scholarly journals IMAGES AT WORK: NARRATIVES IN WORDS AND PICTURES

2018 ◽  
Vol 9 (1) ◽  
Author(s):  
Gavina Cherchi

Images are not innocent. Even though they arise from us, and often are made by us, they face and challenge us as if they lived a life of their own. Once they have appeared or have been produced, they acquire separate existence and indisputable reality of independent beings, which populate and shape our outer and inner world. As sensitive or imagined bodies they enter in resonance with our own sentient and imagining body. Human body is indeed the “locus of images” incessantly moving and acting on the ever-changing scene of our memory and imagination (i.e. of our own ‘fluctuating’ Self): thereby images are responsible for what we are as well as for what we wish (or dream) to be. Images are not innocent because they are neither inert nor lifeless. We are never safe in the presence of images: they can be alluring or frightening, reassuring or threatening, familiar or disquieting, lifesaving or harmful; they can impede or elicit action. Such irreducible ontological problematic, yet unmistakably empathic, nature of our relationship with images, is, in this essay, surveyed in the light of the reflections of Aby Warburg and Italo Calvino. Warburg’s theory of Pathosformeln and Calvino’s account of the role of visual images in his own verbal narratives, then provide the theoretical horizon for interpreting the narration by images sculpted by the medieval architect Biduinus on the façade of the XII century church of Saint Casciano of Cascina, near Pisa, and thereby unfolding the symbolical, iconological and metaphysical implications of its powerfully empathic imagery.

2005 ◽  
Vol 17 (1) ◽  
pp. 129-153 ◽  
Author(s):  
Icíar Alonso Araguás ◽  
Jesús Baigorri Jalón

Abstract This paper focuses on the figure of the interpreter as it appears in the visual images illustrating chronicles and other texts from the period of the Conquest of the Americas by the Europeans. The fact that linguistic and cultural mediation was necessary for an understanding between the cultures is commonly absent from the records, as if direct communication had been possible between both sides-yet another fiction of the encounter. Based on the assumption that visual representations are valuable records to understand the perception of the role of interpreter in the past, we analyze six images of different cultural and ethnic authorship, painted between 1550 and 1619. The aim of the paper is to make a contribution to the task of building the history of interpreting, following a line of research which, as proposed in the conclusion, merits further exploration.


2019 ◽  
pp. 12-23

In the works of fiction, the writer creates an artistic world that can happen in life, and shows life and imaginary events in our eyes as if they are true, real, had happened. Sometimes this literary phenomenon requires such an artistic composition that it breaks the boundaries of reality. In the following years, as in all types and genres literature, specific changes, evolutions are taking place in the world of fantasy works, themes, poetics, style, and images. In the works of Ray Bradbury and Hojiakbar Shaikhov, a number of features such as myth, the stream of consciousness, the image of the human's inner world, the existential interpretation, the inner monologue, the chronotope ANNOTATIONion, the dream, the speech of the hero, the portrait and landscape image, the desire to be engaged in a dialogue with the reader can be noticed. In the article, these literary and aesthetic problems are analyzed on the example of the works of American writer Ray Bradberi “451 degree on Fahrenheit”, “The ice and fire”, “Wine from the flower of the Cuckoo” and the stories of one of the founders of Uzbek fiction Hojiakbar Shaikhov “Adjoined worlds”, “The wonderer of the two worlds” “Unknown people”, “Man from the fire” and other fantastic novels, and stories. It is worth noting that the speech of the character of the work is aimed at opening the psychology of the character, in which both the owner of the speech and the speech itself are directed, and that Ray Bradberi and Hojiakbar Shaikhov often try to open the psychological state of their heroes through their speech.


2014 ◽  
Vol 4 (2) ◽  
Author(s):  
Tamara Feldman

This paper is a contribution to the growing literature on the role of projective identification in understanding couples' dynamics. Projective identification as a defence is well suited to couples, as intimate partners provide an ideal location to deposit unwanted parts of the self. This paper illustrates how projective identification functions differently depending on the psychological health of the couple. It elucidates how healthier couples use projective identification more as a form of communication, whereas disturbed couples are inclined to employ it to invade and control the other, as captured by Meltzer's concept of "intrusive identification". These different uses of projective identification affect couples' capacities to provide what Bion called "containment". In disturbed couples, partners serve as what Meltzer termed "claustrums" whereby projections are not contained, but imprisoned or entombed in the other. Applying the concept of claustrum helps illuminate common feelings these couples express, such as feeling suffocated, stifled, trapped, held hostage, or feeling as if the relationship is killing them. Finally, this paper presents treatment challenges in working with more disturbed couples.


Author(s):  
Marsel Eliaser Liunokas

Timorese culture is patriarchal in that men are more dominant than women. As if women were not considered in traditional rituals so that an understanding was built that valued women lower than men. However, in contrast to the article to be studied, this would like to see the priority of women’s roles in traditional marriages in Belle village, South Central Timor. The role of women wiil be seen from giving awards to their parents called puah mnasi manu mnasi. This paper aims to look at the meaning of the rituals of puah mnasi maun mnasi and the role and strengths that women have in traditional marriage rituals in the village of Belle, South Central Timor. The method used for this research is a qualitative research method using interview techniques with a number of people in the Belle Villa community and literature study to strengthen this writing. Based on the data obtained this paper shows that the adat rituals of puah mnasi manu mnasi provide a value that can be learned, namely respect for women, togetherness between the two families, and brotherhood that is intertwined due to customary marital affrairs.


2020 ◽  
Vol 11 (SPL1) ◽  
pp. 259-261
Author(s):  
Aamir Khan ◽  
Rajni K. Gurmule

Vasavaleha is one of the best medicine given for respiratory diseases. Corona viruses typically affect the respiratory system, causing symptoms such as coughing, fever and shortness of breath. It also affects host immune system of human body. Spreading rate of this disease is very high. Whole world is seeking for the treatment which can uproots this diseases. There in no vaccine available till date against this pandemic disease. Ayurveda mainly focuses on prevention of diseases alongwith its total cure. Rajyakshma Vyadhi is MadhyamMarga Roga as per Ayurveda. It shows many symptoms such as Kasa, Shwasa etc. By overall view of Covid 19, shows its resemblance with Rajyakshma Vyadhi described in Ayurveda. Vasavaleha is a Kalpa which is described in Rogadhikara of Rajyakshma. It shows Kasahara, Shwashara properties. It consists of Vasa, Pipalli, Madhu and Goghrita. These components shows actions like bronchodilation, antitussive effect and many more other actions. Pipalli shows important Rasayana effect. So in present review, we have tried to focus on role of Vasavaleha in the management of Covid 19. This can be used as preventive as well as adjuvant medication in treating Covid 19. There is need of further clinical research to rule of exact action of Vasavaleha against Covid 19.


Author(s):  
Н. Алтыкеева ◽  
Б. Ниясалиева

Аннотация. Макалада романдын мазмунунан орун алган пейзаждык сүрөттөөлөр талкууланат. Пейзаждык сүрөттөөлөр чыгарманын көркөмдүүлүгүн, эстетикалык баалуулугун арттыруу менен катар эле каармандардын образын тереңден ачып берүүдө, окуялардын өнүгүп-өсүшү жана алдыда боло турган окуялар тууралуу окурманга маалымат берүүдө кошумча каражат катары колдонулат. Жазуучу романда пейзаждык сүрөттөөлөрдү өтө кылдат колдонгону байкалат. Алсак, тоо адамдагы улуулук жана бийиктикти айгинелейт, толукшуган ай жан- дүйнөнүн бөксөрбөй толуп турушун көрсөтөт, ачык асмандын алай-дүлөй түшкөн көрүнүшкө айланышы - каармандын ички сезими, уйгу-туйгу ойлонуусу, жан дүйнөсүнүн бурганак болушун ачып көрсөтүүдө маанилүү болсо, чабалекейлердин тынымсыз учуп чабалакташы, жан алакетке түшүп чыйпылдашы – алдыда боло турган кырсыктуу окуя тууралуу кабар берсе, согуштун апааты жашыл шибердин, бак-дарактардын күлгө айланышы, чымчык-куштардын күздү күтпөй кайдадыр учуп кетип жатышы менен түшүндүрүлөт. Tүйүндүү сөздөр: пейзаж. роман, идея, легенда, эпилог, каарман, негизги окуялар. Аннотация. В статье дается пейзажное описание. Пейзажное описание используется в произведении как дополнительное средство эстетических ценностей и помогает раскрыть образы героев, и действия произведения. Писатель в романе тонко использует пейзажное описание. Например горы возвышенное и самое ценное в человеке, а полная луна – счастливое душевное состояние человека, а превращение безоблачного неба в бущующий вид – указывает, как неспокойно в душе главного героя, его беспокойные мысли, как бушует его внутренний мир, а ласточки неспокойно летающие, предвещают несчастье, птицы улетающие раньше времени, превращение зелёной травы, деревьев в пепел предвещают ужасы войны. Ключевые слова: пейзаж. роман, идея, легенда, эпилог, герой, главное событие Annotation. The article discusses the landscape description. The landscape description is used in the work as an additional tool for aesthetic values and helps to reveal the images of heroes, and in the development of the action of the work/ The writer in the novel subtly uses the landscape description. The mountains are the sublime and the most valuable in a person, and the full moon is a happy state of mind of a person, and the transformation of a cloudless sky into a raging view indicates how restless the soul of the protagonist is, his restless thoughts. How his inner world is raging, and the swallows are restlessly flying, foreshadow the misfortune, the birds flying away ahead of time, the transformation of green grass, trees in the forehead the horrors of war. This article describes the idea of the story "Do not kill" which is given instead of the epilogue in the novel "When the mountains fall" which was written by Ch.Aitmatov. It considers the role of a story that calls to live in peace and to end wars that are occurring in the world. Keywords: Landscapе, novel, idea, legend, epilogue, hero, main event.


2021 ◽  
pp. 67-81
Author(s):  
E. V. Golovenkina ◽  

This paper focuses on the role of the poetics of mystery in the formation of the romantic trag-edy genre. “The Spaniards” by Mikhail Lermontov is considered as a characteristic example of this genre, manifesting “melodramatization” of tragedy and tendency towards genre-generic synthesis. The action of “The Spaniards” is based on events related to the sphere of the mysterious, which are exceptional in life and common in melodrama. Central to the plot is the motif of the loss of a child. The secret of Fernando’s birth and “ignobility” form the con-flict and organize two storylines (love and family) and two (everyday life – melodramatic, and existential – tragic) levels of conflict. Mystery also plays an important role in revealing the inner world and expressing the romantic ideal of the hero. The ability to comprehend the mysterious, to pass beyond human experience and logic is not only the motivation of his ac-tions, but it also connects the hero with the ideal sphere. The study examines how the charac-ters’ anticipation of the “terrible” motivates their moral choices. Analyzing the interaction of lyrical motifs, the author suggests the motif of mystery as important for implementing the main (tragic) conflict, unlike melodrama, where the functions of mystery are plot-forming, stimulating the spectator’s interest and maximizing the dramatic tension. Mystery in the plot and the lyrical concept of the tragedy contributes to the understanding of the essence of the romantic conflict, has a suggestive impact on the audience, and deepens the psychologism.


2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Eman Almuhur ◽  
Manal Al-Labadi ◽  
Amani Shatarah ◽  
Nazneen Khan ◽  
Raeesa Bashir

Purpose This study aims to focus on electronic applications that have an effective role in raising the awareness of the dangers of viruses’ transmission from person-to-person and their positive and important impact on people’s lives. Design/methodology/approach The authors illustrated the effects of socializing with infected people on a human body by a model in geometry and how the prospected antibiotic annihilates the structure of the virus. The authors discussed vital operations inside the human body to expound the geometry of objects that are closed under their operations, such as viruses, especially Coronaviridae. Findings Also, the authors discussed some of the e-health applications in Jordan. As e-health activities, programs and applications have been given attention, the authors focused on potentials for constructing strategies that lead to create a featuring health technology. Originality/value Moreover, in this study, the authors explored the structure and geometry of Coronaviridae family, especially coronavirus that causes lots of diseases, and explained its movement mechanism using the mathematical structures.


Author(s):  
Aulil Amri

In Islamic law, pre-wedding photos have not been regulated in detail. However, pre-wedding photo activities have become commonplace by the community. It becomes a problem when pre-wedding is currently done with an intimate scene, usually the prospective bride uses sexy clothes and is also not accompanied by her mahram when doing pre-wedding photos. Even though there have been many fatwas and studies on the limits of permissibility and prohibition in the pre-wedding procession.The results show that the pre-wedding procession that is carried out by the community in terms of poses, clothes, and also assistance in accordance with Islamic law, the law is permissible. However, it often happens in the community to take photos before the marriage contract with scenes as if they are legally husband and wife and the bride's family knows without prohibiting, directing, and guiding them according to Islamic teachings. In this case the role of the family is very important, we as parents must understand the basis of religious knowledge and how to instill religious values in our children since childhood is the key to this problem dilemma.


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