De blik gericht op het witte doek. Vier recente studies over filmbeleving in Vlaanderen

2012 ◽  
Vol 71 (3) ◽  
pp. 257-274
Author(s):  
Andreas Stynen
Keyword(s):  
The Public ◽  
Area Of Interest ◽  
Feature Films ◽  
Foundation Myth ◽  
Current Events ◽  
Long Time ◽  
History Of ◽  
The One ◽  
Film Experience ◽  
The Impact

Filmhistorici beperkten zich lange tijd tot de studie van inhoudelijke en vormelijke aspecten enerzijds en van regisseurs anderzijds. In de jaren 1990 verbreedde de focus en sindsdien worden ook het publiek en de hele kijkervaring als relevante geschiedkundige thema’s erkend. Dat perceptie vanuit diverse invalshoeken kan worden geanalyseerd, blijkt uit enkele recente publicaties van Vlaamse auteurs. In De verlichte stad (2007), een bundel onder redactie van Daniël Biltereyst en Philippe Meers, staat de geschiedenis van de infrastructuur en (verzuilde) kaders achter het bioscooplandschap centraal. Dat het zinvol is om ook vanuit de programmatie de impact op de toeschouwers te bestuderen, blijkt overtuigend uit Roel Vande Winkel en Ine Van linthouts De Vlaschaard 1943 (2007): deze minutieuze reconstructie van de controversiële verfilming van Stijn Streuvels’ grote doorbraakroman, in volle oorlogstijd, gaat uitvoerig in op het verrassende onthaal dat deze Duitse productie te beurt viel. Filmen voor Vlaanderen (2008), van Biltereyst en Vande Winkel, herinnert eraan hoe speelfilms lange tijd werden vertoond als deel van een ruimer programma, dat ook actualiteit en zelfs propaganda omvatte. Clemens De Landtsheer, de eerste secretaris van het IJzerbedevaartcomité, wordt voor het voetlicht geplaatst als één van de belangrijkste promotoren van de funderingsmythe van de Vlaamse beweging. De zeven filosofische gesprekken die Johan Swinnen voor Reflecties (2009) voerde, maken tot slot duidelijk dat filmprojectie niet enkel historische vragen oproept.________Eyes focused on the white screen. Four recent studies about film experience in Flanders.For a long time, film historians limited their studies to the content and formal aspects of film on the one hand and film directors on the other hand. During the 1990’s, the area of interest was widened and since then the public and the total viewing experience have also been recognized as relevant historical themes. Some recent publications by Flemish authors demonstrate that perception may be analysed from various perspectives. The main topic of De verlichte stad (The illuminated city) (2007), an anthology edited by Daniël Biltereyst and Philippe Meers, is the history of the infrastructure and the pillarisation behind the cinema landscape. De Vlaschaard (flax grower)1943 (2007) by Roel Vande Winkel and Ine Van linthout demonstrate convincingly that it is meaningful to study the impact on the audience from the perspective of the programming as well. This precise reconstruction of the controversial adaptation of Stijn Streuvel’s main breakthrough novel for the screen, in the middle of wartime, looks in detail at the surprising welcome enjoyed by this German production. Filming for Flanders (2008), by Biltereyst and Vande Winkel, reminds us how for a long time feature films were shown as part of a larger programme that also included current events and even propaganda. Clemens De Landtsheer, the first secretary of the IJzer Pilgrimage Committee, is brought into the limelight as one of the most important promoters of the foundation myth of the Flemish movement.  Finally, the seven philosophical conversations, which Johan Swinnen engaged in for Reflecties (reflections) (2009), demonstrate that film projections do not only evoke historical questions.

scholarly journals A comparison in a youth population between those with and without a history of concussion using biomechanical reconstruction

2017 ◽  
Vol 19 (4) ◽  
pp. 502-510 ◽  
Author(s):  
Andrew Post ◽  
T. Blaine Hoshizaki ◽  
Michael D. Gilchrist ◽  
David Koncan ◽  
Lauren Dawson ◽  
...  
Keyword(s):  
Brain Injury ◽  
Head Injuries ◽  
Long Term Effects ◽  
Impact Biomechanics ◽  
Long Time ◽  
History Of ◽  
Youth Population ◽  
The One ◽  
Lower Magnitude ◽  
The Impact

OBJECTIVE Concussion is a common topic of research as a result of the short- and long-term effects it can have on the affected individual. Of particular interest is whether previous concussions can lead to a biomechanical susceptibility, or vulnerability, to incurring further head injuries, particularly for youth populations. The purpose of this research was to compare the impact biomechanics of a concussive event in terms of acceleration and brain strains of 2 groups of youths: those who had incurred a previous concussion and those who had not. It was hypothesized that the youths with a history of concussion would have lower-magnitude biomechanical impact measures than those who had never suffered a previous concussion. METHODS Youths who had suffered a concussion were recruited from emergency departments across Canada. This pool of patients was then separated into 2 categories based on their history of concussion: those who had incurred 1 or more previous concussions, and those who had never suffered a concussion. The impact event that resulted in the brain injury was reconstructed biomechanically using computational, physical, and finite element modeling techniques. The output of the events was measured in biomechanical parameters such as energy, force, acceleration, and brain tissue strain to determine if those patients who had a previous concussion sustained a brain injury at lower magnitudes than those who had no previously reported concussion. RESULTS The results demonstrated that there was no biomechanical variable that could distinguish between the concussion groups with a history of concussion versus no history of concussion. CONCLUSIONS The results suggest that there is no measureable biomechanical vulnerability to head impact related to a history of concussions in this youth population. This may be a reflection of the long time between the previous concussion and the one reconstructed in the laboratory, where such a long period has been associated with recovery from injury.

scholarly journals The Way of Gambling: Sources of Government Revenue or Disaster of The Public Sector

2021 ◽  
Vol 58 (1) ◽  
pp. 1712-1717
Author(s):  
Worachet Tho-un, Somchai Saenphumi
Keyword(s):  
Social Space ◽  
Theoretical Concept ◽  
The State ◽  
Legal Principles ◽  
The Public ◽  
Long Time ◽  
History Of ◽  
Terrible Thing ◽  
The Government ◽  
The One

This article would like to reflect the history of the Thai gambling industry. The nature of gambling that is hidden in tradition, opinion of Thai society towards gambling. Moreover, the effects of gambling that the state allows and does not allow through literature, law, Buddhist principles, the King's philosophy and the theoretical concept of gambling, and the theoretical concept of gambling. The results of the synthesis of the data showed that gambling has been in conjunction with Thai society for a long time. The context and process of gambling in Thai society can take many forms. It will depend on the context of the environment, the law, and the government, etc. Their views and attitudes towards gambling can be divided into two groups: the one that sees gambling as a pleasure. It has created a social space to legitimize gambling in various forms, such as gambling for gambling. The hidden gambling tradition gambling of the types permitted and prohibited by the government, etc. Furthermore, the second group viewed gambling as a danger to society. It is a terrible thing that the state must restrict it from society. This concept is primarily connected and related to religious and legal principles. From the information found, I believe that gambling is a huge source of income for the government, even though the state knows that it is mescaline. But cannot cancel the business, that is, the deadly poison or the public's silent threat that is submitted to the government.

New Wars and Their Visual Representation: Dead Bodies without Graves/Mourne

2020 ◽  
Vol 2 ◽  
pp. 1-18
Author(s):  
Tuncay Şur ◽  
Betül Yarar
Keyword(s):  
Social Media ◽  
Visual Representation ◽  
Human Beings ◽  
The Public ◽  
Photographic Images ◽  
War Photography ◽  
New Wars ◽  
The Social ◽  
History Of ◽  
The Impact

This paper seeks to understand why there has been an increase in photographic images exposing military violence or displaying bodies killed by military forces and how they can freely circulate in the public without being censored or kept hidden. In other words, it aims to analyze this particular issue as a symptom of the emergence of new wars and a new regime of their visual representation. Within this framework, it attempts to relate two kinds of literature that are namely the history of war and war photography with the bridge of theoretical discussions on the real, its photographic representation, power, and violence.  Rather than systematic empirical analysis, the paper is based on a theoretical attempt which is reflected on some socio-political observations in the Middle East where there has been ongoing wars or new wars. The core discussion of the paper is supported by a brief analysis of some illustrative photographic images that are served through the social media under the circumstances of war for instance in Turkey between Turkish military troops and the Kurdish militants. The paper concludes that in line with the process of dissolution/transformation of the old nation-state formations and globalization, the mechanism and mode of power have also transformed to the extent that it resulted in the emergence of new wars. This is one dynamic that we need to recognize in relation to the above-mentioned question, the other is the impact of social media in not only delivering but also receiving war photographies. Today these changes have led the emergence of new machinery of power in which the old modern visual/photographic techniques of representing wars without human beings, torture, and violence through censorship began to be employed alongside medieval power techniques of a visual exhibition of tortures and violence.

Freedom of Expression versus Privacy and the Right to Reputation

2017 ◽  
Author(s):  
Dirk Voorhoof
Keyword(s):  
Public Interest ◽  
Freedom Of Expression ◽  
Media Freedom ◽  
Investigative Journalism ◽  
The Public ◽  
The Right Of Privacy ◽  
The One ◽  
Grand Chamber ◽  
The Right ◽  
The Impact

The normative perspective of this chapter is how to guarantee respect for the fundamental values of freedom of expression and journalistic reporting on matters of public interest in cases where a (public) person claims protection of his or her right to reputation. First it explains why there is an increasing number and expanding potential of conflicts between the right to freedom of expression and media freedom (Article 10 ECHR), on the one hand, and the right of privacy and the right to protection of reputation (Article 8 ECHR), on the other. In addressing and analysing the European Court’s balancing approach in this domain, the characteristics and the impact of the seminal 2012 Grand Chamber judgment in Axel Springer AG v. Germany (no. 1) are identified and explained. On the basis of the analysis of the Court’s subsequent jurisprudence in defamation cases it evaluates whether this case law preserves the public watchdog-function of media, investigative journalism and NGOs reporting on matters of public interest, but tarnishing the reputation of public figures.

scholarly journals Sexuality and Affection in the Time of Technological Innovation: Artificial Partners in the Japanese Context

Religions ◽  
2021 ◽  
Vol 12 (5) ◽  
pp. 296
Author(s):  
Beatriz Yumi Aoki ◽  
Takeshi Kimura
Keyword(s):  
18Th Century ◽  
Human Life ◽  
Human Sexuality ◽  
Sexual Intimacy ◽  
Ancient History ◽  
Human Relationships ◽  
Living Things ◽  
Long Time ◽  
History Of ◽  
The Impact

Recent years have witnessed an increase in the number of academic studies on the impact of technological advancements on human life, including possible transformations and changes in human sexuality following the development of sex-related devices, such as sex robots. In this context, terms such as posthuman sexuality, digisexuality, and techno-sexuality have emerged, signaling possible new understandings of sexual, intimacy, and emotional practices. It is important to note that ancient history shows that humankind has for a long time been fascinated with their relationship to non-living things, mostly human-like figures, such as dolls. The Ningyo (人形, the Japanese term for doll) has a long history of usage, and has deep religious and animistic significance in the Japanese context—there are records of sexual use as early as the 18th century. With this context in mind, this paper focuses on three Japanese examples, aiming to shine a light on beyond-human relationships, which include a Japanese man’s marriage to a digital character, sex dolls, and communicative robots, from both a sexual and emotional perspective. In a new horizon of sexual and romantic possibilities, how will humans respond, and what can emerge from these interactions?

The Landscape of War and the Transformations of the Public Sphere

2019 ◽  
Vol 44 (2) ◽  
pp. 62-67
Author(s):  
Dijana Alic
Keyword(s):  
The European Union ◽  
Independent State ◽  
The Public ◽  
Time Space ◽  
History Of ◽  
The Public Sphere ◽  
Modern Warfare ◽  
The Impact ◽  
The City ◽  
Edward Soja

On 6 april 1992, the european union (eu) recognised bosnia and hercegovina as a new independent state, no longer a part of the socialist federal republic of Yugoslavia. The event marked the start of the siege of sarajevo, which lasted nearly four years, until late february 1996. It became the longest siege in the history of modern warfare, outlasting the leningrad enclosure by a year. During its 1425 days, more than 11,500 people were killed. The attacks left a trail of destruction across the city, which began to transform it in ways not experienced before. This paper explores how the physical transformation of sarajevo affected the ways in which meaning and significance were assigned to its built fabric. I argue that the changes imposed by war and the daily destruction of the city challenged long-established relationships between the built fabric and those who inhabited the city, introducing new modes of thinking and interpreting the city. Loosely placing the discussion within the framework of ‘Thirdspace', established by urban theorist and cultural geographer edward soja, i discuss the relationship that emerged between the historicality, sociality and spatiality of war-torn sarajevo. Whether responding to the impacts of physical destruction or dramatic social change, the nexus of time, space and being shows that the concept of spatiality is essential to comprehending the world and to adjusting to and resisting the impact of extraordinary circumstances. Recognising the continuation of daily life as essential to survival sheds light on processes of renewal and change in a war-affected landscape. These shattered urban spaces also show the ways in which people make a sense of place in relation to specific socio-historical environments and political contexts.

scholarly journals A Survey of Techniques for Constructing Chinese Knowledge Graphs and Their Applications

2018 ◽  
Vol 10 (9) ◽  
pp. 3245 ◽  
Author(s):  
Tianxing Wu ◽  
Guilin Qi ◽  
Cheng Li ◽  
Meng Wang
Keyword(s):  
Artificial Intelligence ◽  
Question Answering ◽  
Knowledge Representation And Reasoning ◽  
Knowledge Graph ◽  
Development History ◽  
One Belt One Road ◽  
History Of ◽  
Knowledge Graphs ◽  
The One ◽  
The Impact

With the continuous development of intelligent technologies, knowledge graph, the backbone of artificial intelligence, has attracted much attention from both academic and industrial communities due to its powerful capability of knowledge representation and reasoning. In recent years, knowledge graph has been widely applied in different kinds of applications, such as semantic search, question answering, knowledge management and so on. Techniques for building Chinese knowledge graphs are also developing rapidly and different Chinese knowledge graphs have been constructed to support various applications. Under the background of the “One Belt One Road (OBOR)” initiative, cooperating with the countries along OBOR on studying knowledge graph techniques and applications will greatly promote the development of artificial intelligence. At the same time, the accumulated experience of China in developing knowledge graphs is also a good reference to develop non-English knowledge graphs. In this paper, we aim to introduce the techniques of constructing Chinese knowledge graphs and their applications, as well as analyse the impact of knowledge graph on OBOR. We first describe the background of OBOR, and then introduce the concept and development history of knowledge graph and typical Chinese knowledge graphs. Afterwards, we present the details of techniques for constructing Chinese knowledge graphs, and demonstrate several applications of Chinese knowledge graphs. Finally, we list some examples to explain the potential impacts of knowledge graph on OBOR.

scholarly journals Swiss Architectural Origins, Le Corbusier, and the Pātaka of Lake Horowhenua (1845)

2014 ◽  
Vol 11 ◽  
pp. 72-81
Author(s):  
Peter Wood
Keyword(s):  
Le Corbusier ◽  
Direct Influence ◽  
The North ◽  
The Pacific ◽  
History Of ◽  
The One ◽  
Swiss Lake ◽  
Richard Taylor ◽  
The Impact ◽  
The Town

In April, 1845, the Rev. Richard Taylor passed through the area of the North Island now marked by the town of Levin. At this time, he described Lake Horowhenua as being of singular appearance for the small storehouses built over the water on poles. As was his predilection, Taylor made a drawing of the lake huts, a version of which was belatedly included in the second edition of his most important literary contribution, Te Ika-a-Māui (1870). This image would have remained as little more than a questionable curiosity was it not for Messrs Black Bros who, in the course of exploring the lake bed for Māori artefacts in 1932, legitimised Taylor's observation with their discovery of the submerged architectural remains of an aquatic hut. Nonetheless, almost a century after Taylor's original diary entry, GL Adkin, writing for The Journal of the Polynesian Society, lamented the neglect shown toward these remarkable structures, and which he cited as just one example of the "tantalising gaps" in the recorded history of Māori custom and culture. Sadly, it is well beyond the scope of this research to properly redress the historical neglect shown toward lake pātaka. What I do wish to do is to link these structures to an event on the shores of the Lake of Zurich, Switzerland, when Dr Ferdinand Keller noticed some half-submerged piles in 1854. Upon these remains Keller made a great, if erroneous, case for primitive "pile-work habitations" in the Swiss lakes. The impact of this argument cannot be understated. It became the privileged model for architectural origins in the German and French parts of Switzerland, and by the 1890s it was a part of standard teaching texts in Swiss schools, where it was firmly inculcated into the curriculum at the time that Charles Edouard Jeanneret was a child. This in turn has led Vogt to suggest that, in Keller's "dwellings on the water," Le Corbusier found a Primitive Hut typology that underpinned all his architectural thinking, and which is made most explicit in his principled use of piloti. What makes this all the more involved is that Keller, in searching for examples to visualise the construction of the Swiss lake dwellings, turned to the Pacific (which he categorised as at a developmental stage of architectural evolution akin to early Europe). In this paper I identify the exact etching by Louis Auguste de Sainson that Keller took for direct influence. The problem, however, is that de Sainson depicted a conventional whare built on land, and Keller transposed it to the water. So we have on the one side of this paper an authentic lake whare that is all but forgotten, and a famed European lake-hut that is all but Māori, and between the two is the figure of Le Corbusier who may or may not have unknowingly based one on his major innovations on influences found in the pātaka of Lake Horowhenua.

scholarly journals An analysis of the circumstances and factors that have influenced the development of Animation Industry in Iran in the 1960-2002 periods

2015 ◽  
Vol 16 (SE) ◽  
pp. 61-77
Author(s):  
Naser Golmohammadi
Keyword(s):  
Cultural Policy ◽  
Animation Industry ◽  
Historical View ◽  
Feature Films ◽  
Art Form ◽  
Iranian History ◽  
The Government ◽  
Printed Materials ◽  
The One ◽  
The Impact

In the early part of 20th century animation emerged as a revolutionary way of making art. It evolved into a powerful means of expression and creativity of artists who could merge all art genres into one art form. The subsequent developments of animation have opened its diverse uses in entertainment business, education and political propaganda. This article attempts to examine the factors that have influenced and shaped the development of animation industry in Iran. It takes a historical view and investigates the impacts of changing socio-economic and political forces that have determined the functions of animation in the Iranian society. The study traces the establishment of the industry to the government-run centres, describing the pioneering role of artists who gave rise to the ‘golden age’ of animation in the pre-revolutionary Iran. Especial attention is throughout paid to the long and rich cultural and artistic heritages, as the thematic basis for indigenously produced animated films in Iran. The growth of the industry is considered in conjuncture with the expansion of feature films cinema and expansion of television networks. The latter is particularly important for the fact that it provides a secured market for a sizeable audience of children and young people in Iran. The study analyses the impact of the 1979 Islamic Revolution on the animation industry from a period of stagnation to a highly promoted and government sponsored artistic and industrial activity. In the post-revolutionary period, the industry was transformed from one reflecting the Iranian history and culture to the one that emphasises the Islamic-Iranian values and Islamic traditions; hence animation has become an ideological means in propagating the cultural policy of the state. Thus, animation has increasingly become a cultural industry assigned to supply growing needs of television and artistic works reserved for international festivals.This research is largely based on extensive interviews with animation artists and those who are working in the industry complemented with a sample of questionnaires addressed to both Iranian artists and foreign observers and participants in the Iranian International festivals on animation. The research methodology is also supplemented with the research on printed materials – very few and often descriptive- and personal experience of working over twenty years in the industry.

scholarly journals “Mother of the Faithful” and “Lion of Allah” in the Prophetic Tradition and Early History of the Caliphate or Why the Islamic Jama at Disintegrated?

2020 ◽  
Vol 16 (2) ◽  
pp. 47-56
Author(s):  
F. A. Asadullin
Keyword(s):  
Point Of View ◽  
Islamic Period ◽  
Islamic Schools ◽  
Regional Conflicts ◽  
Long Time ◽  
History Of ◽  
The Russian Federation ◽  
The One ◽  
Early Islamic Period ◽  
Early Islamic

The problem of disintegration of the Islamic Ummah a long time ago became the one of the most important for the Islamic world and worldview. The wave of violence in the Near and Middle East sharpened some regional conflicts, which have already taken place before. The paper deals with the roots of this conflict atmosphere in the Early Islamic period. As the tradition affirms, the Prophet Muhammad predicted the Ummah to split in 73 sects. Today there exist in any case not less than 73 different Islamic schools, movements and organizations, which mutually and constantly contest their doctrinal authenticity. Moreover, the activity of quasi- Islamic extremist organisations like the ISIS, which is forbidden inside as well as outside the Russian Federation, is quite remarkable. All these factors demonstrate, that from the academic point of view it is actual to critically research the nature of fragmentation and disintegration of Islamic communities through the prism of prophetic legends. This paper is to consider as an attempt to resolve this multidimensional problem.

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