scholarly journals Study of Marginalization of Women in Rama Mehta's Inside the Haveli

2021 ◽  
Vol 6 (4) ◽  
pp. 214-223
Author(s):  
Krishna Murari Shukla ◽  
Dr. Ram Prakash Pradhan
Keyword(s):  
Social Structure ◽  
Gender Inequality ◽  
The Novel ◽  
Ethical Values ◽  
Human Beings ◽  
Patriarchal System ◽  
The Social ◽  
Close Observation ◽  
Condition Of Women ◽  
Common Perception

In the social structure of this world, there are various forms of people like class, community, caste, religion or gender, suffering from the dominated sensibility of social, political, economical or ethical values but their exploitation has been general in the tendency of common perception. The close observation of these people is categorized under the head of marginalization. Marginalized people are often defined socially, politically, culturally and legally deprived of their ‘rights’ as human beings in every sphere of life and cultural society. The various groups of people, living or surviving on the verge, can be assessed with their caste, class, religion or gender differentiations. In this regard, women’s position in the society and family has been one of the most considerable issues. The condition of women whether as masters or servants has equally been dominated and deprived of rights in the men dominated society. The present paper explores the marginalization, suppression, deprivation, gender inequality and feminine sensibility of women within the patriarchal system of the society in the novel Inside the Haveli.

scholarly journals The Relationship Between Education and Social Value in The Novel “The Magician’s Apprentice” By: Trudi Canavan

2018 ◽  
Vol 1 (2) ◽  
pp. 40-50
Author(s):  
Rohdearni Wati Sipayung
Keyword(s):  
Social Value ◽  
The Novel ◽  
Human Beings ◽  
The People ◽  
The Social ◽  
The Relationship

This novel  has many basic values of human, and the writer wants to share about the social value of this Novel. Although this novel tells of a witch, as we know that the stories of about witches, it may be difficult to find which part is the social value. But the writer wants to find the part that is a social value, because in every story there must be a positive value that can be taken by the reader. The social value of Cooperation, cooperation within a group can make the job easier. The social value of care. Human beings we should care about each other, helping each other and pay attention. The social value of bravery, in life we must have the courage because, as we know there are still many people who are afraid to face the people.

scholarly journals Isu Pertembungan Sosial dalam Novel Ke Hujung Usia Berdasarkan Teori Konflik Fungsional Coser

2020 ◽  
Vol 33 (2) ◽  
pp. 243-264
Author(s):  
Umairah Shafei ◽  
Keyword(s):  
Social Structure ◽  
Religious Education ◽  
Positive Impact ◽  
Positive Influence ◽  
Conflict Theory ◽  
The Novel ◽  
District Office ◽  
Chief Minister ◽  
The Social

This research intends to prove social conflict in the novel Ke Hujung Usia (2018) by A. Rahman C.M. based on Lewis A. Coser's Functional Conflict Theory, which places conflict as an indicator of a healthy relationship in the social structure. The conflicts presented between characters in the novel include clashes involving Tuk Aki, Tuan Guru Haji Munir, District Office officials, Rasol (the Political Secretary of the Chief Minister), and Umar, who represents the students at Pondok Haji Hamid, and others. The conflicts between the characters have a positive influence on the integration, consensus and strength of the in-group among the students, and on the position of Tuk Aki himself, as the administrator of the centre of religious education. Based on Coser's theory, conflict is not negative because the clashes of out-group are normal due to the positive impact on the strength of social structure. Thus, Coser rejected the argument that absence of conflict is an indicator of the strength and stability of a relationship. Based on the thought of Coser, the conflict between Tuk Aki and the out-group help to strengthen structural relations, in addition to enhancing the integration of the students who are led by Umar. The social group consensus exists because there is two-way communication in the conflict, and because Tuk Aki plays the role of the safety valve to control the conflict.

scholarly journals KRISTALISASI KONDISI SOSIAL, EKONOMI, DAN POLITIK DALAM NOVEL RASA MERDIKA

2016 ◽  
Vol 26 (1) ◽  
pp. 72
Author(s):  
Agus Sulthon
Keyword(s):  
Social Structure ◽  
Cultural Condition ◽  
The Novel ◽  
The Social ◽  
Political Conditions

<p>Rasa Merdika is a novel released in 1924. This novel narrates the people’s misery occured in Dutch- Indies era. The internationalism ideology becomes the alternate undderstanding for people by using poetry as a messenger. In this research, the social, economical and political conditions depicted in the novel will be correlated to the history when the novel is created. using Goldmann's theory, considered having homological relations  with the social structure. Umar Junus takes advantage of it as a story to depict the social-cultural condition of society.</p><p> </p><p>Rasa Merdika merupakan novel bacaan liar yang terbit tahun 1924. Novel ini membicarakan tentang penderitaan rakyat yang terjadi di Hindia Belanda. Ideologi internasionalisme menjadi alternatif pemahaman kepada rakyat dengan memanfaatkan sastra sebagai alat penyampai pesan. Dalam penelitian ini, kondisi sosial, ekonomi, dan politik novel akan korelasikan terhadap sejarah saat novel itu diciptakan kemudian menghubungkan konsep keduanya menggunakan teori Goldmann, dianggapnya memiliki keterkaitan homologis dengan struktur sosial (kondisi).</p><p> </p>

REPRESENTASI HEGEMONI KEKUASAAN PADA ZAMAN KOLONIAL DAN ORDE BARU DALAM NOVEL 'BALADA SUPRI'

2020 ◽  
Vol 5 (1) ◽  
pp. 65
Author(s):  
Syahrotul Latifah ◽  
Candra Rahma Wijaya Putra
Keyword(s):  
Social Structure ◽  
New Order ◽  
The Novel ◽  
Ordinary People ◽  
Colonial Era ◽  
Sociological Approach ◽  
The Social ◽  
Capital Owner ◽  
Native Resistance ◽  
People Group

The purpose of this research is to describe the social structures and the forms of power as well as their repetition from colonial era to New Order. This study used a sociological approach to literature with the theory of power hegemony proposed by Gramsci. This research was a type of descriptive-qualitative research. The data in this research are narratives, dialogues, and monologues quoted from the novel Balada Supri written by Mochamad Nasrullah. The results of this research showed that in the colonial era, th social structure consisted of colonizer and colonized group whereas in New Order era, there were government official group, which was supported by the capital owner group, and ordinary people group. In regard with the form of power, colonial era showed the dominance of violence and hegemony that was countered by native resistance through violence sas well. Meanwhile, in New Order era, there appeared to be violence and hegemony dominance with the resistance in the form of hegemony over intellectuals. On the other hand, the social structure and the form of power in the colonial era, particularly the dominance of violence, still continued in New Order era and was termed as neocolonialism.

‘A New and Fierce Disorder’s Raging’: Monomania in Mary Barton (1848)

2019 ◽  
Vol 24 (4) ◽  
pp. 492-506
Author(s):  
Lindsey Stewart
Keyword(s):  
Working Class ◽  
Social Structure ◽  
Material Deprivation ◽  
Class Consciousness ◽  
The Novel ◽  
Fallen Woman ◽  
Steep Rise ◽  
The Social ◽  
The Press ◽  
Medical Vocabulary

Abstract This article examines Elizabeth Gaskell’s use of the early psychiatric idea of monomania in her novel Mary Barton (1848). Digital searches show a steep rise in the textual use of the word so that by the mid-1830s it might be described as popularly familiar, albeit still invested with the esotericism and prestige of medical vocabulary. The furore in the press circulating around monomaniacal assassins would not have escaped Gaskell’s notice as she began the novel, which was written intermittently between the years 1844 and 1847 and set in c. 1834 to 1840. John Barton, and his sister-in-law, fallen woman Esther, are gripped by obsessive, avenging missions fostered by the pathogenic environments they inhabit. Their trajectories are similar: the loss of a child, a recourse to opiates and alcohol to manage misery and hunger, and an expulsion from the normalizing world of domesticity. The narrative describes both as monomaniacs. I argue that these monomanias are equivalent to a tormenting class consciousness wherein their over-abundant imaginations refuse to accept their lot. A challenge to the notion that the working class were morally at fault, monomania is presented as a condition caused by an environment that can only foster despair. The text does not simply pathologize the characters, but presents the social structure itself as pathological. Gaskell uses a gothic formulation of the disease as ‘haunting’ and ‘incessant’. It is a novelistic version which is both proto-sensational in the projects its sufferers pursue (murder and detection) whilst also signifying a nervous collapse brought about by material deprivation. Gaskell’s monomaniacs come closest to replicating the aetiologies of their ‘real’ counterparts in County Asylums.

Tragic Ending and Inversion in The Tale of Orchid Dream

NAN Nü ◽  
2011 ◽  
Vol 13 (1) ◽  
pp. 111-148
Author(s):  
Ying Wang
Keyword(s):  
Gender Inequality ◽  
Chinese Society ◽  
The Novel ◽  
Gender Conflict ◽  
Late Qing ◽  
Female Hero ◽  
The Social ◽  
Chinese Fiction ◽  
Honglou Meng ◽  
And Inversion

AbstractThis essay examines the representation of gender conflict in the late Qing novel Lanhua meng qizhuan (The tale of orchid dream) through an analysis of the novel's responses to its two literary models: Cao Xueqin's Honglou meng (Dream of the red chamber) and Wen Kang's Ernü yingxiong zhuan (A tale of heroes and lovers, 1878). Written as an imitation of Cao Xueqin's masterpiece and a reversal of Wen Kang's novel (itself also a rewriting of Cao Xueqin's work), Lanhua meng qizhuan consciously returns to the tragic mode of representation while it re-polarizes the themes of heroism and love (or ritualized morality versus private feeling) in its portrayal of the married life of a female hero, Song Baozhu. Through the deterioration of the heroine's marriage and her death, the novel exposes the deep-seated male centeredness in Chinese society and culture. At the same time, it reveals the ideological and artistic clashes of the hero-lover model promoted by Wen Kang and undermines his effort of assimilating qing (love, feelings) into the domain of public morality. The author's effort in Lanhua meng qizhuan, while seriously tackling the social problem of gender inequality in its time, also challenged old conventions and opened new avenues in Chinese fiction.

scholarly journals Strukturalisme Genetik Lucien Goldmann dalam Novel Orang-Orang Proyek Karya Ahmad Tohari

Humaniora ◽  
2015 ◽  
Vol 6 (1) ◽  
pp. 135
Author(s):  
Dewi Nurhasanah
Keyword(s):  
Social Class ◽  
Social Structure ◽  
Structure Function ◽  
The Novel ◽  
Research Results ◽  
Global View ◽  
Novel Structure ◽  
The Social ◽  
Method Analysis ◽  
Descriptive Method

Article clarified structure, global view of social class, and social structure function as the background of Orang-orang Proyek, a novel by Ahmad Tohari. Research applied analytic and dialectic descriptive method. Analysis was done by applying Genetic Structuralism theory by Lucien Goldmann to see the meaning of the novel by relating the structure of the novel with the human facts (social structure) as a background of the novel. The research results indicate that the novel structure described some oppositions, those are cultural, natural, social, and human oppositions; the novel’s structure expresses a global views, those are ideal-humanist and social-religious; when the novel was written, there were some corruption cases in the social structure in Indonesia that was adopted in the novel. Therefore, there seems a correlation between the novel structure and the social structure. 

scholarly journals ОНОВЛЕНА ПРОБЛЕМАТИКА ІСТОРИЧНИХ ПОВІСТЕЙ ПОЧАТКУ XXI СТОЛІТТЯ

2019 ◽  
pp. 7-14
Author(s):  
Верба Т. Ю.
Keyword(s):  
Social Structure ◽  
17Th Century ◽  
The Novel ◽  
Literary Critic ◽  
Ruin Time ◽  
The People ◽  
Parents And Children ◽  
The Social ◽  
Ukrainian Society ◽  
Direct Answer

The article analyzes the actualization of a problem of renewed interpretation of the centuries-old Ukrainian-Polish confrontation, in particular, in the Liberation War of Ukrainian people in the mid-17th century. The researcher goes deep into the vision and interpretation of those events as excessive apologetization of the Polish knights "without fear and reproach" in Polish historiography and in the novel by G. Sienkiewicz "Fire and Sword". There is reminded a sharply negative remark was made by the Ukrainian historian V. Antonovich about work of G. Senkevich, and supported by historian-local historian Ya. Novitsky. Oppositionally critical opinion about G. Sienkiewicz's dominates in the novel by O. Sokolovsky "Bohun" – works is a multi-faceted, shows how the labor masses, Ukrainian peasants without rights, "claps" became the decisive force in gaining liberation. However, there is seen the ideological class approach on the direction of artistic modeling against the Cossack elders. The story of Y. Kachur "Ivan Bogun" was seen by literary critic T. Syrotyuk as a polemical answer to O.Sokolovsky's novel. For the sake of the then goverment M. Sirotiuk emphasized that P. Panch in his novel "Rustling Ukraine" was able to clearly outline the social structure of the contemporary Ukrainian society, to convincingly show relations between its class parts, their place and role in the war. In analyzing of N. Rybak's novel "The Pereiaslav Council," the critic dared to criticize the tangible author's tendency to adorn Russian-Ukrainian relations of that time, the ideology of Tsar Alexei Mikhailovich, his ambassadors and voivods. The Critic V.Belyaev responded to the thrillion of Ivan Le "Khmelnytsky", joining the Soviet official vision: Hetman raised the people to fight for reunification with brotherly Russia.Particular feature of the historical story of Raisa Ivanchenko "Spilled steep banks" is a problematic field of reproduction of real, not fantasized events and phenomena, the accent on a very active participation in the peasantry's liberation war, the proof of the problem of "cruelty generates double cruelty". In the artistic modeling of the Pereyaslav Council, R. Ivanchenko, in contrast to N. Rybak, details the hetman's desire to make the tsar-autocrat to swear allegiance to Ukrainians as well as the boyars evasion from a direct answer. It was a significant writer's interest in the dramatic fate of Ukraine during the Ruin Time (60-70s of the 17th century). New aspects of the struggle of Voivodes groups for the Hetman's mace, the brutal interference of neighboring powerful powers in Ukrainian affairs, and the trial of man by the authorities included in the story of Yu.Mushketka "Getman, the son of Hetman" compared to the novels of P. Kulish "Black Council" and O. Pakhuchy “Yurys Khmelnychenko”. Good focused the problem of parents and children, the relationships of children 10-14 years in the story of Maria Morozenko "Ivan Sirko, a great magician."

scholarly journals Initiated into Subordination. On Joyce Carol Oates’s I’ll Take You There

2016 ◽  
Vol 6 (1) ◽  
pp. 223-260
Author(s):  
Anna Zawadzka
Keyword(s):  
United States ◽  
Social Structure ◽  
Social Reproduction ◽  
The Novel ◽  
Social Mechanisms ◽  
Joyce Carol Oates ◽  
Academic World ◽  
Anti Semitism ◽  
The Social ◽  
Academic Novel

Abstract The article proposes a sociological reading of the novel I’ll Take You There by Joyce Carol Oates. Though the book can be classified as an initiation novel, it also constitutes an accusation of the very procedure of initiation as forcing individuals to agree and adapt to unfair social mechanisms. The context of the protagonist’s struggles is provided by the social structure of the early-1960s United States, with its inherent misogyny, anti-Semitism, racism and classism. All these factors shape her destiny in accordance with the logic of social reproduction. A destiny of overwhelming power of allocation, which the heroine is trying to resist. As an academic novel, I’ll Take You There is also an insightful deconstruction of the universalism preached within the Western academic world, and especially philosophy.

The Concept of ‘Bewitching’ in Lugbara

Africa ◽  
1955 ◽  
Vol 25 (3) ◽  
pp. 252-260 ◽  
Author(s):  
John Middleton
Keyword(s):  
Social Structure ◽  
Social System ◽  
The Other ◽  
Human Beings ◽  
The Social ◽  
The One ◽  
Opening Paragraph ◽  
Relationship Of ◽  
The Relationship ◽  
The Way

Opening ParagraphIn this paper I consider some Lugbara notions about witches, ghosts, and other agents who bring sickness to human beings. I do not discuss the relationship of these notions, and the behaviour associated with them, to the social structure. The two aspects, ideological and structural, are intimately connected, but it is possible to discuss them separately: on the one hand, to present the ideology as a system consistent within itself and, on the other, to show the way in which it is part of the total social system. Here I attempt only the former.

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