The Form and Meaning of Gondang Si Boru Nauli Basa in Batak Toba Traditional Ceremony

2021 ◽  
Vol 2 (3) ◽  
pp. 133-141
Author(s):  
Robert Paulus Pandiangan ◽  
Pulumun Peterus Ginting ◽  
Wiflihani
Keyword(s):  
Emotional Expression ◽  
Instrumental Music ◽  
Musical Instruments ◽  
Cultural Continuity ◽  
Data Presentation ◽  
Reduction Techniques ◽  
Library Research ◽  
Research Interviews ◽  
Toba Batak ◽  
The Village

This study aims to determine the form and meaning of the gondang Siboru Nauli Basa in traditional ceremonies of the Toba Batak people in the village of Salaon Tonga-tonga. The theoretical basis in this study discusses about gondang, gondang siboru nauli basa, gondang hasapi, traditional ceremonies, the form of gondang siboru nauli basa, the meaning of gondang siboru nauli basa. November 2020 to December 2020. This study determined the population of the Community who attended the hahomion ceremony in the village of Salaon Tonga-tonga, and set a sample of 7 people. The data collection techniques used in this study included observation, library research, interviews, documentation, and analysis. with data reduction techniques, data presentation, drawing conclusions. From this study, the results obtained include: The form of gondang siboru nauli basa, served using musical instruments hasapi, garantung, sullim, sarune hetek, hesek, and gondang siboru nauli basa is an instrumental music played to summon the spirits of deceased ancestors, this event still carried out until now (2020) especially in the silalahi clan as a tradition in the Toba Batak tribe, the function of the gondang siboru nauli basa in the hahomion ceremony is as a function of emotional expression, a function of cultural continuity, and an entertainment function.

scholarly journals Community Empowerment in Development in Sakita Village, Bungku Tengah District, Morowali Regency

2019 ◽  
Vol 3 (2) ◽  
pp. 163
Author(s):  
Raehani Raehani ◽  
Slamet Riadi ◽  
Muhammad Ahsan Samad
Keyword(s):  
Qualitative Data ◽  
Field Research ◽  
Community Empowerment ◽  
Data Presentation ◽  
Library Research ◽  
Development Approach ◽  
Village Government ◽  
The Village ◽  
Research Type

This study aims to determine the process of community empowerment in development in Sakita Village, Bungku Tengah District, Morowali Regency. This study uses descriptive qualitative research type. This study uses theory (Elliot, 1996) to find out the stages in the process of community empowerment, there are 3 aspects that is, the welfare approach, the development approach and the empowerment approach. Data collection techniques are carried out through library research and field research. Which includes interview observation and documentation. There are 3 stages of qualitative data analysis namely data condensation, data presentation and conclusion drawing. Based on the research results obtained, it can be concluded that the quality of the welfare approach, development approach, and community empowerment approach in Sakita village, Bungku Tengah District, Morowali Regency have been implemented well. Although there are still many things that need to be improved by the village government together with the community.

scholarly journals FUNGSI KESENIAN KOMPANGAN DALAM PESTA PERKAWINAN MASYARAKAT KAMPUNG BARU KELURAHAN BAJUBANG KABUPATEN BATANGHARI PROVINSI JAMBI

2020 ◽  
Vol 9 (3) ◽  
pp. 28
Author(s):  
Rahmi Fajriah ◽  
Wimbrayardi Wimbrayardi
Keyword(s):  
Qualitative Research ◽  
Data Collection ◽  
Emotional Expression ◽  
Descriptive Analysis ◽  
Analysis Method ◽  
Data Presentation ◽  
Community Activities ◽  
Reduction Techniques ◽  
Field Notes ◽  
Using Data

Abstract This research is a qualitative research with descriptive analysis method. The data collection started from data existing in the field - from the results of observations, interviews, field notes, and study documentation. Then, the data were analyzed by using data reduction techniques, data presentation, and drawing conclusions. This research is based on Alan P. Merriam's (1964: 219-226) theory about 10 musical functions.The results of this study indicate that Kompangan Art is used in various traditional events.  It firstly used in a wedding party. Along with the development of time, Kompangan Art is also used in child shaving and circumcision events as an entertainment for the guests who come to the event. The art of Kompangan music plays an important role for the community, especially in marriage parties. It is due to the fact that it is played as the groom's pageant music. From these uses, the reactions that occur in community activities can be seen. It relates to the function through the feelings that humans feel when they see and hear the art. The functions found are the function of (1) emotional expression; (2) Entertainment; (3) Communication; and (4) the continuity of cultural norms.Kata Kunci : Fungsi, Kompangan, Perkawinan, Melayu, Jambi

scholarly journals The Function of Pantun in the Art Performace of Batang Hari Sembilan Solo Guitar during Sedekah Bumi Ceremony Held in Batu Urip Hamlet, South Sumatera

2020 ◽  
Vol 20 (2) ◽  
pp. 195-204
Author(s):  
Imelda Tri Andari ◽  
Suharto Suharto
Keyword(s):  
Data Collection ◽  
Emotional Expression ◽  
Data Reduction ◽  
Cultural Continuity ◽  
Data Presentation ◽  
Form And Function ◽  
Communication Function ◽  
Art Performance ◽  
And Function

This study aims to describe the form and function of the solo guitar performance of Batang Hari Sembilan in Batu Urip hamlet, Batu Urip Taba village, Lubuklinggau city, South Sumatra. This study used a qualitative de-scriptive approach. Data collection techniques using observation, interviews, and documentation. The collected data were then analyzed using analytical and interactive techniques with data reduction, data presentation, and conclusion drawing. Based on the discussion that has been done, this study found that the Single Batang Hari Sembilan Guitar is a rhythm of guitar strings containing rhymes. Pantun is an identity and plays a very important role in the life of the community. The function of the pantun in the solo guitar performance of Batang Hari Sembilan was originally used as a communication function. Currently, this art performance has developed, namely as a ritual function, a function of preserving culture, a function of entertainment, a function of cultural continuity, a function of means of communication, and a function of emotional expression.

The Story of Storyboards from East Sepik, Papua New Guinea

2019 ◽  
Vol 40 (1) ◽  
pp. 59-74
Author(s):  
Martin Soukup ◽  
Dušan Lužný
Keyword(s):  
Material Culture ◽  
Daily Life ◽  
Field Research ◽  
New Guinea ◽  
Colonial Period ◽  
Cultural Continuity ◽  
Cultural Changes ◽  
Post Colonial ◽  
Global Tourism ◽  
The Village

This study analyzes and interprets East Sepik storyboards, which the authors regard as a form of cultural continuity and instrument of cultural memory in the post-colonial period. The study draws on field research conducted by the authors in the village of Kambot in East Sepik. The authors divide the storyboards into two groups based on content. The first includes storyboards describing daily life in the community, while the other links the daily life to pre-Christian religious beliefs and views. The aim of the study is to analyze one of the forms of contemporary material culture in East Sepik in the context of cultural changes triggered by Christianization, colonial administration in the former Territory of New Guinea and global tourism.

Why the Ancient Musical Essence is Still Retained in Dusun Tindal's Instrumental Music within its Modern Community?

2015 ◽  
Vol 3 (3) ◽  
pp. 24-31
Author(s):  
Chong Lee Suan
Keyword(s):  
Young People ◽  
Instrumental Music ◽  
Contemporary Music ◽  
Musical Instruments ◽  
Music Practice ◽  
Musical Styles

Objective - This paper examines Dusun Tindal's instrumental music practice within the context of modernity of the society in Tenghilan, a town that is located on northwest Sabah. The study looks into the driving modish musical styles and forms in the root of the ancient traditions especially in the aspects of musical natures, music compositions, musical functions, and philosophies. Methodology/Technique - The contemporary musical ensemble is a newly developed tradition combining a mixture of traditional and western musical instruments and styles. Due to the new mindsets and tastes of their young people, as well as to open up opportunities to venture into the exotic blooms of globalized musical festivals and tourism, their music is manifold and endeavoring in captive of the hearts of the global audience. Findings - The contemporary musical ensemble is a newly developed tradition combining a mixture of traditional and western musical instruments and styles. Due to the new mindsets and tastes of their young people, as well as to open up opportunities to venture into the exotic blooms of globalized musical festivals and tourism, their music is manifold and endeavoring in captive of the hearts of the global audience. Novelty - This study attempts to disclose the grounds and rationales behind the persistence of the Dusun Tindals in upholding their ancient musical essence until today Type of Paper - Empirical Keywords: Bamboo Orchestra; Dusun Tindal Contemporary Music; Dusun Tindal Music

KINSHIP PRACTICE OF TOBA BATAK MOSLEM AS A LAND CONTROL STRATEGY IN ASAHAN

2020 ◽  
Vol 4 (1) ◽  
pp. 97
Author(s):  
Sakti Ritonga ◽  
Oekan S. Abdoellah
Keyword(s):  
Corporate Capital ◽  
Theory Of Practice ◽  
Land Disputes ◽  
The Family ◽  
Kinship Relations ◽  
Descent Group ◽  
Toba Batak ◽  
Land Control ◽  
The Village ◽  
Competition For Resources

<p><strong>Abstrak:</strong> <strong>Praktik Kekerabatan Batak Toba Muslim sebagai Strategi Pengendalian Lahan di Asahan.</strong> Studi ini menunjukkan pemakaian relasi kekerabatan Batak Toba Muslim sebagai strategi penghidupan bagi penguasaan tanah dalam ruang penguasaan yang ganti berganti sejak era Melayu-Islam di Asahan melalui perspektif teori praktik dari Bourdieu. Penelitian dilakukan dengan metode etnografi. Satuan analisis ditetapkan secara berjenjang mulai keluarga, kelompok keturunan, perkumpulan marga, serta komunitas Batak Toba pada wilayah perkampungan pedalaman Bandar Pulau, Bandar Pasir Mandoge dan Buntu Pane. Studi menemukan siasat-siasat adaptasi telah memperluas aliansi dan meningkatkan fungsi praktis kekerabatan Batak Toba dalam upaya penguasaan tanah sebagai sumber daya penghidupan terpenting sebagai satuan kekerabatan berkorporasi. Kontestasi terhadap lahan semakin rumit seiring masuknya pengaruh modal korporasi perkebunan dan kekuatan negara di perkampungan. Ketika berhadapan dengan kepentingan institusi lain yang lebih besar seperti perusahaan perkebunan dan negara dalam hal sengketa lahan, tampak siasat penggunaan jaringan marga atau kelompok keturunan menjadi terbatas fungsinya, jika dibandingkan dengan persaingan sumber daya di antara sesama keluarga Batak Toba.  </p><p><strong>Kata Kunci: </strong>praktik kekerabatan, strategi mata pencaharian, migrasi, Muslim Batak Toba<br /><strong></strong></p><p><strong>Abstract</strong>: This study shows the use of Toba Batak Moslem kinship relations as a livelihood strategy for land control in the changing space of power since the Malay-Islamic era in Asahan through the perspective of Bourdieu's theory of practice. The research was conducted using ethnographic methods. The analysis units are determined in stages starting from the family, descent group, clan association, and the Toba Batak community in the hinterland areas of Bandar Pulau, Bandar Pasir Mandoge and Buntu Pane. The results of the study found that adaptation strategies have expanded alliances and increased the practical function of the Toba Batak kinship in an effort to control land as the most important source of livelihood as a corporate kinship unit. Contestation of land is getting more complicated as the influence of plantation corporate capital and state power enters the village. When dealing with the interests of other larger institutions such as plantation companies and the state in terms of land disputes, it appears that the use of clan networks or descent groups is limited in function, when compared with the competition for resources among Toba Batak families.  <br /><strong> </strong><br /><strong>Keywords:</strong> kinship practices, livelihood strategies, migration, Toba Batak Moslem</p>

scholarly journals ARSITEKTUR RUMAH BETANG (RADAKNG) KAMPUNG SAHAPM

2014 ◽  
Vol 6 (3) ◽  
pp. 461
Author(s):  
Poltak Johansen
Keyword(s):  
Cultural Identity ◽  
Qualitative Method ◽  
Residential Buildings ◽  
Architectural Form ◽  
Cultural Objects ◽  
Library Research ◽  
The People ◽  
The Village ◽  
At Home ◽  
Descriptive Qualitative

AbstrakArsitektur dari suatu bangsa, pada suatu masa sering berbeda-beda, baik dalam hal bentuk maupun konsep-konsep yang melandasinya. Hal ini tentu disebabkan adanya perbedaan kebudayaan dari suatu masyarakat dengan masyarakat lainnya. Setiap suku bangsa biasanya akan menunjukkan identitas budayanya melalui benda-benda budaya yang mereka buat. Demikian halnya masyarakat Dayak Kanayatn memiliki ciri tersendiri dalam bentuk arsitektur bangunan khususnya bangunan rumah tinggal. Bentuk arsitektur masyarakat Dayak Kanayat’n yang tinggal di Desa Sahapm tercermin dalam bentuk Rumah Betang atau Rumah Panjang dan hingga kini masih dijaga dan dihuni oleh masyarakat. Bentuk rumah Betang juga menunjukkan hidup kebersamaan bagi penghuninya. Dalam  Rumah panjang atau Rumah Betang mereka berinteraksi antara bilik yang satu dengan bilik yang lainnya. Tujuan penulisan untuk mendeskripsikan bentuk arsitektur Rumah Betang dan keberadaannya pada saat ini, selain itu penelitian ini juga  mendeskripsikan kehidupan masyarakat di Rumah Betang. Metode yang digunakan adalah metode deskriptif kualitatif dengan menggunakan tehnik pengamatan dan wawancara dalam menggali data di lapangan serta studi kepustakaan sebagai menggali bahan untuk menulis. AbstractThe nation has a diverse architecture, both in terms of form as well as the underlying concepts. The diversity of architecture due to differences in the culture of a society. Each tribe will usually show its cultural identity through cultural objects that they create. Similarly with Kanayatn Dayak community has its own characteristics in the architecture, especially residential buildings. Architectural form of the Dayak people who live in the village Dayak Kanayat'n reflected in the form of Rumah Betang or Rumah Panjang and is still maintained and inhabited by people. Betang shapes also showed live together or togetherness. The people who lived in Rumah Panjang interact with each other in one room to other room. The main purposes of this study is to describe the architectural form and its existence today. In addition, this study describe betang people's lives at home. The method used is descriptive-qualitative method using the techniques of observation and interviews to collect data in the field and library research.

scholarly journals PERANAN PEMERINTAH KOTA BATU DAN PEMERINTAH DESA PUNTEN DALAM PEMBERDAYAAN WISATA PETIK APEL

REFORMASI ◽  
2018 ◽  
Vol 8 (2) ◽  
pp. 178
Author(s):  
Roro Merry Chornelia Wulandary ◽  
Abd. Rohman
Keyword(s):  
Data Analysis ◽  
Data Collection ◽  
Qualitative Method ◽  
Development Plan ◽  
Data Presentation ◽  
Village Level ◽  
Village Government ◽  
The Village

The Role of Tourism Office Batu City and Punten Village Government in tourism empowerment is very influential to the progress of Apple Picking Tour which is located in Punten Village, Batu City. This research aims to describe the role of Culture and Tourism Office also The Village Government in manifestation and implementation the mechanism of the tourism maximally. The research uses qualitative method with data collection techniques through interview, observation, and documentation. Data analysis is done in several stages, including data eduction, data presentation and taking the conclusion. The results show that the role of Culture and Tourism Office and Village Government in empowering An Apple Picking Tour was carried through collaboration and give encouragement to the society, to establish the Group of Tourism Consciousness/Kelompok Sadar Wisata, and Joint Farmer group/Gabungan Kelompok Tani (Pokdarwis & Gapoktan), having coordination among the Culture and Tourism Office, Village Government and community, and also to have a Development Plan Deliberation (Musrenbang) in a village level. Peranan Dinas Pariwisata Kota Batu dan Pemerintah Desa Punten dalam pemberdayaan wisata sangat berpengaruh pada perkembangan wisata petik apel yang ada di Desa Punten, Kota Batu. Penelitian ini bertujuan untuk menggambarkan peranan Dinas Pariwisata Kota Batu serta Pemerintah Desa Punten dalam memajukan pariwisata secara maksimal, terutama wisata petik apel yang ada di Desa Punten. Penelitian ini menggunakan metode kualitatif dengan tehnik pengumpulan data melalui wawancara, observasi dan dokumentasi. Analisis data dilakukan dengan beberapa tahap, diantaranya reduksi data, penyajian data dan penarikan kesimpulan. Hasil penelitian menunjukan bahwa peranan Dinas Pariwisata Kota Batu serta Pemerintah Desa Punten dalam mengembangkan wisata petik apel dilakukan melalui kerjasama dan memberikan dorongan kepada masyarakat dengan membentuk Kelompok Sadar Wisata dan Gabungan Kelompok Tani (Pokdarwis & Gapoktan), melakukan koordinasi antara Dinas Pariwisata, Pemerintah Desa dan masyarakat, serta mendorong adanya musrembang di tingkat desa.

scholarly journals IMPLEMENTASI UNDANG UNDANG NOMOR 6 TAHUN 2014 (Studi Tentang Pengelolaan Alokasi Dana Desa Dalam Menunjang Pembangunan Pedesaan di Desa Sekaran Kecamatan Jatirogo Kabupaten Tuban )

2017 ◽  
Vol 3 (2) ◽  
Author(s):  
Anggita Oktavia Dewi Puspita Sari ◽  
Endang Indartuti ◽  
Bagoes Soenarjanto
Keyword(s):  
Rural Areas ◽  
Qualitative Method ◽  
Data Presentation ◽  
Fund Allocation ◽  
Technical Institution ◽  
Upper Level ◽  
Government Functionary ◽  
Implementation Management ◽  
The Village ◽  
Level Government

IMPLEMENTATION OF LAW NUMBER 6 YEAR 2014(Study on the Management of Villages Fund Allocation in Supporting Rural Development in the Village Sekaran Jatirogo District Tuban Regency). One of the government's concern for the development of rural areas are by agreeing development budget that set out in Anggaran Pendapatan dan Belanja Daerah (APBD) called Alokasi Dana Desa (ADD). In Sekaran Village, sub district of Jatirogo, Tuban city, ADD was began in 2015, but the implementation indicated some problem that is the association of villages ability for planning, implementation and development in accordance with the potency that they have. Lack of administration report in accountability terms of the activities that are sourced from ADD. Lack of coaching by Upper Level Government technical institution that managing ADD with Facilitation and development team of ADD to the village officials.This research entitled as “Implementasi Undang Undang Nomor 6 Tahun 2014 (Studi Tentang Pengelolaan Alokasi Dana Desa Dalam Menunjang Pembangunan Pedesaan Di Desa Sekaran Kecamatan Jatirogo Kabupaten Tuban)”. This research have two purposes, first is to determine the implementation of Alokasi Dana Desa in Sekaran village and second is to describe the Management Implementation of Alokasi Dana Desa to support the development of Sekaran Village, sub district of Jatirogo, Tuban city.This research is located in Sekaran Village, sub district of Jatirogo, Tuban city. Procedure of data collection done by interviews, observation and document research. The Informants of this research is the headman, treasurer, Government functionary, and some institutions as receiver of Alokasi Dana Desa. Data analysis was performed by data reduction, data presentation, and conclusion.This research using descriptive qualitative method. The result of the research shows that the Management Implementation of Alokasi Dana Desa in Efforts to Support the Development of Sekaran Village, sub district of Jatirogo, Tuban city goes well, seen from the communication factor, disposition and organizational structure. Keywords: implementation, management, and allocation of village funds.

scholarly journals Reforestation of ‘Village Forest’ to Improve Sustaiability Creative Industries in Desa Siponjot

2021 ◽  
Vol 5 (2) ◽  
pp. 714-722
Author(s):  
Noverita Sprinse Vinolina ◽  
Antonio Marro Sipayung ◽  
Dardanila ◽  
Sondang Pintauli
Keyword(s):  
Forest Restoration ◽  
Raw Materials ◽  
Economic Value ◽  
Economic Benefits ◽  
Musical Instruments ◽  
Creative Industries ◽  
Raw Material ◽  
High Quality ◽  
The Village

This program is conducted to assist Siponjot Village while empowering the people of Siponjot Village to be able to utilize and maximize the benefit of the village forest. Village forest might support the availability of raw materials required for making musical instruments, such as high quality of wood, including how to process wood waste from making musical instruments to be used as creative souvenirs and improve the economic value. The raw material for production determined its results of the production of wood-based musical instruments. Thus, in order to produce a high quality tanginang, hasapi, and gondang, which previously began to be produced by arts crafts in the Sitangkubang area of ​​Siponjot Village, a high quality of raw materials is needed. The community service team surveyed the location of planting seeds for village forest restoration, provided socialization related to the importance of village forest cultivation and the suitability of the Siponjot Village area for the cultivation of these plants. Village forest restoration aims to maintain the beauty and beauty of the village. Implementation of village reforestation activities starting from socializing forest tourism and the strength of village forests to the community, followed by a discussion about village forest management and its economic benefits. Handover of a thousand units of forest plant seedlings given to the villagers of Siponjot as part of the forest restoration program in the area.

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