China in the Perception of Fyodor Dostoevsky
The aim of the study is to form a holistic image of China as presented in the artistic and journalistic works of Fyodor Dostoevsky. The article examines the issue of China’s place in Dostoevsky’s works and its special significance for the formation of a holistic picture of the writer’s world. A broad historical and cultural background is presented, showing the relevance of Dostoevsky’s views on Chinese issues. Despite the existence of works devoted to the Chinese issue in the writer’s work, the issue of the place and significance of China in the writer’s heritage has not yet been resolved. For the first time, a number of fragments are introduced into academic discourse that reveal Chinese problems in the writer’s works. The imagological concept unfolds on the broad material of the entire body of Dostoevsky’s texts, bringing the scholarly apparatus of research to a new level. The article uses the following works: White Nights, Humiliated and Insulted, The Village of Stepanchikovo, The House of the Dead, The Idiot, Crime and Punishment, The Possessed, The Brothers Karamazov, the poem “On European Events in 1854”, A Writer’s Diary, preparatory materials for A Writer’s Diary, notebooks of 1864 and 1865. It is concluded that the understanding of the Chinese theme is in harmony with the general journalistic trends of the second half of the 19th century, on the one hand; on the other hand, the unique place of China in Dostoevsky’s creative mind is emphasized. A clear structure of the constituents that form the writer’s idea of China is proposed. China is considered in several significant aspects. China is a symbol of the alien and the distant. China is like a set of clichés and a fashion for Chinese household items. China is a real threat to the outskirts of Russia, Siberia. These positions are consistently analyzed in the article. The article also analyzes the Chinese attributes found in different works by Dostoevsky, demonstrates the writer’s acquaintance with the clichéd idea of China. The position of understanding China as a symbol of the alien and the distant is considered in detail. The article shows how the author imposes the realities of Chinese statehood and the principles of organizing society on Russian reality based on the key theme of chaos and disorder. Particular attention is paid to the perception of China as a real threat to the outskirts of Russia. In considering this aspect, Dostoevsky’s geopolitical ideas about the place and role of Siberia in the issue of the revival of Russia are touched upon. The need to expand the understanding of the specifics of Dostoevsky’s Asian views is shown by including a detailed analysis of China and the Asian outskirts of Russia, which undoubtedly are part of the writer’s circle of special reflections on the role and mission of Russia.