scholarly journals EKSISTENSI MEGONO SEBAGAI IDENTITAS KULTURAL: Sebuah Kajian Antropologi Kuliner dalam Dinamika Variasi Makanan Global

2020 ◽  
Vol 15 (1) ◽  
pp. 45
Author(s):  
M. Ali Sofyan
Keyword(s):  
Data Analysis ◽  
Social Class ◽  
Cultural Identity ◽  
Qualitative Method ◽  
Traditional Food ◽  
Cultural Symbol ◽  
The People ◽  
The Social ◽  
The Many ◽  
Different Characteristics

Megono is one of the typical foods for the Batang and Pekalongan people, which is made from young jackfruit. Every tourist from outside the area, usually looking for a megono as a sign of having visited and take it as a gift. This study is the result of deepening data about the megono and its existence as a cultural identity for the Batang people in the midst of globalization. This research was conducted using a qualitative method with an open interview approach. Traders and consumers are the main informants for this study. This research employs Baudrillard concept of habitus. The results showed that every morning, the people of Batang seemed obliged to consume sego megono sambel. According to the results of data analysis, megono Batang has different characteristics compare to megono from other places, namely its distinctive aroma. As a traditional food, megono can still exist and become a cultural symbol in the midst of the many variations of modern food. For consumers, this food can deconstruct the social class created by capitalism. Megono does not belong to any classes. This means that megono can be a symbol of equality for society.Megono adalah salah satu makanan khas bagi masyarakat Batang dan Pekalongan yang terbuat dari bahan baku nangka muda. Setiap pengunjung dari luar daerah, biasanya mencari megono sebagai tanda telah berkunjung dan barang bawaaan. Kajian ini merupakan hasil dari pendalaman data tentang megono dan eksistensinya sebagai identitas kultural masyarakat Batang di tengah globalisasi. Penelitian ini dilakukan dengan metode kualtitatif dengan pendekatan wawancara terbuka. Pedagang dan konsumen menjadi informan utama dalam menjelaskan kajian ini. Menurut Baudrillard, arena konsumsi pada globalisme adalah kehiduapan sehari-hari yang merupakan sistem interpretasi. Hasil penelitian menunjukkan setiap pagi, masyarakat Batang seolah wajib untuk mengkonsumsi sego megono sambel. Menurut hasil analisa data, megono Batang memiliki karakteristik daripada megono dari tempat lain yaitu aromanya yang khas. Sebagai makanan tradisional, megono tetap dapat hadir dan menjadi simbol kultural di tengah banyaknya variasi makanan modern. Bagi konsumen, makanan ini dapat mendekonstruksi kelas sosial yang diciptakan kapitalisme. Megono tidak mengenal kelas. Artinya megono adalah simbol kesetaraan bagi masyarakat.  

Dictatorship and Democracy, 1918–1939

2012 ◽  
Author(s):  
Thomas Mergel
Keyword(s):  
World War I ◽  
Social Commitment ◽  
The People ◽  
New Concepts ◽  
The Social ◽  
Community People ◽  
The Many ◽  
Social Organism ◽  
German Parliament ◽  
Revolution Of 1848

Both dictatorship and democracy were essentially new concepts of political rule in Germany after World War I. It was true that suffrage had been increasingly extended after the revolution of 1848–1849, and more citizens (male citizens, that is) were entitled to vote in Imperial Germany than, for instance, in Great Britain. Dictatorship, too, was a new form of political control, at least in Germany. The term ‘people’ was to become a standard formula for the self-understanding of German politics after 1918. In its shades of meaning, it saw the people as a social organism, rather than as an ethnic community. ‘People’ referred to the many. It described the social commitment with which a good community was supposed to be built. An inquiry into Reichstag, and the German parliament and incidents and rebellions surrounding it concludes this article.

scholarly journals ARSITEKTUR RUMAH BETANG (RADAKNG) KAMPUNG SAHAPM

2014 ◽  
Vol 6 (3) ◽  
pp. 461
Author(s):  
Poltak Johansen
Keyword(s):  
Cultural Identity ◽  
Qualitative Method ◽  
Residential Buildings ◽  
Architectural Form ◽  
Cultural Objects ◽  
Library Research ◽  
The People ◽  
The Village ◽  
At Home ◽  
Descriptive Qualitative

AbstrakArsitektur dari suatu bangsa, pada suatu masa sering berbeda-beda, baik dalam hal bentuk maupun konsep-konsep yang melandasinya. Hal ini tentu disebabkan adanya perbedaan kebudayaan dari suatu masyarakat dengan masyarakat lainnya. Setiap suku bangsa biasanya akan menunjukkan identitas budayanya melalui benda-benda budaya yang mereka buat. Demikian halnya masyarakat Dayak Kanayatn memiliki ciri tersendiri dalam bentuk arsitektur bangunan khususnya bangunan rumah tinggal. Bentuk arsitektur masyarakat Dayak Kanayat’n yang tinggal di Desa Sahapm tercermin dalam bentuk Rumah Betang atau Rumah Panjang dan hingga kini masih dijaga dan dihuni oleh masyarakat. Bentuk rumah Betang juga menunjukkan hidup kebersamaan bagi penghuninya. Dalam  Rumah panjang atau Rumah Betang mereka berinteraksi antara bilik yang satu dengan bilik yang lainnya. Tujuan penulisan untuk mendeskripsikan bentuk arsitektur Rumah Betang dan keberadaannya pada saat ini, selain itu penelitian ini juga  mendeskripsikan kehidupan masyarakat di Rumah Betang. Metode yang digunakan adalah metode deskriptif kualitatif dengan menggunakan tehnik pengamatan dan wawancara dalam menggali data di lapangan serta studi kepustakaan sebagai menggali bahan untuk menulis. AbstractThe nation has a diverse architecture, both in terms of form as well as the underlying concepts. The diversity of architecture due to differences in the culture of a society. Each tribe will usually show its cultural identity through cultural objects that they create. Similarly with Kanayatn Dayak community has its own characteristics in the architecture, especially residential buildings. Architectural form of the Dayak people who live in the village Dayak Kanayat'n reflected in the form of Rumah Betang or Rumah Panjang and is still maintained and inhabited by people. Betang shapes also showed live together or togetherness. The people who lived in Rumah Panjang interact with each other in one room to other room. The main purposes of this study is to describe the architectural form and its existence today. In addition, this study describe betang people's lives at home. The method used is descriptive-qualitative method using the techniques of observation and interviews to collect data in the field and library research.

We Are Not Free to Choose: Class Determinism in Zadie Smith’s NW

2016 ◽  
Vol 51 (2) ◽  
pp. 385-404 ◽  
Author(s):  
Hui Wang
Keyword(s):  
Social Class ◽  
Lower Class ◽  
Racial Oppression ◽  
Economic Exploitation ◽  
The People ◽  
The Social ◽  
Zadie Smith ◽  
Divide And Rule ◽  
New Perspective

AbstractNW by Zadie Smith opens with a multicultural and multiracial scene and revolves around the crises in the lives of four people with longstanding connection to Northwest London. The Northwest London in NW is a besieged city, and the people therein could not see any possibility of getting out because the gate has been latched with the concept of social class. In NW, the social class is materialized as space, economic position and race. Geographically NW features the main areas of London, and considers the role of that city in shaping the consciousness of the major characters, a partly spatial configuring of identity. In addition, the major characters in NW also suffer from occupational exclusion and economic exploitation, which then lead to their lower-class position since social class is constructed in such a way that agents are distributed according to their positions in the statistical distribution based on the economic and cultural capital. Finally the racial discrimination encountered by the characters in NW shows that class relations shape the form that racial oppression takes. The racialization of class issues becomes a politically effective tool for the wealthy to divide and rule the lower classes. In NW, Smith thus has adopted a more political attitude than in her previous books, so the relatively new perspective of her fiction might be the attention she draws to the persistent obstacles to class crossing and the acknowledgment of the rigid lines that still define the social classes.

scholarly journals Health Behavior of Abuan Village Community: Social Dimension Review

2019 ◽  
Vol 3 (1) ◽  
pp. 17
Author(s):  
Asthadi Mahendra Bhandesa ◽  
Putu Indrayoni ◽  
Ni Luh Putu Kartiningsih
Keyword(s):  
Data Analysis ◽  
Health Behavior ◽  
Social Dimension ◽  
Social Dimensions ◽  
Healthy Life ◽  
Human Relationships ◽  
Village Community ◽  
The People ◽  
The Social ◽  
Field Notes

The development of health is basically an effort to increase awareness, willingness, and the ability of every person to commit a healthy life to achieve the highest level of public health. Health behavior is influenced by several factors including physical, mental, spiritual, and social. This study aims to gain clarity about the social dimensions of the health behavior of the people of Abuan Village, Kecut, Bangli. Data collection in this research using observation, interview, and document study technique. Furthermore, the technique of data analysis is through data reduction or chosen according to research purpose. In the process of data analysis carried out throughout the study or carried out continuously from the beginning to the end of the study. Through the process of systematically tracking and arranging interview transcripts, field notes, and other materials, showed that the social dimension of health behavior in the form of a) human relationship with God; b) human relationships with humans; and c) human relationships with the environment.

THE MANY FACES OF FIGURINES

2008 ◽  
Vol 19 (2) ◽  
pp. 311-318 ◽  
Author(s):  
Erica Begun
Keyword(s):  
Ethnic Identity ◽  
Classic Period ◽  
The People ◽  
The Social ◽  
Prehistoric Culture ◽  
Early Classic Period ◽  
The Many ◽  
High Degree ◽  
Cultural Structures ◽  
Ethnic Origins

AbstractFigurines offer archaeologists intriguing insights into many aspects of prehistoric culture. Beyond their utility as chronological markers, figurines offer information regarding the social and cultural structures of a society. This paper will demonstrate how the figurines of Michoacan can be used as markers of ethnic identity and ethnic continuity in the Lake Patzcauro Basin. The high degree of continuity in decorative and production styles throughout much of the sequence serves as evidence for ethnic continuity and the identity of the people who made the artifacts. A preliminary typology for the Michoacan figurines is presented to support the idea that a distinctly Michoacan style of figurine exists. The application of this figurine typology reveals a high degree of continuity in the figurine record. This supports the hypothesis that the ethnic origins of the Michoacan people may reach back as far as the Late Preclassic/Early Classic period.

scholarly journals Pemitoosan Identitas Masyarakat Boalang Mongondow Utara

Kadera Bahasa ◽  
2019 ◽  
Vol 2 (2) ◽  
pp. 1-15
Author(s):  
Ratun Untoro
Keyword(s):  
Social Class ◽  
The People ◽  
The Social ◽  
Carl Gustav Jung

Social class affects the community's behavior such as treatment and honorary system, inter or within the social class.  the research is intended to unveil the myth in North Boolaang Mongondow folktales, which constitutes the Identity of the people, using Carl Gustav Jung psychoanalysis theory.  The myth or folktale that lives in the community is the expression or the realization of unconscious wishes, which is nevertheless inconsistent, inappropriate, and do not match with daily facts.  the purpose of this research is acknowledgment the royal effort  to arrange  the community through the folktale experience. Interesting finding through the research, that the kingdom used the folktales to strengthen the royal hegemony.    

scholarly journals ANALISIS NILAI-NILAI SOSIAL DALAM KUMPULAN CERITA RAKYAT BANGKA BELITUNG

2019 ◽  
Vol 12 (2) ◽  
pp. 27-38
Author(s):  
Mulyati Rozie
Keyword(s):  
Data Analysis ◽  
Sense Of Belonging ◽  
Qualitative Method ◽  
Social Values ◽  
Analytical Techniques ◽  
Sociology Of Literature ◽  
Modern Times ◽  
Analysis Techniques ◽  
The Social ◽  
The Subject

  Abstrak Latar belakang penelitian ini untuk memberikan pemahaman terhadap nilai-nilai sosial yang ada dalam kumpulan Cerita Rakyat Bangka Belitung kepada pembaca agar dijadikan rujukan dan mengenalkan kembali cerita rakyat di masa modern ini kepada pembaca. Masalah dalam penelitian ini adalah nilai-nilai sosial apa saja yang terkandung dalam kumpulan cerita rakyat Bangka Belitung? Penelitian ini bertujuan untuk mengetahui dan mendeskripsikan nilai-nilai sosial yang terkandung dalam kumpulan cerita rakyat Bangka Belitung. Metode yang digunakan dalam penelitian ini adalah metode deskriptif kualitatif adalah metode penelitian yang bertujuan untuk menggambarkan secara utuh dan mendalam tentang realitas sosial dan berbagai fenomena yang terjadi dimasyarakat yang menjadi subjek penelitian sehingga tergambarkan ciri, karakter, sifat, dan model dari fenomena tersebut. Pendekatan yang digunakan adalah pendekatan sosiologi sastra, sedangkan teknik analisis data menggunakan teknik analisis karya. Hasil penelitian ini adalah: 1) Nilai kasih sayang yang terdiri dari: pengabdian, tolong menolong, kekeluargaan, kesetiaan, dan kepedulian. 2) Nilai tanggung jawab yang terdiri dari:rasa memiliki, disiplin, dan empati. 3) Nilai keserasian hidup yang terdiri dari: keadilan, toleransi, kerja sama, dan demokrasi. Buku Cerita Rakyat Bangka Belitung karya Maulana Syamsuri sangat baik untuk dibaca bagi masyarakat, karena di dalam buku ini banyak mengajarkan nilai-nilai sosial yang baik untuk dijadikan contoh.   Kata kunci : nilai sosial, cerita rakyat Abstract The background of this research is to provide an understanding of social values that are in the collection of the folklore of Bangka Belitung to the reader in order to be used as a reference and reintroduced the folklore in modern times is to the reader. Problems in the research of social values is what is contained in the collection of the folklore of Bangka Belitung? This research aims to know and describe the social values that are contained in the collection of the folklore of Bangka Belitung. The methods used in this research is descriptive qualitative method is a method of research that aims to describe completely and insightful about the social reality and the various phenomena that occurred dimasyarakat which became the subject of the research so that breakfast buffet characteristics, character, nature, and the model of the phenomenon. The approach used is the approach to the sociology of literature, while data analysis techniques using analytical techniques paper. The results of this study are as follows. 1) value of affectionate Devotion: (1), (2) Please help, (3), (4) familial loyalty, and (5) concern. 2) value of responsibility: (1) a sense of belonging, (2) discipline, and (3) empathy. 3) the value of the harmony of life: (1) justice, (2) (3) tolerance, cooperation, and (4) democracy. The book Folktales of Bangka Belitung works of Maulana Syamsuri very good to read for people, because in this book many teach social values are good to be used as an example.    

scholarly journals BENTUK DAN FUNGSI TARI GATHOLOCO KELOMPOK SENI CIPTO BUDOYO KABUPATEN TEMANGGUNG

2019 ◽  
Vol 17 (2) ◽  
Author(s):  
Lenni Wulandari ◽  
Sri Rochana Widyastutieningrum
Keyword(s):  
Qualitative Method ◽  
Function Theory ◽  
Social Function ◽  
Literature Study ◽  
Form Function ◽  
The People ◽  
The Social ◽  
Depth Study ◽  
Form Theory ◽  
And Function

AbstrakTari Gatholoco adalah tari kelompok berjenis tradisi rakyat dalam sebuah kelompok seni di Desa Kembangsari. Tari Gatholoco belum diketahui siapa penciptanya dan digarap oleh Badrun tahun 1965 kemudian digarap oleh Tono tahun 1980. Tari Gatholoco menarik karena pola lantai membentuk formasi huruf (terbalik dari arah depan) yang menyusun sebuah kata Temanggung. Juga terdapat gerak penghubung antar gerak satu ke gerak berikutnya dan gerak penghubung untuk perpindahan pola lantai dengan senggakan “sukseskan pembangunan”. Tari Gatholoco memiliki fungsi sosial dalam masyarakat Desa Kembangsari. Penelitian ini menggunakan landasan teori bentuk oleh Suzanne K. Langer dan Sri Rochana Widyastutieningrum dan teori fungsi oleh Raymond Firth. Penelitian ini menggunakan metode kualitatif, merupakan metode penelitian yang menekankan pada telaah mendalam suatu fenomena yang terjadi dengan melakukan wawancara, dokumentasi, pengamatan langsung, pengamatan tidak langsung, dan studi pustaka. Presentasi yang disajikan berupa data dan visual. Hasil dari penelitian ini dapat diperoleh gambaran yang berkaitan dengan bentuk sajian dan fungsi sosial tari Gatholoco yang hingga kini masih hidup dan berkembang di kalangan masyarakat Desa Kembangsari. Bentuk sajian tari Gatholoco terdapat gerak yang menggambarkan aktivitas masyarakat sehari hari. Fungsi sosial tari Gatholoco yaitu sebagai sarana kepuasan batin, sarana bersantai dan hiburan, sarana ungkapan jati diri, sarana integratif dan pemersatu, dan sarana pendidikan amat positif di kehidupan masyarakat Desa Kembangsari.Kata kunci: Gatholoco, Bentuk, FungsiAbstractGatholoco Dance is a group dance of the folk-type tradition in an art group in Kembangsari Village. Not yet known who the creator of Gatholoco dance it was cultivated by Badrun in 1965 then tilled by Tono in 1980. Gatholoco dance is very interesting, because pattern floor as like alfabet (upside down from the front) which composes the word means like Temanggung. That dance also relational between one of the movement to the next movement, and then the relational connecting the other movement of the pattern floor it is mean that “successful development”. Gatholoco dance has a sociocultural function in the Kembangsari Village. This research uses the foundation of form theory by Suzanne K. Langer and Sri Rochana Widyastutieningrum and function theory by Raymond Firth. This research uses qualitative method, is a research method that emphasizes in depth study of a phenomenon that occurs by conducting interviews, documentation, direct observation, indirect observation, and literature study. Presentation is presented in the form of data and visual. The results of this study can be obtained a picture relating to the form of course and social function of Gatholoco dance which until now is still alive and growing among the people of Kembangsari Village. There is a movement that describes the daily activities of society in the form of Gatholoco dance course. The social function of Gatholoco dance is as a mean of inner satisfaction, means of relaxation and entertainment, means of expression of identity, integrative means and unifier, means of educational, means of healing, symbolic means of meaning and power, and means of integration in chaotic times are very positive in the life of the community of Kembangsari Village.Keywords: Gatholoco, Form, Function.

scholarly journals LINGUISTIC EXPRESSION WITH REFERRENCE TO SEMIOTIC IN ULOS OF WEDDING CEREMONY OF BATAK TOBA

LINGUISTICA ◽  
2018 ◽  
Vol 7 (3) ◽  
Author(s):  
Hendro Doglas Simamora
Keyword(s):  
Data Analysis ◽  
Qualitative Method ◽  
Qualitative Data ◽  
Good Life ◽  
Tape Recorder ◽  
Linguistic Expression ◽  
Qualitative Data Analysis ◽  
Wise Person ◽  
The People ◽  
Wedding Ceremony

This study was deal with linguistic expression, in semiotics of ulos in wedding ceremony of bataktoba. This research used qualitative method which concerned with developing explanations of experience or on data. The source of the data was taken from the ulosin wedding ceremony of batak toba, and relevant with the transcript of interviewing by three informants with some criterias, that is the most dominant population in three different surename in Tarutung, at the age of 45 to 55 years old and have the recognition from each surename. The instruments that is used in this study was tape recorder, camera, and also the book which relevant to the data. In technique of analyzing data, descriptive qualitative data analysis stage is identifying the ornament, reducing the ornament which are not relevant, classifying, interpreting, analyzing and concluding the findings. There are three kinds of ulos used in wedding ceremony of BatakToba, they are ulosragidup, ulosragihotang, and ulossadum. Each ulos have topisokkar which explain that everything in this world have the limit and the color depend to the ceremony that is performed. In ulosragidup, there are hatirsymbolized of wealth, sigumang symbolized the hope of the giver of this ulos for the receiver to works right and efficient also, batuniansimun symbolizing the health, sisikniikansymbolizing a good life, tidy life, even in a crowded of life, and alsojungkit symbolizing in having an organized life well. In ulosragihotangthere are unok-unok, symbolized be a wise person like the humus,andjungkit. In ulossadum, there is torna where this symbol to remind the people that Batak people come from mountain.Keywords: Semiotic, Ulos in Wedding Ceremony of BatakToba, Ornaments. 

scholarly journals Minangkabau Community in the Collection of Kaki Yang Terhormat Short Story by Gus Tf Sakai

2021 ◽  
Vol 1 (2) ◽  
pp. 120-135
Author(s):  
Habibullah Karami ◽  
Aruna Laila ◽  
Wahyudi Rahmat
Keyword(s):  
Short Story ◽  
Social Systems ◽  
Social Reality ◽  
Science System ◽  
The People ◽  
The Social ◽  
Data Source ◽  
Religious Systems ◽  
The Many ◽  
Livelihood System

The problem in this study is the many forms of social reality of the Minangkabau people in Collection of Kaki Yang Terhormat Short Story by Gus Tf Sakai. This problem is the main reference to find out what the social reality of the Minangkabau community is in the Collection of Kaki Yang Terhormat Short Story by Gus Tf Sakai from the perspective of the author. This type of research is qualitative research. The method used in this research is descriptive method. The data in this study are in the form of words, sentences and dialogues related to Minangkabau social reality. The data source in this study is a Collection of Kaki Yang Terhormat Short Story by Gus Tf Sakai. The results of this studyillustrate the social reality of the Minangkabau people that occur from cultures or  traditions that have been born from their ancestors, which are customs or that have become identities for the people in Minangkabau or from habits that occur repeatedly and are designated as traditions for the Minangkabau people. Based on this, social reality of the Minangkabau people in Collection of Kaki Yang Terhormat Short Story by Gus Tf Sakai in terms of (1) language, there are Minang languages and Indonesian languages; (2) the science system, regarding takambang nature to become a teacher; (3) social systems / social systems, in the form of traditions that become the identity of the Minangkabaucommunity; (4) equipment / equipment, regarding equipment / characteristics for the Minangkabau community which is a necessity for life and culture of the Minangkabau community; (5) livelihood system, regarding work for the Minangkabau people (6) arts, concerning the motion art possessed by the Minangkabau people namely silek, and (7) religious systems, regarding culture to surau for adolescents in Minangkabau.

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