APROPRIASI GITAR DALAM KESENIAN REJUNG PADA MASYARAKAT SUKU BASHEMAH KABUPATEN KAUR PROVINSI BENGKULU

2018 ◽  
Vol 7 (2) ◽  
pp. 94
Author(s):  
Budrianto Budrianto Budrianto ◽  
Wilma Sriwulan ◽  
Marta Rosa
Keyword(s):  
Young People ◽  
Qualitative Methodology ◽  
Musical Instruments ◽  
Western Music ◽  
Oral Literature ◽  
Modern Music ◽  
The People ◽  
Eastern Music ◽  
Musical Accompaniment

AbstrakPenelitian bertujuan untuk membahas peran gitar sebagai bentuk apropriasi dalam kesenian rejung pada masyarakat suku bashemah ,sekaligus bertujuan untuk menambah wawasan,mendeskripsikan dan mencari kebenaran tentang kesenian tersebut mengapa kesenian ini memakai iringan permainan gitar konvensional barat. Rejung adalah perpaduan antara sastralisan beserta iringan musik menggunakan petikan gitar. Irama-irama rejung sangatlah beragam dan khas.Sastralisan yangterkandung dalam rejung terletak pada tembang-tembangnya, berupa pantun nasehat, pesanmoral, sindiran, kisah seseorang, sebuah ungkapan perasaan antara muda-mudi dan ucapan-ucapan yang dirasakan dalam hati seperti merintih,meratapi nasib,dan menyesali hidup dengan menggunakan bahasa daerah. Gitar dalam kesenian rejung berfungsi sebagai melodi pokok sekaligus pengatur tempo. Dalam musik konvensional gitar difungsikan sebagai iringan musik modern atau musik barat. sementara berbeda halnya dengan kesenian rejung,secara musikal gitar tunduk  sebagai alat musik tradisi di dalam kesenian rejung. Metodologi yang digunakan ialah metodologikualitatif dalam lingkup musik. Dengan adanya  penelitian ini untuk menambah nilai historis sebuah kesenian daerah itu sendiri dan berharap menjadi suatu referensi literasi pengetahuan bagimasyarakat kabupaten kaurdan masyarakat umum. Dalam karya tulis ini disimpulkan bahwa musik rejung memiliki gaya khas musik timur dengan memakai instrumen musik barat dan memiliki ciri khas musik tradisional Indonesia.           Kata Kunci : Rejung, Gitar Konvensional, Apropriasi.  AbstractThe study aims to discuss the role of the guitar as a form of appropriation in the art of rejung to bashemah tribal people, as well as aiming to broaden insight, describe and seek truth about the art, why is this art using conventional Western guitar playing. Rejung is a combination of oral literature and musical accompaniment using guitar passages. The rhythm of the rejung is very diverse and distinctive. Oral literature contained in the rejung lies in the songs, in the form of rhymes of advice, moral messages, satire, the story of a person, an expression of feelings between young people and words that are felt in the heart such as moaning, lamenting fate, and regretting life by using local language. The guitar in the rejung art serves as the main melody as well as the tempo regulator. In conventional music the guitar is functioned as an accompaniment of modern music or western music. while in contrast to the rejung art, musical guitars are subject to traditional musical instruments in the art of rejung. The methodology used is a qualitative methodology in the scope of music. With the existence of this research to add the historical value of the regional art itself and hope to become a reference of knowledge literacy for the people of the district of Kaur and the general public. In this paper it was concluded that rejung music has a distinctive style of eastern music by using western music instruments and has the characteristics of traditional Indonesia music. Keywords: Rejung, conventional guitar, appropriation. 

scholarly journals Kesenian senjang antara tradisi dalam arus globalisasi sebagai media propaganda

2018 ◽  
Vol 13 (2) ◽  
pp. 122-131
Author(s):  
Irawan Sukma ◽  
Slamet T. Suparno
Keyword(s):  
Musical Instrument ◽  
Musical Instruments ◽  
Service Users ◽  
Oral Literature ◽  
Form And Function ◽  
Typical Form ◽  
The People ◽  
The Times ◽  
And Function ◽  
Musical Accompaniment

Penelitian ini difokuskan bentuk kesenian Senjang secara tekstual berdasarkan periodisasi zaman, keberadaan dan fungsi kesenian Senjang secara kontekstual dan kesenian Senjang mampu eksis sampai dengan saat ini. Senjang merupakan sastra lisan yang berbentuk pantun bersahut biasanya ditampilkan berpasangan dan disertai instrumen musik. Namun instrumen musik yang dimaksud bukan berfungsi sebagai musik pengiring seperti pada umumnya suatu lagu, tetapi instrumen musik Senjang berfungsi sebagai intro, interlude, atau coda yang dimainkan secara berulang ulang dengan melodi yang sama. Artinya saat syair pantun dilantunkan oleh pe-Senjang, musik instrumen diam, dan saat musik instrumen berbunyi pe-Senjang diam. Inilah bentuk yang khas dari kesenian Senjang. Metode yangdigunakan adalah kualitatif interpretatif dalam menganalisis keberlangsungan Senjang yang mengalami perubahan baik bentuk maupun fungsinya. Senjang yang pada awal keberadaannya tanpa instrumen musik, terus bergerak dan berkembang mengikuti arus zaman sampai pada era saat ini menggunakan keyboard. Fungsi Senjang dimanfaatkan sebagai media propaganda bagi penguasa, terbukti dari bentuk syair pantunnya berisi tentang pujian dan sanjungan dari pesanan pengguna jasa. Senjang masih eksis dan memiliki tempat tersendiri di hati masyarakat Kabupaten Musi Banyuasin. ABSTRACTThis study discusses the form of a textual gap based on the periodization of the times, discusses and functions of Senjang with contextual and artistic aspects of Senjang able to exist today. Slang is an oral literature consisting of friendly rhymes, usually free of pairs, and releasing musical instruments. However, the musical instruments that are issued are not as musical accompaniment in general, but Senjang musical instruments are used as intro, interlude, or coda which is played repeatedly with the same melody. Regarding when the poem is sung by the artist, the musical instrument is silent, and the musical instrument when the sound is silent. This is a typical form of Senjang art. The method used is interpretive qualitative in analyzing the continuity of the Senate that corrects changes in both form and function. The slang which initially began without musical instruments, continued to move and develop following the era until the present time using the keyboard. The function of the Senjang is used as a media for propaganda for the authorities, as evidenced by the form of the poetry of the poem which contains praise and flattery from the orders of service users. The gap still exists and has a separate place in the hearts of the people of Musi Banyuasin Regency.

scholarly journals The role of forest in the knowledge production of traditional medication in Tejang Village Sebesi Island, South Lampung

2021 ◽  
Vol 917 (1) ◽  
pp. 012023
Author(s):  
V B L Sihotang ◽  
P Semedi ◽  
A Triratnawati
Keyword(s):  
Knowledge Production ◽  
Traditional Healer ◽  
Traditional Healers ◽  
Musical Instruments ◽  
Public Welfare ◽  
Production Data ◽  
Literature Study ◽  
Medication Knowledge ◽  
The People

Abstract Forest has a crucial role in elevating public welfare. It provides various products such as food, beverages, clothes, residence, musical instruments, and medicines. The medicines originated from the forest could act as the supplier for livelihood particularly for a traditional healer. The traditional healer is one of the health treatments sources for the people of Sebesi Island. For traditional healers, the forest is also beneficial in the knowledge production of traditional medication. This study purposes to examine the role of the forest in knowledge production carried out by traditional healers and identify the patterns of knowledge production. Data collection was done through interviewing, involving four traditional healers in Tejang Village, Sebesi Island, South Lampung. Another method was literature study related to the roles of forests in traditional medication and knowledge production. The knowledge production process can occur through giving agents, both human and non-human ones, namely teachers, family members, books, and dreams. The interaction between those healers with the forest also resulted in the medication knowledge. The role of the forest in the knowledge production of traditional medication is that it transforms into a place for semedi or meditation when doing ngelmu, knowledge sources about medication, and the place for the existence of medicinal plants.

scholarly journals TRADISI LISAN SANSANA PADA MASYARAKAT DAYAK NGAJU DI DESA PULAU KALADAN KECAMATAN MANTANGAI KABUPATEN KAPUAS

Jurnal Socius ◽  
2016 ◽  
Vol 5 (2) ◽  
Author(s):  
Yulinda Megah Eka Asi
Keyword(s):  
Young People ◽  
Oral Tradition ◽  
Qualitative Method ◽  
Local Communities ◽  
Complete Data ◽  
Oral Literature ◽  
Know How ◽  
The People ◽  
Younger Generation ◽  
The Village

The aim is to know how the Sansana oral tradition the Ngaju Dayak community in the village of Kaladan Island in the current era. This study used a qualitative method that aims to obtain more complete data, more depth, so that the research objectives can be achieved. The results showed that (1) sansana itself is still held in the village of Island Kaladan until now is because the local communities still carry the tradition that has been known since the first (Tradition Patriarchs), and plenty of things to dipersiapan before starting a tradition sansana (2) In the exercise of sansana materials such as capacity fresh, incense, perapen, pedududkan, sangkai kambang, and laluh or lilis should be prepared before starting sansana because these materials contain a meaning of its own in the implementation sansana (3) Sansanan an oral literature handed down by ancestors and must be maintained by the younger generation in order to stay alive in local communities by way of oral tradition sansana continue to perform in any event give the name of the child, established the pillar of the house, as well as at the time of marriage indigenous Dayak Ngaju. The significance of the event for the people in the village sansana Kaladan Island is to motivate the young people and the audience in order to have a passion in life so as to obtain the blessing of God.Keywords: Sansana Oral tradition, Dayak Ngaju Tujuan Penelitian ingin mengetahui bagaimana tradisi lisan sansana pada masyarakat Dayak Ngaju di Desa Pulau Kaladan pada era saat ini. Penelitian ini menggunakan metode kualitatif yang bertujuan untuk mendapatkan data yang lebih lengkap, lebih mendalam, sehinga tujuan penelitian dapat tercapai. Hasil penelitian menunjukkan bahwa (1) sansana sendiri masih tetap dilaksanakan di Desa Pulau Kaladan sampai saat ini di karenakan masyarakat setempat masih melaksanakan tradisi yang sudah dikenal sejak dulu (Tradisi Leluhur) dan banyak hal yang harus dipersiapan sebelum memulai tradisi sansana (2) Dalam pelaksanaan sansana bahan-bahan seperti tampung tawar, kemenyan, perapen, pedududkan, sangkai kambang, dan laluh atau lilis harus dipersiapkan sebelum memulai sansana karena bahan-bahan tersebut mengandung  maknanya tersendiri di dalam pelaksanaan sansana (3) Sansanan merupakan sastra lisan yang diwariskan oleh leluhur dan harus dijaga oleh generasi mudanya agar tetap hidup di kalangan masyarakat setempat dengan cara tetap melaksanakan tradisi lisan sansana di setiap acara memberikan nama pada anak, mendirikan tiang rumah, serta pada saat perkawinan adat Dayak Ngaju. Adapun makna dari acara sansana bagi masyarakat di Desa Pulau Kaladan adalah untuk memotivasi para anak muda dan para pendengar agar memiliki semangat dalam menjalani kehidupan dan memperoleh restu dari Tuhan.Kata Kunci :Tradisi lisan Sansana, Dayak Ngaju

scholarly journals THE ROLE OF EDUCATION IN PROTECTING YOUTH FROM DESTRUCTIVE IDEAS

2021 ◽  
pp. 26-34
Author(s):  
Durbek RAkHIMDjANOV
Keyword(s):  
Young People ◽  
Hot Spots ◽  
Psychological State ◽  
Government Agencies ◽  
False Information ◽  
Spiritual World ◽  
The People ◽  
The World ◽  
The Rich

Today, in the era of globalization, one of the urgent tasks that intellectuals are facing is educating young people in the spirit of patriotism by using the rich spiritual heritage of our ancestors. To achieve this goal, it is important to study the spiritual world of a person taking into account his psychological state along with the use of wisdom and precious life instructions reflected in written sources. The article pays special attention to the fact that the knowledge taught to young people should be focused on the development of high morality in them, the formation of skills and competence to independently obtain, sort reliable information, and distinguish it from false information. The article also mentions the operation «Mehr” (mercy), as a result of which people were returned to their homeland, who left their country and went to the “hot spots” of the world under the influence of various alien ideas and seeing the bitter consequences, repented of their actions. The article is devoted to what needs to be done to return the people who went the wrong way due to alien ideas and rehabilitate them and make them active members of society. It shows that government agencies, mahalla, and everyone, in general, are responsible for this person. We also studied foreign experience in this regard. The article provides illustrative examples of what methods are used by extremist groups to attract people to their destructive ideas. The article gives recommendations on how to resist such tricks. The main goals and ideas of destructive groups, which distort religious sources and verses of the Koran to fulfill their interests, are indicated.

scholarly journals Virali and Artistic Background Change

2021 ◽  
Vol 3 (4) ◽  
pp. 24-31
Author(s):  
Poongodi A
Keyword(s):  
Musical Instruments ◽  
Subtle Difference ◽  
The Arts ◽  
The People ◽  
Nomadic Life ◽  
Mountain Country

Humans carried the ideas that came to their minds to the people through the arts. Artists are those who have the power to express the arts to others through their culture. The role of such artists in the Sangam era was of great importance. Ninga had a place in the kingdom and in the battlefields. In Sangam songs, the words for the artist were Panar, Porunar, Kuiluvar, Vayiriyar, Viraliyar, Kuttar, Kannular and Patiniyar. Although all of these are generic, there is a subtle difference between the names in terms of musical instruments' playing, dancing, and singing skills. Of these, Viraliyar is a feminist and singer. Virali is a performer who leads a nomadic life. Virali, who excelled in receiving gifts, exemplified the success of kings through their arts. The literature shows that they received valuables gifts like mountain, country, gold, jewelers when they sang songs in praise of the kings. In perumpanatrupadaiviralis beauty was lauded from head to toe. The detailed description is present inkesathipatha. From these descriptions we can get to understand their significance. Such a beautiful and elegantviralis transferred intoparaththiyarover a period of time.

scholarly journals Musik Tiup dan Upacara Adat: Kasus Pengayaan Identitas Kebudayaan Musikal pada Masyarakat Batak Toba di Kota Medan

Panggung ◽  
2016 ◽  
Vol 24 (3) ◽  
Author(s):  
Mauly Purba
Keyword(s):  
Social Process ◽  
Musical Instruments ◽  
The Other ◽  
Customary Law ◽  
Social Phenomenon ◽  
Musical Culture ◽  
Brass Instruments ◽  
Other Hand ◽  
The People

ABSTRACT Up to the 1990’s the use of the gondang sabangunan, the traditional ceremonial music ensamble of the Batak Toba people,  still played an important role in the practice of their adat (customary law) ceremonies—such as wedding and funeral ceremonies. In present time, however, the so-called musik tiup, a combination of Western brass instruments and Batak Toba traditional musical instruments, tends  to take place of the role of the gondang sabangunan in the adat ceremonies; its use is in fact countinuous. This paper aims to investigate whether or not it is a kind of  social process of  forming a new musical culture identity of the Batak Toba people in Medan. Ethnomusicological and ethno- historical approaches are used in investigating this particular social phenomenon. This research uses decriptive method and the result shows that, on one hand, the people intend to look after their ances- tors’ traditions through the practice of adat ceremonies where they use musik tiup, yet at the same time, they not only perform traditional gondang repertoires (gondang compositions) but also employ certain instruments of the gondang sabangunan ensamble. On the other hand, through the use of musik tiup the people mean to construct and  enrich their musical culture identity. Keywords: Batak Toba, musik tiup, Gondang Sabangunan, identity, adat    ABSTRAK Hingga  dekade  1990an  penggunaan  gondang  sabangunan,  ensambel  musik  seremo- nial masyarakat Batak Toba Toba di kota Medan, masih memainkan peran yang penting di dalam upacara-upacara adat, antara lain upacara perkawinan dan kematian. Namun, dewasa ini ensambel yang dikenal sebagai musik tiup, yang merupakan kombinasi alat musik tiup logam (dari kebudayaan Barat) dengan alat musik dari kebudayaan Batak Toba, kelihatannya menggantikan posisi ensambel gondang sabangunan di dalam upacara-upa- cara adat; kondisi ini berkesinambungan. Apakah ini suatu dinamika proses sosial dalam rangka pembentukan identitas kebudayaan musikal yang baru bagi masyarakat Batak Toba di kota Medan? Pendekatan etnomusikologi dan etnohistori diaplikasikan dalam hal me- mahami dan menganalisa masalah ini. Penelitian ini menggunakan metode deskriptif dan hasilnya menunjukkan bahwa di satu sisi, masyarakat berusaha menjaga kesinambungan tradisi musik leluhur mereka melalui pelaksanaan upacara adat walaupun dengan format ensambel yang berbeda (musik tiup), tetapi tetap memberi ruang kepada elemen musik dan ekstra musikal tradisi gondang Batak Toba, khususnya instrumen dan melodi gondang. Di sisi yang lain, melalui musik tiup masyarakat memberikan kontribusi pada pengayaan identitas kebudayaan musikalnya. Kata kunci: Batak Toba, musik tiup, Gondang Sabangunan, identitas, adat

scholarly journals Social Status And The Role Of Education In The Formation Of Patriotic Feelings

2021 ◽  
Vol 03 (03) ◽  
pp. 574-578
Author(s):  
Umidjon Makhamadjonovich Akhmatkulov ◽  
◽  
Samariddin Alikulovich Axatov ◽  
Xakimjon Ruzibaevich Aslanov ◽  
◽  
...  
Keyword(s):  
Young People ◽  
Social Status ◽  
Psychological Characteristics ◽  
National Unity ◽  
The People

The article states that the development, power of the nation is in harmony with the national unity of the people that make up this nation, with their cooperation activities, the sense of patriotism is one of the important aspects of understanding the sense of national unity, socio-psychological, individual psychological characteristics, feelings manifest themselves in the sense of patriotism and the formation of young people as spiritually harmonious people, finding content as a person who is always ready to serve in the interests of his motherland and nation, is one of the pressing issues of the present period.

scholarly journals TAMIḺAR VĀḺVIL MŪLIKAIYIṈ PAṄKU - ŌR ĀYVU [ROLE OF HERBS IN TAMILS LIFE - A STUDY]

2021 ◽  
pp. 111-118
Author(s):  
PARAMESWARY SANGKARAN ◽  
SHOBA NATARAJAN
Keyword(s):  
Oral Language ◽  
Oral Literature ◽  
Herbal Therapy ◽  
Medical Terms ◽  
Study Researcher ◽  
The People ◽  
Ancient Times ◽  
Materials Used ◽  
The Masses

This is a review of the herbs that used in Tamil medicine. It is a small attempt to reveal the usage of herbs of the Tamil people in ancient times. Our ancestors wrote medical notes about herbs on the songs and chitra siddhars. Only the nobles could read and use it. Not the laity people. In the oral language of the literature there were living references to the people and a number of rare medical references. The oral literature was composed for the herbal therapy practitioner. Evidence suggests that the notes on siddhars songs understandable for herbal therapy practitioner who lives in ancient time. Their attempt on medical practices are something great. Though the herbs in Tamil medicine are applicable to all. That is why the researcher made it possible to add to the masses and ideas about herbs medicine through the siddhars songs. In this study, researcher wants every medical terms in siddhars songs need to be understand by everyone. Understand that the materials used in Tamil medicine are around us and hope it is very usefull medicine for Malaysia Tamils.

scholarly journals Barista Art: Coffee Education Strategy to The Community

2020 ◽  
Vol 35 (2) ◽  
pp. 127-132
Author(s):  
Arifah Fathia Amani ◽  
Hanifah Ihsaniyati
Keyword(s):  
Young People ◽  
Coffee Consumption ◽  
Journal Articles ◽  
Coffee Shop ◽  
Public Places ◽  
The Public ◽  
The People ◽  
Education Strategy ◽  
Coffee Shops

The phenomenon of coffee consumption is currently rife among young people as a lifestyle. Coffee had become one of the first global commodities. It has become common to find coffee shops, coffee bars, and kiosks. The phenomenon of coffee consumption is related to the role of a barista’s art. Baristas can be said as people who are experts in making coffee. However, while barista is widely known to the public only in the coffee shop even though many places for baristas can introduce coffee, such as in hotels, restaurants, offices or other public places. This paper aims to describe the role of barista art in educating the public about coffee. This paper is a compilation of several journal articles and books related to coffee, coffee culture, baristas, and the art of making coffee. Article references are obtained through Mendeley by selecting references that correspond to each topic of discussion. Discussion topics include Coffee Culture and Coffee Shop, Barista’s Action Art, and Coffee Education through Barista Art. The results showed that the existence of baristas had a very important role in educating coffee to the people of Indonesia, especially introducing archipelago coffee. Barista as the main agent in the dissemination of information about coffee so that it is very necessary to have a characteristic of art that must be possessed by the barista as one of the added values ​​in the dissemination of information about coffee.

scholarly journals Children's folklore as a special kind of traditional culture

2020 ◽  
Vol 99 (3) ◽  
pp. 91-95
Author(s):  
A.Sh. Pangereev ◽  
◽  
M.R. Baltymova
Keyword(s):  
Scientific Research ◽  
Special Kind ◽  
Traditional Culture ◽  
National Literature ◽  
Special Role ◽  
Oral Literature ◽  
Spiritual Values ◽  
The People ◽  
Younger Generation

The article deals with the formation of folklore, its influence on the development of traditional culture, song art of the Kazakh people and their features, the role of the Kazakh people in preserving spiritual wealth and values. A review of scientific research on oral literature, analyzed the collection of folk motifs, their distribution among the people, and mythical stories in ancient Turkic monuments. Based on the research, the ways of forming the spiritual values of the Kazakh people through national literature and culture, the importance of folk heritage as a means of preserving traditional culture are identified. The special role of children's folklore in the education of the younger generation and the formation of spiritual values is shown. It is revealed that the folklore genre forms the traditional culture and closely develops together with the people for many centuries.

Sign in / Sign up

Export Citation Format

Share Document