scholarly journals KEPRIBADIAN INTROVERT DALAM FOTOGRAFI EKSPRESI

2018 ◽  
Vol 1 (1) ◽  
pp. 1
Author(s):  
Ngesti Limna Sari
Keyword(s):  
Digital Imaging ◽  
Psychological Theory ◽  
Point Of View ◽  
Message Delivery ◽  
Human Personality ◽  
The Media ◽  
Main Factors ◽  
The Creation ◽  
Carl Gustav Jung ◽  
Internal And External Factors

Kepribadian manusia merupakan bentuk tingkah laku manusia berdasarkan sikap dan sifatnya. Kepribadian setiap manusia berbeda-beda, hal ini di pengaruhi oleh dua faktor utama yaitu, faktor internal dan eksternal. Carl Gustav Jung adalah seorang pencipta teori psikologi analitis membagi kepribadian manusia berdasarkan sikap jiwanya menjadi dua tipe yaitu introvert dan ekstrovert. Penciptaan dengan judul “Kepribadian Introvert dalam Fotografi Ekspresi” ini membahas mengenai kepribadian introvert pada manusia. Kepribadian introvert merupakan kepribadian manusia yang lebih cenderung fokus dengan dunia yang ada dalam dirinya sendiri dan membatasi dirinya dengan dunia luar sehingga dalam masyarakat umum, muncul penilaian yang kurang tepat. Sehingga muncul keinginan untuk memvisualkan bagaimana sebenarnya ciri-ciri kepribadian introvert dari sudut pandang seorang introvert dan teori mengenai kepribadian introvert. Media yang digunakan untuk penciptaan karya adalah fotografi ekspresi. Fungsi fotografi ekspresi adalah sebagai media ungkapan perasaan dan gagasan  seorang  fotografer.  Proses digital imaging dilakukan dalam penciptaan karya untuk penambahan elemen dan objek pendukung sebagai media penyampai pesan, agar pesan  yang  ada pada foto bisa sampai kepada penikmat foto. Tujuan penciptaan ini  adalah  untuk menggambarkan bagaimana kepribadian manusia khususnya introvert dapat divisualisasikan melalui media fotografi ekspresi.Human personality is a form of human behavior based on attitude and nature. The personality of every human being is different, this is influenced by two main factors, namely, internal and external factors. Carl Gustav Jung is a creator of analytical psychological theory dividing human personality based on his soul attitude into two types, namely introvert and extrovert. The creation of the title "Introverted Personality in Expression Photography" discusses introverted personality in humans. Introverted personality is a human personality that is more likely to focus on the world that exists in itself and limit itself to the outside world so that in the general public, an inappropriate assessment appears. So the desire arises to visualize how introverted personality traits actually are from the point of view of an introvert and the theory of introverted personality. The media used for the creation is expression photography. It’s for a medium to express the feelings and ideas of a photographer. The digital imaging process is carried out in the creation of works for the addition of supporting elements and objects as message delivery media, so that the message on the photo can reach photo lovers. The purpose of this creation is to describe how human personality, especially introverts, can be visualized through the media of expression photography. 

IMAGE FORMING TECHNOLOGIES OF THE EUROPEAN POLITICIANS (BEFORE AND AFTER THE ELECTION COMPAIGNES)

2019 ◽  
Author(s):  
М.Е. RODIONOVA
Keyword(s):  
Image Formation ◽  
Point Of View ◽  
Communication Policy ◽  
Before And After ◽  
International Image ◽  
General Elections ◽  
The Media ◽  
The Creation

The purpose of this article is to examine the peculiarities of image formation of the European politicians using the examples of the recent electorate campaigns, since the general elections of the heads of states are the most demanding from the point of view of the image and technology and most clearly demonstrate the tough rivalry among the individuals and the struggle of images. The article also focuses on the subsequent terms of government and some historical examples. Special attention is paid to the creation of international image of French President Emmanuel Macron, the peculiarities of his communication policy and his interaction with the media. The article cites the politicians ratings during the term of his presidency.

scholarly journals Pembinaan Keagamaan Model Gaudya Vaisnava di Pasraman Sri-Sri Nitai Gaurangga Desa Werdhi Bhuana Kecamatan Mengwi Kabupaten Badung

2019 ◽  
Vol 14 (1) ◽  
pp. 39
Author(s):  
Ida Bagus Putu Supriadi
Keyword(s):  
Social Life ◽  
Point Of View ◽  
Communication Strategy ◽  
Message Delivery ◽  
Religious Development ◽  
Social Functions ◽  
Communication Work ◽  
New Students ◽  
Religious Formation ◽  
The Media

<p>The religious formation of the Gaudya Vaisnava model viewed from the persuasion communication strategy is very interesting to study, because the activity will describe the elements of communication whether it is effective or not. From the point of view of the communicator, for example, is it capable of applying effective message delivery techniques? in terms of communicant, does it have the characteristics to be able to understand the meaning of the message as intended by the communicator? From the message element, is the message important to be known by the communicant ?. From the media element, is the media used to convey the message effective enough? And from the element of effect, whether the similarity in meaning of messages sent and received is able to change the communicant's attitude or behavior. Thus the process of religious formation will achieve its objectives if the elements of communication work effectively.</p><p>There is no research on this matter, so it is not yet known whether the religious formation of the Gaudya Waisnava model has been effective or not. For this reason, this research was specifically carried out to describe and interpret (1) how does the religious development activities of the Gaudya Vaisnava model in Pasraman Sri-Sri Nitai Gaurangga? (2) how is the function of religious formation of the Gaudya Vaisnava model in Pasraman Sri-Sri Nitai Gaurangga? And (3) what is the meaning of the religious formation of the Gaudya Vaisnava model in Pasraman Sri-Sri Nitai Gaurangga?</p>The results of the study (1) the activities of religious formation of the Gaudya Vaisnava model include: (a) the activities of receiving students / new students; (b) the implementation of unlawful education; (c) Brahmin Diksa implementation; (d) carrying out the task of spreading the teachings of Gaudya Vaisnawa (2) the function of religious formation of the Gaudya Vaisnava model includes social functions and religious functions. Social functions encourage members to carry out their social life tasks better. Whereas the religious function encourages its members to be able to harmonize all aspects of their lives. (3) The meaning of religious formation in the Gaudya Vaisna model includes social and religious meanings. Social meaning is intended to increase the insight of its members to be more inclusive among humans. The religious meaning is intended to increase the insight of its members in order to be able to harmonize all their life activities.

scholarly journals ПОЗИЦИЯ АВТОРА В МЕДИАКОНТЕКСТЕ

2019 ◽  
pp. 159-170
Author(s):  
Nazira TASHPULATOVA
Keyword(s):  
Political Science ◽  
Point Of View ◽  
Scientific Article ◽  
Scientific Problem ◽  
Logical Approach ◽  
The Media ◽  
The Creation ◽  
Concrete Reality

Данная статья посвящена одномуиз основных компонентов журналистского произведения — авторской позиции, ее роли и значению в медиатексте. Цель статьи — определить значение понятия на основе анализа российских, зарубежных и узбекских исследований. Используются теоретические методы: анализ, сравнение, сопоставление и др. Результаты исследования показывают, что представленные в научной литературе подходы к определению понятия «позиция» разнообразны, но их объединяет понимание того, что позиция автора является основой журналистского произведения. Мазкур мақола журналистик материалнинг муҳим белгилари бири — медиаматнда муаллиф ёндашувнинг ўрни ва аҳамиятига бағишланади. Мақоланинг мақсади — Россия, хорижий ва Ўзбекистонда мавжуд тадқиқотларини ўрганиш ва таҳлил қилиш орқали ушбу тушунчанинг моҳиятига ойдинлик киритишдир. Бунда назарий методлардан: таҳлил, қиёслаш, солиштириш каби методлардан фойдаланилади. Тадқиқот натижалари тақдим этилган илмий адабиётларда “позиция” тушунчасига ёндашув кенг ва турли туман эканлиги, уларни бирлаштирувчи муҳим белги бу — муаллиф ёндашуви журналистик асарнинг энг муҳим белгиларидан эканлигига ойдинлик киритади. This scientific article is dedicated to clarify the role and value of “point of view” of the author in the media text, which is considered as one of the most important components of journalistic composition. The goal of writing of this article is the identification of the meaning of “point of view” of author and the value of its usage according to scientific conclutions of Russian and foreign researchers. It’s noticed that this given scientific problem is the object of investigation of such sciences as philosophy, political science, psychology, sociology, philology. During the creation of the article such theoretic methods as analysis, comparison, collation, logical approach were used. According to research the conception of “point of view” in different scientific sources are interpreted differently. In the basis of reaserches and analyzes, we have concluded, that the only aspect which unite all scientific definitions listed above is the point of view of the author, as the basis of journalistic composition and in our opinion, the “point of view” is the system of author’s thoughts in the relation to concrete reality.

МАРКЕТИНГОВІ АСПЕКТИ ФУНКЦІОНУВАННЯ ЛІТЕРАТУРНИХ КОНКУРСІВ ТА ПРЕМІЙ

2020 ◽  
pp. 90
Author(s):  
O. Bondar
Keyword(s):  
Publishing House ◽  
Target Audience ◽  
Point Of View ◽  
Information Support ◽  
Literary Field ◽  
Non Profit ◽  
Functional Aspects ◽  
The Media ◽  
Literary Prizes ◽  
The Impact

<p><em>In this study, I have collected and summarized the functional aspects of a literary prize, contest, and rating, which indicate their affiliation with the marketing complex of the publishing house for the first time. For this purpose, I have analyzed and summarized the common concepts of the functioning of literary prizes and contests as advertising tools for publishing activity. Because the previous studies are only focused on the fact of the impact of the prize on the promotion of editions but do not explain it, these aspects have been considered and introduced by me from the book production’s point of view. I investigated that the prizes and the contests in the literary field are effective marketing tools, which meet many publisher’s needs at the same time and can be considered a non-profit form of capital. I have reviewed the works of other authors, who accept that the economic success of the book is rising if the author is a winner of the literary prize or contest. I have found out that the book prize activates the demand for the book, and the literary contest is a tool to track the reader’s reaction to a future publication. In this way, literary prizes and contests can be considered as a way of conducting a marketing dialogue with the target audience. I have focused on the information support of literary national and international prizes and contests by the media, which attracts attention to the book and forms the reader’s interest. The literary prizes and contests are also considered as a way of exploring trends and their changes, familiarization the popular genres among the target audience and fixation the current choice of modern readers. Literary prizes and contests motivate the authors to improve their literary excellence, are the source of new authors and works, and assist in increasing sales of books. However, further research is recommended.</em></p><strong><em>Key words:</em></strong><em> book prize, book rating, literary contest, literary prize, functions of the literary prizes.</em>

Promosi Dan Informasi Media Audio Visual Berbentuk Video Profile Pada SMK PGRI 11 Ciledug Kota Tangerang

CICES ◽  
2017 ◽  
Vol 3 (1) ◽  
pp. 35-47
Author(s):  
Faisal Rudiansyah Hamzah ◽  
Panji Wira Soma ◽  
Indri Rahmawati
Keyword(s):  
Information Technology ◽  
Print Media ◽  
Visual Media ◽  
Message Delivery ◽  
The Public ◽  
Existing Problems ◽  
The Media ◽  
The Right

With the development of information technology in particular in the field of multimedia in such rapid and the longer forms of media information more diverse so that more education institutions boast. Media information and promotion is currently used by SMK PGRI 11 Ciledug Tangerang. The purpose of this research audio visual media into the media information and proper promotion, by controlling hearing and vision in the form of audio visual in order to convey messages can be understood by the public at large. Existing problems, namely the medium used by the SMK PGRI 11 Ciledug Tangerang still use print media such as banners, posters and pamplet are considered less effective and efficient to use while simultaneously promoting the institutions with the best possible audio visual media so that it is selected into a medium of information and promotion of the right, by controlling hearing and vision in the form of audio visual. Because therein lies the message delivery process or how to visualize. At the same time listening and showing the contents of the message to the recipient with information through media menunjangnya, so the design of video media profile that displays the entire scope, advantages and facilities belonging to SMK PGRI 11 Ciledug Tangerang, can be a solution in solving problems in media promotion and information. With this study the author makes with the title "promotion and INFORMATION AUDIO VISUAL MEDIA SHAPED VIDEO PROFILE on SMK PGRI 11 APPLICATIONS TANGERANG CITY ".

CAPRICCIOʼS GENRE IN MANDOLIN MUSIC AT THE END OF THE 19th – THE EARLY OF THE 20th CENTURIES (for example of the concert pieces by С. Munier)

2019 ◽  
pp. 60-71
Author(s):  
N. V. Bashmakova ◽  
K. V. Kravchenko
Keyword(s):  
19Th Century ◽  
Analytical Methods ◽  
17Th Century ◽  
Point Of View ◽  
Historical Approach ◽  
The Creation ◽  
Characteristic Features ◽  
Concert Works ◽  
In The Beginning ◽  
The 19Th Century

The purpose of this article is process of analyzing in reference to concert capriccio by C. Munier for mandolin with piano («Bizzarria», op. 201, Spanish сapriccio, op. 276) from the point of view of their genre specificity. Methodology. The research is based on the historical approach, which determines the specifics of the genre of Capriccio in the music of the late 19th and early 20th centuries and in the work of C. Munier; the computational and analytical methods used to identify the peculiarities of the formulation and the performing interpretation of the original concert pianos for mandolins with piano that, according to the genre orientation (according to the composerʼs remarks), are defined as capriccio. Scientific novelty. The creation of Florentine composer,61mandolinist-vertuoso and pedagog C. Munier, which made about 300 compositions, is exponential for represented scientific vector. Concert works by C. Munier for mandolin and piano, created in the capriccio genre, were not yet considered in the art of the outdoors, as the creativity and composer’s style of the famous mandolinist. Conclusions. Thus, appealing to capriccio by С. Munier, which created only two works, embodied in them virtually all the evolutionary stages of the development of genre. In his opus of this genre there are a vocal, inherent in capriccio of the 17th century solo presentation, virtuosity, originality, which were embodied in the works of 17th – 18th centuries and the national color of the 19th century is clearly expressed. Thus, the Spanish capriccio is a kind of «musical encyclopedia» of national dance, which features are characteristic features of bolero, tarantella, habanera, and so forth. The originality of opus number 201 – «Bizzarria», is embodied in the parameters of shaping (expanded cadence of the soloist in the beginning) and emphasized virtuosity, which is realized in a wide register range, a variety of technical elements.

The Role of Evaluative Tools in the Creation of the Memorial Media Portrait of Jacques Chirac (1932—2019)

2020 ◽  
pp. 97-110
Author(s):  
E. N. Mikhailova ◽  
V. A. Telegina
Keyword(s):  
Print Media ◽  
Political Elite ◽  
Systematic Analysis ◽  
Research Material ◽  
Political Orientations ◽  
Different Types ◽  
The Media ◽  
The Creation ◽  
Entire Text

The article is devoted to the study of evaluative tools used in modern French media in order to form the media image of a representative of the political elite. The techniques used in the creation of a memorial media portrait of Jacques Chirac (1932—2019), President of France from 1995 to 2007 are considered. The research material was the most prestigious French print media of various political orientations, published in late September — early October 2019 in connection with the death of the ex-President of the French Republic. The relevance of the research topic is dictated by the close attention of modern linguistics to axiological phenomena, differently presented in different types of discursive practices. The novelty of the study is due to the appeal to the analysis of the complex of evaluation tools used in the French print media when characterizing the former leader of the state during the nation’s farewell period. The estimated potential of the title of the article and its influence on the formation of the estimated vector of the entire text of the publication are shown. A systematic analysis of the assessment expression means, reflected in the memorial media portrait of the politician, is given. The factors that influenced the peculiarities of their use in this type of media portrait are revealed.

LES AXES DE LA CRÉATION ET LA NAISSANCE DE LʹIMAGINAIRE COMME LANGAGE MYTHIQUE

Trictrac ◽  
2016 ◽  
Vol 9 ◽  
Author(s):  
Liliana Danciu ◽  
Petru Adrian Danciu
Keyword(s):  
Sacred Space ◽  
Physical World ◽  
Spoken Word ◽  
Point Of View ◽  
Philosophical Approach ◽  
Starting Point ◽  
Written Form ◽  
The Creation ◽  
Religious Systems ◽  
Rich Spectrum

The axes of the creation and birth of the imaginary as a mythical language. Our research follows the relationships of the concepts that are taking into account creation on the double axis of verticality and horizontality. We highlight those symbolic elements which would later constitute the mythical language about the sacred space-temporality. Inside this space-temporality a rich spectrum of mythical images develops; images capable of explaining the relationships of the creation plans. Without a religious perception of the temporality, the conceptualization of the axis would remain a philosophical approach. Through our point of view, the two are born simultaneously. Thanks to them, creation can be imagined. The first “frozen” formula of the mystical human spirit can be thought, brought to a palpable reality, expressed in an oral and then a written form. Studied together, temporality (sacred or not) and space are permanently imagined together. For example, a loss of mundane temporality in the secret ecstasy that offers to the soul an ascending direction does not mean getting out of universal temporality, but of its mundane section. In the sacred space the soul relates to time. Even the gods are submitted by the sacred, Aeon sometimes being synonymous to destiny. The universal creator seems to evade every touch, but not consistently, only when he avoids the descent into its created worlds. In sacredness, time and space seem or become confused, both expressing the same reality, by the immediate swing from thinking to deed. The mythical imagery conceives the displacement in the primary space-temporality by the spoken word. So, for something to appear and live, the spoken word is required. Even the divine dream appears as a pre-word of a creator’s thought. The thought follows the spoken word, the spoken word follows the gestures which finally indicate the meanings of the creative act, controlling the rhythm of the creation days. These three will later be adapted through imitation in rite. We are now situated at the limit of the physical world, a real challenge for the mythical imagery. The general feature of the mythical expression on the creation of the material world is the state of the divinity’s exhaustion, most often conceptualized by sacrifice or divine fatigue. The world geography identifies with the anatomy of a self-gutted god. Practically, material creation is most likely the complete revelation of God’s body autopsy. As each body decomposes, everything in it is an illusion. An axial approach of the phenomenon exists in all religious systems. The created element’s origin is exterior, with or without a pre-existing matter, by a god’s sacrifice or only because it has to be that way. This is the starting point of the discussion on the symbolism of axiality as a reason for the constitution of the language of creation, capable of retelling the imaginary construction of myth in an oral and then written form.

Toward a New Moral Understanding of the Tudor Conquest of Ireland

2019 ◽  
pp. 1-21
Author(s):  
William Palmer
Keyword(s):  
At Risk ◽  
Sixteenth Century ◽  
Moral Understanding ◽  
Main Factors ◽  
Extreme Violence ◽  
The Creation ◽  
Moral Behaviors

The English conquest of Ireland during the sixteenth century was accompanied by extreme violence. Historians remain divided on the motivations behind this violence. This article argues that the English violence in Ireland may be attributed to four main factors: the fear of foreign Catholic intervention through Ireland; the methods by which Irish rebels chose to fight; decisions made by English officials in London to not fund English forces in Ireland at a reasonable level while demanding that English officials in Ireland keep Ireland under control; and the creation of a system by which many of those who made the plans never had to see the suffering they inflicted. The troops who carried out the plans had to choose between their own survival and moral behaviors that placed their survival at risk.

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