TURGENEV HIGHER ELEMENTARY SCHOOL – THE HISTORY OF THE CITY SCHOOL BUILDING IN THE BEGINNING OF THE 20TH CENTURY

2020 ◽  
Vol 26 ◽  
pp. 290-295
Author(s):  
Tselishcheva M. ◽  
Keyword(s):  
Elementary School ◽  
20Th Century ◽  
School Building ◽  
City School ◽  
History Of ◽  
In The Beginning ◽  
The City

scholarly journals “Europa in de Tropen”, The Colonial Tourism and Urban Culture in Bandung

2020 ◽  
Vol 2 (2) ◽  
pp. 15-23
Author(s):  
Rahmia Nurwulandari ◽  
Kemas Ridwan Kurniawan
Keyword(s):  
20Th Century ◽  
Urban Culture ◽  
Capital City ◽  
Urban Architecture ◽  
East Indies ◽  
Mass Tourism ◽  
History Of ◽  
Dutch East Indies ◽  
In The Beginning ◽  
The City

Bandung experienced a rapid urban development after 1918, when the city was prepared to be the new Dutch East Indies’ capital city, replacing Batavia. In the era of economic liberalization, Bandung also became one of the tourist destinations that has promoted by the businessmen. This paper is a study on how mass tourism as the new urban culture in the beginning of 20th century had a contribution to urban planning in Bandung. The timeline was after the establishment of train as a modern transportation in Bandung (1884) until the end of the Dutch Colonialism in Dutch East Indies (1942). Through the Georg Simmel's theory of sociology and the city, I tried to analyze the the tourism activity and its relations to the 20th century urban architecture in Bandung, West Java. I use the method that was introduced by Iain Borden and friends in The Unknown City to understand tourism and urban history of Bandung through the spatial practice, city representation and experiences. 

The Mezen Horse: Between Tradition and Brand

2021 ◽  
pp. 85-96
Author(s):  
Екатерина Александровна Мельникова
Keyword(s):  
Special Kind ◽  
Cultural Value ◽  
Cultural Significance ◽  
History Of ◽  
Rural World ◽  
Family Memories ◽  
In The Beginning ◽  
The 19Th Century ◽  
The Village ◽  
The City

Статья посвящена истории бытования мезенской росписи - зооморфного орнамента, использовавшегося с начала XIX в. мастерами д. Палащелье Архангельской губ. для декорирования деревянных изделий, и в первую очередь прялок. В центре внимания находится судьба мезенской лошадки - главного символа палащельской росписи, ставшего в XXI в. основой локального бренда в г. Мезени и его окрестностях. В работе рассматривается история палащельского промысла, включая трансформацию его социального, экономического и культурного значений на протяжении XX-XXI вв. Прялка - главный носитель мезенской росписи - перестала выполнять свою утилитарную роль, став объектом семейной памяти и культурной ценностью, связанной с локальной идентичностью местных жителей и художественным значением, определяемым экспертами-профессионалами. Вследствие этих перемен, а также миграций населения из деревень в города прялки с мезенской росписью стали ассоциироваться с покинутой малой родиной и деревенским миром в целом, вызывая к жизни особую форму чувствительности, требующей специальных навыков понимания, толкования и любви к мезенской росписи. Как показано в работе, два режима восприятия мезенской лошадки - семейной памяти и эстетической ценности - тесно взаимосвязаны, определяя эмоциональную привязанность и популярность этого элемента традиционной росписи среди современных жителей г. Мезени и Мезенского района. This article concerns the history of the Mezen horse, a zoormorphic ornament from the village Palashchelye in the Mezen Region of Arkhangelsk Province. From the beginning of the 19th century it has been used by craftsmen to decorate wooden items, especially spinning wheels. In the beginning of the present century the Mezen horse became the symbol of Palashchelye painting and the main local brand for the city of Mezen and its environs. The article examines the history of Palashchel crafts and discusses the transformation of its social, economic and cultural significance during the 20th and 21st centuries. The spinning wheel, the main bearer of Mezen decoration, has ceased to fulfill a utilitarian role, becoming instead a focus of family memories and cultural value, interpreted both in terms of local identity and artistic significance. As a result of this change, as well as the migration of the population from villages to cities, spinning wheels with Mezen painting began to be associated with one’s abandoned birthplace and the rural world in general. This has given rise to a special kind of sensitivity that entails special skills of interpretation as well as love. Two different modes of such sensibility are discussed in the article - the mode of family memory and the mode of esthetic value - that are interwoven, endowing the Mezen horse with emotional meaning and broad popularity among the modern urban inhabitants of Mezen and its environs.

scholarly journals Lviv as the cradle of Polish independence organizations

2021 ◽  
Vol 201 (3) ◽  
pp. 534-545
Author(s):  
Janusz Zuziak
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
Early 20Th Century ◽  
Social Activists ◽  
The Past ◽  
Independence Movement ◽  
Political Orientations ◽  
History Of ◽  
The Right ◽  
The City

Lviv occupies a special place in the history of Poland. With its heroic history, it has earned the exceptionally honorable name of a city that has always been faithful to the homeland. SEMPER FIDELIS – always faithful. Marshal Józef Piłsudski sealed that title while decorating the city with the Order of Virtuti Militari in 1920. The past of Lviv, the always smoldering and uncompromising Polish revolutionist spirit, the climate, and the atmosphere that prevailed in it created the right conditions for making it the center of thought and independence movement in the early 20th century. In the early twentieth century, Polish independence organizations of various political orientations were established, from the ranks of which came legions of prominent Polish politicians and military and social activists.

scholarly journals Alternative Modernity of the Princely states- Evaluating the Architecture of Sayajirao Gaekwad of Baroda

2018 ◽  
Vol 5 (2) ◽  
pp. 59-70
Author(s):  
Niyati Jigyasu
Keyword(s):  
20Th Century ◽  
Urban Form ◽  
Turn Of The Century ◽  
Positive Contribution ◽  
Urban Planner ◽  
Built Form ◽  
History Of ◽  
Princely State ◽  
The City ◽  
Lasting Influence

The first half of the 20th century was a turning point in the history of India with provincial rulers making significant development that had positive contribution and lasting influence on India’s growth. They served as architects, influencing not only the socio-cultural and economic growth but also the development of urban built form. Sayajirao Gaekwad III was the Maharaja of Baroda State from 1875 to 1939, and is notably remembered for his reforms. His pursuit for education led to establishment of Maharaja Sayajirao University and the Central Library that are unique examples of Architecture and structural systems. He brought many known architects from around the world to Baroda including Major Charles Mant, Robert Chrisholm and Charles Frederick Stevens. The proposals of the urban planner Patrick Geddes led to vital changes in the urban form of the core city area. New materials and technology introduced by these architects such as use of Belgium glass in the flooring of the central library for introducing natural light were revolutionary for that period. Sayajirao’s vision for water works, legal systems, market enterprises have all been translated into unique architectural heritage of the 20th century which signifies innovations that had a lasting influence on the city’s social, economic, administrative structure as well as built form of the city and its architecture. This paper demonstrates how the reformist ideas and vision of an erstwhile provincial ruler lead to significant architecture at the turn of the century in Princely state of Vadodara.

scholarly journals El discurso del civismo en Pereira o la "sacralidad" de lo público durante el siglo XX

2009 ◽  
Vol 1 (2) ◽  
pp. 7-31 ◽  
Author(s):  
John Jaime Correa Ramírez
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
Public Spaces ◽  
Moral Values ◽  
Local History ◽  
Civic Discourse ◽  
History Of ◽  
Rotary Club ◽  
Siglo Xx ◽  
The City

La referencia constante al civismo es uno de los rasgos más distintivos de la historia urbana de Pereira. Al igual que en muchas ciudades colombianas, la ideología del civismo asume la necesidad de establecer una especie de simbiosis entre la ciudad, sus espacios públicos y sus ciudadanos, tanto en lo material como en lo espiritual. En el caso de Pereira se busca identificar los aspectos más relevantes del discurso cívico que desarrollaron entidades como la Sociedad de Mejoras y el Club Rotario a través de diferentes medios escritos, poniendo especial énfasis en los valores morales que debían exhibir los ciudadanos cívicos o los "ciudadanos de bien" de la ciudad, en el proceso de transformación y modernización vivido a lo largo del siglo XX.Palabras clave: discurso, civismo, prensa, clubes y sociedades, historia local, siglo XX.The discourse of civism in Pereira, or The “sacredness” of public matters during the 20th century AbstractThe constant reference to civism is one of the most distinct characteristics of the urban history of Pereira. Similar to many Colombian cities, the ideology of civism assumes that there is a need to establish a kind of symbiosis between the city, its public spaces, and its citizens, in material as well as spiritual matters. In the case of Pereira, the author seeks to identify the most relevant aspects of the civic discourse which developed entities like the Improvement Society and the Rotary Club, through different written means, putting special emphasis on the moral values which the civic citizens (or ciudadanos de bien) must have exhibited in the process of transformation and modernization experienced throughout the 20th century. Keywords: discourse, civism, press, clubs and societies, local history, twentieth century.

Jaffa

2017 ◽  
Author(s):  
Benjamin Isaac
Keyword(s):  
Bronze Age ◽  
20Th Century ◽  
The Political ◽  
Sources Of Information ◽  
Eastern Shore ◽  
Urban Centre ◽  
Tel Aviv ◽  
History Of ◽  
Middle Bronze Age ◽  
The City

The city of Joppe/Jaffa/Yafo on the eastern shore of the Mediterranean, immediately south of modern Tel Aviv, has a long history of importance as an urban centre, from the Middle Bronze Age onward until the 20th century. It was one of the few sites along the Palestinian coast that had a usable anchorage. The present article focuses on the Hellenistic, Roman, and late Roman periods, giving a brief survey of the major events, the political, social, and administrative history, and the major sources of information.

scholarly journals On the Issue of Creating a Russian Agent Network in Shanghai at the Beginning of the 20th Century

2021 ◽  
Vol 16 (6) ◽  
pp. 29-38
Author(s):  
Drobotushenko Evgeny V. ◽  
Keyword(s):  
20Th Century ◽  
Russian Empire ◽  
Foreign Affairs ◽  
Scientific Publications ◽  
History Of ◽  
The Subject ◽  
The Russian Federation ◽  
The Russian Empire ◽  
The Moment ◽  
The City

The history of the creation of the agent network of the Russian Empire has not found comprehensive coverage in scientific publications so far. The existing research referred to specific names or mention private facts. This predetermined the relevance of the work. The object of the study is the Russian agents in China in general and in Chinese Shanghai, in particular. The subject is the study of peculiarities of the first attempts in creating Russian agent network in the city. The aim of the work is to analyze the attempt to create a network of Russian illegal agents in Shanghai in 1906–1908. The lack of materials on the problem in scientific and popular scientific publications predetermined the use of previously unknown or little-known archival sources. This is the correspondence of the Minister of Foreign Affairs, the Russian Imperial envoy in Beijing and the Russian Consul in Shanghai stored in the funds of the State Archive of the Russian Federation (SARF). The main conclusion of the study was the remark about the lack of scientific elaboration, at the moment, the history of official, legal and illegal agents of the Russian Empire in Shanghai, China. Private findings suggest that, judging by the available data, creation of a serious network of agents in the city during the Russian Empire failed. The reasons for this, presumably, were several: the lack of qualified agents with knowledge of Chinese or, at least, English, who could work effectively; the lack of funds for the maintenance of agents, a small number of Russian citizens, the remoteness of Shanghai from the Russian-Chinese border, etc. A network of agents will be created in the city by the Soviet authorities by the middle of the third decade of the 20th century, and Soviet illegal agents began to work in the early 1920s. The History of Soviet agents in China and Shanghai, in particular, is studied quite well which cannot be said about the previous period. It is obvious that further serious work with archival sources is required to recreate as complete as possible the history of Russian legal and illegal agents in Shanghai in pre-Soviet times

scholarly journals La recuperación de los centros históricos durante el Franquismo. El caso de Jaén

Imafronte ◽  
2020 ◽  
pp. 29-58
Author(s):  
José Manuel Almansa Moreno
Keyword(s):  
20Th Century ◽  
National Economy ◽  
Special Function ◽  
Fine Arts ◽  
Directorate General ◽  
History Of ◽  
Siglo Xx ◽  
The City ◽  
Santa Maria ◽  
Modern Image

PRUEBA - A mediados del siglo XX se inicia la revalorización de los centros históricos en Es- paña, especialmente de aquellas ciudades vinculadas con la historia de nuestro país, buscando desarrollar su potencial turístico como pieza clave para mejorar la economía nacional y ofrecer una imagen de modernidad en el extranjero.En esa labor tiene especial importancia la Sección de Ordenación de Ciudades de Interés Artístico Nacional, organismo dependiente de la Dirección General de Arquitectura, cuyos arquitectos son los encargados de diseñar proyectos de mejora y embellecimiento urbano, los cuales generalmente se complementaban con otras intervenciones acometidas en los edificios monumentales por otras instituciones (como, por ejemplo, la Dirección General de Bellas Artes o los cabildos municipales).A través de este estudio pretendemos analizar las intervenciones acometidas en la ciudad de Jaén durante la década de los 60 y 70, proyectos urbanísticos llevados a cabo si- guiendo otros ejemplos en la provincia como las reformas acometidas en Úbeda y Baeza una década antes, y que pretendían embellecer espacios tan emblemáticos como la Plaza de Santa María y el histórico barrio de la Magdalena. In the middle of the 20th. century began the revaluation of the historical centers in Spain, especially those cities linked to the history of the country, seeking to develop their tourist potential as a key piece to improve the national economy and to offer a modern image abroad. In this work it has special function the Section of Ordination of Cities of National Artistic Interest, organism dependent of the Directorate General of Architecture, whose architects are in charge of designing projects of improvement and urban beautification, which were generally complemented by other interventions in monumental buildings by other institutions (such as the Directorate General of Fine Arts). Through this study we intend to analyze the interventions undertaken in the city of Jaén during the decades of the ' 60s and ' 70s, urban projects carried out following other examples in the province as the reforms undertaken in Úbeda and Baeza a decade before, and which sought to beautify so emblematic as the Square of St. Mary and the historic district of the Magdalene.  

scholarly journals TO THE HISTORY OF THE APPEARANCE OF THE «POT OF LAZUR»

2020 ◽  
pp. 61-68
Author(s):  
Анатолий Александрович Цыганов
Keyword(s):  
20Th Century ◽  
Water Body ◽  
War Of 1812 ◽  
The Other ◽  
Water Object ◽  
History Of ◽  
The City

«Водный объект «Лазурь» (недостроенный канал) на территории парка «Победы» в г. Твери протягивается от р. Тьмаки до устья руч. Перемерки, впадающего в р. Волгу, в районе затона Тверского речного порта. Проект не был реализован в связи с Отечественной войной 1812 г. Уже позднее в начале XX в., почти в самом устье образовавшегося объекта была проложена Волжская ветка Николаевской железной дороги. Так возникла система прудов - «водный объект «Лазурь». Water body «Lazur» (unfinished canal) in the territory of the Victory Park in Tver stretches from p. Dark to the mouth of the stream. Measure flowing into the river. Volga, in the area of the backwater of the Tver river port As the Blinovs noted, «on the 1812 th, we began to dig a ditch from T'maki along Lazuri on June 1... Poles dug Russian and, at least 600 people at work» The canal between T'makoy and the Volga, according to the plan of Georg Oldenburgsky, was supposed to protect the city from floods and serve as a place for keeping baroque in winter. he project was not implemented in connection with the Patriotic War of 1812. Later, at the beginning of the 20th century, almost at the mouth of the formed "Water Object Lazur", the Volga branch of the Nikolaev Railway to the Konya-Evch mill was laid. s a result, the first pond was formed with a level mark of 125.2 m a. o., which is significantly lower than the other eight ponds.

scholarly journals The void and the memory. Ludovico Quaroni’s competition project for the Tobacco Manufacturing and the Navile Park in Bologna (1984). An urban figurative regeneration

2017 ◽  
Vol 2 (1) ◽  
pp. 81
Author(s):  
Matteo Sintini
Keyword(s):  
World War Ii ◽  
20Th Century ◽  
Urban Areas ◽  
Point Of View ◽  
Urban Context ◽  
Italian Experience ◽  
Historical Memories ◽  
In The Beginning ◽  
The City ◽  
New System

<p>The Ludovico Quaroni's competition winner project for the urban park of the Tobacco Manufacturing and the Navile dockyard, although unrealised, still represents a sort of conclusive point of the search path (he died in 1987) of one of the most prominent characters of the Italian architectural scene – and not only - of the 20th century. Furthermore, the high number of contenders to the competition’s first stage (139) made the contest itself an extraordinary occasion of rethinking an important part of the city of Bologna, a somewhat hybrid part located on the verge of town historic centre and its first expansion and offered the chance of challenge for the mostly Italian architects. The Quaroni’s group was composed by many others architects including important authors of the reconstruction projects of Bologna in the years following World War II; their proposal aimed at bringing order in a non-connected urban context filled with many fragments of historical memories of the site. The process of spaces redefinition, as in the beginning projects of the architect’s career, is conducted with the tools of the “design” (as used by Manfredo Tafuri, 1964), as an instrument of territorial and urban areas re-composition, undertook through the conservation of trails, overlapped by a new system of episodes, keeping the idea of fragments, responding to the competition requirements. In fact, the project balances the new parts in strict relation with the pre-existing elements of the historic town centre, considering the tangible and material dimensions of the city. Such a new system is governed by a clear scheme of structured elements based on the project of void, provided with a clear formal image, whose final outcome is a figurative regeneration. In this idea and formal organism Quaroni developing many of his design principles, gives a personal interpretation to the contemporary issue of regeneration empowered by those reflections that had just entered in the much wider debate in the mid-eighties, about conservation and sustainability of historic centres and the natural environment. Notably, this issue is dealt with in a cultural environment such as the one of Bologna, a city that gave much to the debate on conservation of old towns (see the Cervellati plan); a discussion founding the Italian experience of the 20th century and particularly of its second half. From this point of view, the contribution of architects from Bologna at Quaroni’s project has therefore probably accounted for the special sensibility shown by the project on those matters. After giving up on Quaroni’s plan Aldo Rossi was chosen by the Municipality to develop the project; his ideas confirm, although with different outcomes, an approach based on the value of the conservation of memory and the use of clear forms as means of urban regeneration.</p>

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