scholarly journals IDEAS-THEMATIC DIVERSITY LEZGIN PEOPLE RIDDLES

2020 ◽  
Vol 30 (2) ◽  
pp. 358-365
Author(s):  
A.R. Gasharova
Keyword(s):  
Everyday Life ◽  
Comparative Methods ◽  
Holistic View ◽  
The Past ◽  
The People ◽  
Holistic Understanding ◽  
Working People ◽  
The Creation ◽  
Historical Comparative ◽  
Artistic Skill

The Lezgi folk mystery is one of the interesting genres of Lezgi folklore, created by the working masses for many centuries. Studying them has scientific and practical pedagogical significance. There are no special works devoted to Lezgian folk puzzles. This explains the relevance of our appeal to this genre of folklore. The object of our study is the genre diversity of Lezgian folk puzzles. The main objectives of the work are: conducting a comprehensive, diverse study of the Lezgian folk puzzles and obtaining a holistic view of them. To achieve this goal, we set and solve a number of interrelated tasks, the priority of which are: a) through the prism of folk riddles to consider individual aspects of everyday life, to show how it reflected the worldview of the simple working people in the past; b) to characterize the features and to reveal the artistic skill of the people in the creation of verbal works; c) identify the origins and basic artistic principles of Lezgi folk riddles, etc. The need for a holistic understanding of the actual, theoretical and pedagogical heritage of the Lezgian folk mystery led to historical-comparative and comparative methods of its study.

VISUALIZATION OF SOVIET CHILDHOOD IN DRAWINGS BY EUGENIYA DVOSKINA

2020 ◽  
pp. 96-115
Author(s):  
Zhanna V. Umanskaya ◽  
Keyword(s):  
Everyday Life ◽  
Collective Memory ◽  
Behavioral Characteristics ◽  
Visual Sociology ◽  
Public And Private ◽  
The Past ◽  
The Everyday ◽  
Soviet Ideology ◽  
Almost All ◽  
Artistic Skill

The author explores ways to visualize the everyday life of the Brezhnev period’s soviet childhood in a Eugeniya Dvoskina’s drawings cycle «#forthosewhoremember». Comparing the artist’s work with other modern visual nostalgic projects, the significance of the selected source is justified: this cycle allows us to give an idea of the visual environment of the child, typical kinds of the children’s territory, public and private areas in the collective memory of the generation. Based on the methodology of visual sociology (P. Shtompka, O.V. Gavrishina), the author analyzes the reasons for the cycle’s perception of the older generation as uniquely “Soviet” and raises the question about markers of “Soviet childhood”. The universality and heritability of many children’s practices makes them timeless, so the design of the material world and symbols of Soviet ideology are main signs of the historical era. Compositional and graphic solutions of images play an important role for the viewer’s perception. Knowledge of nature and artistic skill allows the artist to create heroes with accurate behavioral characteristics and evokes, in addition to visual, almost all types of sensory memory (tactile, motor, audio). The use of accompaniment text, often in the form of speech formulas, is crucial for this effect. If we consider this cycle in the logic of S.”Boym’s reasoning about nostalgia, drawings about soviet childhood can be attributed to the procedural type of nostalgia, which is characterized by irony and contradictory attitude to the past. Eugeniya Dvoskina’s work provides a complex multi-faceted visualization of the everyday life of Soviet childhood in the 60–80s of the XX century.

The First French-Canadian National Parks: Kouchibouguac and Forillon in History and Memory

2012 ◽  
Vol 22 (1) ◽  
pp. 161-200 ◽  
Author(s):  
Ronald Rudin
Keyword(s):  
New Brunswick ◽  
National Parks ◽  
National Park ◽  
English Speakers ◽  
French Canadian ◽  
History And Memory ◽  
Resident Population ◽  
The Past ◽  
The People ◽  
The Creation

Until the mid-1970s, the creation of a national park in Canada meant the removal of the resident population whose presence was viewed as incompatible with the preservation of nature and its presentation to visitors. Like other high-modernist schemes of the time, park projects were conceived by agents of the state whose knowledge trumped that of the people on the ground whose lives were viewed as worthless. The first nineteen of Canada’s national parks were created in areas populated predominately by English-speakers so that it was only with the creation of Kouchibouguac National Park in New Brunswick in late 1969 and Forillon National Park in Quebec eight months later that French-speakers bore the brunt of forced removal. This essay explores the dynamics regarding the creation of the first two French-Canadian national parks, both of which emerged in the midst of révolutions tranquilles, one acadienne and the other québécoise. This context shaped both the process that led to the development of the parks and to the very different ways that they have been remembered over the past forty years.

scholarly journals RELIGION AND ATTITUDES OF POLITICAL PARTIES

2007 ◽  
Vol 1 (2) ◽  
pp. 29-38
Author(s):  
Maria Serafimova
Keyword(s):  
Political Parties ◽  
Qualitative Methods ◽  
Social World ◽  
Social Solidarity ◽  
The Past ◽  
The People ◽  
The Future ◽  
Traditional Societies ◽  
The Creation

It presents no problem for a well-established, stable social world to go from the past, through the present and towards the future. However, what if the crises are consecutive and never ending? A necessity of security and support, a need of firm grounds for the worldly and social universe of the people, appears in that case. Religion could help to legitimate the purposes and actions of a society, to strengthen the determination of its people. In fact, it symbolizes a kind of social solidarity and a collective sentiment. The whole of the religious answers constitutes the sacred universe of traditional societies, but it could be included in the creation of a modern sacred, given that “sacred” does not mean only “religious”. Essential part of this presentation is based on sociological surveys, conducted using qualitative methods, rather than quantitative ones.

scholarly journals Rus - Ukraine. The old name of the Ukrainian people - Rus - is rightfully owned by Ukrainians

2013 ◽  
pp. 221-226
Author(s):  
Oleh Odnorojenko
Keyword(s):  
The Past ◽  
The People ◽  
The Creation

When we look at the past of Ukraine, the names of our people and country, language and faith serve as the kind of guideline in search of sources. The creation of self-titles is often associated with the process of awareness of the people of their separateness.

scholarly journals Understanding Success according to Crowdfunding Project’s Initiators

2017 ◽  
Vol 62 (3) ◽  
pp. 83-100
Author(s):  
Susana Costa e Silva ◽  
Ana Isabel Tavares Vieira
Keyword(s):  
The Past ◽  
Working People ◽  
The Media ◽  
The Creation ◽  
A Company ◽  
Shed Light

Abstract Over the past few years, a large number of projects related to entrepreneurship ideas have appeared daily in the media, due to the fact that they were sold as new solutions for companies or gave origin to new companies. These projects were mainly created by individuals who were students, unemployed persons or working people and, consequently, did not have a company of their own and, in most of the cases, also did not have the means to finance their idea. In some situations, the creation of a crowdfunding project presents itself as a convenient and riskless option for funding and this is frequently the reason why some project initiators decide to launch a campaign. The assessment of each campaign depends on the expectations of the project creator, who is in the best position to decide whether it was actually successful. Untangling how a project owner can assess the performance of its project is of major importance, namely when projects are launched by individuals who ultimately carry all the tasks involved in the initiative. This is a field of research within crowdfunding that remains, to the best of our knowledge, under researched. We propose a framework for the analysis of the success of these projects and we test it on six crowdfunding projects launched in Portugal. Our goal is to shed light to the factors that can be used by project creators in the assessment of the performance of their initiatives.

scholarly journals SPIRIT KEILMUAN WAHYU MEMANDU ILMU DALAM PENGEMBANGAN HUKUM ISLAM

2021 ◽  
Vol 14 (2) ◽  
pp. 243-256
Author(s):  
Deden Najmudin
Keyword(s):  
Everyday Life ◽  
Social Life ◽  
Qualitative Data ◽  
Islamic Law ◽  
Religious Life ◽  
Comparative Methods ◽  
New Paradigm ◽  
The People ◽  
The Times ◽  
Advanced Development

In the development of Islamic law that covers all aspects of people's lives, both in the hereafter problem with all its problems, as well as world problems with all these problems require a new paradigm of scientific mindset. The more advanced development of science and technology also influences the progress of social life, culture, politics, economics and others. So the authors take up this theme using descriptive and comparative methods, and the type of data used in this study is qualitative data. Islamic law requires a new paradigm of mindset and renewal of the views of a problem, especially in everyday life or we can call it contemporary fiqh. The paradigm of the new paradigm becomes more severe, due to contemporary problems, even more complicated when seen from the perspective of fiqh. However, the tradition of the fuqaha used to guide the dynamics of life in his day, so that in this day and age we can imitate the ulama fuqaha by at least contributing to the development of science and understanding, with various kinds of problems in society in accordance with the times, so that the problems of religious life the people are always guided. This paper will raise the opportunity given by Islamic law itself to its people to always criticize it, which allows the emergence of new paradigms along with the emergence of new problems in society.

The Role of Dogs in Everyday Life

2018 ◽  
Author(s):  
Renee B. Walker
Keyword(s):  
Everyday Life ◽  
Historical Fiction ◽  
Domestic Animal ◽  
Archaic Period ◽  
The Past ◽  
The People ◽  
The Social ◽  
The World

Dogs are the earliest and most widespread domestic animal in the world, and, thus, they are potentially an everyday matter for some peoples both in the past and in the present. Arriving with humans to the Americas at the end of the Pleistocene, dogs helped people hunt; protected their families; and carried wood, meat, and other household items. One strategy to explore the social and cultural reasons for humans keeping dogs is to use historical fiction to imagine the activities that dogs took part in and what those activities may have meant for the people around them. In this chapter, we join “Dog,” a male dog living during the Archaic period in the Southeast, and follow him throughout year.

scholarly journals A NEW MYTHOLOGICAL STUDY OF THE CONCEPTS OF NATIONAL WORLDVIEW IN THE WORKS OF ABAY

2020 ◽  
Vol 72 (2) ◽  
pp. 400-405
Author(s):  
A. Maulenov ◽  
◽  
A. Nusipulikyzy ◽  
Keyword(s):  
20Th Century ◽  
Positive Influence ◽  
Point Of View ◽  
Character Traits ◽  
The Public ◽  
Human Culture ◽  
The Past ◽  
The People ◽  
Current Events ◽  
Artistic Skill

The article tells about the mythical archetypes of Kazakh literature at the beginning of the 20th century, reunited with the new principles of human culture. These works are clearly demonstrated on the basis of the analysis of Abay’s poems “Iskander(Eskendir)”, “Masgut(Masғұt)”, “Conversation of Azim(Әзім әңгімесі)”. The positive influence of ancient Kazakh mythology on the works of that period is analyzed from the point of view of today and such qualities as transformations of the meaning of the word are noted. It is proved that the true novelty in the works of Abay is associated with a new content, moreover, relying on tradition, he became the beginning of a new source.Also, the authors of the article tried to convey to the public that the literary material of the diversity that connects the past of the people with today is the current events and conflicts on the basis of mythological parallels. The differences between the image of Iskander created by Abai, from other eastern dastans and from historical facts are shown. The artistic skill of creating an image from a mythological point of view is separately affected, and based on the poet’s work, results are obtained that prove that a person has good character traits from upbringing and education. Importance is given to the features of using elements of mythical symbolism in Kazakh literature at the beginning of the 20th century.

scholarly journals Pertunjukan Seni Talawengkar sebagai Atraksi Seni Budaya di Desa Sitiwinangun Kabupaten Cirebon

Panggung ◽  
2020 ◽  
Vol 30 (3) ◽  
Author(s):  
Turyati Turyati ◽  
Nani Sriwardani
Keyword(s):  
Action Research ◽  
Everyday Life ◽  
Participatory Action Research ◽  
Performance Art ◽  
Creative Process ◽  
Participatory Action ◽  
Aesthetic Value ◽  
The Past ◽  
The People ◽  
Object Of Study

ABSTRACTPottery is a tool or device made of clay and is usually used in everyday life. Pottery is one of the works that was born from the past and still survives today. In the past, pottery was a container for storing crops, foodstuffs, and other consumables. Apart from having functional and historical value, the pottery also has aesthetic value. This pottery is the inspiration for the creation of Talawengkar performance art. Talawengker is defined as shards of pottery, from which the fragments are reused as a medium for children’s play. The object of study is in Sitiwinangun because this area is a location for pottery handicrafts. This article describes the collaborative creative process in research participatory action research. The purpose of creating this artwork is an effort to empower the people of Sitiwinangun Village. The results of the research are in the form of works of art through the Talawengkar performance art attraction pattern using floor patterns and dynamic motion.Keywords: Talawengkar Performance, Pottery, Attractions, Cultural ArtsABSTRAKGerabah merupakan alat atau perangkat yang terbuat dari tanah liat dan biasanya digunakan di kehidupan sehari-hari. Gerabah salah satu karya yang lahir dari masa lalu dan masih bertahan sampai sekarang. Di masa lampau, gerabah merupakan perabotan wadah penyimpanan hasil tanam, bahan makanan, hingga barang pakai lainnya. Selain memiliki nilai fungsi dan sejarah, gerabah juga memiliki nilai estetika. Gerabah inilah yang menjadi latar belakang inspirasi sebagai penciptaan seni pertunjukan Talawengkar. Talawengker diartikan sebagai pecahanpecahan gerabah, dari pecahan itulah yang dimanfaatkan kembali menjadi media permainan anak. Objek studi berada di Sitiwinangun, karena daerah ini merupakan lokasi kerajinan gerabah. Artikel ini memaparkan proses kreatif kolaboratif dalam penelitian participation action reseach. Tujuan penciptaan karya seni ini adalah sebagai upaya pemberdayaan masyarakat Desa Sitiwinangun. Hasil penelitian berupa karya seni melalui pola atraksi seni pertunjukan Talawengkar mengunakan pola lantai dan gerak dinamis.Kata kunci: Pertunjukan Talawengkar, Gerabah, Atraksi, Seni Budaya

scholarly journals Sustainability at IKEA

2017 ◽  
pp. 67 ◽  
Author(s):  
Karin Fröding ◽  
Geoff Lawrence
Keyword(s):  
Everyday Life ◽  
Code Of Conduct ◽  
Business Strategies ◽  
Environmental Responsibility ◽  
The Past ◽  
The People ◽  
Minimum Requirements ◽  
The Many ◽  
Sustainability Program ◽  
Home Furnishing

IKEA has its roots in Småland, historically one of Sweden’s poorest regions, so hard work and economizing with resources have always been part of our heritage. We’ve been making a lot out of very little for more than 60 years. Based on a deep knowledge of people’s lives at home, IKEA offers good quality, durable and functional home furnishing products for everyday life today. We are completely committed to our vision to create a better everyday life for the many people. This commitment extends to our suppliers and all who work for them. The IKEA Way on Purchasing Products, Materials and Services (IWAY*) is the IKEA Supplier Code of Conduct. It states the IKEA minimum requirements relating to the Environment and Social Working Conditions, including the prevention of child labour. IWAY and all of its activities are dependent upon co-operation, mutual trust and respect between the supplier and IKEA.Initially, flat packs and smart ways of transport were invented to save money. Over the years, we have learnt that saving money and the environment usually go hand in hand and rarely conflict with each other. During the past 10 to 15 years, we have developed our Sustainability Program where we work on responsible forestry, water treatment, cotton grown in a more sustainable way and many more projects, together with partners such as WWF.* Current IKEA social projects in partnership with UNICEF, UNDP andSave the Children will have benefited 100 million children by the end of 2015. This includes a lot more than just providing a great home furnishing offer. It is also about taking social and environmental responsibility towards IKEA customers, coworkers and the people who produce our products. The decision to integrate sustainability in all IKEA business strategies is a milestone for our continued work towards becoming a sustainable company.

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