Love Yourself

2003 ◽  
Vol 39 (4) ◽  
pp. 413-428 ◽  
Author(s):  
Rebecca Hazleden

The rise of psy discourse has been the subject of considerable academic attention, but one of its most popular and visible forms, the self-help book, has received comparatively little attention. This article provides a Foucauldian analysis of a selection of relationship manuals; it examines the ways in which they set up a relation of the reader’s self to itself, and it explores the ethical valorizations and teleologies therein. The emphasis on the relationship with the self, and the development of mastery over the emotions advocated in the books, is related to the values held in liberal democratic societies.

2013 ◽  
Vol 24 (2) ◽  
pp. 11-33
Author(s):  
Erik Mygind du Plessis

Denne artikel undersøger, hvordan bestemte personlighedstræk søges problematiseret og kultiveret i moderne selvhjælpslitteratur. Undersøgelsen, som har et særligt fokus på autonomi, trækker teoretisk på Michel Foucaults begreb problematisering samt Foucaults tanker om governmentality og selvstyring. Artiklen kombinerer disse analytiske perspektiver i et forsøg på at vise, hvordan det autonome subjekt forsøges kultiveret på trods af det paradoks der indtræder, når kultiveringen sker gennem subjektets underkasten sig litteraturens anvisninger. Det konkluderes i artiklen, at problemer i selvhjælpslitteraturen generelt formuleres som forskellige typer mangler, der som løsning indebærer konstant udvikling hen mod et mål om selvrealisering, som aldrig helt kan opnås. Subjektet subjektiveres dermed som et ufærdigt projekt, der aldrig er helt godt nok, og som altid har brug for forbedring. Dette gælder også for autonomi som problem, og i artiklens anden halvdel vises det, hvordan den allestedsnærværende ufuldendthed ved subjektet manifesterer sig i paradokset, hvor subjektet bør være selvstændigt, autonomt og handle ud fra sin egne overbevisninger, men samtidig udleder denne evne til at handle autonomt fra de samme autoriteter, som det bør være autonomt fra. ENGELSK ABSTRACT: Erik Mygind du Plessis: The Inadequate Subject: Self-Help Literature and the Government of the Self – a Foucauldian Analysis This article investigates how current self-help literature seeks to problematize and cultivate certain personality traits. The study emphasizes individual autonomy, and is based on an analytical framework employing Michel Foucault’s concept of problematization and his insights into power and governmentality – particularly those concerned with the various ways in which subjects govern themselves. The article combines these two analytical perspectives in an attempt to show how the objective of creating autonomous subjects is carried out in this literature, despite the paradoxical nature of doing so through the readers’ subjection to self-help instructions. The analysis concludes that the problems taken up in the self-help literature are generally formulated in terms of various forms of incompleteness. This entails a constant and never ending development towards, as a final objective, a self-realization, which can never quite be achieved. Thus the subject is construed as an unfinished project that is never quite good enough, always requiring improvement. The second part of the article analyses how this ubiquitous incompleteness of the subject manifests itself through the paradox of creating autonomy through subjection. Key words: Foucault, problematization, self-help, autonomy.


Author(s):  
Sarah Biddulph

This chapter compares the respective roles of administrative institutions and administrative power on the one hand, and other governmental institutions and powers on the other, in dealing with drug use, possession, and trafficking in China and Victoria (Australia). Comparison of these two jurisdictions provides both opportunities and challenges. Though one is a nation-state, the other a sub-national state within a federation, both have jurisdiction to regulate drug use-related harms and offending. There is thus comparability in terms of jurisdiction. More importantly, the opportunities and challenges for comparison stem from the divergence in fundamental political system; one authoritarian and one liberal democratic, and the nature of the relationship between state and citizen that flows from this. This divergence has implications for selection of both comparative methodology and the subject matter of comparison.


Çédille ◽  
2020 ◽  
pp. 565-591
Author(s):  
Antonella Lipscomb

The aim of this paper is to analyse the relationship between autobiography, pho-tography and autofiction in a selection of 20th century French autobiographies, such as Roland Barthes par Roland Barthes by Roland Barthes, L’Amant by Marguerite Duras, L´Image fantôme by Hervé Guibert. I will examine the complex relationship these auto-biographers maintain with the photographic portraits they choose to integrate or simply allude to in their autobiographies and show how the conflict between textual and visual images of the self reinforce the fine line between autobiography and autofiction.


PhaenEx ◽  
2011 ◽  
Vol 6 (1) ◽  
pp. 121
Author(s):  
NANDITA BISWAS MELLAMPHY

In 1971, Wolfgang Müller-Lauter introduced his study of Nietzsche as an investigation into the history of modern nihilism in which “contradiction” forms the central thread of the argument. For Müller-Lauter, the interpretive task is not to demonstrate the overall coherence or incoherence of Nietzsche’s philosophy, but to examine Nietzsche’s “philosophy of contradiction.” Against those such as Karl Jaspers, Karl Löwith and Martin Heidegger, Müller-Lauter argued that contradiction is the foundation of Nietzsche’s thought, and not a problem to be corrected or cast aside for exegetical or political purposes. For Müller-Lauter, contradiction qua incompatibility (not just mere opposition) holds a key to Nietzsche’s affective vision of philosophy. Beginning with the relationship between will to power and eternal recurrence, in this paper I examine aspects of Müller-Lauter’s account of Nietzsche’s philosophy of contradiction specifically in relation to the counter-interpretations offered by two other German commentators of Nietzsche, Leo Strauss and Karl Löwith, in order to confirm Müller-Lauter’s suggestion that contradiction is indeed an operative engine of Nietzsche’s thought. Indeed contradiction is a key Nietzschean theme and an important dynamic of becoming which enables the subject to be revealed as a “multiplicity” (BGE §12) and as a “fiction” (KSA 12:9[91]). Following Müller-Lauter’s assertion that for Nietzsche the problem of nihilism is fundamentally synonymous with the struggle of contradiction experienced by will to power, this paper interprets Nietzsche’s philosophy of contradiction in terms of subjective, bodily life (rather than in terms of logical incoherences or ontological inconsistencies). Against the backdrop of nihilism, the “self” (and its related place holder the “subject”), I will argue, becomes the psycho-physiological battlespace for the struggle and articulation of “contradiction” in Nietzsche’s thought.  


2021 ◽  
Vol 18 (1) ◽  
pp. 7-20
Author(s):  
Časlav Nikolić ◽  
◽  
Nikola Bubanja

The paper analyzes the narrative and symbolic values of the button in Miloš Crnjanski’s novel The Journal of Čarnojević. In the perturbation that occurs when the hero, during the meeting with his beloved, angrily but inadvertently tears the buttons off her dress, traces of the gap that will determine their marital relationship can be recognized. The button that falls and exposes the girl is a sign of overstepping and destabilization of the ontological union of two beings. This destabilization – the rudeness of the hero, the agitation, the withdrawal and fall of the woman – is determined by the self-challenging forces of the subject itself. The crisis as a state of the modern subject in Crnjanski’s novel is viewed against the relationship between Shakespeare’s Hamlet and Ophelia. The button in Shakespeare’s dramatic literature, a sign of disruption of order and of the negation of action, is a sign of theatricality and dissembling; the unbuttoned Hamlet seduces Ophelia, and others through her, painting a coldness falling quite short of the lyricism of Crnjanski. In fact, it seems that only against this tense lyricism can Hamlet be made ready to be read as a lyrical misinterpretation of arid theatrical coldness. The lyrical force of modernity in Crnjanski’s novel transforms the torn off buttons into marks of nightmarish existences, upheavals of old ideas and concepts, the dismantling of the categories of subject, identity, history, metaphysics, language. A symbolic miniature, a button is a scene on which an entire poetics presents itself.


2003 ◽  
Vol 8 (1) ◽  
pp. 71-84 ◽  
Author(s):  
Anne Sivuoja-Gunaratnam

This article explores the relationship of desire and distance in Kaija Saariaho's Lonh (1996) for soprano and electronics. The subject matter of Lonh is desire and romantic pleasures, anchored to feminine subjectivity, represented on stage by a soprano singer. Electronics provide the environmental sounds and amplify the singer's voice. Through Lonh looms a medieval song in the Occitan language, ‘Lanquan li jorn son lonc en mai’ by Jaufré Rudel, a famous troubadour in twelfth-century Provence. Saariaho reverses the narrative convention of love stories by presenting the most intimate encounter at the very beginning. In their succeeding encounters, the lovers move further away from each other. Similarly, in the course of Lonh the distance to Jaufré's song also increases. Luce Irigaray's concepts of love are used for an analysis of the relationship of the loving pair. By the end of Lonh the borderlines of speaking, singing, electronics, language and music collapse in Barthesian jouissance (bliss). The electronic technology in Lonh enables the re-investiture of cultural values, and the construction of flexible identities, crossing boundaries between the self and the other.


1992 ◽  
Vol 86 (1) ◽  
pp. 8-23 ◽  
Author(s):  
Mark Warren

Democratic theories that argue for expanding the scope and domain of democracy assume that democratic experiences will transform individuals in democratic ways. Individuals are likely to become more public-spirited, tolerant, knowledgeable, and self-reflective than they would otherwise be. This assumption depends on viewing the self as socially and discursively constituted, a view that contrasts with the standard liberal-democratic view of the self as prepolitically constituted and narrowly self-interested. The importance of the social and discursive view of the self is that it highlights how standard assumptions about the self help to justify limits to democratic participation. As now conceptualized, however, the transformational assumption does not meet standard objections to expanding democracy. I sketch an approach that distinguishes classes of interests according to their potentials for democratic transformation, and strengthens—by qualifying—transformative expectations in democratic theory.


Author(s):  
Olga Skibina

The article continues the discussion of the “phenomenon of journalism” in the creative heritage of Russian writers of the early twentieth century. The diary as a genre has always been at the center of research interests, but so far the criteria for “diary” have not been defined either by literary critics, or by theorists of journalism. At the turn of the century, diaries were kept by many artists of the word, it was the only genre that allowed expressing thoughts on pressing issues, which made it possible to attribute this genre definitely to journalism. At the same time, there is a tendency in the works of scientists to note the “informational possibilities of this type of ego-document for the study of the humdrum of a particular topos” (E.M. Krivolapovа), thus relating it to documentary prose. The subject of the analysis is the genre of diary prose by Ivan Bunin and Mikhail Prishvin. Written at the same time, the diaries of these writers reflect — each in its own way — one era — the bloody revolutionary present. The article poses the problem of the relationship between documentary and fiction in the diary genre. By comparing the diaries of Bunin and Prishvin, the author proves that a nonfiction text may well have a certain aesthetic value, but not the aesthetic, but rather the ethical aspect becomes dominant in nonfiction. This is manifested in the topical, socially significant problems of the work, and in the author’s striving to reduce the distance between his consciousness and the consciousness of the reader, and in the special lexical and grammatical structure of the phrase (Bunin's Cursed Days). Prishvin's diaries on the selection of vital material suggest that his position is artistic when the artistic image becomes the only true one in the presentation and perception of the world.


2020 ◽  
Vol 210 ◽  
pp. 16036
Author(s):  
Nikolay Rybakov ◽  
Natalya Yarmolich ◽  
Maxim Bakhtin

The article examines the problem of identity realization in the modern information society. The authors analyze the concept of identity in comparison with the concept of self, reveal the features of the manifestation and deformation of identity, and explore ways to generate multiple identities. The study of the concept of identity is based on the worldview principles inherent in different epochs. An attempt is made to give a complete (holographic) picture of identity, and the question is raised about the criteria for distinguishing genuine identity from non-genuine (pseudo-identity). The relationship between the concepts of "I" and self is studied, identification is presented as a process of predication of "I". In the structure of identity, such features as constancy and variability are distinguished. On this basis, the classical and non-classical identities are distinguished and their characteristics are given. It is shown that the breakup of these components into independent parts results in the complete loss of the object's identity, which leads to its disintegration and death. It is shown that in the conditions of fluid reality, identity turns from a stabilizing factor into a situational one, which encourages the subject to constantly choose an identity. The conditions of transformation of identification into a diffuse process that loses the strict unambiguous binding of the subject to something fixed and defined are considered. Due to this, the identity of the subject is "smeared" all over the world. As a result of this process, the subject loses the need to identify itself with anything: it "collapses" into itself. As a result, there is a contradiction of identification: the multiplicity of identities gives the subject a huge choice between them, at the same time due to the diffusion of identity (its smearing around the world) the selection procedure itself loses its meaning. But if the identity is lost, there are problems with the self, so it turns out to be the end of the existence of the person himself. Therefore, in all the transformations of identities in the modern world, it is important that it is preserved.


2019 ◽  
Vol 8 (4) ◽  
pp. 12373-12376

Framing gatherings is normal among individuals who share something practically speaking. Individuals have constantly attempted to beat their troubles aggregately and observed to be fruitful in their endeavors. Self improvement Gathering is one such gathering that is gone for assisting the ladies people with facing their life challenges on the whole in the general public where they live in. Over the most recent three decades the Self Help Movements has mushroomed in India. The poor do have inborn limit in them to improve their living conditions. Smaller scale acknowledge is perceived as a viable device to move the poor into another space of monetary strengthening. Miniaturized scale credit will be credit reached out to the reduced for self-determining employment, money related administrations like reserve funds and limit working among ladies society. In the vast majority of the nations helpful developments were set up to stretch out money related administrations to its' individuals since long.


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