scholarly journals Bogatyr's horse in the structure of the concept “BOGATYR AS AN IDEAL PERSON”: the case of early olonkho texts

Author(s):  
А.Е. Божедонова

В олонхо в структуре концепта «БОГАТЫРЬ – ИДЕАЛЬНЫЙ ЧЕЛОВЕК» главным компонентом является «БОГАТЫРЬ», так как универсалия идеального человека представлена, прежде всего, через образ богатыря. Однако в якутском традиционном сознании образ богатыря неразрывно связан с его богатырским конём. Цель данного исследования – определение содержания ментальной единицы «КОНЬ» в культуре народа саха как компонента структуры концепта «БОГАТЫРЬ – ИДЕАЛЬНЫЙ ЧЕЛОВЕК», транслирующего особенности национального характера и национальную идентичность якутов. Материалом для исследования послужили ранние тексты олонхо Т. В. Захарова – Чээбий «Ала Булкун» (1906), К. Г. Оросина «Нюргун Боотур Стремительный» (1895). Ранние тексты олонхо транслируют мировоззрение, ценностные установки и этические нормы, определяют национальный характер. В них проявляются идеология и чаяния древних якутов эпохи становления и развития эпического самосознания. В исследовании были использованы системный и описательный методы. В результате изучения установлено, что в рассмотренных ранних текстах олонхо описание коня богатыря по объему намного больше и длиннее, чем в большинстве поздних текстов. Анализ показал, что в ранних текстах олонхо образ коня описан очень красочно и детализированно, он предстаёт крепким, сильным, верным хозяину-богатырю, а также обладает магическими свойствами. Такое содержание культурной универсалии «КОНЬ» складывалось на протяжении веков. Закрепленное в ранних текстах олонхо значение образа коня нашло своё развитие и в текстах современных олонхо. Конь – это один из всеобъемлющих образов, через призму которого можно приблизиться к пониманию якутского национального характера In the olonkho, the main component in the structure of the concept “BOGATYR AS AN IDEAL PERSON” is “BOGATYR”, because the universalia of the ideal man is represented primarily through the image of a bogatyr. However, in Sakha (Yakut) traditional consciousness the image of a bogatyr is inseparably connected with his bogatyr horse. The purpose of this study was to determine the content of the mental unit “HORSE” in the culture of the Sakha people as a component of the structure of the concept “BOGATYR AS AN IDEAL PERSON”, which translates the features of the national character and national identity of the Sakha people. The material for the study was the early texts of T. V. Zakharov – Cheebiy's olonkho “Ala Bulkun” (1906) and K. G. Orosin's “Nyurgun Bootur the Swift” (1895). Early olonkho texts translate worldview, values and ethical norms and define national character. They manifest the ideology and aspirations of ancient Yakuts in the era of formation and development of epic consciousness. Systematic and descriptive methods were used in the study. As a result of the study, it was found that the description of the bogatyr's horse in the examined early texts of olonkho was much larger and longer than in most of the later texts. The analysis showed that in the early texts of the olonkho the image of the horse was described in a very colorful and detailed manner, it appeared strong, loyal to the master-bogatyr, and also had magical properties. This content of the cultural universalism “HORSE” had developed over the centuries. The meaning of the image of a horse consolidated in the early texts of olonkho has found its development in the texts of modern olonkho. The horse is one of the comprehensive images, through the prism of which one can get closer to the understanding of the Sakha national character

1993 ◽  
Vol 36 (4) ◽  
pp. 825-850 ◽  
Author(s):  
Iván Zoltán Dénes

ABSTRACTThe challenge of Joseph II's enlightened absolutist reforms in the 1780s imposed upon the Hungarian political opinion the painful dilemma of choosing between ‘fatherland’ and ‘progress’, between ‘nation’ and ‘civilization’, between national identity and modernization. These responses created the conceptual basis for the emergence of the modern Hungarian nation. The following characterizes the Hungarian liberals' and conservatives' intellectual horizons and value systems between 1830 and 1848. These two schools represent at least two different modernization strategies, and at least two concepts of national character and two perceptions of adversaries. The ideas here discussed concern the very bases of social organization and the nature and legitimacy of the state; they reveal how Hungarians conceived of the nation; how they saw foreign countries and the European equilibrium; how they perceived themselves and their adversaries, and how they envisaged their past and future.


Author(s):  
Mikael Rothstein

This chapter deals with sacred biographies, hagiographies, and their function in the formation of religious leaders and ritually venerated persons. It is argued that the status of any Master, Teacher, Prophet, guru, Seer and Channel is partly based on sacred biographies, and that the narrative construction of religious authority is crucial to our understanding of leadership in new religions, sects etc. Distinctions are made between doctrinal and popular hagiographies; doctrinal narratives promote the exalted leader according to theologically well-defined standards, while popular narratives cover a wider span, as they seek to draw a picture of the perfected human in many different ways. Counter-hagiographies, finally, serve to deconstruct the ideal person and are typically employed by ex-devotees or members of counter-groups. Hagiographies are seen as very ancient social strategies (there are references to old new religions including early Christianity and the cult of Christ), but also a very lively and important mechanisms in the current make of religious leaders. Examples are derived from Catholic cults of saints, the Mormon Church, Scientology, TM and several other groups.


Author(s):  
Rafael ALIAGA RODRÍGUEZ

Laburpena: Administrazio publikoetako izendapen askeko lanpostuetarako izendapenetan “ahalmen diskrezionala” nola erabili aztertuko dugu. Funtzionario publikoen karrera profesionalerako eskubide subjektiboa ikertuko dugu, baita lanpostuak betetzeko sistemen arteko aldea ere: lehiaketa eta izendapen askea. Izendapen askearen diskrezionalitatearen kasuan, hura osatzen duten elementuak aztertuko ditugu, merezimenduari eta gaitasunari dagokienez. Prozesu hori objektibotasun-, inpartzialtasun- eta gardentasun-printzipioetatik abiatuta gauzatu beharko da, eta jarduera horren emaitzak hautatu beharreko hautagaia, pertsona egokia, zehaztera eramango gaitu. Resumen: Vamos a abordar cómo se debe ejercitar la “potestad discrecional” en el nombramiento en puestos de libre designación en las Administraciones Públicas. Analizaremos el derecho subjetivo a la carrera profesional del personal funcionario público y la distinción entre los sistemas de provisión de puestos de trabajo: el concurso y la libre designación. De la discrecionalidad de la libre designación escudriñaremos los elementos que la componen en relación con el mérito y la capacidad. El resultado de tal actividad, que deberá ejercerse desde los principios de objetividad, imparcialidad y transparencia, nos llevará hasta determinar la persona candidata a seleccionar, la persona idónea. Abstract: We are going to address how the “discretionary power” should be exercised in the appointment of freely appointed positions in the Public Administrations. We will analyze the subjective right to the professional career of public officials and the distinction between the systems for the provision of jobs: competition and free appointment. Regarding the discretion of free designation, we will scrutinize the elements that compose it in relation to merit and capacity. The result of such activity, which must be exercised from the principles of objectivity, impartiality and transparency, will lead us to determine the candidate to select, the ideal person.


2018 ◽  
pp. 36-74
Author(s):  
Dixa Ramírez

This chapter focuses on the ambivalent nationalism evident in the celebration of the first national Dominican poet, Salomé Ureña (1850-1897). Studying poems, letters, speeches, and essays by Ureña and some of her contemporaries, the chapter contends that the strong desire for Ureña’s poetry coexisted with the elite’s generalized assumption that the ideal citizen subject was a white man. It argues that Ureña’s embodiment of Dominican nonwhiteness combined with her status as a respectable woman allowed Dominicans of the intellectual and ruling elite to satisfy two intertwined impulses: to construct a national identity that could explain Dominican difference from Haiti, and, as such, justify a seat at the global table; and a tacit acceptance that a nonwhite woman such as Ureña could only be considered “the muse of the nation” because Dominican territory had a history of black freedom and leadership.


2020 ◽  
pp. 135-151
Author(s):  
Thomas Ærvold Bjerre

The chapter outlines the deserter narrative in American war culture, with a focus on the inherent tensions between normative ideals of masculinity and transgressive notions of cowardice. The chapter then analyzes Kimberly Peirce’s 2008 Iraq War film Stop-Loss in this context. The U.S. war film genre is regulated by certain conventions regarding masculinity, heroism and national identity, but by presenting the transgressive act of desertion as one of moral courage, Peirce challenges established notions of military masculinity and national identity. This challenge remains temporary, though: the main character retains the culturally powerful trope of the ideal male soldier. Ultimately, he is unable to turn his back on his men and his country, and the film is unable to fully undermine the potent trope that links nation, military and masculinity.


Neophilology ◽  
2020 ◽  
pp. 530-540
Author(s):  
Elena O. Sycheva ◽  
Anatoly А. Serebryakov

The work is devoted to the study of F.M. Dostoevsky’s aesthetics, in particular, the writer’s aesthetic ideal. Following Kant, Hegel, and Schiller, the Russian writer considered the ideal in an anthropological aspect. The writer’s aesthetic ideal is a person who synthesizes the moral and spiritual in himself. The idea of moral beauty is expressed in the theoretical thought of the Russian writer. Harmony, comeliness serve only as an outer shell, when moral height appears as the aesthetic ideal of F.M. Dostoevsky. His works strive for this beauty and truth. Following the examples of “positive beauty” of world and domestic literature and art, F.M. Dostoevsky recreated in his works positively beautiful characters. The Russian writer speaks of the duality of beauty, the “two abysses” of the human soul: “Sodom” – low, sinful, connected with the beauty of the body, sensual, and “Madonna” – high, connected with spiritual beauty, a person can combine both. The writer’s aesthetic ideal is turned to spiritual beauty. Of particular interest is the “A Writer’s Diary” by F.M. Dostoevsky. It is in this work that the writer’s idea of the aesthetic ideal clearly expressed. The question of the ideal person is considered in the context of underground (afterlife) life in the story “Bobok” and above-ground space in “The Dream of a Ridiculous Man”. In these stories and journalistic texts framing them, the internal dynamics of the writer’s worldview position are revealed: from stating the corruption of the spirit and immortality of the soul (“Bobok”) to the tragic insight of the truth (“A Gentle Creature”) and the affirmation of the “living” image of truth (“The Dream of a Ridiculous Man”). The story explicitly expresses the overcoming of such a painful contradiction between the individual and the general, between a positively beautiful person and society.


Modern Italy ◽  
2002 ◽  
Vol 7 (1) ◽  
pp. 59-84
Author(s):  
John Dickie ◽  
Lucy Riall ◽  
Giuseppe Galasso

The last seven or eight years have brought a flood of printer's ink dedicated to the issue of national identity in Italy. At the same time, the new political forces that have emerged since Tangentopoli have all, in various ways, contributed to the re-emergence of patriotism in the language of the public sphere. What would Rosario Romeo have said about this new cultural and political climate? How would he have sought to intervene? It seems likely that he would have turned his famously acerbic critical intelligence on many of the volumes published. A signi. cant number of them merely offer versions of the same old pathologizing version of Italian history, or even, ahistorically, of the Italian national character. All the Sicilian historian would have to do would be to dust off his criticisms of those Anglo-American and Marxist historians who portrayed Italy, in his view, as having had the ‘wrong’ history, of having certain aboriginal defects.


1970 ◽  
Vol 30 (3) ◽  
pp. 783-786
Author(s):  
Peter F. Merenda ◽  
Walter V. Clarke ◽  
Hartmut Schulz ◽  
Wolfgang Strehse ◽  
Gerhard Winneke

The AVA was administered to 2 comparable samples of university students, one German and one American. Both groups of Ss were asked to respond to instructions which were designed to elicit, separately, a measure of the ideal self-concept and a measure of the ideal-person perception. The data yielded 2 correlated clusters of profiles, one for each of the two concepts, for both samples. Differences, however, existed between the congruence and compatibility values of the American and German samples. These differences suggest that in conducting cross-cultural studies, careful attention should be given to the wording of the instructions when measuring the ideal self-concept.


2004 ◽  
Vol 18 (2) ◽  
pp. 278-315 ◽  
Author(s):  
Ivanka Nedeva Atanasova

This article argues that Lyudmila Zhivkova is the most controversial political figure in Communist Bulgaria. Zhivkova’s ideas and initiatives that have been overlooked so far are used as a background for exploring a significant conflict between ideology and national identity in modern Bulgarian history. After outlining briefly Zhivkova’s early and unexpected death, the author analyzes the Communist paradoxes of utopia, modernization, and return to feudalism that produced the idiosyncratic phenomenon of Zhivkova as “the uncrowned princess” of Communist Bulgaria. The author explains Zhivkova’s cultural politics as a rational approach worked out with the help of some of the most outstanding Bulgarian intellectuals at that time. Because of its heavy emphasis on national identity, Zhivkova’s cultural politics reveal clearly several sets of contradictory components of the Bulgarian national character and in some cases challenge the conventional wisdoms about Bulgarians. These sets are the quest for cultural achievements versus limited state resources; excessive national pride versus “shameful national identity”; Russophobes versus Russophiles; East versus West or how to escape the geopolitical trap; and mysticism versus atheism.


Author(s):  
David Bowie ◽  
Francis A. Buttle

The ideal person to write a review of books is definitely someone who has written a textbook himself. Bowie and Buttle indeed have made a promising effort to disseminate an important perspective on a subject related to hospitality. One might be quick to conclude that this text is just a dime a dozen and a window dressing of the first edition since not much space is dedicated to reflect on marketing theory and practice to the level of the state of the art. But this sort of unfair review is best left to those scholars who had experienced writing a textbook which is celebrated throughout the English speaking world, like Kotler or Drucker. The review here is a modest attempt to guide those who seek some idea and facts about the book before purchasing it.  


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