scholarly journals THE PROBLEM OF THE CORRELATION BETWEEN SPIRIT AND REALITY IN T. MANN’S NOVEL “TRISTAN”

2021 ◽  
pp. 25-30
Author(s):  
T. KONIEVA
Keyword(s):  
Short Stories ◽  
Short Story ◽  
The Novel ◽  
Personal Attitude ◽  
Scientific Investigations ◽  
Review Analysis ◽  
Literary Process ◽  
The Relationship ◽  
Cutting Problem

Short stories are an integral part of T. Mann’s creative heritage, which are distinguished by ideological, thematic and artistic richness, they give an idea of the evolution of the creative method and style of the writer. And although nowadays there is already a number of scientific investigations devoted to the review analysis of T. Mann’s creative path, there is a need to study the problem of culture “end of time” (in T. Mann’s terminology) in the novelistic work of the writer who went to political and social activities through art. The purpose of the article is to reveal the nuances of the relationship between spirit and reality in T. Mann’s short story “Tristan”.The article proves that within the cross-cutting problem of the relationship between art and life, which never ceased to bother the German writer, also the novel “Tristan” clearly distinguishes the related ones: art and beauty, art and morality, aesthetics and life, beauty and death, decadence and a disease of the spirit, the artist and reality, which allowed to clarify both the ideological concepts of creative individuality and the essence of its art. At the same time, the divergence between the views of the hero of the novel and T. Mann’s personal attitude to reality and art is shown. Enough attention is paid to identifying the role of the comic and the means of its formation in the novel. “Tristan” is interpreted in the context of the development of T. Mann’s work and the European literary process at the turn of the XIX - early XX centuries.The article identifies the place of the short story “Tristan” in the work of the German master of the word and outlines the ways of its further analysis.

scholarly journals SPECIFICITY OF CONTRAST IN VICTORIA TOKAREVA'S NOVEL "FRACTURE"

2019 ◽  
Vol 29 (6) ◽  
pp. 969-975
Author(s):  
G.S. Golovanova
Keyword(s):  
Short Stories ◽  
Functional Significance ◽  
The Novel ◽  
The Relationship

The purpose of the article is to analyze the functional significance of contrast in the text of the novel “Fracture”. The tasks are to describe the image of contrast in different language ways and means, to show the relationship between contrast and pointe as a specific feature of the novel genre, to characterize contrast as an effective method of actualizing textual meanings and identifying the author’s intention. The novelty of the study is determined by the involvement of a new language material to deepen the idea of the specificity and artistic role of contrast in the genre of short stories.

Imagining Africa’s futures in two Caine Prize-winning stories: Henrietta Rose-Innes’s “Poison” and NoViolet Bulawayo’s “Hitting Budapest”

2018 ◽  
Vol 55 (1) ◽  
pp. 96-110 ◽  
Author(s):  
Aghogho Akpome
Keyword(s):  
South Africa ◽  
Short Stories ◽  
Short Story ◽  
The Novel ◽  
Dominant Position ◽  
Literary Expression ◽  
A Site ◽  
Chemical Explosion

Since its launch in 1999, the annual Caine Prize for African short stories has assumed a dominant position on the continent’s literary landscape. It has been hailed for the exposure it provides for its winners who are mostly budding writers. Expectedly, it has also attracted stinging criticism, especially for what is perceived to be its legitimization of stereotypical narratives about Africa. In this article, I examine how the two winning entries of 2008 and 2011 represent contemporary African realities and in so doing reinforce the growing significance of the prize and the short story genre to modern African literary expression. I argue that, taken together, Henrietta Rose-Innes’ “Poison” (2007) and NoViolet Bulawayo’s “Hitting Budapest” (2010), both set in cities, contribute to problematic imaginings of African futures. Bulawayo does this through her representation of slum life and dystopian childhoods in Zimbabwe while Rose-Innes’s story speculates on the apocalyptic aftermath of a chemical explosion in post-apartheid South Africa. I highlight, also, how these two narratives reflect apparent relationships between the short story and the novel in contemporary African writing as well as the increasing role of the postcolonial city as a site from which unfavourable visions of postcolonial societies are generated.

POLIVARIABILITY OF THE BASTARD MOTIF IN THE SHORT STORIES BY GUY DE MAUPASSANT: CHARACTER IN SEARCH OF SELF-IDENTIFICATION

2018 ◽  
pp. 20-27
Author(s):  
Oksana Galchuk
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Social Institutions ◽  
Point Of View ◽  
Guy De Maupassant ◽  
Traditional Values ◽  
The Social ◽  
Role Of It ◽  
Structural Methods

The theme of illegitimacy Guy de Maupassant evolved in his works this article perceives as one of the factors of the author’s concept of a person and the plane of intersection of the most typical motifs of his short stories. The study of the author’s concept of a person through the prism of polivariability of the motif of a bastard is relevant in today’s revision of traditional values, transformation of the usual social institutions and search for identities, etc. The purpose of the study is to give a definition to the existence specifics of the bastard motif in the Maupassant’s short stories by using historical and literary, comparative, structural methods of analysis as dominant. To do this, I analyze the content, variability and the role of this motive in the formation of the Maupassant’s concept of a person, the author’s innovations in its interpretation from the point of view of literary diachrony. Maupassant interprets the bastard motif in the social, psychological and metaphorical-symbolic sense. For the short stories with the presentation of this motif, I suggest the typology based on the role of it in the structure of the work and the ideological and thematic content: the short stories with a motif-fragment, the ones with the bastard’s leitmotif and the group where the bastard motif becomes a central theme. The Maupassant’s interpretation of the bastard motif combines the general tendencies of its existence in the world’s literary tradition and individual reading. The latter is the result of the author’s understanding of the relevant for the era issues: the transformation of the family model, the interest in the theory of heredity, the strengthening of atheistic sentiments, the growth of frustration in the system of traditional social and moral values etc. This study sets the ground for a prospective analysis of the evolution the bastard motif in the short-story collections of different years or a comparative study of the motif in short stories and novels by Maupassant.

The role and relationship of mindreading and social attunement in HRI – position statements of interdisciplinary researchers. Workshop HRI'20

2020 ◽  
Author(s):  
Agnieszka Wykowska ◽  
Jairo Pérez-Osorio ◽  
Stefan Kopp
Keyword(s):  
Mental States ◽  
Human Robot Interaction ◽  
Human Interaction ◽  
Artificial Agents ◽  
The Novel ◽  
Robot Interaction ◽  
Novel Coronavirus ◽  
Relationship Of ◽  
The Relationship

This booklet is a collection of the position statements accepted for the HRI’20 conference workshop “Social Cognition for HRI: Exploring the relationship between mindreading and social attunement in human-robot interaction” (Wykowska, Perez-Osorio & Kopp, 2020). Unfortunately, due to the rapid unfolding of the novel coronavirus at the beginning of the present year, the conference and consequently our workshop, were canceled. On the light of these events, we decided to put together the positions statements accepted for the workshop. The contributions collected in these pages highlight the role of attribution of mental states to artificial agents in human-robot interaction, and precisely the quality and presence of social attunement mechanisms that are known to make human interaction smooth, efficient, and robust. These papers also accentuate the importance of the multidisciplinary approach to advance the understanding of the factors and the consequences of social interactions with artificial agents.

The Relationship Between Attachment Orientations and University Adjustment Among Freshmen: Mediating Role of Perceived Stress

2020 ◽  
pp. 152102512096201
Author(s):  
Ayşe I. Kural ◽  
Berrin Özyurt
Keyword(s):  
Perceived Stress ◽  
Attachment Security ◽  
Attachment Anxiety ◽  
The Novel ◽  
Management Skills ◽  
Mediating Role ◽  
Attachment Orientations ◽  
University Adjustment ◽  
The Relationship

In the current study, we examine the novel hypothesis that perceived stress is a mechanism through which the relationship between attachment orientations and university adjustment can be explained. Present study explored both attachment orientations and perceived stress regarding adjustment; and perceived stress as mediator for the relationship between attachment orientations and adjustment among in 277 university freshmen. Attachment anxiety and avoidance positively correlated with perceived stress whereas resulted in poor university adjustment. Perceived stress partially mediated the relationship between attachment anxiety and poor university adjustment. The findings suggest that enhancing attachment security and stress management skills among insecurely attached students may lead to greater university adjustment.

scholarly journals TYPOLOGY AND STRATEGIES OF CREATIVE RECEPTION: A CASE STUDY OF ENGLISH POSTMODERNIST POETRY AND PROSE

2020 ◽  
Vol 12 (2) ◽  
pp. 110-119
Author(s):  
Maria S. Sloistova ◽  
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Reception Theory ◽  
Ivory Tower ◽  
The Novel ◽  
Literary Works

The paper focuses on complex research and description of creative reception theory and typology. There are provided definitions of such terms as reception, creative reception, creative reception strategies, and others. The author builds the typology of creative reception on the basis of works by E. V. Abramovskikh, S. Ye. Trunin, M. V. Zagidullina, V. I. Tyupa, and M. Naumann. This typology includes two types (or levels) of creative reception, defined as classic and postmodernist. Each of the types is characterized by a number of strategies, i. e. ways of representing an artistically received text in one’s own work. The classic type strategies (formal, authentic, neutral and antithetical) focus primarily on plot transformation. As for the postmodernist level, the author singles out two strategies: congenial and play. The theory and typology of creative reception is substantiated with some examples of reminiscences and allusions to English and world poetry. The examples under analysis are taken from the following prose works by the outstanding English postmodernist writer John Robert Fowles (1926–2005): the novel The French Lieutenant’s Woman (1969), the collection of long short stories The Ebony Tower (1974), the philosophic book The Aristos (1964), and also the lyric collection Selected Poems, published posthumously in 2012. The collection has not been translated into Russian yet. Therefore, the poem under analysis (Islanders) has been translated into Russian by the author of the present paper. The paper also deals with indirect Biblical reception which is found in the allusion to the ivory tower. The allusion gave the title The Ebony Tower both to Fowles’ long short story and collection as a whole. The author of the paper draws a conclusion about the dominant creative reception strategies in the literary works under analysis and also about the possible use of the presented creative reception typology in analyzing works by other writers.

scholarly journals THE ROLE OF THE RELATIONSHIP WITH THE MOTHER IN CHILDHOOD IN FORMING A WOMAN'S ATTITUDE TOWARDS HER OWN MOTHERHOOD

2020 ◽  
Vol 11 (87) ◽  
Author(s):  
Tatiana Sidorenko ◽  
◽  
Natalia Grisenko ◽  
Keyword(s):  
Theoretical Analysis ◽  
Adult Age ◽  
Personal Attitude ◽  
Psychological Science ◽  
Factors Influencing ◽  
Different Types ◽  
Main Factors ◽  
Psychological Features ◽  
The Relationship

The article is devoted to the study of such an important psychological phenomenon as an attitude of women to their own motherhood. It is summarizes the study of the problem of motherhood in psychological science in general. The article analyzes the problem of the influence of the relationship with the mother in childhood on the formation of a woman's attitude to her own motherhood in adult age. It is illuminates views of foreign and national researchers on the study of this phenomenon, as well as the essence of different areas of research on this phenomenon. Based on the theoretical analysis of the literature on this topic, the concept of "motherhood", its content and psychological essence is studied. Cultural-historical, biological, physiological and psychological aspects to the study of motherhood are singled out. The main content of scientific views on the formation of the phenomenon of motherhood is generalized. The main factors influencing the development of a woman's maternal sphere and the formation of the attitude to one's own motherhood are analyzed and considered. The content of such basic concepts as "mother's image" and "maternal relations" is revealed. The psychological features of the formation of an adequate image of the mother in the theoretical analysis of the ontogenesis of the maternal sphere are analyzed. The article also reveals the dynamics of motherhood in ontogenesis. The types of maternal relations and their role in the life of a mature woman are determined, as well as the influence of these relations on the formation of a woman's attitude to her own motherhood. The influence of different types of relationships between women and their own mothers on the level of formation of their attitude to personal motherhood has been empirically studied. Two groups of women were studied, one group had a positive relationship with their own mother, and the other had a negative one. In the course of the research the differences between different types of maternal relations and the level of formation of a woman's personal attitude to motherhood are singled out.

scholarly journals PLOT ELEMENTS AND MOTIVES OF THE NOVEL “CHEVENGUR” IN PLATONOV’S SHORT STORY “POTUDAN RIVER”

2021 ◽  
Vol 26 (1) ◽  
pp. 44-55
Author(s):  
N. Mikhaylovna Malygina ◽  
Keyword(s):  
Short Story ◽  
The Novel ◽  
Love Story ◽  
Planetary Scale ◽  
The Family ◽  
Analytical Review ◽  
Eugene Onegin ◽  
Intertextual Connections ◽  
First Time

The relevance of the article is determined by the researcher of the semantic poetics of Platonov’s story “Potudan River”. We carry out an analytical review of the lifetime criticism and articles of modern researchers about the story, on the basis of which we formulate the purpose of the study, due to the need for a new approach to the interpretation of the work and the identification of the principles of its poetics. The novelty of the article is determined by the identification of the multilayered symbolism of the title of the story, which allows to establish the insufficiency of the conclusions that the content of the “Potudan River” is limited to the family theme. At the level of micropoetics we reveal symbolic details that connect the content of the story with the motive of love for the distant, medical and construction subjects and revealing the planetary scale of the author’s thinking. For the first time, it was established that Platonov’s story “Potudan River” was written based on part of the plot of the novel “Chevengur” – the love story of Alexander Dvanov and Sonya Mandrova. We show that the heroes of the story “Potudan River” Nikita Firsov, Lyuba Kuznetsova and Nikita’s father are doubles of the characters in the novel “Chevengur” by Sasha Dvanov, Sonya Mandrova, and Zakhar Pavlovich. The connection of the image of Lyuba with the archetype of the bride is considered. The paper reveals for the first time the intertextual connections of the story “Potudan River” with the poem “The Bronze Horseman” and the novel in verse “Eugene Onegin” by A. Pushkin, in the texts of which the writer found material for modeling the ordinary fate of the hero. Multi-level connections of the content of the story “Potudan River” with Platonov’s artistic world, which is a complete metatext, are found, which opens up new opportunities for determining the role of the editing technique and the principles of returning to the plots and motives of the works of the 1920s, as well as their transformation in the writer’s work of the 1930s.

scholarly journals Iron metabolismin conditions of infection. Review

2020 ◽  
pp. 90-99
Author(s):  
Yuriy P. Orlov ◽  
N. V Govorova ◽  
V. N Lukach ◽  
G. A Baitugaeva ◽  
A. V Klementyev ◽  
...  
Keyword(s):  
Fungal Pathogens ◽  
Medical Literature ◽  
Bacterial Flora ◽  
Medical Community ◽  
Therapeutic Approaches ◽  
Iron Supply ◽  
Review Analysis ◽  
The Relationship ◽  
Iron Exchange

The purpose of writing the review. Analysis of publications on the role of iron metabolism in the manifestation of the septic process and the dependence of bacterial flora activity on the conditions of their access to iron. Methods. More than 200 publications in pubmed, Medline, EMBASE medical literature databases were analyzed between 2000 and 2018 using the search words: iron and infection, iron and sepsis, iron exchange, iron and bacteria - including and available works in domestic (e-library) literature. Results. The review uses materials from 61 publications that meet the challenges of the search and reflect both the relationship between iron exchange and the development of the septic process and the importance for the medical community of understanding the identified relationships in the search for future therapeutic approaches. Conclusion. The review provides evidence of direct iron involvement in the manifestation of the septic process caused by various bacterial (q/-) and fungal flora. Introduction of iron-hesing agents and ciderophon - conjugate drugs to infected patients today seems to be a biologically acceptable approach as an auxiliary therapy in the treatment of septic process caused by pathogens dependent on iron supply (many bacterial and fungal pathogens), but the problem that is being raised certainly requires further experimental and clinical research.

scholarly journals Interaksi Sosial pada Kumpulan Cerpen Jendela Cinta dan Hubungannya dengan Pembelajaran Sastra di SMA

2020 ◽  
Vol 1 (1) ◽  
pp. 1-16
Author(s):  
Arin Nafiana ◽  
Johan Mahyudi ◽  
Muhammad Khairussibyan
Keyword(s):  
Short Stories ◽  
Social Interaction ◽  
Short Story ◽  
Georg Simmel ◽  
Short Story Collection ◽  
Sociological Approach ◽  
Data Collection Technique ◽  
The Relationship ◽  
Exchange Data ◽  
Literary Learning

Abstrak: Penelitian ini bertujuan untuk (1) mendeskripsikan bentuk interaksi sosial dalam ketujuh cerpen pada kumpulan cerpen Jendela Cinta karya Fahri Asiza dkk. dan (2) mendeskripsikan pemanfaatan cerpen dalam kumpulan cerpen Jendela Cinta sebagai pembelajaran sastra di SMA. Metode yang digunakan adalah metode deskriptif kualitatif. Teknik pengumpulan data yaitu dokumentasi. Selanjutnya data dianalisis dengan teknik deskriptif analitis yang meliputi pengidentifikasian, pengklasifikasian, dan penyimpulan pada data-data yang terkumpul dari kumpulan cerpen Jendela Cinta karya Fahri Asiza dkk. dengan pendekatan sosiologi sastra, yakni teori interaksi sosial Georg Simmel. Bentuk interaksi sosial dalam teori ini berupa superordinasi dan subordinasi, pertukaran, konflik, prostitusi, dan sosiabilitas. Hasil penelitian ini menunjukkan bahwa ditemukan 37 data dengan rincian data 8 bukti data superordinasi dan subordinasi, 6 bukti data pertukaran, 11 bukti data konflik, 3 bukti data prostitusi, dan 9bukti data sosiabilitas. Pada bentuk interaksi superordinasi dan subordinasi satu di antaranya tergambar dalam hubungan antara tokoh majikan dan tokoh pembantu pada cerpen berjudul “Dia!”, bentuk pertukaran salah satunya tampak melalui tokoh Ratna dan ketiga adiknya pada cerpen “Malam Biru” saat bertukar informasi, bentuk konflik ditemukan satu di antaranya dalam perselisihan antara GAM dan TNI di Aceh yang diceritakan dalam cerpen “Terapung” dan “Bidadari Kecilku”, bentuk prostitusi ditemukan dalam cerpen “Bulan Mengapung” melalui tokoh Parjo dan teman-temannya, dan bentuk sosiabilitas satu di antaranya tergambar melalui keramahan tokoh Aminah dalam cerpen “Jendela Cinta”. Abstract: This research aims to (1) describe the forms of social interactions in the seven short stories called Jendela Cinta by Fahri Asiza et al. and (2) describe the use of short stories in the collection of Jendela Cinta short story as literary learning in senior high school. The method use is descriptive qualitative method. The data collection technique is documentation. Furthermore, the data were analyzed using descriptive analitytical techniques which include identifying, classifying, and inferring data collected from the short story collection of Jendela Cinta by Fahri Asiza et al. with a sociological approach to literature, based on Georg Simmel’s theory of social interaction. The form of social interaction in this theory is in the form of superordination and subordination, exchange, conflict, prostitution, and sociability. The result of this research indicate that found 37 data with 8 data details of superordination and subordination data, 6 evidence of exchange data, 11 evidence of conflict data, 3 evidence of prostitution data, and 9 evidence of sociability data. In the form interaction of superordination and subordination, one of them is illustrated in the relationship between the employer and the maid in the short story “Dia!”, one form of exchange was seen through the character Ratna and her three younger siblings in the short story “Malam Biru” when exchanging information, one form of conflict was seen in a dispute between GAM and TNI in Aceh which was told in the short stories “Terapung” and “Bidadari Kecilku”, a form of prostitution found in the short story “Bulan Mengapung” through Parjo figures and friends, and one form of sociability was seen through Aminah figures in the short story “Jendela Cinta”.

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