scholarly journals Features of the development of books of poems in modern Russian-language poetry of Mordovia (on the material of the poetry books by A. M. Sharonov «The Monologues» and S. Yu. Senichev «Grapes in Chocolate, or Compounding»)

2021 ◽  
Vol 11 (1) ◽  
pp. 16-24
Author(s):  
S. P. Gudkova ◽  
◽  
A. V. Khozyajkina ◽  
Keyword(s):  
National Identity ◽  
Russian Language ◽  
Language Poetry ◽  
Avant Garde ◽  
The World ◽  
Russian Literary ◽  
Literary Process ◽  
The Republic ◽  
Traditional Paradigm ◽  
Modern Russian

Introduction: the article is devoted to the study of the development of books of poems as a major genre form in modern Russian-language poetry of Mordovia and fits into the complex of Russian literary studies concerning the peculiarities of the development of the Finno-Ugric literary process. In the course of the research, the typological features of a thematic and «final» book of poems are revealed; the poetological features of this genre in the works of the poets of Mordovia belonging to the «traditional» and «avant-garde» paradigm are analyzed. Objective: to analyze the main trends of the development of a book of poems in the literary process of Mordovia. Research materials: the poetry books by A. M. Sharonov «The Monologues» and S. Yu. Senichev «Grapes in Chocolate, or Compounding». Results and novelty of the research: the analysis of the modern Russian-language poetry of Mordovia has shown that today there are two ideological and artistic paradigms: «traditional» paradigm based on the experience of classical Russian poetry and «avant-garde» paradigm developing with the support of postmodern experiments. The diversity of poetic practices makes it possible to determine the ways of development of a book of poems in the poetic process of the republic. In the creative works of the poets of Mordovia two genre-specific forms, such as thematic and «final», are developing. Moreover, the traditional poets most often comprehend the problems concerning the preservation of the national identity of the Mordovian people. They poetically sum up the plots and images of national mythology and folklore. The genre form of a «final» book of poems allows the most representative to convey the scale of significant historical and sociocultural events of the era, as well as to present the author’s biography against the background of these events. The avant-garde poets, on the contrary, move away from national attributes. The associative and metaphorical principle of constructing a book of poems becomes more important for them, where along with the lyrical understanding of the world there is a philological game, intertextuality, and allusiveness. Through the techniques of literary play authors often express nostalgia for lost values. The analysis of the poetic of the books of poems by A. M. Sharonov and S. Yu. Senichev will allow not only to determine the features of their creative manner, but also to trace the ways and character of the development of modern Russianlanguage poetry in Mordovia as a whole.

Слово у вимірах історичної пам’яті українців

2018 ◽  
Vol 6 ◽  
pp. 61-72 ◽  
Author(s):  
Lidia Hnatiuk
Keyword(s):  
National Identity ◽  
Historical Memory ◽  
Russian Language ◽  
Language Awareness ◽  
Literary Language ◽  
Russian Literary ◽  
The Russian Language ◽  
Modern Russian

The article shows that archaic language is one of the components and methods of the detection of historical memory of Ukrainians. The analysis of the use of such elements in Old Ukrainian literary language of the 14-18th centuries., in Ukrainian literary language of the 19-20th centuries and in modern Ukrainian dialects has proved “Ukrainianness” of some archaic elements of the Ukrainian language, which are perceived by the language awareness of the modern Ukrainian as elements of the Russian language rather than the elements of its national identity in the diachronic dimension, as these words do exist in the modern Russian literary language, while in the New Ukrainian literary language they are replaced by other lexemes. It is shown that such archaisms in the language awareness of educated Ukrainians, including writers, acquire additional connotations and update their historical memory.

scholarly journals Russian and Russian-speaking prose in the situation of multiculturality: experience of Kazakhstan

2020 ◽  
Vol 25 (2) ◽  
pp. 234-246
Author(s):  
Uliana V. Ovcherenko ◽  
Irina V. Monisova
Keyword(s):  
National Identity ◽  
World Literature ◽  
Russian Language ◽  
The Past ◽  
The World ◽  
Cultural Processes ◽  
Literary Process ◽  
Soviet Space ◽  
The Russian Language ◽  
Post Soviet Space

The article is devoted to the modern literary process in Kazakhstan, specially its Russian and Russian-speaking segment against the background of integration movements in the world and specific cultural processes in the post-Soviet space. It reveals how much the situation and part of literature created in Russian language in the region over the past decades has changed, how a different identity, the mentality of a different culture is expressed and how in turn this culture affects Russian-language texts. An attempt is made to trace the main trends in the development of modern Kazakhstani literature in Russian, in connection with which the works of I. Odegov, G. Doronin, H. Adibaev, D. Nakipov, A. Zhaksylykov and others are analyzed. It is concluded that the Russian language, even after losing its former status, remains in demand in the literature not only by ethnic Russians, but also by Kazakh bilinguals who are successfully experimenting with Turkisms. At the same time, Russian authors are concerned about the preservation of national identity, which motivates the appeal to classics and national folklore, while Kazakhs are more focused on the space of world literature.

scholarly journals Influence of the world wide web to the modern Russian language

2020 ◽  
Vol 2 ◽  
pp. 80-85
Author(s):  
Natavan Kamilova ◽  
Keyword(s):  
Social Network ◽  
World Wide Web ◽  
World Wide ◽  
Russian Language ◽  
The Internet ◽  
The World ◽  
Network Language ◽  
Modern Russian

In this article we made an attempt to resolve a problem, which impends over our society. Getting involved in the Internet, using social network language, humanity, distorting their language, forget about great traditions of each nation, about originality, harmony, euphony of a language. In this case, we are talking about rich and expressive Russian language.

Functions of Borrowings in the Russian Argot

2020 ◽  
pp. 77-89
Author(s):  
Gulnara Lisina ◽  
Keyword(s):  
Comparative Method ◽  
Russian Language ◽  
Literary Texts ◽  
Careful Study ◽  
College Level ◽  
Russian Speakers ◽  
Russian Literary ◽  
Characteristic Features ◽  
Social Linguistics ◽  
Modern Russian

The article explores and describes the functions of borrowings which, at different time peri-ods, entered the argot of Russian fringe population groups. The main purpose of the study is to present a systematizing critical review of the existing literature on the functions of argot and to describe the characteristic features of borrowed argotisms found in Russian literary texts as well as Russian explanatory, etymological, and foreign word dictionaries. The author uses the methods of description and comparison, the comparative method, and the opposition method. Since the general criminal argot, the specialized argot, and the prison argot are rich in their forms and functionality, they perform a number of important tasks, and gradually pene-trate into literary speech. Thus a careful study of their functions helps to explain some of the linguistic realities of the modern Russian language and throws a fresh light on the psychology of native Russian speakers. After analyzing a diverse body of sources, the author identifies sixteen separate functions of borrowed words that are common for the general, specialized, and prison argot, namely: service, secret, identification, nominative, worldview, expressive, utilitarian, communicative, signaling, magic, pseudo-aesthetic, agitation, and game function as well as the function of gender determinism, the function of intimidation, and, finally the function of stylistic characterization of literary characters through their speech. The results of the research can be used in college-level courses of modern Russian for law and language students, in special courses in social linguistics and cultural studies as well as in language and public speaking courses in schools and universities.

scholarly journals THE REPRESENTATION OF SUBCONCEPT THE BRITISH IN THE RUSSIAN BÉLLES-LÉTTRES

2021 ◽  
Vol 1 (11(79)) ◽  
pp. 34-37
Author(s):  
Anastasiia Plakhtii
Keyword(s):  
National Identity ◽  
Public Opinion ◽  
Russian Literature ◽  
Point Of View ◽  
The World ◽  
Textual Approach ◽  
Belles Lettres ◽  
The Individual ◽  
Modern Russian

The purpose of this article is to analyze the lexical means of verbalization of the subconcept “THE BRITISH” in the Russian belles-lettres. The problem of national identity is closely related to the problem of national stereotype. The stereotype, including the national one, is closely related to the linguistic factor and has a discursive nature. According to S. Filyushkina, the national stereotype also creates its own special, verbalized reality, reflecting the nation’s ideas about itself or about another, very biased as a rule. These ideas have a collective character and are inherited by the individual due to education, the influence of the environment and public opinion. From the standpoint of the textual approach, the analysis of the linguistic embodiment of the kernel and the near periphery of the modern Russian literature of various periods (over 1000 samples). Verbalization of the image of the British in the artistic picture of the world is carried out using such frames as character, appearance, clothing, behavior. The appearance of the British is often assessed negatively. In terms of character, behavior and clothing, the British are divided into gentlemen and non-gentlemen. The former receive either a positive or an ironic assessment, the latter – more often negative, sometimes ironic. The good manners of the English are highlighted, especially in the process of their meal. English speech and pronunciation are also important from the point of view of authors.

scholarly journals Features of plot building of the lyrical cycles of travels in Russian poetry of Mordovia of the late XX – early XXI centuries

2020 ◽  
Vol 10 (3) ◽  
pp. 436-445
Author(s):  
S. P. Gudkova ◽  
◽  
O. Yu. Osmukhina ◽  
V. A. Samoylenko ◽  
◽  
...  
Keyword(s):  
Specific Form ◽  
The State ◽  
Literary Studies ◽  
Compositional Structure ◽  
The World ◽  
Russian Poetry ◽  
Russian Literary ◽  
Geographical Space ◽  
Comprehensive Study ◽  
Modern Russian

Introduction: the article is devoted to the study of genre and aspect specifics of the travel lyric cycle as a major genre form in modern Russian poetry of Mordovia and it fits into the complex of research of Russian literary studies concerning the problem of genre synthesis. The subjects of the analysis are the features of plot building of the lyrical cycles of travels. Objective: to reveal the genre and problem-thematic originality of the lyrical cycles of travels in the works of modern poets of Mordovia. Research materials: cycles of travels of V. Gadaev, V. Yushkin, K. Smorodin. Results and novelty of the research: in modern Russian poetry of Mordovia large genre forms as the most flexible actively develop. Among them, a special place is occupied by lyrical cycles with diverse thematic lines. In this context, travel cycles that synthesize the features of genre forms of the cycle and travelogue are quite remarkable. The complex compositional structure marked by the presence of a real geographical route, the image of a traveler comprehending the cultural and historical atmosphere of the visited country / city, reflects the author’s worldview, historiosophy, and the idea of the world space. In the works of V. Gadaev, V. Yushkin and K. Smorodin such cyclic forms carry out various creative objectives. For V. Gadaev, trip brings the opportunity to rethink the tragic moments of history, to understand the state of a person who is far from his homeland. The plot-forming beginning of his works is the opposition «native – alien», where the image of the Mordovian region turns out to be the semantic artistic center. In V. Yushkin’s lyrical cycles, the traveler’s route is connected with the comprehension of semantic codes of geographical space, contact with important cultural and literary places. In the K. Smorodin’s center of attention is an image of a lyrical hero-traveler who is under the impression of the surrounding world’s beauty. The motif of travel in the works of Russian poets of Mordovia is largely enriched by landscape and philosophical, love motifs, which indicates the synthetic nature of this genre-specific form. The scientific novelty of the work is connected with the fact that it represents the first experience of the comprehensive study of the features of the lyric cycle of travels in Russia

scholarly journals Pluralia tantum nouns and nouns, mostly used in the plural form, in modern Russian

2018 ◽  
Vol 215 (1) ◽  
pp. 159-176
Author(s):  
Dr. Ahmed Hamid Shalyan
Keyword(s):  
Economic Reforms ◽  
Russian Language ◽  
The Other ◽  
New Words ◽  
Lexical Semantic ◽  
Plural Form ◽  
The World ◽  
Lexical Composition ◽  
The One ◽  
Modern Russian

This study focuses on monitoring the development in the lexical composition of the modern Russian language lexical-semantic digits pluraliatantum nouns and nouns, mostly used in the plural form. The material of the study used the book "Dictionary of new words." During the analysis it was found that the process of appearance of words and pluraliatantum nouns, is used mainly in the form of plural. numbers can be considered active and continuous, on the one hand, characterizes the category of plural nouns in the structure as a strong, mnogoznamenatelnuyu category, on the other hand, once again convinces us of the inseparable, mutually connection of language and society. Political and economic reforms in Russia, have occurred in recent decades, the expansion of ties in all areas with other countries of the world are reflected in the lexical composition of these units, their semantics and education

scholarly journals Spirituality concept in Russian language worldview: profane and religious components (according to materials of explanatory dictionaries of contemporary Russian language)

2020 ◽  
Vol 12 (4) ◽  
pp. 14-20
Author(s):  
O.N. Yemelyanova ◽  
Keyword(s):  
Comparative Method ◽  
Value Orientations ◽  
Russian Language ◽  
Literary Language ◽  
Unified Approach ◽  
Language Research ◽  
Russian Literary ◽  
History Of ◽  
The Russian Language ◽  
Modern Russian

Statement of the problem. The article examines the content of the spirituality concept, formed by the explanatory dictionaries of the modern Russian literary language; the change in its (concept) functional-stylistic lexicographic qualifications as a reflection of the change in value orientations in society. The purpose of the article is to study the lexicographic history of the spirituality concept in a comparative analysis of different dictionaries. The research methodology is based on the comparative method, contextual and, above all, lexicographic analysis of the main explanatory dictionaries of the Russian language. Research results. The study showed that there is no strict unification in the interpretation and functional-stylistic qualifications of the concept under study in the explanatory dictionaries of the Russian language. Conclusions. In modern domestic explanatory lexicography, there is no unified approach both to understanding the content (interpretation) of the spirituality concept, and in its functional and stylistic qualifications. The author’s contribution consists in a large-format (all the main explanatory dictionaries of the modern Russian language) and a very detailed study, which has not been carried out earlier in relation to this very concept.

scholarly journals RIVER IN THE WORKS BY M. F. ISTOMIN: ON THE PROBLEM OF MODELING THE IMAGE OF THE NORTH IN THE WORKS OF KOMI WRITERS OF THE XIX CENTURY

2021 ◽  
Vol 15 (4) ◽  
pp. 654-662
Author(s):  
Valentina Aleksandrovna Limerova
Keyword(s):  
Literary Work ◽  
Russian Language ◽  
The North ◽  
Russian Literary ◽  
Literary Process ◽  
History Of ◽  
Literary Portrait ◽  
Xix Century ◽  
Literature Material ◽  
Made In

The works of Mikhail Fedorovich Istomin (1821-1862) are part of the unexplored and, until recently, not included in the history of Komi literature material - essays created by Komi writers of the XIX century in Russian language. Meanwhile, the work of M. Istomin is very representative both in terms of the formation of General regional characteristic of all the literature of the North, and the ways of familiarizing Komi intelligentsia to literary work. The analysis of works of M. Istomin made in this work, allows to judge about actual for the writer-“foreigner” of the XIX century connection to all-regional and all-Russian literary process, and also about a problem of creation of a native literary portrait for different people of the North. The description of the territory, its geographical and climatic features, the creation of descriptions of places was chosen by the writer as a priority, the most important task of creativity. This allows him to embody fragments of the Northern world through the focus of view of autochthon, to identify and record the most important, especially important for the northerner, locations and objects of environment. The writer paid special attention to the rivers as the most important geographical and natural attractions of the region. In essence, the North in the essays of M. Istomin takes the form of world saturated with many waters. The writer is far from symbolizing natural objects, does not endow their images with figurative meanings, at the same time, many descriptions of different rivers in his essays indicate the movement of regional and Komi literature by the way of creation its own concept of the North as a natural environment-centered world.

Diminutive Functioning in Modern Russian Speech

2020 ◽  
Vol 81 (5) ◽  
pp. 49-54
Author(s):  
N. A. Nikolina
Keyword(s):  
Subjective Assessment ◽  
Russian Language ◽  
Consumer Service ◽  
The World ◽  
The Russian Language ◽  
Modern Russian

The article discusses the features of diminutives in modern Russian speech. The focus is on the use of expressive diminutives, mainly nouns. The main areas of the use of derivatives with suffixes of subjective assessment in Russian speech at the turn of the 21th century are distinguished: unceremonious treatment, communication with children, the gastronomic sphere and consumer service situations. The evaluative ambivalence of expressive diminutives and an increase in the number of contexts involving these derivative words to express irony are stated. A number of trends in the use of expressive diminutives in modern Russian speech are revealed: the use of derivative words, in which the affix semantics contradict the meaning of the stem, and the distribution of status category words and adverbs with diminutive suffixes. The role of diminutives in the Russian language picture of the world and its dynamics associated with changes in the nature of the use of the derivatives in question are emphasized.

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