The experience of colour

2019 ◽  
pp. 88-105
Author(s):  
David MacDougall

Colour plays an important part in the aesthetics of everyday life. It has significant psychological effects as well as carrying symbolic meanings, both religious and secular, and it is an important marker of cultural identity. This chapter explores the role and uses of colour at the Doon School, an elite boys’ boarding school in India where the author made a number of films. In this highly controlled community, the social aesthetics of the institution becomes imprinted on the consciousness of its inhabitants. It is intimately associated with the students’ activities, social relationships, and sensory experiences. It defines their status and shapes their lives. The uses of colour at the school are also consistent with a wider social aesthetic emphasising restraint, logical thought, and the training and presentation of the body. Many of these values can be seen to have their origins in the school’s colonial history and postcolonial aspirations. The author argues that we can only understand the full implications of such sensory patterning in society through more extensive research in social aesthetics.

Author(s):  
David Morgan

In recent years, the study of religion has undergone a useful materialization in the work of many scholars, who are not inclined to define it in terms of ideas, creeds, or doctrines alone, but want to understand what role sensation, emotion, objects, spaces, clothing, and food have played in religious practice. If the intellect and the will dominated the study of religion dedicated to theology and ethics, the materialization of religious studies has taken up the role of the body, expanding our understanding of it and dismantling our preconceptions, which were often notions inherited from religious traditions. As a result, the body has become a broad register or framework for gauging the social, aesthetic, and practical character of religion in everyday life. The interest in material culture as a primary feature of religion has unfolded in tandem with the new significance of the body and the broad materialization of religious studies.


2003 ◽  
Vol 13 (2) ◽  
pp. 225-230 ◽  
Author(s):  
Genevieve Fisher ◽  
Diana DiPaolo Loren

This article provides a brief overview of recent archaeological literature about bodily constructions of identity. We introduce themes of embodiment, landscape, appearance, representation, and symbolism and discuss how presentations of the body are used to construct identities in social contexts. By focusing on the ways in which individuals create and experience themselves through their bodies, archaeologists are better able to comprehend them as culturally-specific, multiply-constituted social beings. The presentation of self can then be used to interpret the social and physical aspects (gender, race, religion, sexuality, age, etc.) that are key to the construction of identities in everyday life.


2020 ◽  
Vol 2 (1) ◽  
pp. 22
Author(s):  
Yuhdi Fahrimal ◽  
Asmaul Husna ◽  
Johan Johan ◽  
Farina Islami

Pubic speaking is an individual skill that is a necessity in the current era of disruption. Public speaking skills are needed to support the best results in education, the social environment, and the workplace. But not everyone is able to do public speaking well. Previous research states that the condition is caused by excessive fear of individuals to speak in front of the crowd (glossophobia). The objectives of this training are (1) to open students' horizons about public speaking; (2) arousing student motivation so as not to worry about public speaking; and (3) train students practically to be able to practice public speaking in everyday life. This training uses three stages, namely, pre-training research, lectures and discussions, and the practice of public speaking. The results of the training provide practical public speaking techniques to students with a simple concept known as POBC namelyPlanning, Opening, the Body of Speech, and Conclusion and mind mapping. This method is considered to make it easier for students to do public speaking systematically from planning to closing interesting speeches.


2020 ◽  
pp. 51-70
Author(s):  
Peter Thonemann

This chapter focuses on Oneirocritica Book 1, which is largely dedicated to the human body and body-symbolism, and examines the ways in which Artemidorus’ conception of the body and its functions might be historically and culturally distinctive. Artemidorus offers us a remarkably detailed and coherent ‘tour’ of the symbolic meanings of the constituent parts of the male and female body, based around a series of polarities (upper and lower, right and left, front and back), which reflect three different dimensions of the social order (status, age, gender). The ways in which bodies are gendered (firmness, dryness, vigour) in Artemidorus’ body-symbolism are discussed in detail, and the extraordinary over-signification of the male penis and under-signification of the female vagina in Artemidorus’ classificatory system are highlighted. The chapter concludes with an extended discussion of the presentation of physical and mental disability in the Oneirocritica.


Author(s):  
Ελένη Καραγεωργίου ◽  
Τιμολέων Θεοφανέλλης

Internet diffusion in everyday life has brought dramatic changes in a person’s relation to his/her body. These changes need to be considered and maybe tacked as intervention points in Psychotherapy. In the present paper, in particular, three issues concerning non explicit politics of body management in internet are critically examined. These are a) the objectification of the body due to the prevalence of the image in the social media b) the impact internet porn has on interpersonal relationships and the sexual behavior and c) the escape to the internet world through the adoption of various virtual personas, vis a vis- their avatars. For the purposes of the present paper some clinical cases are also illustrated. The highlighting of this subject can be very useful in psychotherapeutic practice, since the body and the politics related to it are not traditionally the main focus of attention in psychotherapy. In addition, clients are nowadays frequently discussing problems related to their presence and life, as a whole, on the internet.


2016 ◽  
Vol 25 (1) ◽  
pp. 81-95
Author(s):  
Laurent Sebastian Fournier ◽  
Jean-Marie Privat

In this article we present the ongoing theoretical discussions concerning the relations between anthropology and literature in France. We recall the historical relationship of a part of French anthropology and the world of literature. We then try to show how the anthropology of literature began by using the model of the anthropology of art, mainly concentrating on literary works as individual creations specific to the style or the cosmology of a given writer. We explore a new perspective on the analysis of the social and symbolic meanings of literary worlds, putting the emphasis on what is called ‘ethnocriticism’ in France. In order to understand better the influence of literature and literary motives on contemporary cultural practices, and to grasp the relation of literary works with the outside world and with everyday life, we propose to build up a comparative approach of literary works and rituals. Through different novels or other literary works, we address possible developments of contemporary anthropologies of literature in France.


Author(s):  
Rosemary J. Jolly

The last decade has witnessed far greater attention to the social determinants of health in health research, but literary studies have yet to address, in a sustained way, how narratives addressing issues of health across postcolonial cultural divides depict the meeting – or non-meeting – of radically differing conceptualisations of wellness and disease. This chapter explores representations of illness in which Western narrators and notions of the body are juxtaposed with conceptualisations of health and wellness entirely foreign to them, embedded as the former are in assumptions about Cartesian duality and the superiority of scientific method – itself often conceived of as floating (mysteriously) free from its own processes of enculturation and their attendant limits. In this respect my work joins Volker Scheid’s, in this volume, in using the capacity of critical medical humanities to reassert the cultural specificity of what we have come to know as contemporary biomedicine, often assumed to be


Somatechnics ◽  
2015 ◽  
Vol 5 (1) ◽  
pp. 88-103 ◽  
Author(s):  
Kalindi Vora

This paper provides an analysis of how cultural notions of the body and kinship conveyed through Western medical technologies and practices in Assisted Reproductive Technologies (ART) bring together India's colonial history and its economic development through outsourcing, globalisation and instrumentalised notions of the reproductive body in transnational commercial surrogacy. Essential to this industry is the concept of the disembodied uterus that has arisen in scientific and medical practice, which allows for the logic of the ‘gestational carrier’ as a functional role in ART practices, and therefore in transnational medical fertility travel to India. Highlighting the instrumentalisation of the uterus as an alienable component of a body and subject – and therefore of women's bodies in surrogacy – helps elucidate some of the material and political stakes that accompany the growth of the fertility travel industry in India, where histories of privilege and difference converge. I conclude that the metaphors we use to structure our understanding of bodies and body parts impact how we imagine appropriate roles for people and their bodies in ways that are still deeply entangled with imperial histories of science, and these histories shape the contemporary disparities found in access to medical and legal protections among participants in transnational surrogacy arrangements.


2018 ◽  
Vol 2 (1) ◽  
pp. 17
Author(s):  
Ahmad Fauzi ◽  
Chusnul Muali

Pesantren and social value system is the result of constructing kiai's thoughts and social actions as an inseparable entity. This study aims to interpret the role and social action of kiai Moh Hasan, both as a fighter (al-haiah al-jihaadi li'izzi al-Islaami wal muslimin) in the community as well as guidance and guidance for the community (al-haiah al ta 'awuny wa al takafuly wal al ittijaahi) and teaching in educational institutions (al-haiah al ta'lim wa al-tarbiyah), significantly contributes greatly to the social realities of society in Indonesia. Portrait of central figure kiai Moh Hasan can not be separated from the depth of his field of Islamic science, simplicity, kezuhudan, struggle, sincerity and generosity. This view, not only recognized among the people around the boarding school, students and colleagues, but also spread in some areas in Indonesia. The fame of kiai Moh Hasan among scholars, habaib and society has many karamah and some other privileges, not even a few from the social recognition of kiai Moh Hasan Genggong, because the kiai are believed to have closeness with God, thus perceived as auliya'Allah. Thus the role and social actions of the kiai above, gave birth to the value system, so as to influence and move the social action of other individuals. The internalization of the aforementioned values becomes social capital in building a spiritual-based transformative leadership, as a strong leadership model and conducts various changes in the social field, by transforming the value of the ethical values.


2020 ◽  
Vol 2 (4) ◽  
pp. 14-31
Author(s):  
Élodie Dupey García

This article explores how the Nahua of late Postclassic Mesoamerica (1200–1521 CE) created living and material embodiments of their wind god constructed on the basis of sensory experiences that shaped their conception of this divinized meteorological phenomenon. In this process, they employed chromatic and design devices, based on a wide range of natural elements, to add several layers of meaning to the human, painted, and sculpted supports dressed in the god’s insignia. Through a comparative examination of pre-Columbian visual production—especially codices and sculptures—historical sources mainly written in Nahuatl during the viceregal period, and ethnographic data on indigenous communities in modern Mexico, my analysis targets the body paint and shell jewelry of the anthropomorphic “images” of the wind god, along with the Feathered Serpent and the monkey-inspired embodiments of the deity. This study identifies the centrality of other human senses beyond sight in the conception of the wind god and the making of its earthly manifestations. Constructing these deity “images” was tantamount to creating the wind because they were intended to be visual replicas of the wind’s natural behavior. At the same time, they referred to the identity and agency of the wind god in myths and rituals.


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