What Are Humans For?: Art in the Age of Post-Human Development

Leonardo ◽  
2001 ◽  
Vol 34 (5) ◽  
pp. 447-451 ◽  
Author(s):  
Ando Arike

If the development of mass media utterly revolutionized the situation of art in the 20th century, current research into the technological reconfiguration and replacement of the human organism promises an even more radical disruption of art's cultural status. As engineers contemplate the creation of artificial life, artistic creation again finds its traditional values and procedures called into question. How will artists respond to the challenges posed by cyborg culture?

2017 ◽  
Vol 4 (2) ◽  
pp. 149
Author(s):  
Alberto Ruiz Colmenar

<p>Architecture critique has historically used specialised publications as a dissemination channel. These publications, written by and for architects, have been of seminal importance in the creation of architectural culture in Spain. Nevertheless, this type of publication leaves out the non-specialised public, mistakenly considering them alien to these matters. In this case, the mass media has filled this space, carrying out a very important educational role. Its task has not been that of a mere dissemination of contents, but it has also provided a platform for criticism and analysis of some of the main events in Spanish architecture over the course of the 20th Century. In this study we analyse the years preceding and following the Spanish Civil War. A review of the issues that the main papers addressed—ABC and La Vanguardia—allows us to grasp what the general reader perceived during a key period in our history of architecture.</p>


2015 ◽  
Vol 50 ◽  
pp. 270-279
Author(s):  
Nicole Dołowy-Rybińska ◽  
Hanna Popowska-Taborska

Can the presently created Kashubian literary language and the currently formed new Breton language be objects of consideration for researchers of the linguistic picture of the world?The influence of the Polish language in conjunction with education and the mass media have brought about in the second half of the 20th century a growth of Polish-Kashubian bilingualism and a decline of Kashubian dialects. Simultaneously, work on the creation and promotion of the literary Kashubian language has begun. The standard Kashubian language is new to all users as is the new Breton language standardized in the last decades of the 20th century. Intergenerational transmission of the Breton language was severed after WWII. The ethnic revival of the 1970s led to the revalorization of the Breton culture and language, taught since then in a number of schools and at adult courses. Normalized Kashubian and Breton languages are full of neologisms. But at the same time they have also been considerably purified of those traits which make them similar to the respective dominant language (Polish and French). Furthermore, the range of use to which these minority languages are put is very different from one user to another. All these specifics result in the near impossibility of researching the linguistic picture of the world of contemporary normalized minority languages. Czy współcześnie powstający kaszubski język literacki oraz obecnie tworzony język neobretoński mogą stanowić przedmiot dociekań badaczy językowego obrazu świata?Wpływ polszczyzny związany ze szkołą i mediami masowymi spowodował wzrost w drugiej połowie XX wieku dwujęzyczności kaszubsko-polskiej i zanikanie dialektów kaszubskich. Jednocześnie rozpoczęły się prace nad stworzeniem i upowszechnieniem kaszubskiego języka literackiego. Standardowy język kaszubski jest nowy dla wszystkich użytkowników, podobnie jak standaryzowany w drugiej połowie XX wieku język bretoński. Międzypokoleniowa transmisja bretońskiego została przerwana w połowie XX wieku. Odrodzenie etniczne lat 70. XX wieku doprowadziło do rewaloryzacji kultury i języka bretońskiego, którego dzieci zaczęły się uczyć w szkołach, a dorośli – na kursach. Znormalizowane języki kaszubski i bretoński pełne są neologizmów, podlegają również procesom puryfikacji mającym oczyścić je z cech upodobniających do języka dominującego (polskiego i francuskiego). Zakres posługiwania się nimi u poszczególnych ich użytkowników jest silnie zróżnicowany. Wszystkie te fakty sprawiają, że badanie językowego obrazu świata normalizowanych obecnie języków mniejszościowych nie wydaje się możliwe.


Author(s):  
Д.В. Сангаджиева

Исследование посвящено изучению специфики бытования калмыцкого костюма во второй половине ХХ века – начале XXI века в Калмыкии, сравнению элементов кроя и способов декорирования в традиционных образцах народного костюма и в сценических национальных костюмах, а также в художественной стилизации авторских моделей одежды в этническом стиле. Материалом для исследования послужили костюмы из собраний и архивов российских музеев и частных коллекций. Объектом исследования является калмыцкий костюм, его эстетическая и смысловая доминанта как маркер национальной идентичности и ретранслятор традиционных ценностей. Целью исследования является выявление трансформационных процессов в бытовании калмыцкого народного костюма во второй половине ХХ века – начале XXI века. Впервые зафиксированы изменения технологических особенностей в создании декора и примеры внедрения инокультурных элементов в структуру повседневного и сценического народного костюма, которые несут с собой видоизменение смыслов и функциональности элементов национального костюма. Статья вводит в научный оборот новые данные о народных мастерах, художниках, дизайнерах, работающих в сфере народного костюма, зафиксированы созданные ими образцы национальной одежды и ее вариации. The research is devoted to the study of the specifics of the existence of the Kalmyk costume in the second half of the 20th century – the beginning of the 21st century in Kalmykia, comparing the elements of cut and methods of decoration in traditional samples of folk costume with the design and decor in scenic national costumes and in the artistic stylization of author's clothing models in ethnic style. The material for the study was the costumes from the collections and archives of Russian museums and private collections. The object of the study is the Kalmyk costume, its aesthetic and semantic dominant, as a marker of national identity and a repeater of traditional values. The aim of the study is to identify transformational processes in the existence of the Kalmyk folk costume in the second half of the 20th century – the beginning of the 21st century, as well as for the first time recorded changes in technological features in the creation of decor and examples of the introduction of foreign cultural elements into the structure of everyday and scenic folk costume, which carry with them a modification of the meanings and functionality of elements of the national costume. The author fixes the process of substitution of traditional crafts in the manufacture of elements of folk costume, in the context of the development of scientific and technological progress, using modern technologies for creating clothing decor, in the author's collections of ethnic fashion in Kalmykia. The article introduces into scientific circulation data on folk masters, artists, designers working in the field of folk costume, recorded samples of national clothing created by them and its variations.


2019 ◽  
Vol 7 (4) ◽  
pp. 43-49
Author(s):  
Katyaa Nakova-Tahchieva

The present work is part of a research paper for which I extend my heartfelt thanks to Assoc. Prof. Dr. Valko Kanev. It examines some specifics of the artistic creation process that lead to the creation of one of the types of written student texts - the narration. Its variations - "narration by imagination" and "narration by set supports" are regulated in the new fifth grade curriculum. The requirements for writing a narration and the exemplary thematic curriculum of optional literature classes in the 7-tgrade have proven to be applicable in the literature education process.


2018 ◽  
Vol 28 (7) ◽  
pp. 2361-2365
Author(s):  
Almedina Čengić

The second half of the 20th century in Bosnian literature is marked by the new tendencies of avant-garde writers, who will create their work through a different form of artistic creation, compared to the one that was presented at the beginning of this period. It is important to clarify the specificity of the various procedures that have positively directed dramatic creativity towards the modern lines of European literary circles. Derviš Sušić (1925-1990.), the Bosnian-Herzegovinian tradition and the reality of images, presented in a completely new artistic vision, make oscillation, in the writer's creation, between the determinants of historical facts and the legacy of oral tradition. Derviš Sušić Within the avant-garde tendencies of contemporary writers of the regional region, which appear in the mid-20th century, Sušić dominates in his virtuous creations of dramatic situations and dilemmas, in which his protagonists act. In a specific presentation of crucial culmination points, within the framework of the process of "drama of the flow of consciousness," a modern process in the conduct of drama, this writer analytically approaches the individual's dialectical duplication. Through artistically shaped fragments taken from historical records, this literary virtuoso presents in his texts a culmination point of Bosnian survival, very picturesque dramatic shaped historical characters and crucial events. It is symptomatic that Susić's characters become prototypes of stage characters, without temporal or location restrictions, transmitting a universal message of a unique attitude about the value of human activity and existence, outperform stereotypical models recognizable in the additional drama literature. Through the colorful of seeing and a range of specific dramatic characters, without the diversity of their differentiation in national status or sociopolitical affiliation, this writer creates a special ambient effect in the construction of his poetic fabrics based on historical background. The task of this paper is to prove the causality and conditionality of altruistic (social) and egoistic (individual) agonies in the actions and actions of Sušić's characters, in the examples of dramatic texts "Veliki vezir" (1969) and "Posljednja ljubav Hasana Kaimija "(1973), as well as the influence of emotional indicators on the concrete initiation of the dramatic conflict. It is therefore very interesting to explore and verify the models that will dominantly dominate the regional scene for almost half a century and be accepted as models in the way of writing its contemporaries, among the readers' population, but also at the same time with very successful placement in the theater audience.


2020 ◽  
Vol 25 (44) ◽  
pp. 4656-4661 ◽  
Author(s):  
Nikolaos Patelis ◽  
Mikes Doulaptsis ◽  
Stylianos Kykalos ◽  
Eleftherios Spartalis ◽  
Anastasios Maskanakis ◽  
...  

Background: Carbon dioxide (CO2) exists in nature around us. In the middle of the 20th century, the intraluminal injection of CO2 demonstrated similar results to those of Digital Subtraction Angiography (DSA) with an iodinated contrast agent (ICA). Since then, the technology behind CO2 DSA has developed significantly. Objective: The aim of this study is to inform physicians about the unique properties of CO2 and its physiology after intraluminal injection. Methods: An extensive search for English literature on the properties of CO2 and the physiology of intraluminal administration was conducted using Pubmed. Results: There is sufficient literature on the properties of CO2 and the physiology of CO2 DSA. A review of this literature explains what happens to the human organism after the injection of CO2. Conclusions: There is enough evidence that CO2 DSA is both effective, diagnostic and safe, but the properties of CO2 should be taken under consideration as complications occur, although rarely.


2000 ◽  
Vol 34 (1) ◽  
pp. 38-40
Author(s):  
Deborah L. Wheeler

For the Past Five Decades, media texts, broadcast over television air waves, have created a shared identity among viewing audiences. John B. Thompson notes that if culture is understood as “the ways in which meaningful expressions of various kinds are produced, constructed and received by individuals”, then mass media can be understood as central to the creation and maintenance of culture (pp. 122-23). The words and images that construct a media culture are the very building blocks of collective identity. As Michael Schudson observes, “news is part of the background through which and with which people think” (p. 16).


2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Gema Ramírez-Guerrero ◽  
Javier García-Onetti ◽  
Juan Adolfo Chica-Ruiz ◽  
Manuel Arcíla-Garrido

Purpose This paper attempts to fill the gap that exists in research regarding 20th-century heritage and its social appreciation. The purpose of this paper is to explore different ways of evaluating the heritage value and tourism potential and to propose an innovative model validated in the Zarzuela Hippodrome as an example of cultural asset from 20th century with important economic, social, cultural, aesthetic and architectural aspects. Design/methodology/approach This study opted for an interpretation of heritage from an ecosystem, integrating and global paradigm, understanding the asset as a set of resources that interact with each other, generating a common and enriched tourist experience among all the elements that make it up. From this perspective, it is conceived that by modifying one of the elements, the whole (tourist) ecosystem will be equally influenced. On the other side, it was incorporated non-parametric techniques based on the implementation of surveys for the validation of the tool to the case study of the Zarzuela hippodrome. Findings The results suggest that the hippodrome's internal values have been evaluated very positively, while its external values are low. Through this study, the paper has identified several weaknesses that impede its functioning as a viable “tourist product.” The distance from the city center, the lack of available information and the scarce diffusion and tourism promotion are its main weaknesses. The proposed analysis tool reveals the importance of the active participation of visitors to evaluate cultural assets through the combination of aspects related to the conservation of cultural assets and, in turn, elements that encourage their commodification as tourist products, break down barriers between these two disciplines. Research limitations/implications The management tool proposed in this study can be used to underpin the creation of tourism experiences in cultural or heritage assets by diagnosing the current state of its tourist potential, quantifying its value in relation to the visitors’ perception and making visible those problematic aspects to develop actions to solve them. Although the present study is support for future research, as well as for improving the marketing of heritage in tourist settings, an in-depth analysis of the technical elements of heritage, as well as of its intervention (if applicable), will be necessary for the managers who want to use the tool. Social implications One of the most differentiating characteristics between the construction typology of 20th-century historical buildings is perhaps the scarcity of decorative ornamentation, with exposed concrete being the main surface coating. Many of these constructions have an important cultural and historical relevance, however, the social perception, as regards its consideration as architectural and artistic heritage seems to reflect discordant aspects. This study provides support as a decision-making tool to determine the existing valuation of a building and how to enhance it. Originality/value This study takes steps toward the creation of a model that supports decision-makers and owners of cultural assets through a measurement system that makes it possible to quantify and determine the current state of tourism use through the social evaluation of heritage criteria. It defines which are the elements that favor the resilience of the property or, on the contrary, which are those that undermine its enhancement.


2014 ◽  
Vol 30 (3) ◽  
pp. 461-472 ◽  
Author(s):  
A Rodrigo ◽  
René van der Veer ◽  
Harriet J. Vermeer ◽  
Marinus H. van IJzendoorn

This article discusses significant changes in childcare policy and practice in Chile. We distinguish four specific periods of childcare history: child abandonment and the creation of foundling homes in the 19th century; efforts to reduce infant mortality and the creation of the health care system in the first half of the 20th century; an increasing focus on inequality and poverty and the consequences for child development in the second half of the 20th century; and, finally, the current focus on children’s social and emotional development. It is concluded that, although Chile has achieved infant mortality and malnutrition rates comparable to those of developed countries, the country bears the mark of a history of inequality and is still unable to fully guarantee the health of children from the poorest sectors of society. Recent initiatives seek to improve this situation and put a strong emphasis on the psychosocial condition of children and their families.


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