scholarly journals SUBALTERNITAS PEREMPUAN DALAM CERPEN "INEM" DAN "PELARIAN YANG TAK DICARI" KARYA PRAMOEDYA ANANTA TOER

2020 ◽  
Vol 17 (1) ◽  
pp. 54-66
Author(s):  
Siti Hardiyanti Amri
Keyword(s):  
Short Stories ◽  
Gender Inequality ◽  
Analysis Method ◽  
Oppressed Group ◽  
Pramoedya Ananta Toer ◽  
Research Problems ◽  
The Voice ◽  
Research Studies

This research studies about women subaltern in the two short stories of Pramoedya Ananta Toer. Through his works, Pramoedya potrays gender inequality in which women are positioned marginally. Both characters do not have ability to voice themselves which Spivak mentions as subaltern. The research problems are the structure of the two short stories and the position of subaltern in the structure. This research uses deconstruction analysis method. The results indicate that there is such resistance by those oppressed group. Meanwhile, the author presents not only the subaltern who acts passively throughout the text, but also makes effort to fight for freedom. However, the voice of them are not heard. They remains under the oppression of men.

Dialogue de la littérature et la peinture dans Femmes d’Alger dans leur appartement d’Assia Djebar

2016 ◽  
pp. 100-107
Author(s):  
Maria Gubińska
Keyword(s):  
Short Stories ◽  
European Approach ◽  
The Voice

The paper presents the phenomenon of hybridity present in Assia Djebar’s writings based on the example of the collection of short stories entitled Femmes d’Alger dans leur appartement (Women of Algiers in Their Apartment). The title of the collection makes reference to famous paintings by Delacroix and Picasso but in doing so the author also supplements the Europocentric discourse with her own voice, the voice of a Francophone Algerian writer who, holding a dialogue with the painters, breaks with exoticism and the orientalising European approach. The dialogue with painting is accomplished on two levels; the first, diegetic and second, essayistic; in ‘The Overture’, and especially in ‘The Afterword’, which is not only a commentary to the painting works by Delacroix and Picasso, but also a complementation of the literary plot. The permanent link of Djebar’s writings to the dramatic present and the remembrance of the women deprived of their voice and subjected to reification is voiced powerfully in the work, which cannot be easily evaluated as it is very diverse in its references to other fields of art.

scholarly journals Symbolic Violence in Children’s Stories: Content Analysis in Bobo Magazine

Society ◽  
2020 ◽  
Vol 8 (2) ◽  
pp. 677-694
Author(s):  
Rahma Isnania ◽  
Nanang Martono ◽  
Tri Rini Widyastuti
Keyword(s):  
Short Stories ◽  
Content Analysis ◽  
Critical Discourse Analysis ◽  
Lower Class ◽  
Critical Discourse ◽  
Upper Class ◽  
Analysis Method ◽  
Content Analysis Method ◽  
Children's Stories ◽  
Class Habitus

The upper-class dominates various social spaces in society, including children’s stories. Children’s stories as a means of socializing values also participate in socializing upper-class habitus in the storyline. This study aims to describe the children’s habitus as narrated in short stories published in Bobo magazine. The method used in this study is the quantitative content analysis method and critical discourse analysis. This study’s object is about 174 short stories published in Bobo magazine from January 2019 to August 2020, of which 110 stories were taken randomly as samples. The results show that most of the children’s habitus narrated in the stories were upper-class children’s habitus, reaching out to 87 or 79.1% of all stories. Meanwhile, lower-class children’s habitus was found in 30.9% of all stories. The habitus of upper-class children featured in the story consisting of go on an excursion, luxury living, own electronic goods, own expensive good, wearing nightgowns, reading, and writing. On the other side, the habitus of lower-class children habitus featured in the story consisting of playing traditional games, living in poverty, and doing lower-class work. In conclusion, the upper-class children’s habitus appears more dominantly within short stories in Bobo magazine. This study’s results are expected as recommend to parties related to children’s stories publication to present more balanced stories.

scholarly journals Sounding diasporic dislocation: The object voice in postcolonial short stories

2021 ◽  
Vol 11 (1-2) ◽  
pp. 11-25
Author(s):  
Jorge Sacido-Romero
Keyword(s):  
Short Stories ◽  
Acoustic Field ◽  
Short Story ◽  
Jacques Lacan ◽  
Black Atlantic ◽  
Introductory Part ◽  
Central Characters ◽  
Different Cultures ◽  
The Voice ◽  
Limited Scope

Jacques Lacan conceives of the voice as more than meets the ear: that is, as an objet a that must be subtracted from the acoustic field to preserve the coherence of reality as a symbolically constructed order in which subjects are inserted and from which they derive a sense of identity. Disruptive manifestations of the object voice are frequent in the modernist and postmodernist British short story, a form which, on account of its brevity and limited scope, renders more sharply the traumatic nature of such episodes, which thus become more memorable and engaging for readers. The short story, likewise, is an apt vehicle for postcolonial and diasporic subjectivities characterized by the tensions and psychic distress provoked by their liminal location between different cultures and their heterogenous and often conflicting interpellations. After an introductory part which elaborates on the interrelations between object voice, the short story genre and the postcolonial subject, this article examines two recent stories by Koye Oyedeji (‘Postscript from the Black Atlantic’) and Diriye Osman (‘Earthling’), in which existential conflicts become so acute that they trigger aural hallucinations, which determine the central characters’ predicament in the context of the migrant diaspora in Britain.

The Voice of the Steppe: Modern Kazakh Short Stories

1983 ◽  
Vol 57 (2) ◽  
pp. 349
Author(s):  
Joseph Mozur ◽  
I. Kramov ◽  
Edythe Haber ◽  
Angelia Graf
Keyword(s):  
Short Stories ◽  
The Voice

scholarly journals Resepsi Pembaca Terhadap Bentuk Ketidakadilan Gender Dalam Cerpen Mata Telanjang Karya Djenar Maesa Ayu

2019 ◽  
Vol 18 (1) ◽  
pp. 35
Author(s):  
Kandhi Laras ◽  
Azizatuz Zahro’
Keyword(s):  
Short Stories ◽  
Social Status ◽  
Gender Inequality ◽  
Short Story ◽  
Sex Workers ◽  
Female Characters ◽  
Female Leaders ◽  
The Difference ◽  
Literary Reception

Tujuan penelitian ini adalah untuk mengetahui beragam resepsi pembaca terhadap bentuk ketidakadilan gender dalam cerpen feminisme berjudul Mata Telanjang. Bentuk ketidakadilan gender yang dibahas dalam penelitian ini meliputi: marginalisasi, subordinasi, stereotipi, dan kekerasan. Data resepsi dikumpulkan melalui kuesioner dan dianalisis berdasarkan metode resepsi sastra. Hasil penelitian ini menunjukkan adanya kontradiksi penerimaan pembaca terkait bentuk ketidakadilan gender terhadap tokoh perempuan (pekerja seks) yang ditawarkan oleh cerpen Mata Telanjang. Perbedaan perspektif dari pembaca disebabkan oleh latar belakang usia, pengetahuan, dan status sosial pembaca sehingga menimbulkan dua kelompok pembaca, yakni kelompok pembaca yang pro terhadap adanya bentuk ketidakadilan gender, dan kelompok pembaca yang menolak bentuk ketidakadilan gender pada tokoh perempuan dalam cerpen.[The purpose of this study is to find out various reader receptions towards gender inequality in feminism short stories entitled Mata Telanjang. The forms of gender injustice discussed in this study include: marginalization, subordination, stereotyping, and violence. The data of reception were collected through questionnaires and analyzed based on the method of literary reception. The results of this study indicate a contradiction in readers' acceptance of the form of gender inequality towards female leaders (sex workers) offered by Mata Telanjang short story. The difference in perspective from the reader is caused by the background of the age, knowledge, and social status of the reader. Here, there are two groups of readers, namely the readers who are pro against the form of gender inequality, and the readers who reject the form of gender injustice in female characters in the short story.]

scholarly journals Irrational Beliefs in Parenting Behaviors: Comparison of Turkish and Syrian Parents

2021 ◽  
Vol 8 (4) ◽  
pp. 28-38
Author(s):  
ALİ ÇEKİÇ ◽  
Ülkü PAKSAL-ÇETİN ◽  
Ahmet BUĞA
Keyword(s):  
Content Analysis ◽  
Gender Inequality ◽  
Irrational Beliefs ◽  
Parenting Behaviors ◽  
Analysis Method ◽  
Mothers And Fathers ◽  
Content Analysis Method ◽  
Masculine Role ◽  
And Behaviors

This study aims to examine the irrational beliefs of Turkish and Syrian parents about parenting behaviors. The study was conducted with 22 mothers and eight fathers whose children are in kindergarten. Content analysis method was used for the analysis of the data acquired within the scope of the study. Four different cases were presented to the mothers and fathers in the study that they can encounter while raising their children. They were asked questions on their beliefs, emotions, and behaviors when faced with these circumstances. The first result obtained from the study findings is that the mothers made more irrational evaluations in all four scenarios than the fathers. Another finding from the study is the similarity of responses to all scenarios from Turkish and Syrian mothers. In summary, in line with the ranking of gender inequality in Turkey, fathers may have identified with a more masculine role and therefore tend not to see themselves as responsible for the care, upbringing and possible problems related to their children.

scholarly journals Teen and Social Violence in Cinema: Construction of Teen Identity in Film Dilan 1990

2020 ◽  
Vol 5 (2) ◽  
pp. 225-231
Author(s):  
Euis Komalawati
Keyword(s):  
Gender Inequality ◽  
Narrative Analysis ◽  
School Environment ◽  
Physical Violence ◽  
Analysis Method ◽  
Analysis Model ◽  
Literature Study ◽  
Adolescent Identity ◽  
Social Violence ◽  
Vladimir Propp

Dilan 1990 is a teenage film with the highest number of viewers in 2018, which reached 6,315,664.  The success of  Dilan 1990 is inseparable  from the culture industry's strength, which can mobilize public interest through reliable publication and marketing. The success of the film Dilan carrying the characters of Dilan and Milea as teen idols raises concerns about the identity of adolescents who are laden with violent symbols. This is because the content and theme of the story in the 1990s were constructed with Dilan's character, who liked to fight. For this reason, this study aims to analyze the construction of adolescent identity and social violence in the 1990 Dilan film. This research method uses a qualitative approach with an interpretative paradigm. Data Analysis Method uses narrative analysis of film subtitles with the Vladimir Propp analysis model. The unit of analysis in this study is the film Dilan 1990 (2018). Data collection techniques are conducted with text analysis, literature study, observation, and documents. This study concludes that social violence among adolescents is constructed in the cinema through adolescents' identity, both verbal violence and physical violence in the school environment and outside of school. Young men carry out social violence to young women who describe gender inequality, which refers to social violence due to cultural factors.

scholarly journals PENENTANGAN KAUM MUDA MINANGKABAU TERHADAP BUDAYA MINANGKABAU DALAM CERPEN HARIAN KOMPAS [The Defense of Young Minangkabau on Minangkabau Culture in The Compass Short Story]

TOTOBUANG ◽  
2018 ◽  
Vol 5 (2) ◽  
pp. 215
Author(s):  
Jasril Piliang
Keyword(s):  
Short Stories ◽  
Content Analysis ◽  
Short Story ◽  
Research Data ◽  
Analysis Method ◽  
Sociology Of Literature ◽  
Content Analysis Method ◽  
Analysis Technique ◽  
Communal Land ◽  
Qualitative Descriptive

The writing of literary works by authors from Minangkabau is dominated by the theme of youth resistance to Minangkabau culture supported by the Elder. Therefore, this article tried to discuss about young people's resistance to Minangkabau culture in the Kompas Daily short story. The research data was collected from four short stories by Minangkabau authors published by Kompas daily and analyzed using the theory of sociology of literature by using mimesis approach. This type of research was qualitative descriptive. Collecting and analyzing data were done simultaneously with reading-record-analysis technique, used content analysis method and heuristic and hermeneutic reading method. The findings of the study and discussion revealed that the short story of the Kompas Daily contained the resistance of Minangkabau youth which included resistance to the tradition of money pick-ups,  to the customary provisions that prohibit boys in Minangkabau occupied communal land, to mamak policies abusing inherited property, and  to the ban on marriage in the Minangkabau culture.Penulisan karya sastra oleh pengarang yang berasal dari Minangkabau didominasi oleh tema penentangan kaum muda terhadap budaya Minangkabau yang didukung oleh kaum tua. Oleh sebab itu, artikel ini mencoba melihat penentangan kaum muda terhadap budaya Minangkabau dalam cerpen Harian Kompas. Data penelitian dikumpulkan dari empat cerpen karya pengarang Minangkabau yang diterbitkan Harian Kompas dan dianalisis menggunakan teori sosiologi sastra dengan menggunakan pendekatan mimesis. Jenis penelitian ini adalah kualitatif deskripstif. Pengumpulan dan penganalisisan data dilakukan secara bersamaan dengan teknik baca-catat-analisis, menggunakan metode content analysis dan metode pembacaan heuristik dan hermeneutik. Temuan penelitian dan pembahasan mengungkapkan bahwa cerpen Harian Kompas memuat penentangan kaum muda Minangkabau yang meliputi penentangan terhadap tradisi uang jemputan, penentangan terhadap ketentuan adat yang melarang anak laki-laki di Minangkabau menempati tanah ulayat, penentangan terhadap kebijakan mamak yang menyalahgunakan harta pusaka, dan penentangan terhadap larangan pernikahan sesuku dalam budaya Minangkabau.

scholarly journals IDENTIFICATON OF UNIT SHIFT FROM WORD TO PHRASE IN ENGLISH-INDONESIAN TRANSLATION OF MS WIZ SPELLS TROUBLE BY TERENCE BLACKER

2019 ◽  
Vol 8 (2) ◽  
pp. 1-40
Author(s):  
Muhammmad Naufal
Keyword(s):  
Short Stories ◽  
Descriptive Analysis ◽  
Linguistic Theory ◽  
Target Language ◽  
Analysis Method ◽  
Source Language ◽  
Adverbial Phrase

The research entitled “Identification of Unit Shift from Word to Phrase in English-Indonesian Translation of Ms Wiz Spells Trouble by Terence Blacker” finds the unit shift and classifies the unit shift in Ms Wiz Spells Trouble short stories by Terrence blacker. The theory used in this research is unit shift by Catford as seen in his book entitled ‘A Linguistic Theory of Translation’. Descriptive analysis method is used to analyze the data in the research. Based on the analysis, unit shift is a change of a unit in source language to a different unit in target language. There are two classified unit shift in the research; from Adverb to adverbial phrase and adjective to adjective phrase.

scholarly journals Under Children's Eyes: Becoming Pious in Tayeb Salih and Pramoedya Ananta Toer Short Stories

2017 ◽  
Vol 55 (1) ◽  
pp. 27-46
Author(s):  
Novita Dewi
Keyword(s):  
Short Stories ◽  
Conceptual Framework ◽  
World Literature ◽  
Muslim Society ◽  
Child Characters ◽  
Tayeb Salih ◽  
Pramoedya Ananta Toer ◽  
Child Narrators ◽  
Literature Anthologies ◽  
Islamic Society

This research seeks to discuss how child characters navigate their interactions with the adults in two short stories set in the predominantly Islamic society of Sudan and Indonesia. It examines Tayeb Salih’s “A Handful of Dates” (1964) and Pramoedya Ananta Toer’s “Circumcision” (1950) by locating both texts in World Literature which is largely Western or Eurocentric. Both short stories belong to the genre of initiation fiction often included in world literature anthologies. This paper argues that both authors help contribute to not only the rethinking of World Literature concept and circulation thereof, but also balanced view of heterogonous, multicultural Muslim society. Using post-Genette focalization theory as conceptual framework, this study finds out that the child narrators play distinct roles as (1) the perceptual focalizer to reveal injustice and frivolity of the adults’ world; (2) the ideological focalizer to make meaning of children’s faith through their relationship with the grown-ups. [Penelitian ini bertujuan membahas bagaimana tokoh anak berinteraksi dengan orang-orang dewasa dalam dua cerita pendek dari negara berpenduduk mayoritas Islam, Sudan dan Indonesia. Karya Tayeb Shalih, "A Handful of Dates"[Segenggam Kurma] (1964) dan karya Pramoedya Ananta Toer "Sunat" (1950) dikaji dengan menempatkan kedua teks dalam Sastra Dunia yang cenderung berkiblat ke dunia Barat dan Eropa. Kedua cerita pendek  bergenre fiksi inisiasi ini sering diikutkan dalam antologi sastra dunia. Makalah ini menunjukkan bahwa kedua penulis memberikan kontribusi dalam penafsiran ulang konsep dan peredaran Sastra Dunia, serta pandangan yang lebih seimbang terhadap masyarakat Muslim yang heterogen dan multikultural. Menggunakan Teori Fokalisasi Pasca-Genette sebagai kerangka konseptual, studi ini menyimpulkan bahwa tokoh anak dalam kedua cerpen memainkan peran yang berbeda sebagai (1) focalizer (penyuara) perseptif yang mengungkapkan ketidakadilan dan kedegilan dunia orang dewasa; (2) penyuara ideologis yang memaknai keimanan anak lewat relasi dengan orang-orang dewasa.]

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