Reading for Vital Symptoms

Poetics Today ◽  
2020 ◽  
Vol 41 (4) ◽  
pp. 539-559
Author(s):  
Nir Kedem

This article offers a Deleuzian practice of reading as a form of problematization: constructing or “mapping” an author’s lived problematics to which his or her writing responds as so many solutions. Unlike readings that treat authors as patients whose personal pathological symptoms manifest in their literary works, a Deleuzian reading sees them as physicians of their cultures responding to an intolerable mode of existence, which is indiscernibly both personal and collective. A Deleuzian reading thus explores both the symptoms of pathological social present and new possibilities of life as they receive formal expressions in the literary work and the author’s style. Such practice essentially operates by actively constructing a series of underlying problems and their corresponding formal solutions, a move that, at the same time, establishes immanent criteria for critically evaluating a particular literary response (a solution) to the entrapment of life forces in pathological modes of existence (a problematics). The author discusses how and why a Deleuzian reading is both possible and desirable and takes Israeli author David Grossman’s novel The Book of Intimate Grammar as its primary case. This reading studies the novel through three conceptual problems in literary theory: the author as the site of the creative process, the use of language as an expression of an author’s literary technique, and the conditions for literary enunciation. It also demonstrates the strengths and benefits of Deleuzian readings in extra-Anglophone and extra-Francophone contexts.

ATAVISME ◽  
2009 ◽  
Vol 12 (1) ◽  
pp. 65-76
Author(s):  
Sugiarti Sugiarti

Sebuah karya sastra adalah produk kreativitas seorang pengarang dalam memandang kehidupan dan lingkungan sosial ketika karya tersebut diperkenalkan. Dalam proses kreatifnya, seorang pengarang melakukan kerja keras dan serius dalam berbagai dimensi kehidupan dengan realisasi estetiknya dan berujung pada proses imajinatif, kontemplatif, reaktif, reflektif, dan refraktif. Ini dilakukan untuk merepresentasikan karya-karya sastra pengarang. Oleh karena itu, estetika diinternalisasikan ke dalam karya-karya sastra beserta genrenya. Masalah estetika sastra adalah aspek menarik untuk diteliti karena mewarisi gagasan kontemporer mengenai simbol dan pengalaman estetik dengan sifat uniknya. Dalam perjalanan kontemplasinya, seorang pengarang terkadang dihadapkan pada sebuah kontradiksi antara konvensi dan kreasi yang membuat pembacanya terkejut. Fenomena yang hampir sama terjadi dalam novel berjudul Nayla karya Djenar Maesa Ayu. Dalam novel ini, pengarang memiliki semacam kesensitifan untuk menghadapi sebuah objek dan kemampuan untuk menyerap makna keindahan. Keindahan tersebut ditata dengan menghubungkan sifat subjek dan objek melalui keterampilan dalam menata dan mengombinasikan bahasa. Itulah cara bagaimana seorang pengarang bekerja dalam koridor estetika untuk mengekspos konflik, perjuangan, dan dominasi dalam teks sastra. Abstract: A literary work is an author creativity product in seeing life and social environment in the time when the work is introduced. In his creative process, an author performs a hard and serious work on various life dimensions with their esthetic realization that ends in the imaginative, contemplative, reactive, reflective, and refractive process. This is done to represent the author’s literary works. Therefore, esthetics is internalized in the literary works along with their genres. The issues on esthetics in literature are interesting aspects to investigate since they inherit contemporary ideas pertaining to symbols and esthetic experience with its unique features. In his journey of contemplation, an author is sometimes confronted with a contradiction between convention and creation that makes the readers get surprised. Almost similar phenomenon takes place in the novel entitling Nayla written by Djenar Maesa Ayu. In this novel, the author has a kind of sensitivity to face an object and ability to absorb the sense of beauty. The beauty is arranged by relating the nature of subject and object through the skills in arranging and combining languages. That is the way how an author works in esthetic corridor to expose conflicts, struggles, and domination in literary texts. Keywords: creative process, esthetics, reality of subject and object


2021 ◽  
Vol 1 (1) ◽  
pp. 8-13
Author(s):  
Patricia Wulandari

A good literary work can provide information about various kinds of community life,including life related to religiosity. Literary works are closely related to religisiutas,because of that, various works appearing showing the religiosity of society, one ofwhich is the Javanese. Modern Indonesian literary works that illustrate this are thecollection of short stories from Umi Kalsum by Djamil Suherman, the lyrical prosePengakuan Pariyem by Linus Suryadi AG, and the novel Ronggeng Dukuh Paruk byAhmad Tohari. Each of these works represents the diversity of Javanese society. Thecollection of short stories from Umi Kalsum shows the religious side of the communitycalled the santri who are so obedient in carrying out their worship. The lyrical proseof Pariyem's confession provides information on how a babu is so resigned to seeinglife, but in her soul holds the wisdom of Kejawen. Meanwhile, Ronggeng Dukuh Parukdescribes the Javanese people who worship the spirits of their ancestors. Even thoughthey have different religions, they basically want harmony. Javanese people who livein santri enjoy harmony when they live with strong Islamic values. The Javanesepeople of the Gunung Kidul area live in harmony if they are always nrimo and see lifeas it is according to its Javanese nature. The Dukuh Paruk community attainsharmony that originates from the worship of the spirit of Ki Secamenggala.


2021 ◽  
Vol 1 (01) ◽  
pp. 42-55
Author(s):  
Ririn Nurul Azizah

Literary works in this era of progress have been very developed. The creation of literary works is usually influenced by the literary works that preceded it. The literary work that precedes is used as an example or role model for later literary works. Two or more literary works with the same theme have similarities and differences. Similarities and differences in several literary works can be analyzed using the principle of intertextuality. This principle is intended to examine texts that are considered to have a certain relationship with other texts so that it is possible for a work to become a hypogram for subsequent literary works. In this study the author chose the title " Intertextual Study of the Novel Cinta Bertabur Di Langit Mekkah by Roidah and Novel Asmara Di Atas Haram  by Zulkifli L. Muchdi with a Sociological Approach ". Based on the object studied, this study aims to describe: (1) the structure of Roidah's novel Cinta Bertabur Di Langit Mekkah (CBM) and novel Asmara Di Atas Haram (ADH) by Zulkifli L. Muchdi, (2) similarities and differences in the novel Cinta Bertabur Di Langit Mekkah (CBM) by Roidah and novel Asmara Di Atas Haram (ADH) by Zulkifli L. Muchdi, (3) Intertextual relations between Roidah's novel Cinta Bertabur Di Langit Mekkah (CBM) and Zulkifli L. Muchdi's novel Asmara Di Atas Haram (ADH, and (4) sociological aspects of novel Cinta Bertabur Di Langit Mekkah (CBM) by Roidah and novel Asmara Di Atas Haram  (ADH) by Zulkifli L. Muchdi. The method used is descriptive analysis method. The results obtained in the research are intrinsic elements of the novel, similarities and differences between the two novels, intertextual relations and sociological aspects which include social aspects, religious aspects, economic aspects, and love aspects.


2019 ◽  
Vol 4 (1) ◽  
pp. 20
Author(s):  
Meli Kusmawati

Abstrak:             Penulisan ini untuk mengetahui tokoh Aku yang mengalami luka karena dikhianati dan ditinggalkan oleh kekasihnya sehingga ia mengalami konflik batin.  Pembaca diberi gambaran untuk terus berjalan meskipun deretan ironi telah banyak melukai. Novel ini memiliki aspek-aspek yang sangat menarik untuk dikaji.  Masalah yang dibahas dalam penelitian ini adalah bagaimana aspek-aspek prikoanalisi (yang nyata, yang imajiner,  dan yang simbolik)dAalam Novel Cinta Tak Pernah Tepat Waktu karya Puthut EA . Berdasarkan rumusan masalah tersebut,  penelitian ini bertujuan untuk mendeskripsikan aspek-aspek psikoanilisis yang terdapat dalam Novel Cinta Tak Pernah Tepat Waktu karya EA.  Jenis penelitian ini adalah penelitian kualitatif untuk menghasilkan data berupa berupa deskriptif.  Metode yang digunakan dalam pengumpulan data antara lain: metode dokumentasi,  metode telaah,  dan metode studi perpustakaan.  Sesuai terkumpul akan dianalisis dengan tekhnik deskriptif.  Hasil penelitian ini adalah novel Cinta Tak Pernah Tepat Waktu karya Puthut EA mengandung aspek-aspek psikoanalisi.  Aspek-aspek psikoanalisis yang terdapat dalam novel ini dibagi menjadi tiga, yaitu: yang nyata(rasa kenyamanan pada tokoh Aku) yang imajiner (rasa kehilangan pada tokoh Aku),  yang simbolik (rasa keinginan pada tokoh Aku)Setiap karya sastra pada dasarnya mengandung aspek-aspek yang dapat memberikan manfaat sebagai pedoman bagi pembacanya sehingga hendaknya karya-karya sastra dapat diapresiasikan secara maksimal. Novel ini berisi pengalaman tokoh Aku beserta hikmah yang dapat dipetik dalam kehidupan. Abstrak:             The writing was to know the figure of I who was injured by being betrayed and abandoned by his lover so that he suffered an inner conflict.  Readers are given an overview to keep going though a row of irony has hurt a lot. The Novel has very interesting aspects to be studied.  The problem discussed in this study is how the Prikoanalyisi aspects (the real, the imaginary, and the symbolic) dAalam Novel Love never punctual the work of Puthut EA. Based on the problem, this research aims to describe the aspects of psychoanilisis in the Novel Love never-timely work of EA.  This type of research is qualitative research to produce a descriptive form of data.  Methods used in data collection include: Documentation methods, study methods, and library studies methods.  The appropriate collected will be analyzed with descriptive technology.  The results of this research are novel love never timely work by Puthut EA contains psychoanalyisi aspects.  The psychoanalytical aspects contained in the novel are divided into three, namely: the real (sense of comfort on the figure of me) the imaginary (the loss of my character), the symbolic (sense of desire on the figure of me) every literary work essentially Contains aspects that can provide benefits as a guideline for its readers so that the literary works can be maximally appreciated. This Novel contains the experience of the character I and the wisdom that can be learned in life.


Author(s):  
Nurul Husna Mat Nor

This paper aims to discuss courage with the creative process of creating a novel within the author. The limitation of this study is the study based on the novel Empangan Tugal by Osman Ayob's. In addition, this qualitative study and approach to the library will also discuss the bravery and creative process of creating the work. This study is supplemented by the research documentation related to Theory Rasa-Fenomenologi by Abdul Aziz. According to the theory of Rasa-Fenomenologi, aesthetic experience is an experience experienced when a simultaneous process takes place in the mind of the reader. Second, the literary work undergoes transformations into aesthetic objects and the third is the common awareness of transforming into aesthetic consciousness. Analysis of this study found that Osman Ayob did not miss the novel using the creative process. This study focuses on the bravery and creative process of Osman Ayob's authorship through the Empangan Tugal novel. This study looks at how the values of bravery and creative processes in Osman Ayob's authorship are used in the text. The selection of the Empangan Tugal novel is because this novel highlights the value of courage in the text surrounding the life of the people today.


2020 ◽  
Vol 8 (1) ◽  
pp. 116
Author(s):  
Abbas Abbas

This article discusses the social facts experienced by Americans in literature, especially novel. Literary work as a social documentation imagined by the author is a reflection of the values of a nation or ethnicity. The main objective of research is to trace the reality of slavery that occurred in America as a social fact in literary works. This research is useful in strengthening the sociological aspects of literary works as well as proving that literary works save a social reality at the time so that readers are able to judge literary works not merely as fiction, but also as social documentation. The writer in this study uses one of the literary research methods, namely Genetic Structuralism Approach. This method emphasizes three main aspects, namely literary work, the background of the author's life, and social reality. Novel Incidents In The Life Of A Slave Girl written by Harriet Ann Jacobs in 1858 was used as primary research data, then a number of references about the author's social background and the reality of slavery in the history of the American nation became secondary data. Primary and secondary research data obtained through literature study. Based on the results of this study found the events of slavery in the history of the American nation. Slavery was the act of white Americans forcibly employing black Negroes on the lands of plantation and agricultural also mining areas. Slavery is a valuable lesson for Americans in protecting human rights today as well as a historic lesson in building the American national spirit, namely freedom, independence, and democracy. The reality of slavery is reflected in the novel Incidents In The Life Of A Slave Girl as well as the life experience of its author, Harriet Ann Jacobs.


2020 ◽  
Vol 4 (1) ◽  
pp. 28-40
Author(s):  
Sylvie Meiliana

The aim of this research is to show the implementation of literary works in literary translation by giving the way how to implement the literary work in revealing cultural terms found in a literary work, namely Achmad Tohari’s Ronggeng Dukuh Paruk Novel. Based on the literary work, the research on literary translation is done by investigating the translation procedure applied in translating the cultural terms from Indonesian into English. This research used a  descriptive qualitative method with content analysis technique done by taking the flow model followed by data reduction, data presentation, and conclusion. The analysis used a semantic approach and Peter Newmark’s translation procedures. Result of the research shown by implementing literary work, the research of literary translation reveals that there are 16 cultural terms and classified in 6 different categories, they are musical instruments, clothes, accessories, work and leisure, activities and procedures, and religious terms. In translating the novel, there are 7 translation procedures used by the translator, they are transference, naturalization, cultural equivalent, functional equivalent, descriptive equivalent, couplets, and notes.


2019 ◽  
Vol 4 (2) ◽  
pp. 194
Author(s):  
Idha Nurhamidah ◽  
Sugeng Purwanto ◽  
Nur Ekaningsih

Anyone on earth may at one time or another reflects him or herself in a way he or she feels comfortable—be it as simple as writing up a phrase “Go to Hell with Communism!” on a wall of an old building. In this respect, he or she has reflected him or herself that he or she does not agree with the ideology of communism. The current study investigated to justify that literary works reflect the ‘selves’ of the authors in one or more possible ways. A poet may, to reflect him or herself, be characterized as employing particular styles or diction. A novelist may try to involve in one of the characters he or she has developed in order to reflect him or herself. In this study, a novel entitled “Pride and Prejudice” by Jane Austen (1813) was investigated to justify that the author (Austen) reflected herself in one of the characters in the novel. The findings reveal that Austen tried to manifest herself in one of the characters called ‘Elizabeth Bennet’ in three different ways: (1) how she behaved in her family (loving all family members, especially being close to her father), (2) how she spent most of the time—reading to broaden the horizon of thinking. As a result, she could (3) skillfully negotiate with other people through their positive sides. The study concludes that everyone, of whatever professions he or she has, will reflect him or herself in a way he or she may not realize.


Author(s):  
Yeni Sulistiyani

Aims: Describe the desertion and love of characters in the novel Gizzara (I am Waiting for You at the Boundary of Kuldenzen) by Fanny J. Poyk: a critical hermeneutic study of Jurgen Habermas. Study Design: Multidisciplinary Place and Duration of Study: Graduate Program of Indonesian Bahasa and Literature Education University of Lampung, August 2019 until now Methodology: Qualitative research is some scientific activity procedures that can be used to solve problems according to different perspectives and approaches. The process of parsing and understanding the meaning of literary works is the focus of hermeneutics. Data collection techniques in this study used reading, note-taking, and literature techniques. Content analysis is used to explore the ideas expressed by writers (authors) in the form of statements, questions, and character dialogues. This technique is to understand the message of literary works. Result: Based on the discussion, Fanny has made her work as an integral part of the problems that are happening today even though it is packaged in a past dimension with dozens of characters. Desertion may occur due to the opposing group which gives a feeling of peace, comfort, and even affection and love for him. Desertion is used to escape from psychological pressure. It is different from the material pressure, Psychology requires comfort in order to live a happier and more normal life. Although, other pressures (work, family, economic, or finance) affects a person's psychology and its culmination becomes psychological pressure too. Gizzara (I am Waiting for You at the Boundary of Kuldenzen) appeared as a literary work which is not just a representation of social or cultural, but also the alienation of the people that was shown in the past. Textually and contextually, this novel displays an awareness of human unhappiness for dealing with a world as not we desire.


2020 ◽  
Vol 57 ◽  
pp. 43-66
Author(s):  
Alexis Lacasse ◽  
Julien Vallières ◽  
Jasmin Miville-Allard

This article is the first-ever study on the Quebec novel L’âne de Carpizan ou L’évêque volant and its author, Raymond Goulet (1931-1991), a performance artist, dancer, and choreographer originally from Rivière-du-Loup. The novel was self-published by Goulet in 1957 and had fallen into obscurity until recently. In contrast with other literary works of its time, L’âne de Carpizan stands out as a brazen satirical piece that imagines homosexuality and transidentity positively and is, as far as we know, the first Canadian literary work in which the protagonist undergoes gender affirming surgery. In their study, the authors examine Goulet’s life and the circumstances surrounding the publication of his first and only novel, as well as the novel’s editorial history. In the first part of the article, following a synopsis of L’âne de Carpizan, they present the results of their investigation into the novel’s publication, distribution, and reception. In the second part, they recount the events of Raymond Goulet’s life and all-too-brief writing career.


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