scholarly journals Metafysikeren Løgstrup

Author(s):  
Peter Widmann

The final work of the late Knud Ejler Løgstrup Metafysik I-IV can be considered as a consequent step on his road to a religious philosophy. In all his writings Løgstrup has tried to show the importance of a religious interpretation of reality both for a sound development of theology and for the survival of Western civilization. This religious interpretation has to be pronounced as a philosophical position, criticizing the disastrous consequences of the split between nature and human existence in modern philosophy. This return to religion in the understanding of reality is not meant to eliminate modern science of the liberties of Western society. According to Løgstrup, the interpretation of reality as given by a transcendent power is a possibility – not a necessity – also today. This interpretation does not touch the radical otherness of God, whose only unambiguous manifestation is to be found in his Word in Christ.The article raises some questions concerning the consistency of Løgstrup’s metaphysical and theological position. In the posthumously edited volume III, Løgstrup claims that the “Universe” is the final actor in both nature and history. Is this position tenable without traditional realistic metaphysics? Does Løgstrup rely on a pre-critical pre-supposition, namely that we have access to reality as such? Løgstrup seems, consequently, to exaggerate the dangers of post-critical thinking. Furthermore, it can be questioned, whether Løgstrups’ latest metaphysical views are in harmony with some of his theological convictions.

2021 ◽  
Author(s):  
SeyedAmir Asghari

If the universe is defined as a manifestation of the Divine in the Alevi-Bektashi and other Sufi thoughts, what are their responses to modern dominant philosophy and science that is fundamentally secular and leaves no space for the Sacred? Sufism is a broad and diverse movement within the history of Islam. It nevertheless represents a Divine-centric cosmology in which God -through His creation- is invisibly visible, and He is at the same time, the eternal and inward reality of the external and visible world. In other words, God is the eternal meaning of everything. This paper will study the question of philosophical assessment of modern philosophy and scientific world-view from a Sufi perspective. In particular, it will examine the phenomenon of modern science and technology from the perspective of the Sufi and traditionalist school of Islam. Thereupon, this paper aims to outline and examine the question of Sacred in confrontation of Secular in the context of Sufism and philosophy. For a Sufi-philosophical thought, this work will assess the idea of reviving sacred or religious science mostly elaborated in the works of Nasr.


2004 ◽  
pp. 36-49 ◽  
Author(s):  
A. Buzgalin ◽  
A. Kolganov

The "marketocentric" economic theory is now dominating in modern science (similar to Ptolemeus geocentric model of the Universe in the Middle Ages). But market economy is only one of different types of economic systems which became the main mode of resources allocation and motivation only in the end of the 19th century. Authors point to the necessity of the analysis of both pre-market and post-market relations. Transition towards the post-industrial neoeconomy requires "Copernical revolution" in economic theory, rejection of marketocentric orientation, which has become now not only less fruitful, but also dogmatically dangerous, leading to the conservation and reproduction of "market fundamentalism".


Think India ◽  
2019 ◽  
Vol 22 (3) ◽  
pp. 500-505
Author(s):  
Anindita Naha ◽  
Dr. Mirza Maqsood Baig

The legend of King Arthur and his knights of the Round Table is immemorial. The heroic knights and their king’s tales contribute western society a great literature that is still well- known today. King Arthur along with the theme of chivalry greatly impacted not only western civilization, but all of society throughout the centuries. King Arthur and his Knights of the Round Table have been around for thousands of years but are only legends. The first reference to King Arthur was in the Historia Brittonum written by Nennius a Welsh monk around 830A.D. The fascinating legends however did not come until 1133 A.D in the work Historia Regum Britaniae written by a Welsh cleric, Geoffrey of Monmouth. His work was actually meant to be a historical document, but over time many other writers added on fictional tales. The Round Table was added in 1155 A.D by a French poet Maistre Wace. Both the English and French cycles of Arthurian Legend are controlled by three inter-related themes:


2017 ◽  
Vol 1 (1) ◽  
pp. 89-102
Author(s):  
Ira Adriati Winarno

Indonesia is a country with various cultures. One of cultural product that interesting to be analysis is textile.Indonesian traditional textiles are made by weaving and batik techniques. Traditional textiles have a deepphilosophical meaning related to the human existence in the universe. Traditional textiles have various motifs. It isinteresting to analyze the meaning of the motifs of Indonesian traditional textile. The approaches of this research aretraditional Indonesian aesthetics and cultural approach. Traditional textile motifs can be categorized into geometrics,figurative, and naturalist motifs. The motifs are influenced by textile making techniques. For instance, weavingtechnique has limitation in motif type. Weaving technique produces geometrics motif. The other technique is batik thathas freedom to produce various motifs for textile. The original Indonesian textile motifs generally are abstract motives.Figurative and naturalist motifs emerge after the entrance of other culture influence. Based on visualization analysis,abstract motif has deep meaning related to people life philosophy. Some of figurative motifs have philosophical meaning,but naturalist motifs generally do not have philosophical meaning in Indonesian people.


2015 ◽  
Vol 2 (1) ◽  
pp. 91
Author(s):  
Ghozi Ghozi

<p>This article will briefly discuss the problems of postmodern theology in the context of the relationship between God and nature. In this case, the author brings the conception of theistic naturalism in the view of classical theology of Islam. Theological conception of postmodernism (theistic naturalism) can be useful contributions to the refreshment of Islamic theology, particularly in the case <em>a</em><em>f</em><em>‘</em><em>â</em><em>l</em><em> </em><em>al</em><em>-</em><em>‘</em><em>ibâd</em> and its derivation. The concept of direct influence and indirect influence may help explain the intervention of God toward human beings without denying the law of causality, as the law that becomes standard of modern science. Nevertheless there are some things that need to be considered in this concept: <em>Firstly</em>, God is only the spirit of the universe, God has entrusted His power to the nature, and all the events occurred due to the co-creativity of God and nature. <em>Secondly</em>, God has no a direct influence on the external dimension, rather He is merely a Spirit of things who has influence on inner dimension.</p>


2017 ◽  
Vol 1 (2) ◽  
pp. 235
Author(s):  
Fadlil Munawwar Manshur

This paper discusses the theory advanced by Bakhtin about dialogism and methodological concepts. This theory to formulate the concept of human existence on the other, which is based on the idea that humans judge him from the viewpoint of others. Humans understand the moments of consciousness and take it into account through the eyes of others. According to this theory, the essence of human life is a dialogue. The Method of heteroglossia talks about signs in the universe of individuals because of the word "heteros" means "other" or different, while "glossia" means the tongue or language. In this method mentioned that people are saying needs to be heard, and the author also has the same rights that words need to be heard. A word is born from dialogue to address the problems of life. On the other hand, Bakhtin sees carnival method has spawned a new literary genre, the polyphonic novel. The polyphonic novel is a novel that is characterized by a plurality of voice or consciousness, and the voices or the overall awareness dialogical. Polyphonic essentially a "new theory of authorial viewpoint". Polyphonic appear in fiction when the position of the author freely allowed to interact with the characters. The characters in the novel are freely polyphonic appear to argue with each other and even with the author.


Author(s):  
Egor Sergeevich Shushakov

The object of this research is the concept of evolutionary development of the universe of P. Teilhard de Chardin and the concept of &ldquo;liquid&rdquo; reality&rdquo; of Z. Bauman. The subject is the methodology of P. Teilhard de Chardin and his idea of the future of social development, as well as Z. Bauman&rsquo;s description of the key characteristics of globalization. Emphasis is placed on the methodology of P. Teilhard de Chardin (interaction of tangential and radial energies), as within the framework his concept, the social, biological and physical phenomena do not have fundamental differences and abide the general universal laws. In broad outlines, the article reconstructs the idea of P. Teilhard de Chardin on social development and the theses of Z. Bauman about the key characteristics of modern globalization. The novelty of the research lies in the attempt to present the methodology of P. Teilhard de Chardin as acceptable for modern science and highlight its predictive power; as well as in comparative analysis of the ideas of Z. Bauman and P. Teilhard de Chardin on the processes of global social integration. The following conclusions are made: both scholars advance the idea on the progressing polarization of society; 2) globalization in their works correlates with the process of individualization of social actors, and defense of own identity.


2020 ◽  
Vol 15 (4) ◽  
Author(s):  
Milan Tomašević

The paper offers a definition of cosmology and its connections with mythology, and presents contemporary theories as a secular mythical narrative suitable for anthropological analysis. The paper is dedicated to emphasizing the folklore characteristics of modern cosmology and points to the importance of popular cosmological narratives as reading that contains culturally, philosophically and even religiously relevant elements. Special attention is paid to cosmogonic myths that describe the state of the universe before the creation of space and time. A parallel has been drawn between modern cosmology and conventional cosmogonic myths. In the end, the paper offers a concise definition of popular cosmology and recalls the most important authors and popularizers of modern theories. The main task of the paper is to present the basic concepts that can contribute to a complete understanding of the anthropological character of the presentation of contemporary cosmology that we encounter in popular narratives. The aim of such an analysis is to observe the depth of the significance of modern science for creating a philosophical picture of the world that inherits secular worldviews. By treating popular cosmology as a modern myth, the paper presents a new dimension of the significance of scientific theories for today's civilization. Such an approach unravels the strictly positivist halo of cosmology and points to its anthropological character. The concepts highlighted in the paper serve as an illustration of the significance that the image of the universe and the position of the Earth has for the history of civilization. By presenting the cultural dimension of cosmology, it opens a space for dialogue between different branches of scientific research, i.e. it contributes to the communication of philosophy and science. Equally important, by illuminating the folklore character of the narrative of the origin and history of the universe, a training ground is created for philosophers and theologians who, in their own ways, interpret the creation of everything around us. By drawing attention to authors such as Neil deGrasse Tyson, Lawrence Kraus, Stephen Hawking, Michio Kaku and others, as contemporary bards and narrators, the paper seeks to contribute to the understanding of popular cosmology as an expression of modern man's need for great stories, for narratives that transcend the spatial and temporal frames of one generation, and that is exactly what myths do.


2021 ◽  
Vol 9 (11) ◽  
pp. 2840-2843
Author(s):  
Pramod Kumar ◽  
Pramod Kumar Prasad ◽  
Gupta S.S

The word “Purush" in its most social sense means man but in the aspect of Ayurveda, the term purush is repre- sented as atma or chetana dhatu (chetana-life and dhatu-element). The concept of the existence of atman (soul) is generally not accepted by modern science. According to Indian philosophy, the ultimate truth or absolute soul is one and he is Chetana (Sarvam Khalu Idam Brahm). Treatment of Panchmahabhut Sharir with presence of purush is known as Chikitsya Purush. Purush is supreme soul, pure conscious, unchanging, immortal neither birth nor death. It is essential for the creation of the universe and the living world. In the presence of purush gains knowledge through the mind. All the actions through karmendriyas, desire, pleasure, pain, life and death are per- formed. The purush (Kshetrajy) is lord of the house (Kshetra). The role of Purush in Srusti is laya & parlay which is the same as catalyst’s work in a reversible reaction. Keywords: Purush, Types, Karma Chikitsa, Chaturvinshatika, Rashi, Punarjanma


1991 ◽  
Vol 112 ◽  
pp. 25-32
Author(s):  
D. A. Schreuder

Human life is geared to the rhythm of day and night. The day is committed to work and activity, and the night to rest, to leisure, but also to contemplation on the universe. Stars are the link between the earth-bound human existence and the eternal and infinite cosmos. So, humanity needs the night, requires the darkness – even if darkness is frightening and is considered as the personification of danger and evil.


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