scholarly journals Sitrilakiyangalil Pallisai

2021 ◽  
Vol 3 (S-1) ◽  
pp. 218-222
Author(s):  
Janarthanan L
Keyword(s):  
Short Stories ◽  
Full Text ◽  
Literary Form ◽  
Literary Genre ◽  
Way Of Life ◽  
Literary Genres ◽  
Biological Condition ◽  
Ancient Literature

It is cynical to set out to give any one of the four affirmative meanings of virtue, meaning, pleasure, and home. In this way, Pallu, Kuravanchi, Nondi, Kuluvam, Makudi etc. are found to have artistic qualities in them. Pillai Tamil, Kalambakam, Satakam, Malai and Anthadi are found to be literary. The action of the tooth has acquired a pronoun and has become called a tooth. Those who work in a place full of potholes are referred to as Pallar. Although Pallu literature later took literary form, its elements can be traced back to ancient literature. Various elements must have been supplemented in order to get the full text of the school literature. Such literary genres are written with a tendency to explain a variety of meanings. Yet they are all suppressed together in the sense that they come together in giving hints about music. The literary genre of cognition, one of the eight categories referred to by the tholkappiyam, applies to ‘pallu vagai’ literature. The biological condition of the pallu, in its entirety and in its simplest form, is made clear to us in the form of short stories and songs. In this article you will find what the Psalms say about agriculture, the God of the pallar, their family, way of life and music.

scholarly journals The Originality of the Comic in the Prose of Venedict Marth

2020 ◽  
Vol 15 (2) ◽  
pp. 407-416
Author(s):  
E. A. Denisova
Keyword(s):  
Short Stories ◽  
Characteristic Feature ◽  
Fairy Tale ◽  
The State ◽  
Chinese Poetry ◽  
Way Of Life ◽  
Literary Genres ◽  
Loss Of Self ◽  
Local Newspapers ◽  
French Novel

Venedikt Mart is the pseudonym of the poet and writer Venedikt Nikolaevich Matveev (1895–1937). He was born and lived in Vladivostok until 1920, where he published his poems in local newspapers and magazines, published his first collections in the printing house of his father, who was a writer and local historian Nikolai Amursky (Nikolai Petrovich Matveev), (1865–1941). Venedict Mart became famous for his futuristic poems and translations of Japa- nese and Chinese poetry. The collection “At the Love Crossroads of Fads” (1922) is a clear mockery of precision culture. The reference to the long-gone culture of past centuries is comical in that V. Marth’s pretentiousness of vocabulary and immoderate hyperbolism of short stories is stronger than in any French novel created by a writer-precision. The heroes’ love explanations take an unexpected turn, in which romantic stories are resolved in a comic manner. In June 1917, in St. Petersburg on Krestovsky Island, V. Mart wrote the book “Emerald Worms”. In one of the main refrains of the text: “You smile and Your smile will remain here on Earth – in March to enchant the autumn people...”, the author’s self-irony is noticeable, since in the book “You” means “Genius of the Cosmos” who reaches Immortality – this means that his works live forever. In the phrase “You stay in March,” the author cleverly uses the fact that his pseudonym coincides with the name of the month. This game with the reader is a characteristic feature of the entire work of the writer. In V. Mart’s prose of the late 1920s – early 1930s, an educational orientation and adherence to the “state order” are visible. The 1932 story “Dere – a Water Wedding” combines several artistic directions. Some fragments of the text are stylized like a fairy tale story. V. Mart confronts this artistic direction with the literature of fact, thereby creating a comic effect through which the author expresses the catastrophic nature of the process of loss of self-identification of a small people under the influence of the “new way of life”. In the collection “At the Love Crossroads of Fads” creates a comic effect through sheer mockery of precision culture. Here V. Mart uses fabulous motives, which he will extensively use in his prose. In the book “Emerald Worms” absurdity and the author’s self-irony are the main methods of the comic. Since the end of the 1920s, being under the supervision of the police and squeezed by the censorship framework from the explicit forms of the comic, V. Mart turns to hidden irony, which is read more at the stylistic level, for example, a deliberate combination of literary genres far from each other in one work.

Late Antique Letter Collections

2016 ◽  
Keyword(s):  
Late Antiquity ◽  
Literary Genre ◽  
Late Antique ◽  
Comprehensive Overview ◽  
Literary Genres ◽  
The Social ◽  
Letter Writer ◽  
The Individual ◽  
Letter Collection ◽  
Latin Letter

This volume provides the first comprehensive overview of the extant Greek and Latin letter collections of late antiquity (ca. 300-600 C.E.). Bringing together an international team of historians, classicists, and scholars of religion, it illustrates how letter collections advertised an image of the letter writer and introduces the social and textual histories of each collection. Nearly every chapter focuses on the letter collection of a different late ancient author—from the famous (or even infamous) to the obscure—and investigates its particular issues of content, arrangement, and publication context. On the whole, the volume reveals how late antique letter collections operated as a discrete literary genre with its own conventions, transmission processes, and self-presentational agendas while offering new approaches to interpret both larger letter collections and the individual letters contained within them. Each chapter contributes to a broad argument that scholars should read letter collections as they do representatives of other late antique literary genres, as single texts made up of individual components, with larger thematic and literary characteristics that are as important as those of their component parts.

The Russian People as They Are. Turgenev’s View

2018 ◽  
pp. 71-82
Author(s):  
Sergey Nickolsky
Keyword(s):  
Short Stories ◽  
Philosophy Of History ◽  
Literary Genre ◽  
Classical Literature ◽  
The People ◽  
The World ◽  
Natural Man ◽  
The Mind ◽  
Nature And Society ◽  
Philosophical Nature

The question of the Russian man – his past, present and future – is the central one in the philosophy of history. Unfortunately, at present this area of philosophy is not suffciently developed in Russia. Partly the reason for this situation is the lack of understanding by researchers of the role played by Russian classical literature and its philosophizing writers in historiosophy. The Hunting Sketches, a collection of short stories by I.S. Turgenev, is a work still undervalued, not fully considered not only in details but also in general meanings. And this is understandable because it is the frst systematic encyclopedia of Russian worldview, which is not envisaged by the literary genre. To a certain extent, Turgenev’s line is continued by I. Goncharov (the theme of the mind and heart), L. Tolstoy (the theme of the living and the dead, nature and society, the people and the lords), F. Dostoevsky (natural and rational rights), A. Chekhov (worthy and vulgar life). This article examines the philosophical nature of The Hunting Sketches, its structure and content. According to author’s opinion, stories can be divided into ten groups according to their dominant meanings. Thus, in The Hunting Sketches the main Russian types are depicted: “natural man,” rational, submissive, cunning, honest, sensitive, passionate, poetic, homeless, suffering, calmly accepting death, imbued with the immensity of the world. In the image and the comments of the wandering protagonist, Ivan Turgenev reveals his own philosophical credo, which he defnes as a moderate liberalism – freedom of thought and action, without prejudice to others.

KNOWLEDGE, SUFFERING AND THE PERFORMANCE OF WISDOM IN SOLON'SELEGY TO THE MUSESAND THE BABYLONIANPOEM OF THE RIGHTEOUS SUFFERER

2019 ◽  
Vol 65 ◽  
pp. 63-83
Author(s):  
Alexandre Johnston
Keyword(s):  
Comparative Analysis ◽  
Literary Form ◽  
Human Condition ◽  
Poetic Voice ◽  
Divine Justice ◽  
Ancient Literature ◽  
Literature And Theology ◽  
The Human Condition

This article offers a comparative reading of Solon'sElegy to the Muses(fragment 13 West) and the BabylonianPoem of the Righteous Sufferer, focusing on the interplay of literary form and theological content. It argues that in both poems, shifts in the identity and perspective of the poetic voice enable the speaker to act out, or perform, a particular vision of humanity and its relationship with the divine. The comparative analysis improves our understanding of both texts, showing for instance that Solon's elegy is a highly sophisticated attempt to articulate a coherent vision of divine justice and the human condition. It also sheds light on the particular modes in which ancient literature and theology interact in different contexts, and how this interaction could affect audiences.

Wang Guowei and the Establishment of Chinese Drama in the Modern Canon of Classical Literature

T oung Pao ◽  
2010 ◽  
Vol 96 (1) ◽  
pp. 165-201
Author(s):  
Regina Llamas
Keyword(s):  
Yuan Dynasty ◽  
Literary Genre ◽  
Classical Literature ◽  
Literary Value ◽  
Literary Genres ◽  
Critical History ◽  
History Of ◽  
The Right ◽  
The Yuan Dynasty ◽  
Universal Standard

AbstractThis essay examines the process by which Wang Guowei placed Chinese dramatic history into the modern Chinese literary canon. It explores how Wang formed his ideas on literature, drawing on Western aesthetics to explain, through the notions of leisure and play, the impetus for art creation, and on the Chinese notions of the genesis of literature to explain the psychology of literary creation. In order to establish the literary value of Chinese drama, Wang applied these ideas to the first playwrights of the Yuan dynasty, arguing that theirs was a literature created under the right aesthetic and creative circumstances, and that it embodied the value of "naturalness" which he considered a universal standard for good literature. By producing a scholarly critical history of the origins and nature of Chinese drama, Wang placed drama on a par with other literary genres of past dynasties, thus giving it a renewed status and creating at the same time a new discipline of research. Drama had now become an established literary genre.

scholarly journals A Comparative Study of Sadegh Hedayat’s The Blind Owl in the Light of the German Theory of Novella

2018 ◽  
Vol 9 (4) ◽  
pp. 98
Author(s):  
Ebrahim Estarami
Keyword(s):  
Comparative Study ◽  
Short Story ◽  
German Literature ◽  
Literary Genre ◽  
Literary Genres ◽  
Dramatic Structure ◽  
Human Trait ◽  
New Look

Using the novella as the European literary genre has divided the Iranian literary scholars due mostly to its unknown features. Lack of research in this area has caused many writers either to abandon this literary term or to opt for alternatives such as “novelette”,” long story”, “long short story” or “short story”. This article aims to introduce the theory and characteristics of the novella as a unique literary genre, based on German literature. Despite the Italian root of the novella, it reflects its Germanic roots as it was flourished in the 18th and 19th centuries Germany. In addition, the paper explores the concept of “long story” in Iranian literature as the synonym of the term novella. The Blind Owl clearly exhibits these characteristics of the genre, especially the dramatic structure and representing a new aspect of human trait. The analysis of The Blind Owl leads to a deeper understanding of one of the most important and well-formed European literary genres and a new look at Sadegh Hedayat’s ideology as a professional author in addition to familiarizing scholars with this genre.

Introducing the Prose Poem

Prose Poetry ◽  
2020 ◽  
pp. 3-27
Author(s):  
Paul Hetherington ◽  
Cassandra Atherton
Keyword(s):  
Nineteenth Century ◽  
English Language ◽  
Literary Form ◽  
Prose Poetry ◽  
Literary Genre ◽  
Prose Poem ◽  
Nineteenth Century France ◽  
The Common ◽  
Common Observation ◽  
Intense Emotion

This chapter traces prose poetry's development in nineteenth-century France and its early reception and subsequent critical views about the form. The prose poem in English is now established as an important literary form in many countries at a time when the composition and publication of poetry is thriving. However, while poetry generally continues to be recognized as a literary genre highly suited to expressing intense emotion, grappling with the ineffable and the intimate, and while lineated lyric poetry is widely admired for its rhythms and musicality, the main scholarship written about English-language prose poetry to date defines the form as problematic, paradoxical, ambiguous, unresolved, or contradictory. The common observation that the term “prose poetry” appears to contain a contradiction is not surprising given that poetry and prose are often understood to be fundamentally different kinds of writing. The chapter then defines the prose poem's main features and discusses the challenge prose poetry presents to established ideas of literary genre.

scholarly journals Ein Literarisches Kuckucksei: Der Essay

Literator ◽  
1986 ◽  
Vol 7 (3) ◽  
pp. 52-70
Author(s):  
J. D.C. Potgieter
Keyword(s):  
General Trend ◽  
Literary Form ◽  
Literary Genre ◽  
Mixed Genre

Due to mainly a lack of sufficient research - especially previous to Montaigne (1533-1592) and Bacon (1561-1626), the apparent innovators of the literary form of the Essay - quite a few misconceptions regarding this literary genre still prevail.Not only is the Essay as such often confused with the essay qua “Aufsatz” , but also because of its typical characteristics of “playing” with fact(s) in the literary arena, the literary Essay is blindly branded as a "mixed-genre", a label which is also attributed to its mosaic-like form. Contrary to the general trend, this study concerns the Essay as an “independent" Hterary prose-genre, with its own characteristics.

scholarly journals Representativeness in Corpora of Literary Texts: Introducing the C18P Project

2016 ◽  
Vol 4 (2) ◽  
pp. 29-48
Author(s):  
Iris Gemeinböck
Keyword(s):  
Early Development ◽  
Literary Texts ◽  
Literary Genre ◽  
The Novel ◽  
Prose Fiction ◽  
Linguistic Features ◽  
Literary Genres ◽  
Victorian Era ◽  
Linguistic Research

Currently there are very few specialised corpora of literary texts that are tailored to the needs of literary critics who are interested in corpus stylistic analyses of prose fiction. Many existing corpora including literary texts were compiled for linguistic research interests and are often unsuitable for corpus stylistic purposes. The paper addresses three of the main problems: the absence of labelling of the texts for literary genre, the use of extracts, and the prevalence of linguistic periodisation schemes. C18P is a corpus of prose fiction designed specifically to address these issues. It traces the early development of the novel from 1700 up until the Victorian era. It can, for instance, be used for an analysis of the characteristic linguistic features of individual literary genres and forms. The following paper introduces the design of the corpus as well as some of its potential uses.

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