scholarly journals A Festa das Tribos: perspectivas folkcomunicativas em um cenário de resistência

2020 ◽  
Vol 18 (41) ◽  
pp. 110
Author(s):  
Nair Santos Lima

O Festival das Tribos Indígenas ou Festribal é um evento que ocorre anualmente na cidade de Juruti (Pará), na Amazônia brasileira, e compreende a competição entre as “tribos” Munduruku e Muirapinima. Concebem-se as festas amazônicas a partir de um tensionamento entre culturas, provenientes da colonização, resultando na dupla consciência, efeito da ampla violência. Este artigo buscou identificar nesse evento, modos de resistência e a forma de expressão desse sentimento. Por meio do audiovisual, na Plataforma YouTube, fez-se uma análise semiótica da festa do ano 2019, e, cuja permanência ocorre com base na oralidade, na contação de histórias, dos mitos, crenças e das festas vivenciadas por seus antepassados. Essa análise encontra abrigo na teoria da folkcomunicação. Festival das Tribos; Dupla consciência; Resistência; Folkcomunicação. The Festival of Indigenous Tribes or Festribal is an event that has been held annually since 1995 in the city of Juruti (Pará), in the Brazilian Amazon, and comprises the competition between the “tribes” Munduruku and Muirapinima, competing in this manifestation of popular culture. The Amazon simultaneously synthesizes the uniqueness and complexity of a territory that in a very old time had an abundant scenario, inhabited by several human groups (tribes), in addition to, in modern times, adding brand and product. From the 16th century onwards, with the colonization and the arrival of the European, there was a tension between cultures that resulted in double consciousness, the effect of the widespread violence that was transmuted, being evident in popular festivals. With a focus on the cultural diversity of the region and the commercialization of its products, advertising created the “brand” Amazônia, at parties, music, dance, regional craftsmanship etc., and, based on the origin and projection of the party, this article sought to identify in the lyrics of the songs of the Festa dos tribos, in 2019, ways of resistance represented in this manifestation of popular culture and the way in which this feeling is expressed. From a qualitative approach and exploratory objective, a semiotic analysis of the event was carried out, through the audiovisual on the YouTube Platform - by the perception and apprehension of the feelings of these peoples. Although re-signified, the indigenous festivals have perpetuated based on orality, storytelling of their peoples, myths, beliefs and festivals experienced by their ancestors. This analysis finds shelter in the theory of folk communication. Festival of the Tribes; Double consciousness; Resistance; Folkcommunication. El Festival de Tribus Indígenas o Festribal es un evento que se realiza anualmente desde 1995 en la ciudad de Juruti (Pará), en la Amazonía brasileña, y comprende la competencia entre las “tribus” Munduruku y Muirapinima, compitiendo en esta manifestación de la cultura popular. La Amazonía sintetiza simultáneamente la singularidad y complejidad de un territorio que en tiempos muy antiguos tuvo un escenario abundante, habitado por varios grupos humanos (tribus), además de, en los tiempos modernos, sumar marca y producto. A partir del siglo XVI, con la colonización y la llegada de los europeos, se produjo una tensión entre culturas que derivó en una doble conciencia, efecto de la violencia generalizada que se transmutó, manifestándose en las fiestas populares. Con un enfoque en la diversidad cultural de la región y la comercialización de sus productos, la publicidad creó la “marca” Amazônia, en fiestas, música, baile, artesanía regional, etc., y en base al origen y proyección de la fiesta, esta El artículo buscó identificar en la letra de las canciones de la Festa dos tribos, en 2019, las formas de resistencia representadas en esta manifestación de la cultura popular y la forma en que se expresa este sentimiento. Desde un enfoque cualitativo y objetivo exploratorio, se realizó un análisis semiótico del evento, a través del audiovisual en la Plataforma de YouTube - por la percepción y aprehensión de los sentimientos de estos pueblos. Aunque resignificadas, las fiestas indígenas se han perpetuado a partir de la oralidad, el relato de sus pueblos, los mitos, creencias y fiestas vividas por sus antepasados. Este análisis encuentra refugio en la teoría de la comunicación popular. Festival de las Tribus; Doble conciencia; Resistencia; Comunicación popular.

ZARCH ◽  
2016 ◽  
Author(s):  
Jon Arcaraz Puntonet

El viaje en el año 1963 de Fernando Higueras y César Manrique a la isla de Lanzarote reafirmó en ambos su interés por la integración entre paisaje y arquitectura. Esta visión de la arquitectura desde el territorio fue alentada por la vivencia de la isla en la que paisaje, agricultura y arquitectura popular convivían en armonía. Los proyectos que en este viaje pergeñaron desarrollaron la estrategia de la cohesión propia de la cultura popular. El Plan Parcial de Urbanización de Lanzarote incluía tanto el Proyecto de Urbanización de Playa Blanca como el Proyecto de la Ciudad de las Gaviotas en el Risco de Famara y el Proyecto de Urbanización en el Playa de Montana Bermeja. Todos ellos podrían entenderse, en términos artísticos, como el trabajo de una materia de una intensidad concreta en la inmensidad del paisaje. Como resultado, estas actuaciones deben considerarse como un trabajo precursor, que se adelantó a lo que, pocos años más tarde, otros autores, como Robert Smithson o Christo, denominarían Land-Art. La reintegración de las artes a escala territorial no hacía otra cosa que valorar los paisajes características de la geografía habitada. PALABRAS CLAVE: Cohesión. Reintegración de las artes. Territorio. Land-Art. Paisaje. The trip in 1963 of Fernando Higueras and César Manrique to the island of Lanzarote reaffirmed in both their interest in the integration between landscape and architecture. This vision of the architecture from the territory was encouraged by the experience of the island in which landscape, agriculture and popular architecture coexisted in harmony. The projects that in this trip conceived developed the strategy of the cohesion proper to popular culture. The Partial Urbanization Plan of Lanzarote included both the Playa Blanca Urbanization Project as well as the Project of the City of the Gulls at the Famara Risk and the Urbanization Project at the Bermeja Beach. All of them could be understood, in artistic terms, as the work of a matter of a concrete intensity in the immensity of the landscape. As a result, these actions should be considered as pioneering work, which was ahead of what, a few years later, other authors, such as Robert Smithson or Christo, would call Land-Art. The reintegration of the arts on a territorial scale did nothing more than assess the landscapes characteristic of the inhabited geography. KEYWORDS: Cohesion. Reintegration of the arts. Territory. Land-Art. Landscape. 


GeoTextos ◽  
2018 ◽  
Vol 14 (1) ◽  
Author(s):  
Clímaco Cesar Siqueira Dias

O carnaval da cidade de Salvador, importante metrópole brasileira, sempre foi uma das mais expressivas festas de rua do País e pesquisá-lo é algo necessário, pelo fato de este conter muitas das dinâmicas socioespaciais do lugar. Este artigo faz um breve histórico, desde o surgimento da festa até o momento atual, e se detém no período da profissionalização, iniciado na década de 1990, que transforma a festa em uma atividade econômica, fonte de grandes lucros para o segmento de artistas e produtores culturais que fizeram sucesso nacional com o ritmo denominado axé music, integrado à cultura de massas. Tal período foi marcado por uma grande projeção da festa no cenário nacional, mas hegemonizado por um segmento, o bloco de trio comandado por estrelas musicais. Esse modelo, por ser produtor de muitas desigualdades, também produziu muitos conflitos, sobretudo no choque da cultura de massas com a cultura popular, e, atualmente, vive uma crise, que é derivada dos acúmulos dessas exclusões e desigualdades. Existem alguns cenários para o futuro, mas ainda não existem tendências consolidadas. Abstract SALVADOR`S CARNIVAL: THE DECLINE OF MERCANTILE PARTY The carnival in the city of Salvador, important Brazilian city, has always been one of the most expressive public celebrations in this country and is necessary to research it, because this manifestation contains many socio spatial dynamics of the place. This paper draws a brief historical, since the beggining of the party to this days, and concentrates in the professionalization period, started in the 1990’s, that turned the party into an economic activity, source of great profits for performing artists and producers that experienced national success with the musical genre axé music, integrated to the mass culture. That period is known by a great projection of the party in national mainstream, but hegemonized by a segment, i.e. the bloco de trio (large group of people that follows a moving performing stage set up in the top of a large truck, called Trio Elétrico, in a musical parade by the city streets, protected by a line held by private guards). This model, by being producer of many inequalities, also produced many conflicts, mostly in the clashes between mass culture and popular culture and, nowadays, experience a crisis that is a resultant of accumulation of exclusion an inequality. There are a few scenarios for the future, but there are still no consolidate tendencies.


2019 ◽  
Vol 10 (1) ◽  
pp. 161-176 ◽  
Author(s):  
Mª Genoveva Dancausa Millán ◽  
Ricardo David Hernandez Rojas ◽  
Javier Sánchez-Rivas García

Abstract Visiting places where death is present, either due to a natural tragedy, war, the Holocaust, etc., or because there is the presence of a non-visible entity or paranormal phenomenon, is increasingly more accepted in modern times. It has become a kind of tourism that has grown in demand, though it remains a minority. The city of Cordoba, in the south of Spain, is swarming with houses and places where legends have endured over centuries as a consequence of the coexistence of three cultures – Jewish, Christian and Arab. In turn, popular culture considers these places as having a characteristic “charm” due to the phenomena that happen there. This work analyses the profile of dark tourism tourists, particularly in two sub-segments - that of ghosts and of cemeteries - as well as the existing offer. The aim is to design and improve a quality tourist product that is adapted to the requirements of the demand.


Author(s):  
Ana Rosa

In 2018, as part of an Hotel Project to be built in the area bounded by Rua Vasco da Gama and Rua Santo António (Faro), nine diagnostic surveys and archaeological monitoring of all earth movements were carried out in the area to be intervened, until the allocation level of the work. The archaeological work allowed to unveil part of the old urban layout of Baixa de Faro and contexts associated with the daily life of the population in Modern times. Due to the expansion of the city outside the primitive nucleus (Vila-Adentro), this area was integrated, in the 16th century, by a new walled enclosure, indicating a continuous occupation of the area at present day.


Author(s):  
Tiago Abdalla T. Neto, Renato Cunha Silva, Anderson dos Santos Antonio

A obra Atos de André, produzida provavelmente no século II EC, apresenta uma série de eventos e situações domésticas que supostamente ocorreram durante o ministério do apóstolo André na cidade de Patras. O presente artigo analisa de que forma esse livro nos revela aspectos importantes da cultura popular da Roma antiga, especialmente da época de sua produção. Observa-se como o grupo subalterno responsável pela obra de nuances encratitas busca redefinir e inverter certos conceitos estabelecidos pela elite da sociedade romana. Um desses conceitos se relaciona com a ideia de família, vista em Atos de André não como uma relação marcada por laços de sangue, mas por pessoas que fazem parte do mesmo grupo religioso identificado com um líder específico, neste caso o suposto apóstolo André. A natureza do casamento também é redefinida, não mais como algo bom, exaltado por filósofos e líderes políticos de Roma, mas como uma relação maligna que mancha a dignidade do indivíduo. As relações entre senhores e escravos variavam, desde um profundo afeto entre ambos até ações caprichosas e violentas de senhores contra seus servos, que poderiam culminar na morte destes. Por fim, a obra revela um enredo bem construído com jogos de palavras e diversos temas e alusões bíblicos.The work Acts of Andrew, probably produced in the second century EC, presents a series of events and domestic situations that supposedly occurred during the ministry of the apostle Andrew in the city of Patras. This article analyzes how this book reveals important aspects of popular culture in ancient Rome, especially at the time of its production. It is observed how the subaltern group responsible for the work with encratites nuances seeks to redefine and reverse certain concepts established by the Roman elite. One of these concepts relates to the idea of family, seen in the Acts of Andrew not as a relationship marked by blood ties, but by people who are part of the same religious group identified with a specific leader, in this case the alleged apostle Andrew. The nature of marriage is also redefined, no longer as something good, exalted by philosophers and political leaders of Rome, but as an evil relation that blemish the dignity of the individual. Relations between masters and slaves varied from a deep affection between the two to arbitrary and violent actions of masters against their servants, which could culminate in their death. Finally, the work reveals a well-constructed storyline with puns and various biblical themes and allusions. 


2019 ◽  
Vol 16 (31) ◽  
pp. 89
Author(s):  
Maria Celeste Mira ◽  
Vera Lúcia Cardim de Cerqueira

Desde a sua origem, a noção de “cultura popular” está vinculada ao trabalho de intelectuais. Foram eles que criaram o conceito no século XIX para abranger o conjunto de práticas populares de caráter oral e tradicional, as quais supunham ameaçadas pelo avanço da civilização capitalista. O artigo procura discutir a relação entre intelectuais e cultura popular na atualidade, tendo como foco a cidade de São Paulo. Para tanto, recupera a trajetória fundamental de Mário de Andrade e os seus estudos de Folclore; a de Rossini Tavares de Lima, integrante do Movimento Folclórico Brasileiro; de seu discípulo e renovador do folclorismo paulista, Antonio Teixeira de Macedo, até chegar ao Movimento das Culturas Populares e suas conquistas no terreno das políticas culturais. Neste percurso, procura analisar suas ações e representações, suas relações com o Estado, os limites e possibilidades de sua atuação no campo da “cultura popular”.Palavras-chave: Intelectuais. Cultura popular. Folclore. Políticas culturais.The intellectuals and the “popular culture” in São Paulo: from folklore to cultural policiesAbstractSince its origin the notion of “popular culture” is linked to the work of intellectuals. It was they who created the concept in the nineteenth century to embrace the set of popular, oral and traditional practices which they believed were threatened by the advance of capitalist civilization. The articleaims to discuss the relationship between intellectuals and popular culture in the present time, focusing on the city of São Paulo. In order to do so, it recovers the fundamental trajectory of Mário de Andrade and his studies of Folklore; that of Rossini Tavares de Lima, member of the Brazilian Folkloric Movement; of his disciple and reformer of the São Paulo folklore, Antonio Teixeira de Macedo, until reaching the Movement of Popular Cultures and their achievements in the field of cultural policies. In this way, it seeks to analyze its actions and representations, its relations with the State, the limits and possibilities of its action in the field of “popular culture”.Keywords: Intellectuals. Popular culture. Folklore. Cultural policies.


2019 ◽  
Vol 26 (1) ◽  
pp. 102-114
Author(s):  
Wojciech Zawadzki

In modern times, Royal Prussia used to be a multi-denominational and multicultural area. Elbląg, one of the three great Prussian cities, had a similar character until 1772. Since the middle of the 16th century, many Poles from Lithuania and the Crown, including Mazovia, came to this Lutheran town. The preserved Catholic metric books and the matricules of the academic gymnasium established in 1535 in Elbląg allow a study of the presence of the Mazovians in Elbląg in the past. In the source material, apart from the personal data, also the place of origin, age and sometimes family and social status were recorded. In total, 66 newcomers from Mazovia were registered in the archives of Elbląg. They did not play any significant role in the history of the city.


2019 ◽  
Vol 8 (8) ◽  
pp. 72-85
Author(s):  
Nilanjana Ghoshal ◽  
Mst Tania Parveen ◽  
Dr Asraful Alam

In India, traditionally and from time immemorial, marriage has always been a sacred bond for people of this country. The aim of this study is to explain a socially sanctioned sex relationship involving people of two opposite gender whose relationship is expected to endure beyond time required for gestation. The functional method of the study has been set up on the field-based observation to find out the reasons behind rising of marital disharmony among working couples. But the problem is initially in modern times the concept of marriage is gradually taking a different turn between couples. Hence the focus of this paper is to study the various factors giving rise to marital disharmonies among working couples in urban India and how these discords can be solved so that couples can lead a happy harmonious married life ahead. Survey has been done in the city of Kolkata taking people from various walks of life. As Kolkata is one of the major Metropolitan cities of India it was easier to find people belonging to different professions. The result of this study is every marriage brings challenges in life. Maximum working couples are losing attachment with each other as they have lack of time for each other. Bringing work at home, sharing of parenthood, indifference towards each other, lack of adjustments are the causes for which level of disharmony is increasing.


1970 ◽  
Vol 5 (4) ◽  
pp. 13-19
Author(s):  
Cristiane Rosa Guedes ◽  
Bianca Del Ducca Alvarenga ◽  
Isabella Rotella ◽  
Débora Vitória Alexandrina Lisboa Vilella

RESUMOObjetivo: Identificar o significado para o enfermeiro em prestar cuidados para pacientes com Depressão.  Materiais e métodos: Estudo exploratório e descritivo com abordagem qualitativa, a amostra foi de 12 enfermeiras, o cenário de estudo foram Unidades Básicas de Saúde e Estratégias de Saúde da Família, urbanas da cidade de Itajubá-MG. A coleta de dados foi por meio do roteiro de entrevista semiestruturada composta por questionário contendo uma pergunta inerente ao assunto. Resultados: Encontramos oito categorias como estigma da depressão, suicídio, dificuldade em lidar, tempo escasso, envolvimento familiar, aceitação da doença, acolhimento e dar medicamento, de acordo com os discursos dos sujeitos coletados na entrevista. Conclusão: Os enfermeiros não estão em contato direto com portadores de depressão no seu trabalho, não entendem que é sua tarefa identificar e encaminha-los para tratamento especializado. Sugerimos que outros estudos sejam desenvolvidos sobre essa temática.Palavras-chave: Depressão. Relação Enfermeiro-Paciente. Assistência de Enfermagem. ABSTRACTObjective: To identify the meaning for nurses when providing care for patients with depression. Materials and Methods: exploratory and descriptive study with qualitative approach, the sample consisted of 12 nurses, the study scenario was the urban Unidades Básicas de Saúde e Estrategia de Saúde da Família, in the city of Itajubá. Data collection was done through semi-structured interview guides consisting of a questionnaire containing a question related to the subject. Results and Discussion: we found eight categories as stigma of depression, suicide, coping difficulties, scarce time, family involvement, acceptance of the disease, host and give medicine, according to the speeches of the subjects collected in the interview. Conclusion: nurses are not in direct contact with individuals with depression in their work, do not understand that it is their job to identify and refer them to specialized treatment. We suggest that other studies be developed on this theme.Keywords: Depression, Nurse-patient Relationship, Nursing care.


Author(s):  
Mirza Sangin Beg

The second part of the translation has three segments. The first is dedicated to the history of Delhi from the time of the Mahabharat to the periods of Anangpal Tomar to the Mughal Emperor Humayun as also Sher Shah, the Afghan ruler. In the second and third segments Mirza Sangin Beg adroitly navigates between twin centres of power in the city. He writes about Qila Mubarak, or the Red Fort, and gives an account of the several buildings inside it and the cost of construction of the same. He ambles into the precincts and mentions the buildings constructed by Shahjahan and other rulers, associating them with some specific inmates of the fort and the functions performed within them. When the author takes a walk in the city of Shahjahanabad, he writes of numerous residents, habitations of rich, poor, and ordinary people, their mansions and localities, general and specialized bazars, the in different skills practised areas, places of worship and revelry, processions exemplifying popular culture and local traditions, and institutions that had a resonance in other cultures. The Berlin manuscript gives generous details of the officials of the English East India Company, both native and foreign, their professions, and work spaces. Mirza Sangin Beg addresses the issue of qaum most unselfconsciously and amorphously.


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