scholarly journals Phonological Remarks on Spanish Loanwords in English

2021 ◽  
Vol 64 ◽  
Author(s):  
Estrella Ramírez Quesada
Keyword(s):  
20Th Century ◽  
Point Of View ◽  
Distinctive Features ◽  
Loanword Phonology ◽  
Areas Of Interest

This paper focuses on loanword phonology in the context of Spanish words that have become part of the English lexicon in the 20th century. The background section shows that attention has been paid to Spanish words used in English from a lexical point of view, but scarcely regarding phonology. Furthermore, the few existing studies of loanword phonology do not deal in depth with Spanish and English as an example of crosslinguistic contact. Therefore, this paper aims at contributing to the explanation of the phonological adaptations occurring in Spanish words when integrated into English, and therefore the conditions of English phonology that operate in the process of perception and production of Spanish loanwords. In doing so, two areas of interest are analysed: vowel phonemes and consonant phonemes, mainly in relation to their distinctive features and the distribution of units and also considering related phenomena such as phonetic and orthographical factors.

scholarly journals THE MEANS OF EXPRESSION OF THE CATEGORY OF ADMIRATIVENESS IN RUSSIAN, FRENCH AND ENGLISH

2019 ◽  
Vol 8 (7) ◽  
Author(s):  
Elena K. Kuzmina ◽  
Gulnara G. Nazarova ◽  
Lilia R. Nizameeva ◽  
Gérard Broussois
Keyword(s):  
20Th Century ◽  
English Language ◽  
Point Of View ◽  
Grammatical Category ◽  
Distinctive Features ◽  
French And English ◽  
The Subject ◽  
The 19Th Century ◽  
Linguistic Phenomenon

The comprehension of admirativeness as an independent category took place relatively recently – at the end of the 20th century. Until now, some scholars have not recognized an independent character of admirative. However, in recent years there has been an increasingly noticeable tendency to recognize the separate role of admirativeness and to indicate that the expression of surprise evoked by unexpected information cannot be combined with similar meanings. At the same time, the ways and degree of expression of admirativeness in different language systems vary significantly. The introduction of such grammatical category as admirativeness and the term “admirative” refers to the second half of the 19th century. In 1879, O. Dozon coined the term in his works on the Albanian language. The choice of this name (Fr. admiratif comes from the verb “to admire”) is determined by the fact that the linguist interpreted the concept as a certain sense of admiration or surprise, often having an ironic character. Further the development of this direction showed that admirative had the meaning of surprise rather than admiration. In this connection, in 1997, S. de Lancey first singled out this concept into a separate grammatical category. The scholar substantiates it by the fact that in a number of languages, such as Korean, Turkish, Tibetan, Dardic, Sanvar, etc., admirative has a separate grammatical expression. The identification of admirativeness as a separate linguistic phenomenon with a number of specific features has been still the subject of controversy among the researchers. Characteristics and distinctive features of admirativeness, allowing for the separation it from other similar categories will be considered later in the paper (Davletbaeva et al., 2013). In his writings, S. de Lancey uses the term “mirative”, thereby excluding its correlation with admiration introduced by O. Dozon from the meaning of the concept, and indicating that its primary function is to convey the subject’s astonishment. To date, the term “mirative” is widely used in English-language grammar. V.A. Plugnyan notes that the use of this term is more grounded from a typological point of view, however, the use of the concept “admirative” is often retained in domestic works (Smagina, 1996).

scholarly journals Industrial Revolution and Technological Pattern: Essential Characteristics, Similarities and Distinctive Features

2021 ◽  
pp. 52-63
Author(s):  
Irina Averina
Keyword(s):  
20Th Century ◽  
Industrial Revolution ◽  
Point Of View ◽  
Economic Systems ◽  
Distinctive Features ◽  
Differential Development ◽  
National Economic ◽  
Stage Development ◽  
The 19Th Century ◽  
Industrial Revolutions

The article analyzes the evolution of the phenomena “technological order” and “industrial revolution”, which made it possible to form the author’s model for the phenomena under study. As a result of considering these characteristics of the designated economic indicators, groups of features were formulated that characterize the concepts from the point of view of identity, as well as groups of features indicating their main distinctive and specific characteristics. The study of the origin of these terms also influenced the possibility of defining these phenomena from the standpoint of the dynamic nature (origin, formation, development, transformation, adaptation) of each of the components within their stage-by-stage development. The indicated evolutionary character can be traced within the framework of the change of each of the technological orders (the first (1785– 1835), second (1830–1890), third (1880–1940), fourth (1930–1990), fifth (1985–2035), sixth (2010–2060)) and industrial revolutions (First (18th – 19th centuries), Second (second half of the 19th century – early 20th century), Third (1960 – the first decade of the 20th century, Fourth (2011 – up to the present time), which predetermines the differential development of national economic systems as a whole.

The Limit Situation And The Narrative Of War (On The Material Of The Novel “My Lieutenant” By Daniil Granin)

2020 ◽  
Vol 6 (1) ◽  
pp. 90-104
Author(s):  
Anatoly S. Kuprin ◽  
Galina I. Danilina
Keyword(s):  
20Th Century ◽  
Scientific Work ◽  
Point Of View ◽  
Continuous Limit ◽  
The Novel ◽  
Term Limit ◽  
Abstract Author ◽  
The Third ◽  
Definition Of

The purpose of this study is the analysis of limit situation in the narrative of war. The material of the study is the novel of Daniil Granin “My Lieutenant” and related texts. In the first part of the paper, the authors explore existing approaches to the term “limit situation” and similar concepts into scientific and philosophical traditions; limits of its applicability in literary studies and its relation to the categories of “narrative instances” and “event”. Proposed a literary-theoretical definition of the limit situation, which can be used in the analysis of fiction texts. Existing approaches to the examination of the situation of war are analyzed: philosophical-existential, psychoanalytic, sociological, literary. In the second part of the paper, the authors propose their method for analyzing limit situations in texts about war, which basis on existing approaches and preserves the text-centric principle of studying the structure of the story. Two interrelated areas of research have been identified: the study of war as a continuous limit situation in the intertextual aspect (the discourse of war); the study of limit situations (death, suffering, guilt, accident) in the narrative of war as part of a specific text. In the third part of the scientific work,the analysis of war as a continuous limit situation results in the study of the concept of “limit” (border) in a fiction text. The role of “limit” (border) concept in the texts about the war is studied, the possible types of limits in the discourse of war are examined. Limit situations in the narrative of war are analyzed on the basis of the novel “My Lieutenant” by Daniil Granin. A review of journalistic and scientific works about the novel revealed both the continuity and the differences between the novel and the “lieutenant” prose of the 20th century. An analysis of the limit situations in the novel revealed their key position in the narrative. These situations are independent of the fiction time, of the fluctuation of the point of view’; the function of the abstract author is to build the narrative as a “directive” immersion of the hero and narrator in these situations.

TRADITION AND INNOVATION IN MODERN KAZAKH POETRY (XX century and independence)

2021 ◽  
Vol 76 (2) ◽  
pp. 118-128
Author(s):  
Sh. Kuttybaev ◽  
◽  
Е. Abdimomynov ◽  
Keyword(s):  
20Th Century ◽  
Large Scale ◽  
Point Of View ◽  
Soviet Period ◽  
Evolutionary Development ◽  
Spiritual Values ◽  
Literary Traditions ◽  
New Perspective ◽  
National Poetry ◽  
In The Beginning

The article analyzes views on innovation in the literary science of the early twentieth century and the work of Alash representatives in an era that is a period filled with profound changes and large-scale innovations in Kazakh society. In addition, works related to freedom, enlightenment, politics, spiritual values, the position of the people as a whole and social changes are considered the idea of independence and continuity. On the way of evolutionary development of the Kazakh literature, artistic power, thematic and ideological character, substantial and stylistic features of poetry of poets in the beginning of the XX century and during the Great Patriotic War, in subsequent years and years of independence are discussed in detail. In addition, on the basis of literary traditions and novelty, the works of prominent poets of Kazakh poetry of the 20th century and Independence are considered and comprehensively characterized, i.e. internal motives, the content of life phenomena in national poetry are analyzed in close connection with the works of poets. The original vision of the traditional and differentiated in the literature of the Soviet period in the works of poets from a new perspective, from the point of view of today. In addition, the works of outstanding poets of Kazakh poetry in the period of the 20th century and independence are considered on the basis of classical tradition and novelty in literature.

Review of: Рикёр П. Genesis, essence and substance in Plato and Aristotle. Course taught at the University of Strasbourg in 1953-1954 / transl. from french G. V. Vdovina. Moscow: Publishing house of humanitarian literature, 2019. 286 p. ISBN 978-5-87121-051-2

2019 ◽  
pp. 279-287
Author(s):  
Алексей Михайлович Гагинский
Keyword(s):  
20Th Century ◽  
Publishing House ◽  
Point Of View ◽  
History Of ◽  
The University ◽  
Formal Point

Курс лекций П. Рикёра, прочитанный более полувека назад, интересен по ряду причин. Во-первых, потому что он посвящён крайне важной теме — античной онтологии; во-вторых, потому что он был прочитан одним из ведущих философов XX в.; в-третьих, потому что этот философ был крупнейшим представителем герменевтического направления, вследствие чего особенно любопытно проследить, как он читает тексты, без преувеличения, самых важных философов в истории человечества. Впрочем, с формальной точки зрения есть некоторые сомнения в возожности исполнения замысла работы: П. Рикёр всё-таки не антиковед, его знание греческого языка, что видно из текста, весьма скромного уровня; кроме того, изданный текст представляет собой курс лекций, автор которых, как кажется, не столько хочет донести до слушателей результаты кропотливых исследований и продуманных идей, сколько разобраться вместе со студентами в античной онтологии. P. Ricoeur's course of lectures, delivered more than half a century ago, is interesting for a number of reasons. Firstly, because it is devoted to an extremely important topic - ancient ontology; secondly, because it was read by one of the leading philosophers of the 20th century; thirdly, because this philosopher was the biggest representative of the hermeneutic direction, so it is especially interesting to trace how he reads texts of, without exaggeration, the most important philosophers in the history of mankind. However, from the formal point of view, there are some doubts about the feasibility of the idea of the work: Ricoeur is not an antiquarian and his knowledge of Greek, as the text shows, is rather modest; besides, the published text is a course of lectures, the author of which seems to want not so much to convey the results of laborious research and elaborated ideas to his students, as to understand ancient ontology together with the students.

Idealism in Judicio of the Red Etatism

2020 ◽  
Vol 65 ◽  
pp. 476-482
Author(s):  
Boris V. Mezhuev
Keyword(s):  
Present Article ◽  
20Th Century ◽  
Point Of View ◽  
The Political ◽  
Soviet Power ◽  
Detailed Review ◽  
Destructive Potential

The article is devoted to the detailed review of the publications almanac of prominent Russian historian M.A. Kolerov who mainly specialized in the works of Russian political idealists of the beginning of the 20th century, and especially those of P.B. Struve. The author draws attention to the fact that in 2018 almanac and in his latest works M.A. Kolerov directly contrasts Struve’s consistent anti-Bolshevism and “White activism” with the powerful national Bolshevist views of his student and disciple N.V. Ustryalov, who accepted Soviet power in 1920, returned to the USSR in 1935 and perished in the period of Stalin repressions. In the present article the author makes the attempt to critically assess national Bolshevism mainly not from the political, but from the moral and philosophic point of view. He notes that the major mistake of Ustryalov and his associates was in their refusal to politically criticize Bolshevism, thus underestimating the destructive potential of the terrorist practices of the Communist dictatorship for the destiny of the country and its people.

scholarly journals Aesthetic and Methodologic Resources of Ezra Pound’s Poetry

2012 ◽  
Vol 19 (-) ◽  
pp. 88-103
Author(s):  
Gabriel C. Gherasim
Keyword(s):  
20Th Century ◽  
Two Dimensions ◽  
Point Of View ◽  
Literary Modernism ◽  
The Cantos

Abstract The study of The Cantos, one of the most complex and difficult works belonging to literary modernism makes possible, precisely due to this observation, the exploration of a series of characteristics and dimensions of Pound’s work that have either remained in a programmatic stage or should be revisited more closely in order for their meanings to be discerned. ‘Analyticity’ and ‘scientism’ can be considered relevant characteristics of Pound’s work, with both aesthetic and methodologic meanings. The present study aims at investigating these two dimensions of Pound’s poetry as they appear in the second and the fourth decades of the 20th century. In conclusion the question is whether Pound’s analyticity and scientism could still be considered valuable from an aesthetic or methodologic point of view.

scholarly journals “Postface to a Catalogue on Bronze and Stone Inscriptions” by Li Qingzhao

2014 ◽  
Vol 26 (31) ◽  
pp. 68-86
Author(s):  
Anna Dashchenko
Keyword(s):  
Russian Translation ◽  
Chinese Literature ◽  
Background Knowledge ◽  
Point Of View ◽  
High Rank ◽  
Distinctive Features ◽  
History Of ◽  
Chinese And English

This article presents the first Russian translation of Postface to a Catalogue on Bronze and Stone Inscriptions (In Chinese: 金石录后序) with detailed comments. This postface was written in about 1135 by the outstanding Chinese poetess and the founder of Yi-an style Li Qingzhao (1084–1155). Her work is not just a supplement written to a fundamental catalogue compiled by her husband Zhao Mingcheng – a famous epigraphist, collector of ancient objects of art and high-rank official. Postface is a unique work because it introduces two genres: an epitaph in commemoration of her husband and an autobiographical essay. Moreover, it is the first female autobiography in the history of Chinese literature. The number of hieroglyphs in this text varies from 1866 to 1877 in different editions. We have revealed the distinctive features in Chinese and English traditions of commenting and studying the Postface. Chinese works are characterized by dominance of impressionist evaluations, lack of well-defined analytical categories and background knowledge. In addition, English works are characterized by using different approaches to translation of the dates and the reign periods, and by attention to the certain stories and personalities mentioned in the text for better understanding the biography of Li Qingzhao. Different opinions as to when this Postface was written have been analyzed and we have also presented our point of view to this matter.

scholarly journals Śmierć porwana. O terezińskiej sztuce Hledáme strašidlo Hanuša Hachenburga z 1943 roku

2019 ◽  
Vol 168 ◽  
pp. 327-335
Author(s):  
Agata Firlej
Keyword(s):  
20Th Century ◽  
Fairy Tales ◽  
Fairy Tale ◽  
Point Of View ◽  
Main Character ◽  
Zygmunt Bauman ◽  
The Holocaust ◽  
German Speaking ◽  
Puppet Theatre ◽  
East And West

The stolen death: About the play Hledáme strašidlo by Hanuš Hachenburg from 1943The puppet theatre play Hledame strašidlo by Hanuš Hachenburg was written in the Terezín/Theresienstadt ghetto in 1943 and over 50 years was hidden in the archive until it was presented to readers and viewers in the 1990s — but it turned out to be still surprisingly valid and cogent. The author, a 14-year-old prisoner of the ghetto, used the conventions of the puppet theatre, the carnival and the fairy tales. The mythical or fairy-tale-like “timelessness” allowed him to show the absurdity of Nazism and — yet unnamed — the Holocaust. The main character of the play, the King, captures Death itself, which soon becomes so ordinary and kitschy that no one is afraid of her. The confinement of Death — a motif known, among others, from the myth of Sisyphus — is an important theme of the theatre in Terezín; it appears also in the German-speaking opera by Peter Kien and Viktor Ullmann, Der Keiser von Atlantis Emperor of Atlantis. In this article, I show how the old themes of enslaved Death and the dance macabre between extasy and destruction become the symbols of the war, and indeed of the 20th century, which culminates in the devastating forces of the great ideologies and in which there can be found the origins of retrotopia, which is now, according to Zygmunt Bauman, the dominating point of view in East- and West-European and in American discourse.  Únos smrti. O terezίnske divadelnί hře Hledáme strašidlo Hanuše Hachenburga z roku 1943Divadelní hra Hledáme strašidlo od Hanuše Hachenburga byla napsána v ghettu Terezín / Theresienstadt v roce 1943 a více než padesát let byla ukryta v archivu, aby v 90. letech si našla cestu pro své čtenáře a diváky — a ukázalo se, že je překvapivě platná a přitažlivá. Autor, čtrnáctiletý vězeň ghetta, využil konvencí loutkového divadla, karnevalu a pohádek. Mýtická nebo pohádková „nadčasovost“ mu umožnila ukázat absurditu nacismu a — tehdy ještĕ nemenovaného — holocaustu. Hlavní postava hry, Král, zachytí samotnou Smrt, která se brzy stane tak obyčejnou a kyčovitou, že se ji nikdo nebude bát. Únos smrti — motiv známý mimo jiné i z mýtu Sisyfa — je důležitým tématem divadla v Terezíně; objevuje se také v německojazyčné operě Petera Kiena a Viktora Ullmanna Der Keizer von Atlantis Císař Atlantidy. V tomto textu ukazuji, jak se staré motivy zotročené Smrti a danse macabre mezi extázi a zničení stávají symbolem války a celého dvacátého století, v který vyvrcholily ničivými sily velké ideologie a kde lze nalézt počátky retrotopie, která je podle Zygmunta Baumana dominantním hlediskem ve východním, západoevropským a americkým diskurzu.

scholarly journals The problem of studying the Montenegrin legislation of the early 20th century: normative and sociological approaches

2020 ◽  
pp. 267-282
Author(s):  
Varvara B. Khlebnikova ◽  
Keyword(s):  
20Th Century ◽  
Large Scale ◽  
Point Of View ◽  
Significant Part ◽  
Early 20Th Century ◽  
Normative Approach ◽  
Sociological Approach ◽  
Legal Science ◽  
Sociological Approaches ◽  
Legislative Activities

The author of the article considers the development of Montenegrin law in the 19th - early 20th centuries and tries to assess the results of the legislative activities of the Montenegrin authorities, that issued new regulations and carried out large-scale codification work on regular basis. From the point of view of the normative approach, widely used in legal science, these activities seemed quite successful; the laws that met urgent needs of the state's development were created within short periods of time. However according to the sociological approach, one has to admit that the significant part of Montenegrin legislation was just a formality and was hardly implemented in practice.

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