scholarly journals El nacimiento del Tawantinsuyu de los Habsburgo

1974 ◽  
Vol 3 ◽  
pp. 11-50
Author(s):  
Antoni Macierewicz
Keyword(s):  
New World ◽  
Social Classes ◽  
Social Structures ◽  
Top Down ◽  
Inca Empire ◽  
The Social ◽  
History Of ◽  
Political Structures ◽  
In The Beginning

The article describes the history of interactions between the social structures of the freshly conquered Inca realm and the Spanish-designed structures brought on by the colonization of the New World. The article mentions the replacement of top sovereigns and elites of the Inca empire by Spaniards. In the beginning, the pace of changes within the lower and local social classes was very slow. Overall, the replacement of political structures was a time-consuming, top-down process.

Same Address, Different Doors: Post-Heritage Deconstruction of the Heritage Household in Upstairs Downstairs in the 1970s and 2010s

2020 ◽  
Author(s):  
William Abbiss
Keyword(s):  
Final Section ◽  
Social Structures ◽  
The Third ◽  
The Past ◽  
War Narrative ◽  
Critical History ◽  
The Social ◽  
Fourth Series ◽  
History Of ◽  
Multiple Episodes

This article offers a ‘post-heritage’ reading of both iterations of Upstairs Downstairs: the LondonWeekend Television (LWT) series (1971–5) and its shortlived BBC revival (2010–12). Identifying elements of subversion and subjectivity allows scholarship on the LWT series to be reassessed, recognising occasions where it challenges rather than supports the social structures of the depicted Edwardian past. The BBC series also incorporates the post-heritage element of self-consciousness, acknowledging the parallel between its narrative and the production’s attempts to recreate the success of its 1970s predecessor. The article’s first section assesses the critical history of the LWT series, identifying areas that are open to further study or revised readings. The second section analyses the serialised war narrative of the fourth series of LWT’s Upstairs, Downstairs (1974), revealing its exploration of female identity across multiple episodes and challenging the notion that the series became more male and upstairs dominated as it progressed. The third section considers the BBC series’ revised concept, identifying the shifts in its main characters’ positions in society that allow the series’ narrative to question the past it evokes. This will be briefly contrasted with the heritage stability of Downton Abbey (ITV, 2010–15). The final section considers the household of 165 Eaton Place’s function as a studio space, which the BBC series self-consciously adopts in order to evoke the aesthetics of prior period dramas. The article concludes by suggesting that the barriers to recreating the past established in the BBC series’ narrative also contributed to its failure to match the success of its earlier iteration.

Same Address, Different Doors: Post-Heritage Deconstruction of the Heritage Household in Upstairs Downstairs in the 1970s and 2010s

2020 ◽  
Author(s):  
William Abbiss
Keyword(s):  
Final Section ◽  
Social Structures ◽  
The Third ◽  
The Past ◽  
War Narrative ◽  
Critical History ◽  
The Social ◽  
Fourth Series ◽  
History Of ◽  
Multiple Episodes

This article offers a ‘post-heritage’ reading of both iterations of Upstairs Downstairs: the LondonWeekend Television (LWT) series (1971–5) and its shortlived BBC revival (2010–12). Identifying elements of subversion and subjectivity allows scholarship on the LWT series to be reassessed, recognising occasions where it challenges rather than supports the social structures of the depicted Edwardian past. The BBC series also incorporates the post-heritage element of self-consciousness, acknowledging the parallel between its narrative and the production’s attempts to recreate the success of its 1970s predecessor. The article’s first section assesses the critical history of the LWT series, identifying areas that are open to further study or revised readings. The second section analyses the serialised war narrative of the fourth series of LWT’s Upstairs, Downstairs (1974), revealing its exploration of female identity across multiple episodes and challenging the notion that the series became more male and upstairs dominated as it progressed. The third section considers the BBC series’ revised concept, identifying the shifts in its main characters’ positions in society that allow the series’ narrative to question the past it evokes. This will be briefly contrasted with the heritage stability of Downton Abbey (ITV, 2010–15). The final section considers the household of 165 Eaton Place’s function as a studio space, which the BBC series self-consciously adopts in order to evoke the aesthetics of prior period dramas. The article concludes by suggesting that the barriers to recreating the past established in the BBC series’ narrative also contributed to its failure to match the success of its earlier iteration.

scholarly journals Siberian Tatars of Knyazevs: historical and genealogical essay

2020 ◽  
pp. 149-158
Author(s):  
S.N. Korusenko
Keyword(s):  
Social Status ◽  
19Th Century ◽  
Social Transformation ◽  
18Th Century ◽  
Soviet Period ◽  
The Social ◽  
History Of ◽  
The Right ◽  
In The Beginning ◽  
The Village

This paper aims at reconstructing the genealogy of Siberian Tatars of Knyazevs (Western Siberia), identifying the origins of their surname, which is not characteristic of the Tatars, and at analysis of the influence of socio-political and socio-economical processes in Russia in the 18th through 20th centuries on the social transformation of the family. The sources were represented by the materials of the Inventory Revision Book of Tarsky District of 1701 and census surveys of the end of 18th through 19th centuries, which allowed tracing the Knyazev family through the genealogical succession and identifying social status of its members. In this work, recordkeeping ma-terials of the 18th–20th centuries and contemporary genealogical and historical traditions of the Tatars have been utilized. In the research, the method of genealogical reconstructions by archival materials and their correlation with genealogies of modern population has been used. The history of the Knyazev family is inextricably linked to the history of modern village of Bernyazhka — one of the earliest settlements of the Ayalintsy (a group of the Si-berian Tatars) in the territory of the Tarsky Irtysh land which became the home to the Knyazevs for more than three centuries. The 1701Inventory Revision Book cites Itkuchuk Buchkakov as a local power broker of the Aya-lynsky Tatars in the village. During the 18th century, this position was inherited by his descendants who eventually lost this status in the beginning of the 19th century in the course of the managerial reforms by the Russian gov-ernment. Nevertheless, the social status of the members of the gens remained high. In the mid. 19th century, the village moved — the villagers resettled from the right bank of the River Irtysh onto the left one. As the result, the village was situated nearby the main road connecting the cities of Omsk and Tara. At the same time, the village became the center of the Ayalynskay region. That led to the strengthening of the social status and property en-richment of the descendants of Itkuchuk Buchkakov. The Knyzevs’ surname first appeared in the materials of the First All-Russia Census Survey of 1897. Some of the descendants signed up under this surname later in the Soviet period. During the Soviet years, members of the Knyzev’s gens had different destinies: some worked in the local government, whereas the others were subjected to political repressions and executed. Knyazevs took part in the Great Patriotic War and seven of them perished. Presently there are no descendants of the Knyazevs in Bernyazhka as they spread over the villages of the Omskaya Region, some living in Omsk and other towns of Russia and abroad.

scholarly journals SEJARAH SYAIR GULUNG DI KETAPANG

2019 ◽  
Vol 1 (1) ◽  
Author(s):  
Hera Yulita ◽  
Agus Sastrawan Noor ◽  
Yuver Kusnoto
Keyword(s):  
Oral Tradition ◽  
Primary Source ◽  
Local History ◽  
Secondary Source ◽  
West Kalimantan ◽  
Mass Society ◽  
The Social ◽  
Bird Beak ◽  
History Of ◽  
In The Beginning

<p class="Default" align="center"><strong>Abstrak</strong></p><p class="Default">Penelitian ini berjudul “Sejarah Syair Gulung di Ketapang”. Adapun rumusan masalah dalam penelitian ini adalah bagaimanakah sejarah syair gulung di Ketapang. Hasil penelitian ini diharapkan dapat memberikan kontribusi bagi masyarakat dan peneliti sejarah lokal yang ada di Kalimantan Barat. Penelitian ini adalah penelitian sejarah maka peneliti menggunakan metode sejarah yang ditulis dengan deskriptif analitis dengan langkah atau tahapan, yaitu : 1). Heuristik, 2). Kritik Sumber, 3). Interpretasi, 4). Historiografi. Dalam memperoleh data-data penelitian ini, peneliti menggunakan metode sumber primer, sekunder dan tradisi lisan atau folklor di dalam heuristik dengan menggunakan metode sejarah lisan.Hasil penelitian syair gulung pada awalnya hanyalah sebuah bentuk karangan atau disebut kengkarangan yang berada di Tanah Kayong, Tanah Tanjungpura yang sekarang bernama Kabupaten Ketapang. Ada juga yang menyebutnya Syair Layang karena isinya hanya selayang pandang. Lambat laun berubah menjadi syair gulung dikarenakan ditulis di atas kertas kemudian digulung dan disimpan di dalam parug burung. Isinya berupa bait-bait kata yang mengandung nasehat dan petunjuk hidup kepada masyarakat Melayu. Terdapat tiga fase syair gulung, yakni fase Kerajaan Tanjungpura yang diwakili oleh Syair Pangeran Syarif, fase kedua fase syair gulung jenaka, fase ketiga fase syair gulung berisi kritik sosial.</p><p class="Default"> </p><p class="Default"><strong>Kata kunci: </strong>sejarah, Syair Gulung, Ketapang</p><p class="Default"> </p><p class="Default" align="center"><strong><em>Abstract</em></strong></p><p class="Default"><em>The tittle of of this research is “The history of Syair Gulung”. The main problem of this research is how the history of Syair Gulung in Ketapang. The results of this research hopely could giving a contribution for the mass society and the researchers of local history studies in West Kalimantan. The research is a historical research. The methods of the research is descriptive-analitic includes four stages : 1) heuristic 2) verification 3) interpretation 4) historiography. The methodologies of research have been with a primary source, a secondary source, and oral tradition or folklore in heuristic with the oral history methods.The results of this research is in the beginning with namely of Syair Gulung is Kengkarangan, in Kayong Land, Tanjungpura Kingdom in nowdays becoming popular with Ketapang Regency. The several society knowing Syair Gulung with Syair Layang. At this time people knowing with Syair Gulung due to writed in paper and then rolled up and saved in the bird beak. The contents of Syair Gulung is a stanzas with the advice and life wisdom for Malay societies. The Syair Gulung includes three phases, such as The Tanjungpura Kingdom phase with with Syair Pangeran Syarif, The witty phase, and the social critics phase. </em></p><p class="Default"><em> </em></p><strong><em>Keywords:</em></strong><em> history, Syair Gulung, Ketapang</em>

Revisiting the History of Socio-professional Classification in France

2013 ◽  
Vol 68 (04) ◽  
pp. 697-732
Author(s):  
Thomas Amossé
Keyword(s):  
Social Space ◽  
Labor Law ◽  
Social World ◽  
Social Classes ◽  
Social Categories ◽  
Statistical Tool ◽  
Subsequent Period ◽  
The Social ◽  
History Of ◽  
Pragmatic Sociology

The result of a process begun in the nineteenth century, the French system of socio-professional classification (code des catégories socio-professionnelles) was drawn up between 1951 and 1954 and has only been slightly modified since. With no strong theoretical framework and conceived according to a realist approach, it gave substance to social classes in the description of postwar society. During a period of “reworking” (1978-1981), it became an exciting topic of sociological exploration, furnishing a representation of Pierre Bourdieu’s two-dimensional social space and serving as a laboratory for the pragmatic sociology of Luc Boltanski and Laurent Thévenot. In a subsequent period of “updating” (1995-2001), administrative caution regarding changes contrasted with the evolution of categories used in labor law and the goal of analytical purity underpinned by econometrics. The history of this classification details the peculiar position of a statistical tool for representing the social world, ostensibly static amidst constant changes to the institution that managed it, the actors who used it, the social categories—everyday or legal—to which it referred, and, finally, the sociological theories that gave it a conceptual grounding.

scholarly journals Landscape and Hunting. The Economy of the Eschatia

Land ◽  
2018 ◽  
Vol 7 (3) ◽  
pp. 89 ◽  
Author(s):  
Christy Constantakopoulou
Keyword(s):  
Social History ◽  
Social Classes ◽  
Greek Mythology ◽  
Ancient Greek ◽  
Classical Greece ◽  
The Social ◽  
History Of ◽  
Greek Landscape ◽  
Archaic And Classical Greece

This paper explores the place of ancient Greek hunting within the Greek landscape and environment, with particular reference to the eschatia, the marginal, uncultivated (or marginally cultivated) land. It is part of a bigger project on the social history of hunting in archaic and classical Greece, where emphasis is placed on the economic and dietary contribution of hunting for Greek communities. Hunting has attracted scholarly attention, mostly as a result of the role that hunting narratives play in Greek mythology, and the importance of hunting scenes in Greek art. Rather than talking about the role of hunting in rites of passage, I would like to explore the relationships of different social classes to hunting (which is understood here to include all forms of capturing animals on land, including trapping and snaring). The ‘un-central’ landscape of the eschatia appears to be an important locus for hunting practices, and therefore, a productive landscape. Hunting in the eschatia was opportunistic, required minimum effort in terms of crossing distances, allowed access to game that could be profitable in the market, and made the transport of game easier to manage.

Thomas Robert Malthus and David Ricardo

1989 ◽  
Vol 3 (3) ◽  
pp. 153-164 ◽  
Author(s):  
Robert Dorfman
Keyword(s):  
Social Classes ◽  
Human Communication ◽  
Common Goal ◽  
Good Society ◽  
History Of Economics ◽  
The Social ◽  
History Of ◽  
David Ricardo ◽  
Common Vision

This article will describe the enduring relationship between Thomas Malthus and David Ricardo initiated by a letter Malthus sent to Ricardo in June 1811. It was, very likely, the most remarkable and most fruitful collaboration in the history of economics. It appears that their long and intimate collaboration, and their friendship as well, thrived on their continual disputations. They were two men obsessed by a common enthusiasm, tirelessly pursuing a common goal: to understand the economy. But they did not share a common vision of the good society and thus were condemned to wrestle interminably, though remarkably fruitfully, over the roles of the social classes. Their struggles to convey to each other their views of the forces that drove their economy are an inspiring case study in both the difficulty and the possibility of human communication.

scholarly journals New ways: the pandemics of science fiction

2021 ◽  
Vol 11 (6) ◽  
Author(s):  
Glyn Morgan
Keyword(s):  
Science Fiction ◽  
History Of Science ◽  
Disease Outbreaks ◽  
Social Structures ◽  
Current Crisis ◽  
The Social ◽  
Current Events ◽  
History Of ◽  
The Media ◽  
Creative Space

In unprecedented times, people have turned to fiction both for comfort and for distraction, but also to try and understand and anticipate what might come next. Sales and rental figures for works of fiction about pandemics and other disease outbreaks surged in 2020, but what can pandemic science fiction tell us about disease? This article surveys the long history of science fiction's engagement with disease and demonstrates the ways in which these narratives, whether in literature or film, have always had more to say about other contemporary cultural concerns than the disease themselves. Nonetheless, the ideas demonstrated in these texts can be seen perpetuating through the science fiction genre, and in our current crisis, we have seen striking similarities between the behaviours of key individuals, and the manner in which certain events have played out. Not because science fiction predicts these things, but because it anticipates the social structures which produce them (while at the same time permeating the culture to the extent that they become the touchstones with which the media choose to analyse current events). This paper demonstrates that science fiction can be a valuable tool to communicate widely around a pandemic, while also acting as a creative space in which to anticipate how we may handle similar events in the future.

scholarly journals SIGNIFYING RELIGION IN SYMBOL: LOOKING UP THE RISE OF INDONESIAN RED CRESCENT (BSMI) IN PUBLIC LIFE

2019 ◽  
Vol 4 (2) ◽  
pp. 254-270
Author(s):  
Taufiqurrohim Taufiqurrohim ◽  
Ahmad Yunus
Keyword(s):  
Social Interaction ◽  
Social Movement ◽  
Religious Identity ◽  
Public Life ◽  
The Other ◽  
The People ◽  
The Social ◽  
Semiotic Approach ◽  
History Of ◽  
In The Beginning

In the beginning, the surface of BSMI problematizes the red symbol that was used by PMI because it was analyzed as a Christian symbol, feeling hesitant when used as a cross symbol in humanitarian missions is the basic reason as their appearance of religiosities in public life. Talking about the symbol, the crescent has a long history of how it can be “identified” as a symbol of Islam and how the people identified those as an identity of the religion by signifying sacred behind the symbol. The symbolization of religion cannot be separated from the method of semiotic approach where explains the science of sign. Through this sign, people can find their identity and communicatewith each other as social interaction and also find a sacred behind the symbol. For the last theory, I would use the social movement and development that indicate the turn organization not only happen in the case of philanthropy but also will eradicate to the other social application movement. Therefore, in my opinion, the surface of BSMI cannot be rid by the development of crescent symbol interpretation as a symbolization of religious identity due to symbolism as a way to communicate and interact with society

scholarly journals Introduction

2018 ◽  
Vol 4 (1) ◽  
pp. 186-198
Author(s):  
Mirjam de Bruijn ◽  
Jonna Both
Keyword(s):  
West Africa ◽  
Social Conflicts ◽  
Normal Life ◽  
The Social ◽  
History Of ◽  
Political Structures ◽  
Over Time ◽  
Made In ◽  
As If

The enduring experience of hardship, in the form of layers of various crises, can become deeply ingrained in a society, and people can come to act and react under these conditions as if they lead a normal life. This process is explored through the analytical concept of duress, which contains three elements: enduring and accumulating layers of hardship over time, the normalization of this hardship, and a form of deeply constrained agency. We argue that decisions made in duress have a significant impact on the social and political structures of society. This concept of duress is used as a lens to understand the lives of individual people and societies in Central and West Africa that have a long history of ecological, political, and social conflicts and crises.

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