scholarly journals IDEOLOGICAL SHIFT OF TEXT AND THE INFLUENCE OF TRANSLATION IDEOLOGY IN THE NOVEL “HALF OF YELLOW SUN”

2021 ◽  
Vol 18 (2) ◽  
pp. 109
Author(s):  
Husnawati . . ◽  
Amrin . Saragih ◽  
Zainuddin . .

ABSTRACTThis research paper concerned with the analysis of factor affecting ideological shift of text in the translation of literary work. As the data source, a novel entitled 'half of yellow sun' a work of Chimamanda Adichie was analyzed. The analysis was specified to clauses taken from the English and Indonesian version of the novel, as the data. Further, the researcher applied descriptive qualitative approach in collecting and analyzing the data. Halliday’s theory of metafunction, specified on the analysis of transitivity system was used as main theory. Moreover, the theory of ideology in translation was adopted in the analysis, as causal factor to see how translation ideology cause the ideological shift of text in translation. Then, the result of the analysis revealed that the intermetafunctional shift is the most significant category found in the text (90.24%), while the intra-metafunctional shift was only found once (9.75%).   It proved that there were significant change of ideology of text showed by the changing of the process of transitivity system. Morever, the result of analysis releaved that, the ideological shifts of text were mostly affected by domestication ideology with percentages 78.05%, and foreignization ideology by percentages 21.95% or equal to a quarter of the whole clauses. It means that the translator produced the translation based on her goal and point of view and ideology of target language's culture and trying to make the text as closely as possible to the target readers’ language. It means the ideological shift of text were affected by translation ideology in which the translator produced the translation based on her goal and point of view and ideology of target language's culture and trying to make the text as closely as possible to the target readers’ language.Keywords: Systemic Functonal Linguistics, Translation, Discourse Analysis, Ideological Shift, literary work

2019 ◽  
Vol 7 (1) ◽  
pp. 41-48
Author(s):  
Nita Kartika Sari ◽  
Sumartini Sumartini ◽  
U’um Qomariyah

Karya sastra memang tidak bisa dilepaskan begitu saja dari pengarang dan keadaan sosial yang melatarbelakangi penciptaanya serta segala gejolak kemasyarakatan yang ada seperti kekuasaan dan dominasi yang dirasa merugikan.  Dari tiga rumusan masalah penulis hanya akan memfokuskan pembahasan pada bentuk hegemoni yang dilakukan pemangku adat di Minangkabau. Metode yang digunakan dalam penelitian ini yaitu metode deskriptif kualitatif.  Penelitian ini menggunakan pendekatan sosiologi sastra dan teori hegemoni Antonio Gramsci. Sumber data adalah novel Tenggelamnya Kapal Van Der Wijck karya Hamka. Data diperoleh dengan teknik membaca dan mencatat. Hasil penelitian berupa jenis hegemoni yang disadari dan tidak disadari. Terdapat empat bentuk dari hegemoni yang disadari yaitu kekeraan, penindasan, paksaan dan perampasan, sedangkan bentuk dari hegemoni yang tidak disadari berupa provokasi. There is an inseparable bond between a literary work with the background experience of its writer, and the underlying socio-cultural circumstances behind its creation, as well as all the existing disadvantageous problems in society such as hegemony and dominance. Of the three research problems, the discussion in this article will focus solely on the form of hegemony practices done by the Elders in Minangkabau culture. In conducting this research, descriptive qualitative approach is used. Literary sociological approach using the theory of Hegemony by Antonio Gramsci is used as the research approach. The data are obtained by using reading and noting technique. The data source is the novel Tenggelamnya Kapal Van der Wijck by Hamka. As the result of the research, there are two type of hegemony practices found, the conscious and unconscious hegemony. The conscious hegemony take four forms, there are: violence, oppression, coercion and deprivation. Meanwhile the unconscious hegemony realized only in form of provocation.


2018 ◽  
Author(s):  
Siti Rafiah.MH

The aims of this study are trying to give us a deep understanding of what Critical Discourse Analysis is. This study starts with a discussion of the origin of Critical Discourse Analysis (CDA), then exploring interdisciplinary based on the renowned theories in CDA which proposed by Fairclough, van Dijk and Wodak. In the last part of the article discussed the principles of CDA form Fairclough point of view. The present article uses a descriptive qualitative approach from reputable references which is relevant to the topics.


2019 ◽  
Vol 8 (2) ◽  
pp. 70
Author(s):  
Zahria Farlydia Farikhin

This research aimed to describe intertextual in the novel A Very Yuppy Wedding and Divortiare by Ika Natassa. This research used a descriptive qualitative approach in the form of structural. The result of the data analysis is that theme has similarity. The themes of these novels are love, friendship, and family. Figure and characterization in the novels has less different, the figures describe as  a work hard figure not only for the job but also on their relationship. In both of the novel, both of the main characters are women and use the first person as the point of view. Whereas the plot of the novels has different, that is novel Divortiare has a flash-back plot and A Verry Yuppy Wedding has a progressive plot. Both of the novel have differences in the story but have the same happy ending. The background of the stories are not different. Ika Natassa takes both of the settings in Jakarta. The conclusion is both of the novels have no significant differences.


EDU-KATA ◽  
2021 ◽  
Vol 7 (1) ◽  
pp. 93-102
Author(s):  
Taufiq Zen

The purpose of this study is to describe (1) Subject-Object and (2) position of writer-reader in the novel Migrant Workers' Diary and Xie Xie Ni De Ai. This study uses a descriptive qualitative approach with the Sara Mills discourse analysis method. This research data is in the form of words, sentences or texts whose source of data is in the novel of Migrant Workers' Diary and Xie Xie Ne De Ai. At the data analysis stage, steps are taken: selecting, classifying, analyzing, interpreting the data, and summarizing it. The results of this study indicate that through the relationships that occur between migrant workers and capitalism, migrant workers and employers, and between fellow migrant workers are still positioned as marginal people. TKW is described as having no power. Regarding the author-reader structure, the writer positions the reader with direct and indirect greetings. This greeting serves to place the reader as part of the text, so that they will be concerned about the problems of the migrant workers. The conclusion is that the two novels still represent TKW discourse in line with the dominant discourse.


K ta Kita ◽  
2021 ◽  
Vol 9 (1) ◽  
pp. 107-112
Author(s):  
Angelina Kencana

This study is conducted in order to reveal the violated maxims in the humorous utterances and the implicature of the maxim violations in NET comedy program ‘The East’, from a discourse analysis point of view. The writer analyzes the types of maxims that are violated found in the humorous utterances in episode 397 entitled ‘Ribet Milih Tempat Kerja Baru’ (Complication in choosing a workplace) of the comedy program ‘The East’. This study is conducted by using a descriptive-qualitative approach, aimed to create a description from the perspectives or experiences of the writer. The findings reveal there are totally 26 (twenty-six) violations, each with its implied meaning in the episode of the program. Among the four maxims, the most frequent occurrence is the violation of maxim of Quality with 11 occurrences. Key words: Cooperative Principle, violation of conversational maxims, implicature


2018 ◽  
Vol 3 (2) ◽  
pp. 175
Author(s):  
Siti Rafiah

The aim of this library research article is trying to give us a deep understanding of what Critical Discourse Analysis is. The article starts with a discussion of the origin of Critical Discourse Analysis (CDA), then exploring interdisciplinary based on the theory proposed by Fairclough renowned expert in DA field, in the last part of the article discussed the principles of CDA form Fairclough point of view. The present article uses a descriptive qualitative approach from reputable references which is relevant to the topics. 


2018 ◽  
Author(s):  
Siti Rafiah.MH

The aims of this study are trying to give us a deep understanding of what Critical Discourse Analysis is. This study starts with a discussion of the origin of Critical Discourse Analysis (CDA), then exploring interdisciplinary based on the renowned theories in CDA which proposed by Fairclough, van Dijk and Wodak. In the last part of the article discussed the principles of CDA form Fairclough point of view. The present article uses a descriptive qualitative approach from reputable references which is relevant to the topics.


Jurnal KATA ◽  
2018 ◽  
Vol 2 (1) ◽  
pp. 50
Author(s):  
Krisna Aji Kusuma ◽  
Herman J Waluyo ◽  
Nugraheni Eko Wardani

<p><em>This study aims to describe the intertextuality relationship between the novel Pasung Jiwa by Okky Madasari and Calabai by Pepi Al-Bayqunie. The type of research is descriptive qualitative approach using content analysis. Data are collected by inventorying events that are similarities and differences, specifications on the characters, settings, plots, and themes of both text. The research results indicate that there are similar themes on the two novels, the theme of self actualization in addition with the theme of family and friendship. The same characterization are also used by both author, masculine figures with feminine soul characters. The difference between the two novels lies on the plot and setting. Pasung Jiwa uses progressive plot and Calabai uses a flash-back plot.. Okky Madasari takes Java Island as the background in the novel Pasung Jiwa, while the novel Calabai, Pepi Al-Bayqunie using the setting of Sulawesi Island. The basis of the similarity of theme and characterization supported by the similirity of events in the story shows the existence of intertextual relationship between the two novels. As a previously published work, the novel Pasung Jiwa by Okky Madasari is a hipogram and novel Calabai by Pepi A-Bayqunie as a transformational text. On the theme and characterization, the transformation of Calabai forward the hypogram, while in the plot and setting deviates his hypogram, Pasung Jiwa.</em></p><p>Penelitian ini bertujuan untuk mendeskripsikan hubungan intertekstualitas antara novel Pasung Jiwa karya Okky Madasari dan novel Calabai karya Pepi Al-Bayqunie. Jenis penelitian ini adalah deskriptif kualitatif dengan pendekatan konten analisis. Data dikumpulkan dengan menginventariskan peristiwa yang merupakan persamaan dan perbedaan, spesifikasi pada tokoh, latar, alur, dan tema dari kedua teks. Hasil penelitian ini menunjukkan bahwa terdapat kesamaan tema pada kedua novel, yaitu tema aktualisasi diri, ditambah dengan tema keluarga dan persahabatan. Penokohan yang sama juga digunakan oleh kedua penulis, yaitu tokoh maskulin dengan karakter jiwa feminin. Perbedaan kedua novel terletak pada alur dan latar. Pasung Jiwa menggunakan alur maju dan Calabai menggunakan alur campuran. Latar dalam novel Pasung Jiwa, Okky Madasari mengambil latar Pulau Jawa, sedangkan novel Calabai, Pepi Al-Bayqunie menggunakan latar Pulau Sulawesi. Dasar kesamaan tema dan penokohan didukung kesamaan peristiwa-peristiwa dalam cerita menunjukkan adanya hubungan intertekstual antara kedua novel. Sebagai karya yang terbit terlebih dahulu menjadikan novel Pasung Jiwa karya Okky Madasari adalah hipogram dan novel Calabai karya Pepi Al-Bayqunie sebagai teks transformasi. Pada tema dan penokohan, transformasi Calabai meneruskan hipogram, sedangkan pada alur dan latar menyimpangi hipogramnya, Pasung Jiwa.</p>


2021 ◽  
Vol 11 (2) ◽  
pp. 135-157
Author(s):  
Anne Golden ◽  
Toril Opsahl ◽  
Ingebjørg Tonne

In this article, we analyze the use of the term ‘morsmål’ (‘mother tongue’) in official Norwegian documents and in media texts to identify if and how its conceptualization has changed in the era of increasing globalization. Our point of view is explorative. When examining our data, we highlight the importance of reflecting openly about the instability of powerful concepts. We highlight two partly conflicting conceptualizations that we name the ‘traditional use’ and the ‘novel use’, respectively. Building on critical discourse analysis and conceptual metaphor theory we explore how the conceptualizations reveal certain aspects of ideologies and the potential management of multilingualism in society. A broader understanding of how conceptualizations of mother tongue(s) are played out in the Norwegian context may contribute to the dialogue about multilingualism as it is understood and recognized across diverse contexts.


Author(s):  
Rif’atul Maula

Novel is a literary work which is also known as fiction. Therefore, the notion of fiction also applies to the novel, which is a result of dialogue, contemplation, and the author's reaction to the environment and life. Each writer has a message that is implied in each of his works, one of which is as a distributor of da'wah messages. In this study, the researcher chose the novel Hati Suhita by Khilma Anis compared to the novel Dua Barista by Najhati Sharma. Because these two novels are the work of writers who were born in Islamic boarding schools. This research uses descriptive qualitative method. The results of this study indicate that there are similarities and differences in the message of da'wah in the novel Hati Suhita by Khilma Anis and the novel Dua Barista by Najhati Sharma.


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