scholarly journals Moscow and Saint Petersburg Censuses at the Turn of the 20th Century as Sources for Labor History Studies

Author(s):  
Anastasia Kirillovna Shchinova

The article studies urban censuses taken in Moscow and Saint Petersburg at the turn of the 20th century as important sources for labor history studies (a cross-disciplinary field of research). The article addresses aggregated data of urban censuses taken in Saint Petersburg in 1881, 1890, 1900 and 1910 and in Moscow in 1882, 1902 and 1912 which provide occupational data. The research subject is the structural content of census occupational tables. When analyzing Moscow and Saint Petersburg censuses, the comparative-historical method is used to identify similar and unique data of historical sources. Despite numerous studies carried out by Russian and foreign scholars addressing pre-revolutionary censuses, one of the aspects of the sources (that is temporal occupational distribution of males and females in Moscow and Saint Petersburg) is still poorly studied. The article briefly describes the creation of each census, analyzes the way occupational data were registered and shows changes in the census program of Saint Petersburg and Moscow from 1881 to 1912. One can see different formation of Moscow occupational groups. Whereas an industry branch prevailed in 1882, social status of the worker dominated 1902 and 1912 censuses. In Saint Petersburg the distribution was related to an industry branch accompanied by a production status. The author considers census structure studies important for comparing temporal data and further analysis of labor activity in Moscow and Saint Petersburg presented in the sources understudy.   

2019 ◽  
Vol 3 (1) ◽  
pp. 1
Author(s):  
S. Samidi

This study examines why does Ludruk represent the cultural identity of the people of Surabaya? How does society appreciate the traditional theater, especially in Ludruk in their daily practice? The purpose of this article explains the historical reality of Ludruk art that serves as entertainment and cultural identity. This article using the historical method by relying on historical sources. The result shows that theater traditions that existed and famous in Surabaya at the beginning of the 20th century were Comedy Stambul, Wayang Wong, and Ludruk, then appeared Ketoprak in the late 1930s. The appearance of this theater has been adapted to the tastes of the support community. Comedy Stambul is a theater that originated in India, then spread to Southeast Asia. Comedy Stambul is considered as a hybrid art because it comes from a blend of local cultural elements, while Wayang Wong, Ludruk, and Ketoprak an original art derived from customs and local values. Theater that represents the cultural identity of the people of Surabaya is Ludruk.


2019 ◽  
Vol 14 (2) ◽  
pp. 150
Author(s):  
Ahmad Athoillah

This paper discusses the process of forming identities carried out by the Hadhrami community in Batavia throughout the late 18th century until the beginning of the 20th century. The taking of the topic was motivated by the strong social identity of the Hadhrami community in Batavia, especially in religion and economy since the 19th century to the present. The problem of this research is about the form and process of forming Hadhrami social identity from the end of the 18th century to the beginning of the 20th century. To answer these problems, a critical historical method is used by using various historical sources and relevant reference studies.Some of the results obtained from this study are various historical realities, such as the formation of social religious symbols including mosques and religious teaching forum. Some important things are the formation of economic identities such as wholesale trade, shipping businesses and property businesses. In addition, there were also shifting settlements from Hadhrami over the Koja people in Pekojan in the early 19th century, as well as the shift of the Hadhrami to the inland of Batavia in the late 19th century. These various realities ultimately affected various forms and processes of forming the social identity of the Hadhrami community, such as the material aspects, language, behavior, and collective ideas of the Hadhrami community especially at the beginning of the 19th century. Generally the Hadhrami community had transformed themselves and their collective parts into colonial society in Batavia until the beginning of the 20th century.


2017 ◽  
Vol 12 (2) ◽  
pp. 66 ◽  
Author(s):  
Paulo Coelho Araújo ◽  
Ana Rosa Jaqueira

The study of Capoeira through the interpretation of images is characterized by being practically non-existent, and contains superficial and scarcely informed interpretations of its presence in Brazil. This study is based on the historical method and also is supported by the principles of the Historical Archaeology (Orser Jr., 1992) and those developed by Panofsky (1986) on the interpretation of images. For this study, we selected an <em>iconography</em>- "Silhouette" - by Pederneiras (1926). From this artist’s work and the accompanying text it is highlighted the apology of Brazilian's fight and its supremacy over other self-defense expressions known at the time in Brazil, the recognition of the potential of Capoeira as a physical exercise, and Pederneira’s comments on some contextual facts, highlighting the interference of its practitioners in Brazilian politics and their role as bodyguards recruited by politicians. He also referred its most famous practitioners, the gangs of Capoeira and their typical language and costumes in the Carioca society of the late 19th and early 20th century. This information, and specially the strokes depicted in the image, allows us to reconstruct the history of Capoeira movements, given the scarcity of historical sources in this field. Through this silhouette, Pederneiras sought to raise awareness among government authorities to adopt the Brazilian fight as a national identity element and recognize it as the National Gymnastics.<p> </p>


2018 ◽  
pp. 508-521
Author(s):  
Dmitrii A. Baksht ◽  

The article studies the Turukhansk region as a territory with distinct climatic conditions and, consequently, with distinctive state management institutions and does so in the context of modernization processes of late 19th – early 20th century. This part of the Yenisei gubernia having become a region of mass exile after the First Russian Revolution of 1905–1907, its integration into a general system of management slowed down. Private letters of exiles are an important historical source, they reveal many aspects of the daily life of the persons under supervising in the inter-revolutionary period. The ‘Turukhansk revolt’ in the winter of 1908/09 revealed not only the ineffectiveness of exile as a penal measure, but also severel major problems of the region: archaic and scanty management institutions, lack of transport communication with southern uezds of the gubernia, underpopulation, and also gubernia and metropolitan officials’ ignorance of local affairs. The agencies of the Police Department of the Ministry of Internal Affairs expanded the practice of perlustration as involvement in the revolutionary movement grew. Siberian exiles had their correspondence routinely inspected, and yet in most cases they were inexperienced enough not to encrypt their messages. Surviving perlustration materials offer an ambivalent picture of the ‘Turukhansk revolt’: there were both approval and condemnation of the participants’ actions. The documents tell a tale of extreme cruelty of the punitive detachments even towards those who were not involved in the resistance. The subject of the Siberian exile of the early 20th century has research potential. There is virtually no scholarship on the exiles’ self-reflection concerning the ‘common violence’ of both anti-governmental groups and state punitive agencies. Diversification in political/party or social/class affiliation is not enough. The new materials have revealed a significant gap between several ‘streams’ of exiles: those banished to Siberia in midst of the First Russian Revolution differed from those exiled in 1910s. The article concludes that, having departed from the previous approach to studying the exile, ego-sources cease to be of lesser importance than other types of historical sources. Their subjectivity becomes an advantage for a high-quality text analysis.


2021 ◽  
Vol 31 (1) ◽  
pp. 113-142

The paper examines and compares two epidemics in Russia: syphilis in the first quarter of 20th century and HIV in the early 21st century. The author considers both epidemics from the standpoint of the social sciences by applying the concept of vulnerability to underline the social and cultural factors that cause one social group to be more susceptible to a disease than another. The article focuses on gender-based vulnerability and maintains that both epidemics follow a single, structurally similar scenario. The author shows that the vulnerability of women during both the syphilis and HIV epidemics depends upon the clear continuity in the way gender roles and expectations and the relationships between men and women were structured during the early days of the USSR and in present-day Russia. The article analyzes how stigma arises and how in both eras inequality of power and expectations for men and women formed the main channel for transmission of disease. The paths along which modern epidemics spread have been mostly inherited from the epidemics of past centuries, and in particular the HIV epidemic is following a pattern derived from the syphilis epidemic. More precisely, the current epidemics exploit the same vulnerability of certain groups, vulnerability rooted in the past and still manifest in the norms and relations in contemporary culture and society where one group is much more exposed than the other. The article relies on historical sources, in particular Lev Friedland"s book Behind a Closed Door: Observations of a Venereologist published in 1927, for its account of the syphilis epidemic in the early 20th century and on the author"s own research into the experience of women living with HIV in contemporary Russia.


2014 ◽  
Vol 35 (2) ◽  
pp. 47-52 ◽  
Author(s):  
Michelle de Macedo Pereira ◽  
Maria Itayra Padilha ◽  
Alexandre Barbosa de Oliveira ◽  
Tânia Cristina Franco Santos ◽  
Antonio José de Almeida Filho ◽  
...  

Social-historical study aimed at discussing the nursing and psychiatric nurse models, from the discourses published in the Annals of Nursing. The historical sources were articles published in the Annals of Nursing journal, from 1933 to 1951. An analysis of the discourse was subsidized by the genealogy of power by Michel Foucault. The analysis showed that the discourse on nursing and the psychiatric nurse, in the first half of the 20th century, is set, on one side, by the propositions used by psychiatrists, who sought to reiterate stereotypes and vocations to practice nursing, and, on the other side, by the active participation of nurses seeking to legitimize expertise for psychiatric nursing. It was concluded that the discourses analyzed defined a psychiatric care focused on the nurse and not the rest of the nursing staff, at that time.


Xihmai ◽  
2014 ◽  
Vol 9 (18) ◽  
Author(s):  
Patricia Fournier Garcí­a ◽  
Bridget M. Zavala Moynahan

Resumen A lo largo del Camino Real los habitantes usaron la cultura material - incluyendo objetos de uso cotidiano destinados a la preparación, almacenamiento y servicio de alimentos- para construir y reafirmar aspectos identitarios. En este ensayo, derivado de nuestras investigaciones concluidas en 2013, consideramos patrones de consumo de estos objetos desde el siglo XVIII hasta inicios del XX reflejados en inventarios de bienes de la época y contextos arqueológicos de la Nueva Vizcaya colonial (hoy Durango y Chihuahua). Contrastamos entre las vajillas que emplearon las personas con alto poder adquisitivo y los de uso entre el común de la gente, según los registros documentales y los contextos arqueológicos con diversas funciones y temporalidades registrados en el valle del Rí­o Sextí­n, Durango.   Palabras clave: Nueva Vizcaya, Camino Real, consumo cotidiano, haciendas, identidad Abstract   The residents along the Royal Road used material culture, including everyday life objects related to the preparation, storage and serving of foods, to construct and reaffirm aspects of their social identity and status. In this article, based on our research finished in 2013, we consider their consumption as reflected in 18th to 20th century documents and archaeological contexts from southern New Biscay (modern-day Durango and Chihuahua). We compare ceramic goods used by individuals with high economic standing with those employed by commoners, as registered in historical sources and data from archaeological sites with diverse functions and temporalities, recorded in the Sextí­n valley, Durango. Keywords: New Biscay, Royal Road, everyday life consumption, haciendas, identity


2020 ◽  
Vol 4 (2) ◽  
pp. 115-126
Author(s):  
Syafaat Rahman Musyaqqat ◽  
Didik Pradjoko

The economic historiography in trading and shipping activity during the 20th century often linked up to the role of Makassar as the main port in Sulawesi supported the exchange of beneficial commodities, such as copra which was -deemed as the “green gold” of the archipelago. In terms of becoming the most prominent entrepot for international trading and shipping, there were also several ports in South Sulawesi that played a vital role in establishing a connection to the outside world with much more variety of commodities. It could find other commodities, such as rice, which was transported all across the archipelago. Thus, this article argues that the Port of Parepare had a significant role in the trading and shipping of rice commodities in South Sulawesi, during the age of colonial administration (1930-1942). Through the historical method, the findings show that the Port of Parepare, throughout the 1930s, the Port of Parepare was not just a collecting port for Makassar, but also became the supplier of rice from the coastal area to the hinterland. Such synergistic collaboration, between the economic potential of the hinterland, agricultural intensification program, and colonial government regulation, encouraged the Port of Parepare to become the most imminent rice exporter in South Sulawesi during the 1930s. Moreover, within the same period, Parepare was also establishing interisland networks


2018 ◽  
Vol 1 (1) ◽  
pp. 120-129
Author(s):  
Naka K. Nikšić ◽  

The difficult position of Bosniaks Sandžak at the beginning of the 20th century has caused the uprising of individuals from the authorities and their association with comites (rebels). According to historical sources, the most famous Sandzak rebel was Jusuf Mehonjić, a native of Šahović (village Grančarevo), which Zaimović, in one of his work, called the Bosniak's Wilhelm Tell. He is mentioned in numerous epic poems called the so-called rebel opus that we find in the collections of oral literature of Bosniaks Sandžak, and from them the knowledge of his intellectual and physical potential, as well as the character of the protector of the disadvantaged and endangered Bosniaks. However, when it comes to ethnomusicological collections, we find that there is not a single song about this historical personality in them. The aim of this work is to preserve the musical tradition of Sandzak Bosniaks by finding and ethnomusicologic recording of lyrical poems about Jusuf Mehonjic, as well as pointing to the possibility of their nurturing through the education system in teaching in the Bosnian language in Serbia. The work and the work of Jusuf Mehonjić were examined in the paper by theoretical analysis of historical and literary sources. At the same time, the Finnish method recorded the only lyrical song about him, which we found by exploring the live musical tradition of the Sandzak Bosniaks. This is the song of Moj sokole pogledaj niz polje. This work should contribute to preserving the musical tradition of the Sandzak Bosniaks and getting to know Jusuf Mehonjic - a significant figure in the history of Sandzak.


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