scholarly journals Urban motives in the work of Gregory Kvitka-Osnovyanenko

The paper contains the analysis of the system of urban images and motifs in the writings by Hryhory Kvitka-Osnovyanenko. It is commonly thought that the urbanism in the Ukrainian literature is synonymous with modernity, in contrast to the 19th century rusticism. However, the city in the previous epochs was already the surrounding for the development of the cultural industry. The analysis of the prose written by H. Kvitka-Osnovyanenko using urban studies shows a significant artistic level of understanding urban life as a mental image and as a social practice. The researchers of H. Kvitka-Osnovyanenko’s prose since the nineteenth century considered as the most important contribution his innovative for the Ukrainian literature idea to introduce a rural topic and depict the characters – natives from the village – not in the Burlesque register, as it was practiced before, but using means of a high poetic style. However, H. Kvitka-Osnovyanenko described not only rural life, but also the everyday life of inhabitants of cities and towns, their social practices and the constants of the urban imaginary. It is worth speaking about the reception of the baroque images of urban space in the prose of H. Kvitka-Osnovyanenko, especially the city as the embodiment of New Jerusalem («Kozyr-divka»); the urban topography of the hell («Ot tobi y skarb»), the travesty of constant monives in the description of the city («Konotopska widma»). In addition, the ideas of H. Kvitka-Osnovyanenko concerning the urban life were embodied in the writings of the next generation of romantic writers and realists – in particular, the opposition of the village as traditional space and the city as an assimilative one. The author examines several scenarios of self-realization of peasant characters in the city – from the successful realization of their plans to moral decline. H. Kvitka-Osnovyanenko points to different points of view, avoiding a strictly positive or negative attitude towards urban space.

Discourse ◽  
2020 ◽  
Vol 6 (4) ◽  
pp. 46-61
Author(s):  
A. A. Beschasnaya ◽  
N. N. Pokrovskaia

Introduction. The social practice of participativeness, active participation in the transformation of urban space in the interests of residents, is gaining popularity among the urban population. The study of this phenomenon is interest for obvious integration with management decisions. Expanding the practice of implementing social activity of the population and studying the components of participativeness determine the goal of writing the paper-the formation of a theoretical and methodological basis for studying this phenomenon.Methodology and source. The paper presents a review of classical and modern sociological theories that reveal the potential of empirical study of aspects of the manifestation of participation of urban residents. Among the mentioned by the authors are the theory of social action, social solidarity, phenomenology, social constructivism.Results and discussion. The problematic nature of living in cities and the penetration of these problems into the daily interaction of citizens forms the origins of solidary participation of citizens-individual and private interests form collective actions-processes. Multiple individual forms of citizens' activity on urban improvement are transformed into participativeness – institutionalized joint activity. Its participants can take differentiated positions in the social structure of the urban community according to the criteria of having a diverse experience of interaction, i.e. exchange, with the urban environment and taking a position in the city management structure, which determines the level of regulated authority to make managerial decisions. The problems of urban life that are common to different categories of citizens and the typification of social activity to solve them order the interaction of participants, organize and “produce” the urban space.Conclusion. In the process of reasoning, a theoretical model of the formation of participativeness is presented, which allows us to trace the transformation of activity of the urban population into the right to the city and the formation of a favorable urban environment.


Author(s):  
Екатерина Александровна Мельникова

Статья посвящена истории бытования мезенской росписи - зооморфного орнамента, использовавшегося с начала XIX в. мастерами д. Палащелье Архангельской губ. для декорирования деревянных изделий, и в первую очередь прялок. В центре внимания находится судьба мезенской лошадки - главного символа палащельской росписи, ставшего в XXI в. основой локального бренда в г. Мезени и его окрестностях. В работе рассматривается история палащельского промысла, включая трансформацию его социального, экономического и культурного значений на протяжении XX-XXI вв. Прялка - главный носитель мезенской росписи - перестала выполнять свою утилитарную роль, став объектом семейной памяти и культурной ценностью, связанной с локальной идентичностью местных жителей и художественным значением, определяемым экспертами-профессионалами. Вследствие этих перемен, а также миграций населения из деревень в города прялки с мезенской росписью стали ассоциироваться с покинутой малой родиной и деревенским миром в целом, вызывая к жизни особую форму чувствительности, требующей специальных навыков понимания, толкования и любви к мезенской росписи. Как показано в работе, два режима восприятия мезенской лошадки - семейной памяти и эстетической ценности - тесно взаимосвязаны, определяя эмоциональную привязанность и популярность этого элемента традиционной росписи среди современных жителей г. Мезени и Мезенского района. This article concerns the history of the Mezen horse, a zoormorphic ornament from the village Palashchelye in the Mezen Region of Arkhangelsk Province. From the beginning of the 19th century it has been used by craftsmen to decorate wooden items, especially spinning wheels. In the beginning of the present century the Mezen horse became the symbol of Palashchelye painting and the main local brand for the city of Mezen and its environs. The article examines the history of Palashchel crafts and discusses the transformation of its social, economic and cultural significance during the 20th and 21st centuries. The spinning wheel, the main bearer of Mezen decoration, has ceased to fulfill a utilitarian role, becoming instead a focus of family memories and cultural value, interpreted both in terms of local identity and artistic significance. As a result of this change, as well as the migration of the population from villages to cities, spinning wheels with Mezen painting began to be associated with one’s abandoned birthplace and the rural world in general. This has given rise to a special kind of sensitivity that entails special skills of interpretation as well as love. Two different modes of such sensibility are discussed in the article - the mode of family memory and the mode of esthetic value - that are interwoven, endowing the Mezen horse with emotional meaning and broad popularity among the modern urban inhabitants of Mezen and its environs.


2021 ◽  
Vol 6 (3) ◽  
pp. 133-145
Author(s):  
Sema Tuba Özmen ◽  
Beyza Onur

Architecture, which is associated with the practice of producing space, has always rendered the powers and ideologies visible. This study investigates the government houses in the 19th century Ottoman State with regard to the notions of power and ideology and focuses on the Government House of Safranbolu. It is known that, in the specified period, government houses were important ideological interventions to urban space. This study aims to address the ideological context of the Safranbolu Government House, which is positioned with the ideal of the state. Based on this, first, the urban history of Safranbolu was examined. The importance of Safranbolu Government House in the history of the city, its relationship with the city, its ideological message to the city-dwellers and its architectural style were analyzed through a method based on archival research. All government houses of the period are the artifacts of urban-spatial structures and their architectural style as well as a shared ideology. Safranbolu Government House, which is one of the structures symbolizing the Ottoman State, was also built with a similar ideological consideration. Thus, the readability of the dominant ideology through the production style of Safranbolu Government House, one of the final period architectural artifacts of the Ottoman State, was verified.


Author(s):  
Sriya Das ◽  

In delineating the painful experiences of LGBTQ individuals after the introduction of Section 377 of the Indian Penal Code R Raj Rao’s works look into the struggle of these people to survive the onslaught of normative sexual discourses. Given the fact that Queer sexuality has been continuously questioned, suspected and tormented prior to its legitimate recognition in 2018, Rao draws attention to the nuances of gay urban life in India. The paper critically analyses the representation of gay subculture in the cities of India as reflected in select works of Rao. It demystifies how gay people share the urban space, manage to make room for their pleasure in the cities, and pose a threat to the dominant understanding of sexuality. The ultimate objective of this paper is to understand the role of the city in the (un)making of a subcultural identity. Textual analysis, with reference to certain theoretical frameworks, would be used as a qualitative research method.


2019 ◽  
Vol 8 (2) ◽  
pp. 1
Author(s):  
Mine Kuset Bolkaner ◽  
Selda İnançoğlu ◽  
Buket Asilsoy

Urban furniture can be defined as aesthetics and comfort elements that reflect the identity of a city and enable the urban space to become livable. Urban furniture is an important element of the city in order to improve the quality of urban life, to create a comfortable and reliable environment and to meet the needs of the users in the best way. For designing these elements, the social, economic, cultural and architectural structure of the city should be considered and evaluated. It is important to adapt the urban furniture to the urban texture and to the cultural structure achieving an urban identity, in order to ensure the survival and sustainability of the historical environments. In this study, a study was carried out in the context of urban furniture in Nicosia Walled City, which has many architectural cultures with its historical texture. In this context, firstly the concept of urban identity and urban furniture was explained and then, information about urban furniture was given in historical circles with urban furniture samples from different countries. As a field study, a main axis was determined and the streets and squares on this axis were discussed. These areas have been explored starting from Kyrenia Gate in North Nicosia; İnönü Square, Girne Street, Atatürk Square, Arasta Square, Lokmacı Barricade and on the south side Ledra Street and Eleftherias Square. In this context, the existing furniture in the North and South were determined and evaluated in terms of urban identity accordingly. As a result, it can be suggested that the existing street furniture equipments, especially on the north side, do not have any characteristic to emphasize the urban identity. According to the findings, it was determined that the urban furniture in the streets and squares on the north side is generally older and neglected, and does not provide a unity with the environment, whereas on the south side, these elements on the street and square are relatively new, functional and environmentally compatible.Key words: urban furniture, historical environment, urban identity, Nicosia Old City


2013 ◽  
Vol 409-410 ◽  
pp. 883-886
Author(s):  
Bo Xuan Zhao ◽  
Cong Ling Meng

City, is consisting of a series continuous or intermittent public space images, and every image for each of our people living in the city is varied: may be as awesome as forbidden city Meridian Gate, like Piazza San Marco as a cordial and pleasant space and might also be like Manhattan district of New York, which makes people excited and enthusiastic. To see why, people have different feelings because the public urban space ultimately belongs to democratic public space, people live and have emotions in it. In such domain, people can not only be liberated, free to enjoy the pleasures of urban public space, but also enjoy urban life which is brought by the city's charm through highlighting the vitality of the city with humanism atmosphere. To a conclusion, no matter how ordinary the city is, a good image of urban space can also bring people pleasure.


2012 ◽  
Vol 37 (2) ◽  
pp. 6-14
Author(s):  
Alain Thierstein ◽  
Anne Wiese

In the context of the European city, the regeneration of former industrial sites is a unique opportunity to actively steer urban development. These plots of land gain strategic importance in actively triggering development on the city scale. Ideally, these interventions radiate beyond the individual site and contribute to the strengthening of the location as a whole. International competition between locations is rising and prosperous development a precondition for wealth and wellbeing. This approach to the regeneration of inner city plots makes high demands on all those involved. Our framework suggests a stronger focus of the conceptualization and analysis of idiosyncratic resources, to enable innovative approaches in planning. On the one hand, we are discussing spatially restrained urban plots, which have the capacity and need to be reset. On the other hand, each plot is a knot in the web of relations on a multiplicity of scales. The material city is nested into a set of interrelated scale levels – the plot, the quarter, the city, the region, potentially even the polycentric megacity region. The immaterial relations however span a multicity of scale levels. The challenge is to combine these two perspectives for their mutual benefit. The underlying processes are constitutive to urban space diversity, as urban form shapes urban life and vice versa.


2021 ◽  
pp. 83-112
Author(s):  
Dolly Kikon ◽  
Duncan McDuie-Ra

This chapter analyses the efforts to make Dimapur more city-like. Beginning with attempts to hold municipal elections with reserved seats for women in 2017, we navigate the deeply contentious politics around the classification and re-classification of space in the city. As the largest city in a tribal state, Dimapur is an experiment in the production of legible urban space in areas with customary law and constitutional protection. At present the experiment is provoking deep anxieties. Producing legible urban space from the collection of settlements, villages, barracks, commercial zones, ceasefire camps, encroached tracts, and wastelands under various socio-legal regimes is rarely coherent and often chaotic. We argue that the city is a space to challenge and transgress customary law in ways unthinkable at the village level. However, transgression was a catalyst for crisis, a scenario likely to remain constant in urban politics for the conceivable future.


2020 ◽  
pp. 213-229
Author(s):  
Karina Chérrez-Rodas

El siguiente escrito es una revisión bibliográfica que se desarrolla en función de tres conceptos claves de Lefebvre: El Derecho a la Ciudad, El Control Social y el Espacio Urbano; concebidos en el marco de sus líneas de investigación y orientación marxista. La investigación pretende emplear apreciaciones del autor en mención, enmarcadas en el acontecer de la ciudad en la actualidad, y trasladar a la relectura de problemáticas puntuales en dos ciudades latinoamericanas: Cuenca-Ecuador y Córdoba-Argentina. A partir del Derecho a la Ciudad definido por Lefebvre; se realiza una crítica, al trazado de la nueva área de planificación urbanística en Cuenca, basado en principios funcionalistas, que ha jerarquizado la circulación vehicular, en detrimento del uso peatonal del espacio público. En la misma línea de la crítica de la modernidad, el control social se manifiesta en un sector de la ciudad de Córdoba, el predio de la Casa de Gobierno. Analizar problemáticas en contextos similares, pero a la vez con diferentes escalas de ciudad, permiten validar las tesis y reflexiones de Lefebvre en su época para la planificación de ciudades contemporáneas, cuyos modelos de desarrollo han tenido como consecuencia deficiencias en la vida urbana. Palabras clave: Ciudades, control social, Derecho a la ciudad, espacio urbano, vida urbana. AbstractThe following piece of writing is a bibliographic review that was developed from three key concepts of Lefebvre: Right to the City, Social Control and Urban Space. It was conceived within the framework of his lines of research and Marxist orientation. The research intends to use the author's appreciations in mention, framed in the events of the city at present, and to transfer to the re-reading of specific problems in two Latin American cities: Cuenca-Ecuador and Córdoba-Argentina. Based on the right to the city defined by Lefebvre, a critique was made of the new urban planning area in Cuenca, based on functionalist principles, which has hierarchized vehicle circulation to the detriment of the pedestrian use of public space. Under the same line of the criticism of modernity, social control was manifested in a sector of the city of Córdoba, the Government House site. Problems in similar contexts were analyzed, but at the same time with different city scales. It allowed us to validate Lefebvre's thesis and reflections in his time for the planning of contemporary cities, whose development models have resulted in deficiencies in urban life. Keywords: Cities, social control, Right to the city, urban space, urban life.


Author(s):  
Christabella Nadia Angela ◽  
Franky Liauw

Rawa Belong is one of the village in Jakarta’s density. Then this village was filled by social interactions that give a life to the city. A public space that everyone can relax and leisure also express themselves freely. With a cultural background and plants, Rawa Belong began to be seen as something special. Various communities and people with a different background are in it. Freedom that should be in a public space is not happen here, because of the density both in the interaction between people and their environment. This project is based on “Everyday Urbanism” method to observe and analysis the urban life in Rawa Belong. Then this project was created to resolve what people in Rawa Belong needs such as a place to recreation and leisure where will be seen as a connection between lost spaces also to create a space that combine all the people and community that should be in a public space.   Keywords:  community; cultural; plants; public space; social interactioAbstrakRawa Belong merupakan salah satu kelurahan ditengah kepadatan kota Jakarta. Suatu kelurahan yang diisi oleh interaksi social yang memberi kehidupan bagi kota. Sebuah wadah dan ruang public dimana setiap orang dapat melakukan aktivitas rekreasi dan mengekspresikan dirinya secara bebas. Dengan latar belakang sejarah budaya betawi dan juga tanaman hias, daerah Rawa Belong dipandang sebagai sesuatu yang khas dan istimewa. Berbagai macam komunitas dengan berbagai latar belakang ada di dalamnya, kebebasan yang seharusnya ada dalam sebuah ruang public tidak terlihat di daerah ini karena begitu padatnya satu dengan yang lainnya baik dalam interaksi antar manusia maupun interaksi dengan lingkungannya. Proyek ini didasari  menggunakan metode “Everyday Urbanism” untuk melakukan pengamatan dan analisa terhadap kehidupan di Rawa Belong. Kemudian proyek ini diciptakan untuk menjawab kebutuhan wadah rekreasi yang ada, dimana wadah ini akan dilihat sebagai sebuah koneksi antar ruang-ruang yang hilang dan menggabungkan semua komunitas dan masyarakat yang seharusnya ada dalam sebuah ruang terbuka.


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