scholarly journals MAKNA BUDAYA PADA ELEMEN ARSITEKTUR RUMAH GADANG BODI CANIAGO MINANGKABAU DI PROPINSI SUMATRA BARAT

2020 ◽  
Vol 3 (2) ◽  
pp. 151-162
Author(s):  
Aulia Abrar
Keyword(s):  
Qualitative Methods ◽  
Spatial Layout ◽  
Specific Form ◽  
Traditional Architecture ◽  
Cultural Setting ◽  
Architectural Elements ◽  
Close Relationship ◽  
West Sumatra

Title: The Meaning of CaniagoStyle of Minangkabau Architecture in West Sumatra Province Minangkabau Traditional Architecture has its own characteristics, both in architectural and philosophical. The shape of the building has a close relationship with the socio-cultural setting of the community. The characteristics of a building can be reviewed through rationalistic qualitative methods based on topology, morphology and typology theories. Traditional architectural elements can be characteristic of an area. So, each of the works created really have a strong and unique foundation, both in terms of structure, facade shape, spatial layout and also the use of its ornaments. The specific form is able to display forms that are in harmony with their environment so that they are able to remind people or the community of that environment. This form makes the Minangkabau architecture easy to remember and known everywhere because whatever is created has a strong foundation and is truly specific.

BATOMBE: WARISAN BUDAYA BANGSA DARI NAGARI ABAI PROVINSI SUMATERA BARAT

2017 ◽  
Vol 7 (2) ◽  
pp. 159
Author(s):  
Eva Krisna
Keyword(s):  
Oral Tradition ◽  
Multidisciplinary Approach ◽  
Descriptive Analysis ◽  
Community Life ◽  
Psychological Approach ◽  
Negative Effects ◽  
Great House ◽  
Close Relationship ◽  
West Sumatra ◽  
The Relationship

“Batombe” is an oral tradition of the Nagari Abai society at Sangir Batanghari Subdistrict, South Solok District, West Sumatra Province. Batombe is exchanging rhymes (berbalas pantun) which is performed as an entertainment on the wedding party (baralek). Batombe is identical with Great House (Rumah Gadang) Nagari Abai which is a unique house because it is a long traditional custom house that has many rooms. It reaches 21 rooms. The rhymes in batombe tends to deliver a feeling of lilting so the singers often drift into the atmosphere of the show. Therefore, as part of community life, batombe often cause a negative effects for the singers soul. This paper describes various things, such as: who batombe singer is; the time to perform this activity; the relationship between batombe and Great House (Rumah Gadang) at Nagari Abai; and the negative effects caused by batombe for the singers. This paper based on the fact that in oral tradition there is a close relationship between text and the speakers and text with context (place, time and atmosphere), a multidisciplinary approach is used in this paper, such as historical, sociological, anthropological, and psychological approach. The method used is descriptive analysis method.AbstrakBatombe adalah tradisi lisan masyarakat Nagari Abai, Kecamatan Sangir Batanghari, Kabupaten Solok Selatan, Provinsi Sumatra Barat. Batombe adalah tradisi berbalas pantun yang dilakukan sebagai hiburan pada pesta pernikahan (baralek). Batombe identik dengan rumah gadang Nagari Abai yang unik, yakni rumah adat dengan ruangan yang sangat panjang hingga 21 ruangan. Pantun-pantun batombe cenderung menyampaikan perasaan yang mendayu-dayu sehingga para pedendangnya sering hanyut ke dalam suasana pertunjukan. Oleh sebab itu, sebagai bagian dari kehidupan masyarakat, seringkali batombe menyebabkan efek negatif bagi (kejiwaan) para pedendangnya. Tulisan ini mendeskripsikan berbagai hal, seperti penutur batombe, waktu untuk melakukan batombe, hubungan batombe dengan rumah gadang di Nagari Abai, dan efek negatif yang ditimbulkan batombe bagi pedendangnya. Tulisan ini bertolak dari kenyataan bahwa pada tradisi lisan terdapat hubungan erat, antara lain seperti teks dengan penutur dan teks dengan konteks (tempat, waktu, dan suasana). Pendekatan multidisipliner digunakan pada tulisan ini, yakni pendekatan historis, sosiologis, antropologis, dan psikologis. Metode yang digunakan adalah metode analisis deskriptif.

Transformasi Bentuk Pertunjukan Ronggeng Pasaman Grup Ganto Saroha Kecamatan Duo Koto Kabupaten Pasaman

2019 ◽  
Vol 4 (1) ◽  
Author(s):  
Kurniawan Fernando ◽  
Martarosa Martarosa ◽  
Awerman Awerman
Keyword(s):  
Local Government ◽  
Young People ◽  
Qualitative Methods ◽  
Early Morning ◽  
Analytic Description ◽  
Great Demand ◽  
The People ◽  
Keyboard Music ◽  
West Sumatra ◽  
Form Transformation

<p align="center"><strong><em>Abstract</em></strong></p><p><em>This study aims to determine the transformation of the Ronggeng Pasaman performance of the Ganto Saroha group in Duo Koto District, Pasaman Regency. Ronggeng Pasaman is a performance art consisting of pantun, joget, and music, especially in Simpang Tonang, Pasaman, West Sumatra. The form of the Ronggeng Pasaman show is combining bouncing skills while dancing to the accompaniment of violin and drum music. The show starts at night, and ends until early morning. Currently Ronggeng Pasaman has undergone a transformation, people, especially young people, are less interested and begin to leave their regional arts, so the Ronggeng Pasaman show is rarely displayed. There was anxiety from the artists themselves, then initiatives emerged to attract the attention of the people. So it formed the Ronggeng Pasaman Ganto Saroha group, with the addition of keyboard music instruments in the show. Unlike the Pasaman Ronggeng Performance in general, the Ganto Saroha group does not show male singers with female appearance, but rather singers are real women or men. This study uses qualitative methods, is analytic description, observant participants. The results showed that the transformation carried out by the artists, made the Ronggeng Pasaman performance of the Ganto Saroha group well received and in great demand by all people in Pasaman, and was fully supported by the local government.</em></p><p><strong><em>Keywords : </em></strong><em>Form Transformation, Pasaman Ronggeng Performance, Ganto Saroha Group</em></p><p align="center"><strong><em>Abstrak</em></strong></p><p><em>Penelitian ini bertujuan untuk mengetahui transformasi bentuk pertunjukan Ronggeng Pasaman grup Ganto Saroha di Kecamatan Duo Koto, Kabupaten Pasaman. Ronggeng Pasaman merupakan seni pertunjukan  terdiri dari pantun, joget, dan musik, khususnya terdapat di Simpang Tonang, Pasaman, Sumatera Barat. Bentuk pertunjukan Ronggeng Pasaman adalah menggabungkan keahlian berpantun sambil menari dengan iringan musik biola dan gendang. Pertunjukan dimulai pada malam hari, dan berakhir hingga menjelang pagi. Saat ini Ronggeng Pasaman telah mengalami transformasi, masyarakat khususnya anak muda kurang meminati dan mulai meninggalkan kesenian daerahnya, sehingga pertunjukan Ronggeng Pasaman jarang ditampilkan. Terdapat keresahan dari diri seniman, kemudian muncul inisiatif untuk menarik kembali perhatian masyarakatnya. Sehingga dibentuk grup Ronggeng Pasaman Ganto Saroha, dengan penambahan instrument musik keyboard dalam pertunjukannya. Beda dengan Pertunjukan Ronggeng Pasaman  pada umumnya, grup Ganto Saroha tidak menampilkan penyanyi laki-laki berpenampilan perempuan, melainkan penyanyi adalah perempuan atau laki-laki sesungguhnya. Penelitian ini menggunakan metode kualitatif, bersifat deskripsi analitik, partisipan observan. Hasil penelitian menunjukkan bahwa transformasi yang dilakukkan para seniman, membuat pertunjukan Ronggeng Pasaman grup Ganto Saroha diterima dengan baik  dan diminati semua kalangan masyarakat Pasaman, dan  didukung penuh oleh pemerintahan setempat.</em></p><strong><em>Kata kunci : </em></strong><em>Transformasi Bentuk, Pertunjukan Ronggeng Pasaman, Grup Ganto Saroha</em>

scholarly journals Ecotourism and Ecolodge Accommodation

2017 ◽  
Vol 7 (2) ◽  
Author(s):  
Dr.Sc. Dragan Bulatović
Keyword(s):  
Protected Areas ◽  
National Parks ◽  
Alternative Energy ◽  
Specific Form ◽  
Traditional Architecture ◽  
Specific Content ◽  
Mass Tourism ◽  
Alternative Energy Sources ◽  
The World ◽  
Unique Experience

In ecotourism, as a specific form of tourism, conscientious individuals and groups participate, who by its influence on nature are trying to reduce effects produced by so called mass tourism. Ecotourism product should be developed on the contemporary tourism trends, with full respect of local specificity which represent commitment in regard to competitive destinations. Existence of receptive factors, such as facilities for accommodation, nutrition, entertainment and recreation, represent one of the basic prerequisites for the development of any ecotourism destination. Ecotourists seek accommodation which is ecologically acceptable, modest but cozy at the same time and provides unique experience in natural surroundings. In accordance with these demands protected areas all around the world offer its visitors high quality Ecolodge facilities, which are fully submerged into nature. During their construction and management strict criteria of protection of the environment are followed with optimal waste and energy management. Montenegro has enviable spacious potential for this kind of accommodation in protected areas, especially in its five national parks, so this form of accommodation has to find its place in the future development of tourism. Designing and construction of ecotourism facilities has to be strategically planned and the fact, that it is not enough just to have attractive location but also specific content it has to offer, has to be respected. Ecolodge facilities should be designed and built in accordance with traditional architecture and surrounding materials, to influence as little as possible on the environment and to use alternative energy sources. In other words, it is necessary to provide sustainability of these facilities.

scholarly journals POLITIK RELASI ETNIK: MATRILINEALITAS DAN ETNIK MINORITAS CINA DI PADANG, SUMATRA BARAT

2014 ◽  
Vol 6 (1) ◽  
pp. 136-150
Author(s):  
Laila Kholid Alfirdaus ◽  
Eric Hiariej ◽  
Farsijana Adeney Risakotta
Keyword(s):  
Political Economy ◽  
Qualitative Methods ◽  
Political Culture ◽  
The Other ◽  
Residential Areas ◽  
Mass Violence ◽  
Depth Interview ◽  
West Sumatra

Relasi etnik Minang dan etnik Cina di Padang, Sumatra Barat, menarik untuk dikaji. Melalui desk-study atas kajian Minang dan Cina, yang diperkuat dengan penelitian lapangan pada 2010 dan 2013 secara kualitatif dengan wawancara dan observasi, tulisan ini menemukan bahwa tidak cukup melihat relasi etnik Minang dan Cina dari perspektif ekonomi politik. Kita perlu memberikan perhatian terhadap faktor budaya dan budaya politik masyarakat Minang di Padang yang bercorak matrilineal. Jika literatur yang ada cenderung deterministik, menghasilkan dua pandangan yang secara ekstrem berbeda, yang dalam artikel ini disebut pandangan manis dan sinis, tulisan ini berargumen sebaliknya. Relasi etnik Minang dan etnik Cina tidak bisa secara buru-buru disebut manis hanya karena etnik Cina telah menetap dan berpartisipasi dalam kehidupan sosial ekonomi Padang sejak zaman penjajahan, atau karena Padang relatif minim kerusuhan dibandingkan kota lainnya. Demikian juga, ia tidak bisa serta merta dilihat secara sinis hanya karena segregasi sosial terlihat lebih kentara. Tulisan ini berargumen bahwa dua wajah yang secara bersamaan terjadi tidak lepas dari bentukan budaya Minang yang lekat dengan nilai-nilai matrilineal yang tertuang dalam ide feministik Bundo KanduangInter-etnic relations between Minang and Chinese in Padang, West Sumatra, that looks different compared to other societies in Indonesia is interesting to discuss. Through a desk study about Minang and Chinese, being strengthened with fieldworks in 2010 and 2013 using qualitative methods in which in-depth interview and non-participatory observations, this article found that political economy perspective being used to explain Minang-Chinese relations is not enough. We need to pay attention on culture and political culture of Minangkabau society in Padang, that is matrilineal in the nature. While the existing lieratures tend to strictly classify the relations into sweet and cynical (good and bad relations), this article argue the contrary. The relatively long encounter of Chinese with Minang in Padang as well as the less conflicts (mass violence) against Chinese compared to the other regions could not be simply categorized as manis (sweet relations). Similarly, we should not undermine the good relations between Minang and Chinese, existing in some ocassions merely as formalistic practices just because of segregation in Minang and Chineses residential areas. This article argues that the twocontrary but inseparable faces of Minang-Chineses relations are inseparable from the Minangkabau culture that is matrilineal in the nature, as manifested in Bundo Kanduang containing the idea of femininity.

scholarly journals Mass Media Construction of Irwan Prayitno’s Leadership: A Critical Discourse Analysis

2020 ◽  
Vol 5 (1) ◽  
pp. 1
Author(s):  
Hetti Waluati Triana ◽  
Martin Kustati ◽  
Ilham Muhammad ◽  
Reflinaldi Reflinaldi ◽  
Awliya Rahmi
Keyword(s):  
Mass Media ◽  
Critical Discourse Analysis ◽  
Social Practice ◽  
Research Orientation ◽  
Close Relationship ◽  
West Sumatra ◽  
The Media ◽  
The Mass Media ◽  
Discourse Practice ◽  
Gubernatorial Election

This study aims to investigate Irwan Prayitno's characters that were constructed by the mass media and the construction patterns used by each of the mass media. The study applied a descriptive model by applying mixing methods; qualitative and quantitative. The research data were obtained from Padang Ekspress, Singgalang, and Haluan print media. Following the research orientation, the data were collected from the August-November 2015 issues. Various characteristics of Irwan Prayitno’s leadership were reported with different patterns in each mass media. The differences were influenced by the practice of discourse and social practices that underlie the emergence of news. From the perspective of discourse practice, although each editor in chief emphasized the independence of media in politics, they did not deny that the owners of each media had a close relationship with certain political figures, including Irwan Prayitno. This created a high quantity of news framing the political figure. Still, the news was reported and issued following the applicable standards and procedures in the company. From a social practice perspective, information related to Irwan Prayitno was influenced by the situation and atmosphere of the West Sumatra gubernatorial election in 2015. Each of the media covered events related to Irwan Prayitno intending to capitalize on influence through reporting and advertising campaigns.

scholarly journals Reflecting the Spirit of Modern-Indonesia Through Architecture: The Icono-Symbolical Meanings of Jengki Architectural Style Case Studies: Bandung Polytechnic of Health Building and Bumi Sangkuriang Meeting Hall in Bandung, West Java, Indonesia

2020 ◽  
Vol 20 (2) ◽  
pp. 13-26
Author(s):  
Purnama Salura ◽  
Stephanie Clarissa ◽  
Reginaldo Christophori Lake
Keyword(s):  
Architectural Style ◽  
West Java ◽  
Architectural Discourse ◽  
Traditional Architecture ◽  
Post Colonial ◽  
Architectural Elements ◽  
International Style ◽  
Foundational Principle ◽  
History Of ◽  
Architectural Knowledge

The architectural discourse in Indonesia generally focuses on traditional architecture that represents specific regional icons, the synthesis of traditional architecture with European-style architecture, and modern architecture inspired by International Style. This research focuses on the architectural style in Indonesia which flourished in the 1950s, known as the Jengki architectural style. This architectural style is essential in the history of Indonesian architecture, considering that the style reflects the spirit of nationalism and post-colonial Indonesian. This research aims to explore the icons of Jengki architecture, by elucidating the architectural concepts that underlie the two oldest Jengki buildings in Bandung, West Java. The analysis showed that the characteristics of this architectural style shown by the configuration of architectural elements resembling the form of a pentagon, mostly asymmetrical in spatial layout, playful articulation of ornaments, and the use of local materials. The pentagon becomes an icon of Pancasila, which is a foundational principle of the new Indonesian state and symbolize the meaning of nationalism. Thus, the icon which also represents symbolic meaning becomes an essential aspect in the design of Jengki-style buildings in the future. This icon can be an alternative to be applied to modern buildings that are intended to display national icons, rather than particular regional icons. Besides enriching the architectural knowledge of Indonesian architecture, the results of this study are beneficial to architectural practitioners, stakeholders, and architectural conservationists as well

scholarly journals The Implementation of Brand Element Strategic in Marketing Communication on Local Small-Medium Business in West Sumatra

2019 ◽  
Vol 4 (1) ◽  
Author(s):  
Tuti Widiastuti
Keyword(s):  
Social Media ◽  
Small Business ◽  
Qualitative Methods ◽  
Brand Strategy ◽  
Depth Information ◽  
Marketing Communication ◽  
The Public ◽  
West Sumatra ◽  
Internet And Social Media

In this study the authors want to provide an overview of the local small business brands that use brand strategy element in developing its business. This research has a focus of research on Kapuyuak brand which is a local brand originating from Bukittinggi West Sumatra. The thing studied is the attribute used by the Kapuyuak brand so that the public has a perception and become loyal to the brand. This study uses qualitative methods to obtain more in-depth information about the strategies used from Kapuyuak and its customers. The results show that Kapuyuak has the power to identify the value of the brand based on the insight of consumers and market insight. In communicating its brand Kapuyuak uses internet and social media in distributing its value.

BATOMBE: WARISAN BUDAYA BANGSA DARI NAGARI ABAI PROVINSI SUMATERA BARAT

2017 ◽  
Vol 7 (2) ◽  
pp. 159
Author(s):  
Eva Krisna
Keyword(s):  
Oral Tradition ◽  
Multidisciplinary Approach ◽  
Descriptive Analysis ◽  
Community Life ◽  
Analysis Method ◽  
Negative Effects ◽  
Great House ◽  
Close Relationship ◽  
West Sumatra ◽  
The Relationship

“Batombe” is an oral tradition of the Nagari Abai society at Sangir Batanghari Subdistrict, South Solok District, West Sumatra Province. Batombe is exchanging rhymes (berbalas pantun) which is performed as an entertainment on the wedding party (baralek). Batombe is identical with Great House (Rumah Gadang) Nagari Abai which is a unique house because it is a long traditional custom house that has many rooms. It reaches 21 rooms. The rhymes in batombe tends to deliver a feeling of lilting so the singers often drift into the atmosphere of the show. Therefore, as part of community life, batombe often cause a negative effects for the singers soul. This paper describes various things, such as: who batombe singer is; the time to perform this activity; the relationship between batombe and Great House (Rumah Gadang) at Nagari Abai; and the negative effects caused by batombe for the singers. This paper based on the fact that in oral tradition there is a close relationship between text and the speakers and text with context (place, time and atmosphere), a multidisciplinary approach is used in this paper, such as historical, sociological, anthropological, and psychological approach. The method used is descriptive analysis method. Abstrak Batombe adalah tradisi lisan masyarakat Nagari Abai, Kecamatan Sangir Batanghari, Kabupaten Solok Selatan, Provinsi Sumatra Barat. Batombe adalah tradisi berbalas pantun yang dilakukan sebagai hiburan pada pesta pernikahan (baralek). Batombe identik dengan rumah gadang Nagari Abai yang unik, yakni rumah adat dengan ruangan yang sangat panjang hingga 21 ruangan. Pantun-pantun batombe cenderung menyampaikan perasaan yang mendayu-dayu sehingga para pedendangnya sering hanyut ke dalam suasana pertunjukan. Oleh sebab itu, sebagai bagian dari kehidupan masyarakat, seringkali batombe menyebabkan efek negatif bagi (kejiwaan) para pedendangnya. Tulisan ini mendeskripsikan berbagai hal, seperti penutur batombe, waktu untuk melakukan batombe, hubungan batombe dengan rumah gadang di Nagari Abai, dan efek negatif yang ditimbulkan batombe bagi pedendangnya. Tulisan ini bertolak dari kenyataan bahwa pada tradisi lisan terdapat hubungan erat, antara lain seperti teks dengan penutur dan teks dengan konteks (tempat, waktu, dan suasana). Pendekatan multidisipliner digunakan pada tulisan ini, yakni pendekatan historis, sosiologis, antropologis, dan psikologis. Metode yang digunakan adalah metode analisis deskriptif.

Traditional architecture and sustainable conservation

2018 ◽  
Vol 8 (2) ◽  
pp. 194-206 ◽  
Author(s):  
Luis Fernando Guerrero Baca ◽  
Francisco Javier Soria López
Keyword(s):  
Vernacular Architecture ◽  
Environmental Crisis ◽  
Natural Environments ◽  
Traditional Architecture ◽  
Content Type ◽  
Architectural Practice ◽  
Close Relationship ◽  
Sustainable Conservation ◽  
Social Use ◽  
Active Implementation

Purpose The purpose of this paper is to examine the need to go beyond the “monumentalist” vision in restoration of built heritage and embrace principles of sustainability in this architectural practice. Design/methodology/approach Case studies as conceptual reference. Architectural typology. Findings The environmental crisis that is currently recognized as one of the most important problems that contemporary society must address urgently is a situation that still has not permeated enough in the practice of monumental restoration, which is still carried out using unlimited resources. Research limitations/implications In that sense, the close relationship between the built and the natural environment as an essential ingredient of the vernacular is analysed. Practical implications Much of the sustainable principles, that have been put forward as an example to be followed, are elements that have hundreds of years in the constructive tradition. Social implications In this context, vernacular architecture has much to contribute in the field of conservation by the enormous accumulated knowledge that its shapes, materials and social use represent. Originality/value This experience must be retrieved, but not as an aseptic laboratory experiment, but through its updated application and active implementation to improve the quality of life for inhabitants and contribute to the preservation of our cultural and natural environments.

scholarly journals Changes of Form of Malay Traditional Houses in Medan and Surroundings

2020 ◽  
Vol 2 (2) ◽  
pp. 495-502
Author(s):  
Imam Faisal Pane ◽  
Hilma Tamiami Fachrudin
Keyword(s):  
Qualitative Methods ◽  
Traditional Architecture ◽  
Form And Function ◽  
The Times ◽  
Surrounding Areas ◽  
And Function ◽  
Building Owner

Malay Architecture is one of the architectures that developed in Medan City and its surroundings. Malay ethnicity has existed and developed in this area marked by the presence of the Deli Malay Sultanate whose Kingdom capital is in Medan. With the existence of this Sultanate, the existence of Malay architecture is getting stronger and influencing the community, especially for the Malay community. This article aims to look at the development of Malay architecture nowadays with various influences that come from everywhere. This influence is certainly related to the form of this building which changes follow the times. Observation locations are in Medan and its surrounding areas, namely Langkat and Serdang Bedagai. Qualitative methods are used to see physical facts in the field which are corroborated by the questionnaire as a form of respondents’ expressions. The results obtained are some changes to the building caused by the variety of activities owned by residents of the house so that it requires space that affect the changes in the form and function of the building. Overall, the building owner still maintains the characteristics of Malay traditional architecture, especially the use of ornaments or decoration on the building.

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