scholarly journals Color Sociology as an Iconic Pattern in the Qur'anic Discourse

2018 ◽  
Vol 227 (1) ◽  
pp. 21-44
Author(s):  
Assist. Prof. Dr. Abdulamir Matar Fili

     The study was taken from the color sociology as a pattern of the Quran desecration as a symbol of social aspects expressed by the Color icon. The color represented a wide presence in the Quran  code by employing White color with a social multiple sign of religious, social, miraculous , description trends and case of stubborn human. The use of green color in many ways in the description of the plant is a symbol of fertility , life, miraculous  ability and description of clothes and furniture  of the people of paradise. While the yellow color is an icon color represents the non-obedience and , stinginess and description the fire of hell, miraculous ability, Torment and death. While the black color signifies the social group , doctrine , miracle and description of the case of unbelievers. While the recruitment of red color indicates the statement of ability of miracle aesthetics. The implications of the Blue color are to the description and loss of the eyes of the unbelievers.

Author(s):  
Srishti Jain

Color is of great importance in our India, without color, there is no basis for any object, person, color really tells us the nature of each other. The color or color refers to the color of the substance, red, yellow, blue. Depending on the combination of these, several distinctions of varna can be made. India is a religious country with different beliefs. Manuscripts have a special relationship with religion. Manuscripts are the best means of salvation for our teachers. One of them is the illustrated Jain manuscript Adipuran. The manuscript, which has been composed by Acharya Pushpadanta, depicts the life history of Lord Rishabhdev (the first Tirthankara) through paintings. The presented manuscript is stored in the scripture store of Terapanthiyan, the Digambar Jain big temple of Jaipur. Its clerical 1597 (AD 1540) is Falgun Shukla 13. Its writing work was done by a Brahmin man named Vishnudas and the paintings are made by Harinath Kayastha and his family. This 687-page manuscript has 541 colored illustrations corresponding to the biography of Tirthankara Rishabhdev. Mainly in the picture, the mineral color (made from a mixture of vegetable juices, ie the color made from the bark of clay stone trees, etc.) is the most used. Mainly ocher (red) Hironji (green) Ramaraj (yellow) ink (black) color is mainly used. The four colors used in the manuscript are symbols of Jainism, such as the red color (ocher) represents our inner vision, that is, the Siddha Parmeshti used in Jainism. Those who have attained salvation. Yellow color activates our mind. Green color gives peace. It helps in self-realization. Blue color is absorbent and does not allow the outside effect to go inside. Black color was used for writing in manuscripts. The ink for writing work was made with three methods. हमारे भारतवर्ष में रंग का बहुत महत्व है रंग के बिना किसी भी वस्तु, व्यक्ति का कोई आधार नहीं है सही मायने में रंग ही हमको एक दूसरे के स्वरूप को बताते हैं। वर्ण या रंग का अर्थ पदार्थ की रंगत से है लाल, पीला, नीला। इनके मिश्रण के आधार पर वर्ण के अनेक भेद किये जा सकते हैं। भारतदेश एक धर्म प्रधान देश है जिसमें विभिन्न मान्यतायें हैं। धर्म के साथ पाण्डुलिपियों का विशेष सम्बन्ध है पाण्डुलिपियाँ हमारे गुरूओं की मोक्ष साधना का उत्तम साधन है उनमें से एक है सचित्र जैन पाण्डुलिपि आदिपुराण। जिसकी रचना आचार्य पुष्पदंत ने की है पाण्डुलिपि में भगवान ऋषभदेव (प्रथम तीर्थंकर) के जीवन चरित को चित्रों के माध्यम से दर्शाया गया है। प्रस्तुत पाण्डुलिपि जयपुर के दिगम्बर जैन बड़ा मन्दिर तेरापंथियान के शास्त्र भण्डार में संग्रहित है। इसका लिपिकाल 1597 (ई. सन् 1540) फाल्गुन शुक्ल 13 है। इसका लेखन कार्य विश्नुदास नाम के ब्राह्मण व्यक्ति के द्वारा किया गया और चित्र हरिनाथ कायस्थ और उनके परिवार द्वारा बनाये गये हैं। 687 पृष्ठों की इस पाण्डुलिपि में तीर्थंकर ऋषभदेव के जीवनचरित के अनुरूप 541 रंगीन चित्र हैं। मुख्य रूप से चित्र में खनिज रंग (वनस्पति रसों के मिश्रण से निर्मित अर्थात् मिट्टी पत्थर वृक्षों की छाल आदि से बने रंग) का प्रयोग सर्वाधिक किया गया है। मुख्यतः गेरू (लाल) हिरोंजी (हरा) रामरज (पीला) स्याही (काला) रंग प्रमुख रूप से प्रयोग हुआ है। पाण्डुलिपि में प्रयुक्त चारों रंग जैन धर्म के प्रतीक हैं जैसे कि लाल रंग (गेरू) हमारी आंतरिक दृष्टि यानि कि जैन धर्म में प्रयुक्त सिद्ध परमेष्टी को दर्शाता है। जिन्होंने मोक्ष को प्राप्त कर लिया है। पीला रंग हमारे मन को सक्रिय करता है। हरा रंग शांति देता है। आत्मसाक्षात्कार में सहायक होता है। नीला रंग अवशोषक होता है वह बाहर के प्रभाव को अंदर नहीं जाने देता। काला रंग पाण्डुलिपियों में लेखनकार्य के लिये प्रयोग में लाया जाता था। लेखन कार्य के लिये स्याही तीन विधियों से बनायी जाती थी।


2021 ◽  
pp. 001872672110311
Author(s):  
James Brooks ◽  
Irena Grugulis ◽  
Hugh Cook

Why does so much literature on unlearning ignore the people who do the unlearning? What would we understand differently if we focused on those people? Much of the existing literature argues that unlearning can only be achieved, and new knowledge acquired, if old knowledge is discarded: the clean slate approach. This might be a reasonable way of organising stock in a warehouse, where room needs to be created for new deliveries, but it is not an accurate description of a human system. This article draws on a detailed qualitative study of learning in the UK Fire and Rescue Services to challenge the clean slate approach and demonstrate that, not only did firefighters retain their old knowledge, they used it as a benchmark to assess new routines and practices. This meant that firefighters’ trust in, and consent to, innovation was key to successful implementation. In order to understand the social aspects of unlearning, this research focuses on the people involved as active agents, rather than passive recipients or discarders of knowledge.


2018 ◽  
Author(s):  
Lisa Chalik ◽  
Jay Joseph Van Bavel ◽  
Marjorie Rhodes

Some moral philosophers have suggested that a basic prohibition against intentional harm ought to be at the core of moral belief systems across human societies. Yet, experimental work suggests that not all harm is created equal—people often respond more negatively to harm that occurs among fellow social group members, rather than between members of different groups. The present two studies investigated how concerns about social group membership factor into the moral judgment system. Adults (N = 111, Study 1) and children (N = 110, Study 2) evaluated instances of inter- and intra-group harm under varying levels of cognitive load. Both children and adults responded more slowly to intergroup harm than to intragroup harm. Furthermore, adults under cognitive load rated intergroup harm more leniently than intragroup harm, but adults who were not under load rated the two types of behaviors similarly. These findings suggest that across development, evaluations of intergroup harm rely more heavily on conscious deliberation than evaluations of intragroup harm. Thus, people's evaluations of harmful behaviors are made in light of information about the social category membership of the people involved.


Author(s):  
Ajay Kumar Gupta

Many opinions about colors are popular, but most of the artists nowadays follow the opinion of Aust Wald, according to their opinion, the main colors are yellow, red, blue and green, these are four and the ideal color is eight. The first four colors are called primordial (vatpahdans) colors and the second four i.e. purple, sky, orange and dhani are called second colors (Aambavadakantal). Apart from this, there are three colors and black, white, khaki (oval), these are called neutral colors (chamanjatans), they are mostly used to decrease and increase the color of other colors. The psychological impact of these colors has on human life, which has been considered the origin of colors on this Vasundhara since the birth of creation. Since ancient times, there have been different beliefs in terms of colors, such as red color - passion and revolution, black color - inauspicious, negative, green color - optimism brings happiness, blue color - peace, white color - purity brings reconciliation etc. Through colors on the canvas of paintings, the artist, in his silent language, shapes happiness, pain, agony with his imaginations and transmits his feelings to another. These pictures have many colors, we just have to understand them. There are many colors in nature which awaken the feeling of happiness in our mind and provide new energy. In today's time, imagining a world without colors for a moment is not only difficult. While colors have a special place in life, in the world, whatever we see with our eyes, the effect of color is first visible because many colors are present in the world. रंगों के विषय में अनेक मत प्रचलित है पर आजकल के अधिकांश कलाकार आस्ट वाल्ड के मत को ही मानते है इनके मतानुसार मुख्य रंग पीला, लाल, नीला और हरा ये चार होते है और आदर्श रंग आठ होते है। प्रथम चार रंगों को मौलिक (व्तपहदंस) रंग कहते है और दूसरे चार अर्थात बैगनी, आसमानी, नारंगी और धानी को द्वितीय रंग (ैमबवदकंतल) कहते है। इनके अतिरिक्त तीन रंग और है काला, सफेद, खाकी (ळतंल) इनको तटस्थ रंग (छमनजतंस) कहते है इनका प्रयोग अधिकतर अन्य रंगों की सुषमा (ज्वदम) को घटाने और बढ़ाने में किया जाता है। इन्ही रंगों का मनौवैज्ञानिक प्रभाव मानव जीवन पर पड़ता है जो सृष्टि के जन्म से ही इस वसुन्धरा पर रंगो की उत्पत्ति का प्रार्दुभाव माना गया है। प्राचीनकाल से ही रंगो के संदर्भ में अलग-अलग मान्यतायें रही है जैसे लाल रंग - जोश एवं क्रांति, काला रंग - अशुभ, अनिष्ट, हरा रंग- आशावादिता खुशहाली, नीला रंग - शान्त, सफेद रंग - पवित्रता सुलह आदि का परिचय देता है। रंगो के माध्यम से चित्रों के कैनवास पर कलाकार अपनी मौन भाषा में खुशी, पीड़ा, व्यथा को अपनी कल्पना शक्ति से आकार प्रदान कर अपनी भावनाओं को दूसरे तक पहुंचाता है। इन चित्रों के अनेक रंग रूप होते है, हमें सिर्फ उन्हें समझना पड़ता है। प्रकृति में बहुत से रंग है जो हमारे मन में खुशी की भावना जागृत कर नई उर्जा प्रदान करते है। आज के समय में क्षण भर के लिए बिना रंगों के संसार की कल्पना कठिन ही नही असम्भव है। जहां रंगों का जीवन में विशिष्ट स्थान है वहीं संसार में हम अपनी आंखों से जो कुछ भी देखते है उनमें सबसे पहले रंग का प्रभाव दृष्टिगोचर होता है क्यांेकि सृष्टि में अनेकों रंग विधमान है।


2016 ◽  
Vol 1 (2) ◽  
Author(s):  
Idil Akbar

The inception of social groups nowadays believed as positive indication cultivation of democracy in some country, including Indonesia. The existence of social group aims to create a social change better and gratify the people interest. One of the social group is student movement that in any political event has become the pioneer for social change. This article aims to analyze how does democracy become important factor to a social movement, particularly student movement to an occurrence of social change in Indonesia. This research using a qualitative descriptive method to analyze how is social movement and democracy in Indonesia, especially related to student movement through to social change. As a result that student movement is the most important thing to realizing social change. As an agent of change, the idealism of student is valued indicator-weather social change has moved as well or perhaps full of political interest. The student movement also becomes indicator for sustainability of democracy. 


2008 ◽  
Vol 19 (4) ◽  
pp. 370-374 ◽  
Author(s):  
Ricardo César dos Reis ◽  
Reinaldo Brito e Dias ◽  
Jose Carlos Mesquita Carvalho

Accurate iris reproduction in the fabrication of ocular prosthesis in order to match the remaining eye is a key factor to mask the loss and achieve an esthetic outcome for anophthalmic patients. This study evaluated the stability of acrylic paints used for replicating iris color in ocular prostheses by the analysis of two factors: the temperature of the acrylic resin polymerization cycle during prosthesis fabrication and the incidence of sun light, which is the main photodegrading agent undermining the longevity of ocular prostheses. An accelerated aging assay was used for both analyses. Specimens simulating the prosthetic iris in the colors blue, yellow, black, brown and green were fabricated, and were submitted to a colorimetric reading before and after undergoing the thermal conditions of acrylic resin polymerization. Next, the specimens were submitted to an artificial accelerated aging assay with ultraviolet radiation A and weekly colorimetric readings during a 3-week period. The color change (??*) values for the four specimens painted with the same color paint were averaged and the resulting values were considered for statistical analysis. Levine's test and Student's t-test were used to analyze the influence of the temperature of the polymerization cycle during prosthesis fabrication on the color stability of each acrylic resin paint. Friedman's test for three dependent samples was used for analysis of color photodegradation as function of time. Significance level was set at 0.05 for all analyses. It was observed that, after the action of the temperature of the polymerization cycle, alteration above clinically acceptable level of ??*> 3.3 was observed only for the yellow color. After the accelerated aging assay, there were statistically significant differences (p<0.05) as a function of time in the green, brown, black and blue colors. Changes were clinically acceptable for the brown and black colors; slightly above the clinically acceptable limit for the green color; and significantly high and impracticable from a clinical standpoint for the blue color. There was no statistically significant differences (p>0.05) for the yellow color, which presented color change only a little above the clinically acceptable limit. In conclusion: 1. Only the yellow color presented alterations above the clinically acceptable levels after the polymerization cycle; 2. After accelerated aging, there was no changes in the yellow color above the clinically acceptable levels; 3. For the green color, degradation was significant and slightly above the clinically acceptable levels; 4. The black, brown and blue colors presented significant alterations as function of time; the alterations of the brown and black colors were within acceptable clinical levels, while the blue color presented a more accentuated degradation over time.


2017 ◽  
Vol 18 (6) ◽  
pp. 458-462
Author(s):  
K Pradeep Babu ◽  
A Nanda Kumar ◽  
S Dhivya Kanya ◽  
R Venkatesan

ABSTRACT Aim and objective The aim of the study is to analyze and compare the variation of lumen size and thickness of the elastomeric colored modules when immersed in four selected dietary media. Materials and methods Sample size of 40 modules on each color – such as red, blue, green, and black – was taken and immersed in four dietary media (artificial saliva, coke mixed with artificial saliva, turmeric mixed with artificial saliva, and coffee mixed with artificial saliva). Beakers containing different dietary media and color modules are kept in the incubator at 37°C for 72 hours. After incubation period, all the segments of module strips removed from the dietary media were placed under the electric lamp and photographs were taken using Canon camera (SX400 IS). Photographs were transferred to GIMP software, and lumen size and thickness variation in the modules was measured. Results Statistical analysis were performed using analysis of variance and t-test in Statistical Package for the Social Sciences software. It showed significant difference in thickness of black module in all dietary media. Significant difference existed between all the lumen sizes of four color modules in four dietary media. Conclusion This study was done to identify the material that has more changes in physical properties when exposed to various dietary media. Clinical significance According to the results obtained, black color modules have increased in lumen size in all dietary media. In thickness, red color module showed less variation and black color module exhibited more variation. How to cite this article Kanya SD, Babu KP, Venkatesan R, Kumar AN. Evaluation to prevent the Physical Changes in Colored Elastomeric Modules when exposed to various Dietary Media. J Contemp Dent Pract 2017;18(6):458-462.


2021 ◽  
Vol 32 (1) ◽  
pp. 43-59
Author(s):  
MI Hossain ◽  
MH Ar Rashid

The present experiment was carried out at the Laboratories of the Department of Horticulture and Biochemistry and Molecular Biology, Bangladesh Agricultural University, Mymensingh during the period from February to April 2019 to study the effect of maturity indices and modified atmosphere packaging (MAP) on the extension of shelf life and quality retention of cherry tomato. The two-factor experiment consisted of three maturity indices viz. (i) Maturity index 1 (M1: Mature green color), (ii) Maturity index 2 (M2: Yellow color), and (iii) Maturity index 3 (M3: Red color) and five postharvest treatments viz. (i) Control (T0), (ii) Low density perforated poly ethylene, LDPPE (T1), (iii) Low density poly ethylene, LDPE (T2), (iv) Low density perforated plastic box, LDPPB (T3), and (v) Low density plastic box, LDPB (T4). The experiment was conducted in completely randomized design with 3 replications. The maximum weight loss (7.77%) was recorded in mature green color fruits (M2) treated with control (T0), while the minimum (3.22) was found in yellow color fruits (M2) treated with LDPPB (T3). The maximum color change was observed from yellow color fruits (M2) with LDPPB (T3) and the minimum was observed from mature green color fruits (M1) treated with control (T0). The maximum TSS content (7.20%) was recorded from yellow color fruits (M2) treated with LDPB (T4), while the minimum (5.67%) was found in mature green color fruits (M1) treated with LDPPB (T3). The highest disease incidence and severity (16.67% and 21.67%, respectively) were recorded in red color fruits (M3) treated with control whereas the lowest disease incidence (1.67%) and severity (2.33%) were found in yellow color fruits (M2) treated with LDPPB. The longest shelf life (25.00 days) was obtained in yellow color fruits (M2) treated with LDPPB (T3) and the shortest shelf life (7.00 days) was observed in red color fruits (M3) treated with control (T0). Thus, yellow color fruits (M2) treated with LDPPB (T3) could be used for the extension of shelf life and quality retention of cherry tomato. Progressive Agriculture 32 (1): 43-59, 2021


One of the political theory ever formulated was The Communist Manifesto by Marx was an epoch-making philosophy that was presented before us; a war of class and materialism. The theory changed the dynamics of the 20th century. Marx gives an account of communism where they visualize a society devoid of class, state, and property that envisaged the theory of capitalism which has a huge impact on the life of million of which the genesis is the modernism. Marx crucial remarks "it is not the consciousness of men that determines their being, but, on the contrary, their social existence that determines their consciousness". There had been constant conflict between classes when it comes to marginalized. The question arises if there is any aesthetic of the marginalized or the oppressed that lived in the slum area. Not a single play from 1900-1920 was based on the life of marginalized. Marx as a philosopher believes that a human defines himself/herself through his consciousness and that the individual consciousness is not separate from the social group or a class. The consciousness of the social group defines the consciousness of man. Economically it's between people who are in power and the people who are deprived of it and that money is synonymous with power. The paper discusses how the "marginalized" is an ideological perspective with an extinction of progress and there is a constant conflict of war in both politics and literature when it comes to marginalized


2020 ◽  
Vol 9 (2) ◽  
pp. 281
Author(s):  
Fauzan Alhaq Bukharla ◽  
Nursyirwan Nursyirwan

AbstrakAplikasi Andorid Minang Pedia Oleh oleh Khas Minangkabau yang ditujukan pada pengembangan wilayah Sumatera Barat Sebagai produk dan layanan yang menyediakan fitur  berkualitas. Aplikasi ini bermanfaat bagi user untuk jual beli produk berupa makanan dan merchandise terkhususnya pada wisatawan luar. Aplikasi Minang Pedia melalui proses Observasi, Wawancara, dan Dokumentasi terhadap pengembangan idea layout, thumbnail, comprehensive layout, dan final design. Perancangan dimulai dari konsep, media, ide, data, serta divisualisasikan melalui aplikasi CoreldrawX7 dan Android Studio. Hasil dari perancangan berukuran 1920x1080 pixel menampilkan 6 bagian menu yaitu: Login, Splash, Kategori Produk, tentang, bantuan dan Logout. Aplikasi Minang Pedia menampilkan konsep modern bernuansa elegan, warna pada Aplikasi lebih dominan menggunakan warna marawa (merah kuning dan hitam ) yang mencakup pada tulisan minang pedia, warna merah pada header Aplikasi menampilkan kesan kegembiraan dan energic, warna kuning menarik perhatian pada tombol panel, dan warna hitam pada font headline dan subheadline, font yang digunakan yaitu OpenSans. Kata Kunci: aplikasi, android, layanan.AbstractAndroid Minang Pedia application by Khas Minangkabau aimed at developing the West Sumatra region as a product and service that provides quality features. This application is useful for users to buy and sell products in the form of food and merchandise, especially for foreign tourists. The Minang Pedia application goes through the process of Observation, Interview, and Documentation towards developing an idea layout, thumbnail, comprehensive layout, and final design. The design starts with concepts, media, ideas, data, and is visualized through the CoreldrawX7 and Android Studio applications. The results of the design measuring 1920x1080 pixel display 6 menu sections, namely: Login, Splash, Product Category, about, help and Logout. The Minang Pedia application displays a modern concept with an elegant nuance, the colors in the application are predominantly using the marawa color (red, yellow and black) which includes Minang pedia writing, the red color in the application header displays a joyful and energetic impression, the yellow color draws attention to the panel buttons, and black color in the headline and subheadline fonts, the font used is OpenSans.  Keywords: applications, android, services. 


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