. In the Chuvash drama “The Cuckoo Clock” (2016) by M. Karyagina and the Tatar monodrama “Mikulai” (2019) by M. Gilyazov, the problem of identity is considered in the relation of their characters to national and universal values, such as their native land, home, family, memory, morality, duty, responsibility, etc.


2018 ◽  
Vol 1 (1) ◽  
pp. 1
Author(s):  
Taufan Hidjaz

Abstract: Lombok referred to as “The Island of Thousand Mosques”, but more than that, there are around 9000 mosques in 518 Lombok villages with became the center of residential orientation. The traditional residential pattern of Kopang Village in central Lombok, as other Sasak residence in general, formed by values that bind its poeple in a culturalspace with a social system of kinship which then forms a distinctive environmental pattern. Sasak cultural space structure was formed as it is based on a worldview which became a way of life. The way of life of Sasak people in Kopang village is a concrete form of cultural values which makes mosque architecture as the center of the residential orientation pattern. Each of the cluster pattern is a residence formed by a relationship of structured activities from the people with the mosque. Before becoming identical with Islam, the old Sasak community which called Sasak Lebung used natural objects such as mountains, springs, and large trees as a marker and center of mythic-dynamism cultural and space orientation. After becoming Islam, Sasak people adapt the concept of space and make the mosque as the center of mythic-religious cultural and space orientation. This research using qualitative analytical descriptive method with environmental culture-based approach by considering the artifacts of the mosque with te residential environment in relation to the Sasak cosmology. Mosque architecture becomes very dominant role to represent culture and its symbolic meaning in cultural space of Sasak. Keywords : mosque, adaptive, orientation, Sasak culture, Kopang village. Abstrak : Lombok disebut sebagai “Pulau seribu mesjid” padahal lebih dari itu, dari 518 desa terdapat didalamnya 9000 an mesjid yang menjadi pusat orientasi hunian. Pola hunian tradisional desa Kopang di Lombok Tengah sebagaimana umumnya hunian Sasak terbentuk oleh tata nilai yang mengikat masyarakatnya dalam suatu ruang budaya dengan sistem sosial kekerabatan  yang kemudian membentuk pola lingkungan khas.  Terbentuknya struktur ruang budaya Sasak karena dilandasi oleh cara pandang terhadap dunia yang menjadi semacam jalan kehidupan. Cara hidup masyarakat Sasak di desa Kopang adalah bentuk kongkrit  nilai-nilai budayanya yang menjadikan Arsitektur Mesjid pusat orientasi hunian sehingga membentuk pola hunian kantong yang khas.  Tiap pola kantong tersebut merupakan hunian yang terbentuk oleh  hubungan kegiatan terstruktur masyarakatnya dengan mesjid.  Sebelum menjadi identik dengan Islam, masyarakat Sasak lama disebut Sasak Lebung menggunakan objek alam seperti gunung, mata air dan pohon besar sebagai penanda dan pusat orientasi ruang budaya yang mitis-dinamisme. Setelah menjadi Islam masyarakat Sasak melakukan adaptasi konsep ruang dan menjadikan mesjid sebagai pusat orientasi ruang budaya yang mitis-religius. Penelitian ini secara umum menggunakan metode deskriptif-analitis-kualitatif berbasis pendekatan budaya lingkungan dengan mempertimbangkan artefak mesjid menjadi fokus penelitian sebagai fenomena budaya. Hasil penelitian ini menguraikan keterkaitan   mesjid dengan lingkungan ruang hunian dalam kaitannya dengan kosmologi Sasak. Arsitektur mesjid menjadi sangat dominan berperan merepresentasikan  budaya dan makna simboliknya di dalam ruang budaya masyarakat Sasak. Kata kunci : mesjid, adaptasi, orientasi,budaya Sasak,desa Kopang.


2019 ◽  
Vol 1 (1) ◽  
pp. 42
Author(s):  
Ainur Rofiq ◽  
Evi Fatimatuzhuro

Every country, region, topography or appearance form of an area influences the pattern of life of its people, and also influences their way of life, let alone Indonesia which has thousands of islands, various tribes, ethnicities, languages, cultures, even religions. This also makes the customs and culture of society different, culture is created because of human existence. It is human beings who can shape their own culture and the people themselves who use that culture as well, therefore culture will always exist and develop along with the existence and development of humans in each region. Diversity in society is a necessity that cannot be separated from Indonesian national identity. diversity can be said to be the spirit and identity of the community which is a reference to the orientation of values, norms, rules, and guidelines for the daily behavior of members of society in living in groups and in personal life. Then the position of multicultural educators is essential in Islamic education that will be able to answer a problem that has been divided so far due to differences in ethnicity, language, religion, and culture. This multicultural education will be able to glue and also unite the differences of the people of a nation, especially this beloved Indonesian nation, which in fact has and has a variety of ethnic, ethnic, religious, linguistic and cultural communities. Kata Kunci: Development, Multikultural, Modern


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