scholarly journals Leading project methods of interpretation of traditional culture in formation of an artistic image of the environment (on the example of modern public interiors of Crimea)

Author(s):  
Marina Borisovna Grigoreva

The subject of this research is the imagery and stylistic solution of modern public interiors located on the territory of Crimea (hotels and restaurants) arranged in ethnic style. In the past decade application of the elements of traditional culture as fundamental in creation of the image of public space gained popularity, which defines the relevance of this topic. First and foremost, it is associated with the revival of interest to folk culture: authentic cuisine, folklore, surrounding environment, which in turn, is a certain response of humanity to the ongoing globalization processes. The goal of this work consists in determination of the leading project methods in creation of ethnic atmosphere of a public space on the example of objects located on the territory of Crimea. The study is based on the analysis hotels and restaurants as most expressive objects from the artistic perspective. The scientific novelty consists in a comprehensive analysis of public objects with explicit stylization of Central Asian art. Determination of artistic techniques ensures a systematic approach to the assessment of artistic value of modern public spaces. The creation of image is viewed from the perspective compositional methods, which in turn, become the basis for further design and décor of the environment. As a result, the author reveals the two leading methods in formation of the image: retrospective and authorial stylization. It is established that both method have positive and negative side with regards to perception by a recipient. Practical significance of the study consists in formation of possible evaluation categories in the analysis of creative approaches of authors towards implementation of ethnic theme in designing environments.

2018 ◽  
Vol 81 (2) ◽  
pp. 28-37
Author(s):  
M. Y. Bukreev

The subject matter of the research is the relations that are formed in the process of banking operations. It has been substantiated that banks and the banking system are among the most important financial institutions, which proper and stable functioning influences on all other spheres of life in the state. It is proved by the consequences of crises in the banking sector that have occurred in Ukraine over the past few years. Awareness of the importance of this area and the possible consequences of unlawful encroachments have determined the need to search for all legal means for combating delicts in the sphere of banking operations. Understanding the fact that one can achieve significant results in the sphere of protecting banking operations by administrative and legal means, has necessitated this scientific study. In order to analyze banking operations as an object of administrative and legal protection, the author has fulfilled the following tasks. The author has highlighted the use of the concepts of “protection” and “administrative and legal protection” in the context of their implementation in relation to banking operations. The foundations of Ukrainian and international administrative and legal regulation of protecting relations in the sphere of banking operations have been revealed. The essence and features of banking operations influencing the understanding of the sphere of protected relations have been outlined; and the content of administrative and legal protection of relations in the field of banking operations has been revealed. It has been noted that there is an extensive system of banking legislation on legal norms in Ukraine regulating banking operations that require legal protection. The practical significance of the obtained results of the article is determined by the substantiated provisions for improving the approaches to increase the efficiency of the administrative and legal protection of the relations in the sphere of banking operations. A number of practical results of the research can be used while studying administrative and legal means of protecting relations in the field of banking operations.


Author(s):  
Aleksei Vlasov

The object of this article is professional activity of the British war correspondent Archibald Forbes during the Franco-Prussian War of 1870-1871. The subject is the perception and reflection of military realities (1870-1871) by the novice journalist. The goal consists in determination of the mechanisms of perception of participants and realities of the Franco-Prussian confrontation of 1870-1871 by the British correspondent A. Forbes. Intellectual history and imagological approach comprise the methodological framework of this research. Based on the analysis of documentary evidence left by A. Forbes, which describes the events of 1870-1871, the author was able to trace the evolution of Forbes’ perception of the Franco-Prussian campaign of 1870-1871. The conclusion is made on gradual changes in Forbe’s perception and reflection of war realities. The initial admiration was replaced by the professional subject-object description. However, his stance on parties to the conflict remained unchanged. The author assumes that A. Forbes had particular personal attitudes, but his perception of the war of 1870-1871 has evolved. The acquired results may be valuable in studying journalistic practice, as well as mutual perception of European ethnoses. The scientific novelty lies in a comprehensive approach towards the phenomenon at hand: the author examines not only the mechanisms of perception as such, but also their transformation influenced by various factors. This research made a transition from the widespread study of biographies and activity of correspondents of the XIX century to an extensive culturological and intellectual approach in consideration of professional practice of journalists of the past.


It has long been recognised that the dielectric constant of a substance gives an important indication of its constitution, and the classical papers of Nernst and Drude giving methods for the determination of dielectric constants, have been followed by a long series of papers giving the dielectric constants of several hundreds of pure liquids and solutions. Since the publication of Debye’s dipole theory in 1912, the literature of the subject has become even more voluminous than before. In surveying the mass of data one is struck by the very large discrepancies which exist in the values obtained by different observers for any one substance, and it is very difficult to decide whether they are due to the difficulty of pre­paring and purifying the substance, differences in experimental conditions such as frequency of the applied E. M. F., or errors in the methods of measure­ment. In order to make it possible to compare the results of different observers, and to provide a fundamental basis for new measurements, it is important that the value of at least one standard liquid should be known with unquestion­able accuracy. The object of the present investigation was to provide such a value. Benzene was chosen as the standard liquid since it has been very widely used in the past, and it is used as a standard in the measurement of other physical properties.


Author(s):  
R. A. Lutz

INTRODUCTIONMolluscan age determination has long been the subject of both biological and paleonto-logical research (Mossop, 1922 a, b; Haskin, 1954; Merrill, Posgay & Nichy, 1965; Andrews, 1972). Several workers have listed difficulties associated with traditional methods of determining the age of an organism based upon surface shell morphology (Pannella & MacClintock, 1968; Farrow, 1971, 1972; Berry, 1971). Others, such as Craig & Hallum (1963) have attempted, with moderate success, to circumvent these problems statistically by using size-frequency relationships, but such methods are of little value in age analysis of isolated individuals. The principal difficulty encountered in shell surface analyses arises from an inability to distinguish spawning and disturbance lines from annual marks. Problems associated with this separation have been reduced over the past decade by the discovery of daily and tidal periodicity structures within the shells of numerous Recent and fossil species of pelecypods (Barker, 1964,1970; Pannella & MacClintock, 1968; Clark, 1968; House & Farrow, 1968; Farrow, 1971, 1972). The biological and paleontological significance of such growth increments have been discussed at length by Pannella & MacClintock (1968), Barker (1970), and Clark (1974). When present in continuous sequences, these periodicity structures facilitate an accurate age determination of individual specimens.


Author(s):  
Varvara Vital'evna Ponomareva

The subject of this research is the foundation of women’s education system in the Russian Empire, namely of the Office of the Institutions of Empress Maria, which totaled up to three dozen by the early XX century. Actualization of the knowledge about the best examples of the Russian school in the past is determined by the fundamental importance of education in the context of ongoing modernization of the country. The topic of Women's institutes of Imperial Russia, which existed for over 150 years, is poorly studied. Despite the extensive source base, in the historical literature one can often come across improper names of the institutes, determination of their departmental affiliation, class composition of the students, as well as incorrect dating and topography. Using the historical-systemic and typological analysis, the author determines and clarifies the conceptual framework of the problematic as a necessary research toolset. The author's contribution to selected topic consists in discovery of a wide variety of sources, including those introduced into the scientific discourse for the first time, accurate names of the institutes and variations in the official documents and everyday practice., their renaming and the causes. The article also traces the dynamics of changes in the class and confessional composition of students since the establishment of the institutes until the beginning of the XX century. Subordination and departmental affiliation at different stages of the history of these institutes is clarified.


Author(s):  
Stanislav Vladimirovich Kannykin

The subject of this research is the determination of sociocultural specificity of running practices within the framework of traditional games and ethnosport. Despite considerable amount of works dedicated to the traditional games and ethnosport, scholars’ attention has not been previously drawn to sociocultural peculiarities of running as the most universal form of physical activity of the amateur participant or a professional athlete, which substantiates the relevance of the selected topic. Traditional games and ethnosport perform an important mission in modern world – they impart sports and competitive activity with humanism, instilling the elements of folk culture. Running, as a universal component of sports, becomes one of the means of consolidation, demonstration, and translation of ethnic values within the framework of traditional games. The author reveals the following peculiarities of running in the sociocultural situation of traditional games and ethnosport: running as an element of military games and traditional non-militarized team games; running as an element of mating ritual; running as am entertainment; utilitarian oriented running; substitute running. The ideological foundation of running in the context of traditional games and ethnosport is a myth; the considered form of running is humanistically oriented, as it does not suggest over limit body burden and full subordination of a person to sport; running is a method of psycho-emotional relief and helps to achieve harmony with the nature; it is gender-specific and often specialized running; it ensures solidarity of a social group; a form of expressing patriotism; an important element of event tourism; a substantial component of ethnopedagogy; an element of ethnic dance; an element of children's game’ a type of economic activity inherent to a particular nation.


Author(s):  
Олена Олександрівна Зеленко

Formulation of the problem. World history contains many sad facts related to political conflicts, which over time turn into open armed confrontation within individual regions of different countries. Reintegration of such territories into the socio-economic system of the country may remain an impossible task, so determining the prospects for the development of the region with the help of leading sectors of the economy, in particular tourism, is an urgent problem. The aim of the research: analysis of existing international experience, determination of economic and social prerequisites for the development of post-conflict territories by tourism means on the example of eastern Ukraine. The subject of the research: theoretical and applied aspects of using tourism industry tools for the development of post-conflict territories. The methods of the research: systematic approach, structural-logical and statistical analysis, synthesis, generalization. The hypothesis of the research: involves the use of an approach whereby tourism development is considered as an alternative strategy for restoring socio-economic well-being for the region's inhabitants. The statement of basic materials: review of previous research and current historical facts about solving the problems of post-conflict territories revealed four negative and four positive prerequisites, the existence of which substantiates the expediency of using tourism industry tools for the development of such problem regions. The originality and practical significance of the research: the results of this study, conducted according to the data of Lugansk and Donetsk region, prove that tourism will not become a leading sector of economy for these regions, but its intra-regional development will be a catalyst for recovery of other economy branches. Conclusions and prospects for further research: given the existing skepticism about tourism development opportunities in the Donbas, the following studies will focus on the reasonable feasibility of developing certain tourism types in this region of our country.


2020 ◽  
pp. 15-31
Author(s):  
Irina Aleksandrovna Ralnikova ◽  
Marina Valer'evna Shamardina

The subject of this research is the subjective picture of life path at the stage of regulatory youth crisis in the context of social anxiety. The goal consists in determination of the peculiarities of cognitive and emotional assessment of the past, present, and future as the components of subjective picture of life path of young people prone to experiencing social anxiety. The theoretical-methodological framework consists in scientific representations on human as a subject of life path, theory of life path and psychological time, scientific idea of the cognitive-perceptive selectiveness and regulation of social anxiety in the situations of assessment. The scientific novelty of the acquired results consists in the following statements: 1) it is proven that social anxiety is a predictor of the establishment of perceptions on personal past, present and future during the regulatory youth crisis; 2) the invariant tendencies in the character of cognitive and emotional assessment of the components of subjective picture of a life path in youth in case of the escalated social anxiety are determined; 3) variable description of time modus are revealed. The obtained results may be used in psychological practice for conducting psychobiographical consulting and psychological trainings of projecting a life path with young people with the chronic social anxiety and social fears.


Author(s):  
Т. П. Беценко

The artistic-pictorial system of V. Holoborodko’s poetic works is based on his own – nationally marked words in every way. Each element of the linguistic-visionary poetic paradigm of the artist is imbued with national colour, national-linguistic art, related to ancient folklore sources. The poetic picture of ethnic existence in the vision of the artist – originally simple and understandable; Its cores are known, known to all realities. Attention is drawn to redefined in the artistic name of the dishes. In V. Holoborodko’s poetic universe the jug appears as an element (component) of the macrocosm. Therefore, the philosophy of the poetic thought of the artist is based on the notion that the designated object – the most ancient and universal in everyday use – contains the world and eternity in itself. The article analyzes the semantics and emotionally expressive colouring of the image word jug in the poetic speech of V. Holoborodko. The substantive significance of the pitcher lexeme in the artist’s poetic usage of the word is substantiated. It has been found that the connotative shades of the considered image word are connected with the traditional culture of everyday life of the Ukrainians. In the poet’s figuratively-associative linguistic map, the jug appears as an attribute of harmony of feelings, coherence, understanding, sympathy, as a symbol of the love of young hearts. The linguistic sign of the jug can be considered a poetic universality of Vasyl Holoborodko. This is the favorite artistic image of the writer. Consequently, the word-image of the jug in the poetic language of the writer is a significant and artistically significant reality. In the mind of the artist, he combines the seven «symbol of national existence», «the attribute of rural life», «the original remarkable decoration of the kitchen utensils of our ancestors», «the contents of the past and future, coming»; «Macrocosm and matter of eternity of ethnic existence». So the jug with milk is a symbol of femininity and motherhood, a jug for two is a «symbol of love». The linguistic and aesthetic poetic sign of the jug is marked by emotions of exaltation, solemnity, majesty. This is a symbol of Ukrainian rural life.


Author(s):  
Hui Zhang

The subject of this research is the image of Boris Godunov viewed in three different aspects in the eponymous drama by A. S. Pushkin and in the opera by M. P. Mussorgsky. The goal consist in description of multifacetedness and complexity of image of the Tsar, as well as his main traits in representation of the poet and the composer, which helps the performers in staging the opera “Boris Godunov”. A comparative analysis of drama and opera is conducted in accordance with the tree main categories: philosophical-aesthetic foundation, psychological portrait, peculiarities of social environment and place of the hero therein. The main conclusions consist in determination of the important sides of possible interpretation of the image of Tsar as: 1) basic philosophical idea that underlies the entire play, and thus defines the role of Godunov in the artistic concept of stage director and actor; 2) key psychological traits that set the emotional tone for the image of Tsar Boris Godunov; 3) nature and specificity of relations between the protagonist and other characters. The scientific novelty of this article is defined by an attempt to determine the key trends in creating an artistic image of the hero by means of theoretical analysis of representations on protagonist in the drama by A. S. Pushkin and opera by M. P. Mussorgsky. The author believes that the range of qualities and traits imposed by these prominent upon Boris Godunov would help the novice actors to find the key to their unique interpretation of this character.


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