XIV.—The Discourses of Sir Joshua Reynolds
The Discourses of Sir Joshua Reynolds formulate a theory of painting which elevates that art to a kinship with the then more firmly established art of poetry. On the ground that painting is no mere handicraft, the great president of the Royal Academy recommended to his pupils “not the industry of the hands, but of the mind,” and insisted that a successful painter “stands in need of more knowledge than is to be picked off his palette.” This general assertion is then amplified, in one of the most significant passages of the lectures. “Every man,” Reynolds continued, “whose business is description, ought to be tolerably conversant with the poets, … that he may imbibe a poetical spirit, and enlarge his stock of ideas. He ought not to be wholly unacquainted with that part of philosophy which gives an insight into human nature… . He ought to know something concerning the mind, as well as a great deal concerning the body of man.”