ON THE STRUCTURE OF LINKS IN A HYPERTEXTUAL LITERARY WORK

2020 ◽  
Vol 76 (4) ◽  
pp. 104-110
Author(s):  
ELENA S. MANCHENKO ◽  
◽  
ELENA M. TORBIK ◽  
GULFINUR S. KADYRBIRDIEVA ◽  
◽  
...  

The article explains the relevance of the research that is determined by the interest of modern linguistics in the study of the author's composition of literary works, which differs from the usual forms of the printed text. The aim of the research is to study the lexical and grammatical features of hypertext by examining the autobiographical novel “My Body" by Shelley Jackson. The material for the research is the hypertext of the autobiographical novel “My Body” by Shelley Jackson, which represents a new electronic form of the novel and is considered to be a lexicographic hypertext. When considering hypertext as a special branching structure of written communication, the definition of "hypertext" is suggested, the main types of hyperlinks presented in the novel under study are considered and illustrated. The analysis of the structure of the hypertext links presentation based on the novel under consideration showed that there are four types of relations between determinative and determinant in external syntagmas: attributive, objective, relational and predicative ones. Syntagmas in hyperlinks are studied according to the types of word combinations: nuclear and non-nuclear word combinations. Hyperlinks in the form of sentences (sentences and quasi-sentences) can also be found in the hypertext. The article analyses lexical and grammatical features of fictional e-hypertext by examining the novel “My Body" by Shelley Jackson. It has been found that relations between language units of different levels within the framework of the hypertext novel are systemic in nature. By using hyperlinks, the author helps the reader generate new ideas, preserving coherence of a literary work.

2020 ◽  
Vol 9 (2) ◽  
pp. 146
Author(s):  
Khoirun Nisak ◽  
Purwati Anggraini

Artikel ini mendiskusikan kritik  sosial dalam novel “Anak-Anak Tukang” karya Baby Ahnan. Novel itu mengisahkan hiruk piruk kehidupan lingkungan sosial yang di dalamnya mengandung kritik sosial seperti soal pemerataan pembangunan pendidikan. Sementara pengertian kritik pada dasarnya merupakan wujud sambutan pembaca yang menghakimi serta menilai karya sastra guna memberi penilaian dan memberi keputusan baik dan buruk tidaknya suatu karya satra yang telah dibaca oleh kritikus. Metode yang digunakan metode deskriptif kualitatif dan pendekatan sosiologi sastra. Hasil penelitian menunjukkan bahwa pembangunan fisik yang terjadi di daerah seperti Flores ternyata tidak menjamin terjadinya peningkatan kesejatraan masyarakat. Kemudian, pemanfaatan tenaga kerja lokal di sektor pembangunan menjadi tidak optimal karena pendidikan mereka rendah sebagai akibat pendidikan yang tidak merata.Katakunci: kritik, sosial, lingkungan, pendidikan Abstract:This article discusses social criticism in Baby Ahnan's novel “Anak-Anak Tukang”. The novel tells a story of the hustle and bustle of social life which contains social criticism, such as the issue of equality of education. Meanwhile, the definition of criticism is basically a form of response from readers who judge and judge literary works in order to give judgments and make decisions about whether or not a literary work has been read by critics. The method used was descriptive qualitative method and sociological literary approach. The results show that physical infrastructure development in areas such as Flores did not guarantee an improvement in the welfare of the community. Then, the utilization of local labor in the development sector is not optimal because their education is low as a result of unequal education.Keywords: criticism,  education, environmental, social 


2021 ◽  
Vol 1 (1) ◽  
pp. 8-13
Author(s):  
Patricia Wulandari

A good literary work can provide information about various kinds of community life,including life related to religiosity. Literary works are closely related to religisiutas,because of that, various works appearing showing the religiosity of society, one ofwhich is the Javanese. Modern Indonesian literary works that illustrate this are thecollection of short stories from Umi Kalsum by Djamil Suherman, the lyrical prosePengakuan Pariyem by Linus Suryadi AG, and the novel Ronggeng Dukuh Paruk byAhmad Tohari. Each of these works represents the diversity of Javanese society. Thecollection of short stories from Umi Kalsum shows the religious side of the communitycalled the santri who are so obedient in carrying out their worship. The lyrical proseof Pariyem's confession provides information on how a babu is so resigned to seeinglife, but in her soul holds the wisdom of Kejawen. Meanwhile, Ronggeng Dukuh Parukdescribes the Javanese people who worship the spirits of their ancestors. Even thoughthey have different religions, they basically want harmony. Javanese people who livein santri enjoy harmony when they live with strong Islamic values. The Javanesepeople of the Gunung Kidul area live in harmony if they are always nrimo and see lifeas it is according to its Javanese nature. The Dukuh Paruk community attainsharmony that originates from the worship of the spirit of Ki Secamenggala.


2016 ◽  
Vol 4 (1) ◽  
pp. 74
Author(s):  
Ehsan Ghabool ◽  
Mina Ravansalar

Imagology is a branch of comparative literature which explores the image of one nation in the literature of another nation. One Thousand Nights and One Night is among the important books which can show the image of different nations and people such as Indians, Iranians and Arabs. Since the oldest version of the book is in Arabic, it is considered an Arabic literary work though it was translated from a Persian tale in the first place. On this basis the study of the image of Iranians in One Thousand Nights and One Night can be included under the definition of imagology. In this article, first we explain, analyze and study the image of Iranians in the book One Thousand Nights and One Night with respect to 1. anthropology (including entertainments, personification of animals, disapprobation of lies and betrayal of spouses), 2. religious and mythical beliefs (including the belief in daevas and jinnis, magic, fire-worshipping and similar plots), 3. politics (emphasizing the position of vizier and his family in government), 4. economics (emphasizing economic prosperity), then we will compare the collected information with the image of Iranians in credited works and in this way we will identify the similarities and differences of Iranians’ image in One Thousand Nights and One Night and the above-said literary works. Finally we come to this conclusion that the similarities belong to the real image of Iranians in the pre-Islamic days and that differences show the image of post-Islamic Iran which is added through Arabic translation.


2021 ◽  
Vol 1 (01) ◽  
pp. 42-55
Author(s):  
Ririn Nurul Azizah

Literary works in this era of progress have been very developed. The creation of literary works is usually influenced by the literary works that preceded it. The literary work that precedes is used as an example or role model for later literary works. Two or more literary works with the same theme have similarities and differences. Similarities and differences in several literary works can be analyzed using the principle of intertextuality. This principle is intended to examine texts that are considered to have a certain relationship with other texts so that it is possible for a work to become a hypogram for subsequent literary works. In this study the author chose the title " Intertextual Study of the Novel Cinta Bertabur Di Langit Mekkah by Roidah and Novel Asmara Di Atas Haram  by Zulkifli L. Muchdi with a Sociological Approach ". Based on the object studied, this study aims to describe: (1) the structure of Roidah's novel Cinta Bertabur Di Langit Mekkah (CBM) and novel Asmara Di Atas Haram (ADH) by Zulkifli L. Muchdi, (2) similarities and differences in the novel Cinta Bertabur Di Langit Mekkah (CBM) by Roidah and novel Asmara Di Atas Haram (ADH) by Zulkifli L. Muchdi, (3) Intertextual relations between Roidah's novel Cinta Bertabur Di Langit Mekkah (CBM) and Zulkifli L. Muchdi's novel Asmara Di Atas Haram (ADH, and (4) sociological aspects of novel Cinta Bertabur Di Langit Mekkah (CBM) by Roidah and novel Asmara Di Atas Haram  (ADH) by Zulkifli L. Muchdi. The method used is descriptive analysis method. The results obtained in the research are intrinsic elements of the novel, similarities and differences between the two novels, intertextual relations and sociological aspects which include social aspects, religious aspects, economic aspects, and love aspects.


2019 ◽  
Vol 4 (1) ◽  
pp. 20
Author(s):  
Meli Kusmawati

Abstrak:             Penulisan ini untuk mengetahui tokoh Aku yang mengalami luka karena dikhianati dan ditinggalkan oleh kekasihnya sehingga ia mengalami konflik batin.  Pembaca diberi gambaran untuk terus berjalan meskipun deretan ironi telah banyak melukai. Novel ini memiliki aspek-aspek yang sangat menarik untuk dikaji.  Masalah yang dibahas dalam penelitian ini adalah bagaimana aspek-aspek prikoanalisi (yang nyata, yang imajiner,  dan yang simbolik)dAalam Novel Cinta Tak Pernah Tepat Waktu karya Puthut EA . Berdasarkan rumusan masalah tersebut,  penelitian ini bertujuan untuk mendeskripsikan aspek-aspek psikoanilisis yang terdapat dalam Novel Cinta Tak Pernah Tepat Waktu karya EA.  Jenis penelitian ini adalah penelitian kualitatif untuk menghasilkan data berupa berupa deskriptif.  Metode yang digunakan dalam pengumpulan data antara lain: metode dokumentasi,  metode telaah,  dan metode studi perpustakaan.  Sesuai terkumpul akan dianalisis dengan tekhnik deskriptif.  Hasil penelitian ini adalah novel Cinta Tak Pernah Tepat Waktu karya Puthut EA mengandung aspek-aspek psikoanalisi.  Aspek-aspek psikoanalisis yang terdapat dalam novel ini dibagi menjadi tiga, yaitu: yang nyata(rasa kenyamanan pada tokoh Aku) yang imajiner (rasa kehilangan pada tokoh Aku),  yang simbolik (rasa keinginan pada tokoh Aku)Setiap karya sastra pada dasarnya mengandung aspek-aspek yang dapat memberikan manfaat sebagai pedoman bagi pembacanya sehingga hendaknya karya-karya sastra dapat diapresiasikan secara maksimal. Novel ini berisi pengalaman tokoh Aku beserta hikmah yang dapat dipetik dalam kehidupan. Abstrak:             The writing was to know the figure of I who was injured by being betrayed and abandoned by his lover so that he suffered an inner conflict.  Readers are given an overview to keep going though a row of irony has hurt a lot. The Novel has very interesting aspects to be studied.  The problem discussed in this study is how the Prikoanalyisi aspects (the real, the imaginary, and the symbolic) dAalam Novel Love never punctual the work of Puthut EA. Based on the problem, this research aims to describe the aspects of psychoanilisis in the Novel Love never-timely work of EA.  This type of research is qualitative research to produce a descriptive form of data.  Methods used in data collection include: Documentation methods, study methods, and library studies methods.  The appropriate collected will be analyzed with descriptive technology.  The results of this research are novel love never timely work by Puthut EA contains psychoanalyisi aspects.  The psychoanalytical aspects contained in the novel are divided into three, namely: the real (sense of comfort on the figure of me) the imaginary (the loss of my character), the symbolic (sense of desire on the figure of me) every literary work essentially Contains aspects that can provide benefits as a guideline for its readers so that the literary works can be maximally appreciated. This Novel contains the experience of the character I and the wisdom that can be learned in life.


Adeptus ◽  
2015 ◽  
pp. 11-25
Author(s):  
Thibault Deleixhe

The historic novel under the vigilance of the censor – analysis of textsThis article focuses on the relation that Jacek Bochenski’s historical novel entitled The poet Naso published in 1969 presents towards the concept of censorship. In the article the author aims at proving that the understanding of censorship by Bochenski is similar to the observations of the Hungarian essayist Mikos Haraszti. Tracking the allegoric references scattered through the novel, the author of the article reconstructs Bochenski’s reflection about this internalized censorship and checks its convergence with Haraszti’s remarks. From this exercise emerges a definition of the role of the artist that seems to be inherited from the romantic period: an artist as a person that subordinates himself unconditionally to art, and not to the temporal power. The author of the article then interrogates the respect which Bochenski has been showing to his definition in his literary work. It appears that the writer has been prone to make bigger concessions in order to soften the reception of his book by the censors than he advises his writing colleagues. However, the literary strategies deployed by Bochenski operate on two levels: creating an overall ambiguity about the guilt of its main protagonist, they tend to soften its reception by the censorship; while at the same time, rendering this overall atmosphere of ambiguity, they give a literary form to the spectral character of the guilt of the artist, who – as in Ovidius’ case – is permanently accountable for what he has not yet done in the building of communism. Powieść historyczna pod czujnym okiem cenzora – analiza tekstówArtykuł poświęcony jest  powieści historycznej Jacka Bocheńskiego pt. Nazo poeta z roku 1969 i jego rozumieniu pojęcia cenzury uwewnętrznionej. Autor artkułu udowadnia, że ujęcie problemu cenzury przez Bocheńskiego jest zbliżone do konstatacji węgierskiego eseisty Miklósa Harasztiego. Tropiąc alegoryczne odniesienia do cenzury rozproszone w tej powieści, autor artykułu odtwarza refleksję Bocheńskiego i sprawdza jej zbieżność z uwagami Harasztiego. Z rekonstrukcji wyłania się, zapożyczona z okresu romantyzmu, definicja artysty jako osoby bezwarunkowo podporządkowanej sztuce, a nie władzy. Autor artykułu testuje czy Bocheński pozostaje wierny tej definicji we własnej twórczości i uwypukla skłonność pisarza do ustępstw mających na celu złagodzenie odbioru jego dzieła przez cenzurę. Są to ustępstwa większe od tych, które zdaje się zalecać swoim kolegom po fachu. Strategie literackie, które stosuje Bocheński, działają jednak na dwóch płaszczyznach. Tworząc niejednoznaczność winy głównego bohatera powieści, łagodzą jej odbiór przez cenzurę, a jednocześnie – kreując tę niejednoznaczność – pozwalają na literackie przedstawienie widmowego charakteru winy artysty, który jest zawsze odpowiedzialny – tak jak Owidiusz – za to, czego jeszcze nie zrobił. W tym wypadku czego nie zrobił dla budowy komunizmu.


2020 ◽  
Vol 8 (1) ◽  
pp. 116
Author(s):  
Abbas Abbas

This article discusses the social facts experienced by Americans in literature, especially novel. Literary work as a social documentation imagined by the author is a reflection of the values of a nation or ethnicity. The main objective of research is to trace the reality of slavery that occurred in America as a social fact in literary works. This research is useful in strengthening the sociological aspects of literary works as well as proving that literary works save a social reality at the time so that readers are able to judge literary works not merely as fiction, but also as social documentation. The writer in this study uses one of the literary research methods, namely Genetic Structuralism Approach. This method emphasizes three main aspects, namely literary work, the background of the author's life, and social reality. Novel Incidents In The Life Of A Slave Girl written by Harriet Ann Jacobs in 1858 was used as primary research data, then a number of references about the author's social background and the reality of slavery in the history of the American nation became secondary data. Primary and secondary research data obtained through literature study. Based on the results of this study found the events of slavery in the history of the American nation. Slavery was the act of white Americans forcibly employing black Negroes on the lands of plantation and agricultural also mining areas. Slavery is a valuable lesson for Americans in protecting human rights today as well as a historic lesson in building the American national spirit, namely freedom, independence, and democracy. The reality of slavery is reflected in the novel Incidents In The Life Of A Slave Girl as well as the life experience of its author, Harriet Ann Jacobs.


2019 ◽  
Vol 21 (1) ◽  
pp. 232-241
Author(s):  
G. I. Lushnikova ◽  
T. Iu. Osadchaia

Postmodern play is one of the important characteristics of modern fiction; it often acts as a text-forming element of the literary work. Literary play is manifested within different text levels and literary discourse strategies: the narrative, composition, imagery, diction, narrative temporality and modality, the technique of metanarrative. The present paper features the poetics of play within different text levels and literary discourse strategies in the novel by contemporary Scottish writer Ali Smith "There But For The". At the level of the novel’s narrative, the play manifests itself in the confusion of reality and fantasy, imagination and actual memory in the characters' internal speech. At the level of composition, the author plays with the readers, giving them an opportunity to find some "key" that will connect the four chapters of the novel and the prologue; the characters and connections between them are sometimes also a mystery. Within the literary strategy of temporality, the following play elements are presented: the contrast between serious reasoning about Time and humorous comments and thematically related pieces of poetry; nonlinear narration; description of events which take place in different time periods in a short context. Within the literary strategy of modality, we can trace the author’s play with the reader and the effect of defeated expectancy. The technique of metanarrative also contains elements of the play: the literary and stylistic means used in the novel are explained both in a serious and a joking manner. The diction of the novel is characterized by usage of stylistic devices of different language levels, their function being that of the play: oxymoron, zeugma, chiasm, holophrasis, different types of morphological repetition, and pun. The results of the study suggest that the introduction of elements of a play into the novel at its different levels makes a sharp contrast with the existential themes of the work. Such a contrast greatly enhances the impact of this novel on the reader and requires further study. 


2020 ◽  
Vol 4 (1) ◽  
pp. 28-40
Author(s):  
Sylvie Meiliana

The aim of this research is to show the implementation of literary works in literary translation by giving the way how to implement the literary work in revealing cultural terms found in a literary work, namely Achmad Tohari’s Ronggeng Dukuh Paruk Novel. Based on the literary work, the research on literary translation is done by investigating the translation procedure applied in translating the cultural terms from Indonesian into English. This research used a  descriptive qualitative method with content analysis technique done by taking the flow model followed by data reduction, data presentation, and conclusion. The analysis used a semantic approach and Peter Newmark’s translation procedures. Result of the research shown by implementing literary work, the research of literary translation reveals that there are 16 cultural terms and classified in 6 different categories, they are musical instruments, clothes, accessories, work and leisure, activities and procedures, and religious terms. In translating the novel, there are 7 translation procedures used by the translator, they are transference, naturalization, cultural equivalent, functional equivalent, descriptive equivalent, couplets, and notes.


2019 ◽  
Vol 4 (2) ◽  
pp. 194
Author(s):  
Idha Nurhamidah ◽  
Sugeng Purwanto ◽  
Nur Ekaningsih

Anyone on earth may at one time or another reflects him or herself in a way he or she feels comfortable—be it as simple as writing up a phrase “Go to Hell with Communism!” on a wall of an old building. In this respect, he or she has reflected him or herself that he or she does not agree with the ideology of communism. The current study investigated to justify that literary works reflect the ‘selves’ of the authors in one or more possible ways. A poet may, to reflect him or herself, be characterized as employing particular styles or diction. A novelist may try to involve in one of the characters he or she has developed in order to reflect him or herself. In this study, a novel entitled “Pride and Prejudice” by Jane Austen (1813) was investigated to justify that the author (Austen) reflected herself in one of the characters in the novel. The findings reveal that Austen tried to manifest herself in one of the characters called ‘Elizabeth Bennet’ in three different ways: (1) how she behaved in her family (loving all family members, especially being close to her father), (2) how she spent most of the time—reading to broaden the horizon of thinking. As a result, she could (3) skillfully negotiate with other people through their positive sides. The study concludes that everyone, of whatever professions he or she has, will reflect him or herself in a way he or she may not realize.


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