scholarly journals Social Themes in Saudi Women Short Stories: Making the voice of Women Heard

2019 ◽  
Author(s):  
Abdulrahman Mokbel Mahyoub Hezam

Few studies in English have been carried out to explore the realm of Saudi short stories in general and women writers' works in particular. The aim of this paper is to examine how Saudi women short story writers used a western literary form to depict the realities of their country. It also delineates the magnificent representation of social themes through storytelling and provides non-Arabic speakers with an insight into the writings of Saudi female writers. It tries to present a vivid picture of how these stories reflect the social reality in Saudi Arabia in the last few decades of the 20th century and the challenges facing women in this transitional period. Moreover, the study tries to examine how women writers participated in the contentious debates regarding women that dominated the Saudi society especially on questions like marriage, divorce and women education. The present study is basically a text-based research that involves an analysis of major primary sources chosen. Selected short stories written by Saudi women writers are examined from a thematic perspective to reveal the ways in which women writers incited social change by defining notions of gender and social space and how they give voice to the Saudi women.

Author(s):  
Oksana Galchuk

The theme of illegitimacy Guy de Maupassant evolved in his works this article perceives as one of the factors of the author’s concept of a person and the plane of intersection of the most typical motifs of his short stories. The study of the author’s concept of a person through the prism of polivariability of the motif of a bastard is relevant in today’s revision of traditional values, transformation of the usual social institutions and search for identities, etc. The purpose of the study is to give a definition to the existence specifics of the bastard motif in the Maupassant’s short stories by using historical and literary, comparative, structural methods of analysis as dominant. To do this, I analyze the content, variability and the role of this motive in the formation of the Maupassant’s concept of a person, the author’s innovations in its interpretation from the point of view of literary diachrony. Maupassant interprets the bastard motif in the social, psychological and metaphorical-symbolic sense. For the short stories with the presentation of this motif, I suggest the typology based on the role of it in the structure of the work and the ideological and thematic content: the short stories with a motif-fragment, the ones with the bastard’s leitmotif and the group where the bastard motif becomes a central theme. The Maupassant’s interpretation of the bastard motif combines the general tendencies of its existence in the world’s literary tradition and individual reading. The latter is the result of the author’s understanding of the relevant for the era issues: the transformation of the family model, the interest in the theory of heredity, the strengthening of atheistic sentiments, the growth of frustration in the system of traditional social and moral values etc. This study sets the ground for a prospective analysis of the evolution the bastard motif in the short-story collections of different years or a comparative study of the motif in short stories and novels by Maupassant.


Aksara ◽  
2021 ◽  
Vol 32 (2) ◽  
pp. 223-234
Author(s):  
Ni Nyoman Tanjung Turaeni ◽  
Puji Retno Hardiningtyas

Abstrak Kritik sosial sebagai sebuah ide atau berbagai bentuk gagasan yang bertolak belakang dengan kenyataan yang tidak sesuai dengan tujuan dan harapan dari tatanan dalam masyarakat. Penelitian ini bertujuan membahas aspek sosial yang meliputi struktur cerita, masalah sosial dan kritik sosial bermuatan lokal Bali yang tercermin dalam kumpulan cerita pendek berbahasa Bali Nguntul Tanah Nulengék Langit karya I Made Suarsa. Metode analisis yang digunakan dalam penelitian ini adalah deskriptif kualitatif dan teknik interpretatif. Dalam pengolahan data dilakukan tahapan klasifikasi, pendeskripsian, penerjemahan, dan penganalisisan data. Untuk mengetahui masalah sosial dan kritik sosial dalam cerpen tersebut, digunakan teori sosiologi sastra dan teori struktural untuk mengetahui struktur formal yang membangun cerita tersebut. Hasil dan pembahasan penelitian ini menunjukkan bahwa kritik sosial yang dapat terhimpun dalam cerita tersebut adalah kritik sosial terhadap kemiskinan, kritik sosial disorganisasi keluarga dan kritik terhadap adat dan tradisi serta serta kehidupan sosial masyarakat Bali. Dengan demikian, lahirnya cerpen karya I Made Suarsa ini memperlihatkan kemegahan pariwisata, masih terdapat ketimpangan sosial dalam masyarakat Bali. Kata kunci: cerpen, kritik sosial, masalah sosial, muatan lokal Bali Abstract Social criticism as an idea or various forms of ideas that are contrary to reality is not in accordance with the goals and expectations of the order in society. This study aims to discuss the social aspects which include story structure, social issues and social criticism with local Balinese content as re ected in a collection of short stories in Balinese language “Nguntul Tanah Nulengék Langit” by I Made Suarsa. The method used in this research is descriptive qualitative and note taking techniques. In data processing, the stages of classi cation, description, translation and data analysis are carried out. To nd out the social problems and social criticism in the short story, the sociology approach of Sapardi Djoko Damono’s view is used and is assisted by a structural approach to determine the formal structure that builds the story. The results of the study show that the social criticisms that can be collected in the story are social criticism of poverty, social criticism of family disorganization and criticism of customs and traditions as well as the social life of Balinese people who seem famous by tourism, but in fact there are still social inequalities in Balinese society. Keywords: social problems, social criticism, short stories 


2020 ◽  
Vol 21 (2) ◽  
pp. 44-47
Author(s):  
Siti Karomah ◽  
Agus Hermawan

Abstract— Literary work, directly or indirectly, is the realization and imagination of the author as a reflection and the reality that the author gets from society. Literary works can be found through the life forms of society. Thus, literary works cannot be separated from the elements around them. Literary work along its journey always implicate man, humanity, life, and life. In essence, literary works are born for the surrounding community. Literary works are the products of authors who live in the social world. That way, short story literary works in the form of fairy tales are the author's imaginative world that is always related to social life. There are interesting things that are given to our children to change attitudes and daily ethics. Keywords—: Literary works; short stories; fairy tales.


2019 ◽  
Vol 14 (2) ◽  
pp. 136
Author(s):  
Fajrul Falah

This study aims to express the trust and hegemony in the "Broker" short story by Sri Lima R.N. This research is motivated by the idea that language in fiction or short stories is meaningful and indicated not to be neutral.  The language in the short story, became the media for sending message content to the author as a reflection of the social community referred to. The approach used in this study is the sociology of literature, specific to the study of Gramsci hegemony. The research method used is descriptive qualitative.  Research data obtained from text, words, phrases, sentences, contained in short stories related to trust and hegemony. The research data is then described and expressed based on the approach used. The results of the study show that there was a change in the characteristics of Handoko's character as a broker who was initially good, become opportunist. Brokerage profession is used as a tool to hegemony the public to get profits. Community trust in brokers and people who are considered smart also grow. However, Handoko's figure was eventually protested by people who had used their services and failed. Handoko or brokers run away from the protests and demands of the people.


Author(s):  
Galih Dwi Purboasri ◽  
Kundharu Saddhono ◽  
Suyitno Suyitno

  This study analyzed social problems as reflected in the Preman, an anthology of short story by Tiwiek SA.  The social problems were encountered in the attitudes the characters of the stories occured.  The study used ontent analysis that use psycholinguistics as an analysis of a literary work.  Sources of the study was an anthology consisting of six short stories.  The study revealed that social conflict in the story reflected problems in social daily live where Javanese community normally faced. The problems include: thuggery, clashes, greedines, infidelity, prostitution, economy, and social inequality.  Themes of good and bad conducts also appeared as performed by the primary characters.  


2017 ◽  
Vol 1 (1) ◽  
pp. 98
Author(s):  
Gao Jing ◽  
Song Wei

Sherwood Anderson plays a signifcant role and regards as a signpost in the transitional period contemporary American literature. Moreover, Anderson's writing style exerts a great influence on other writers like Faulkner and Hemingway. Sherwood Anderson has been called the frst of America's "psychological writers" because he frst explored the motivations and frustrations of his fictional characters in terms of Sigmund Freud's theories of psychology. I Want to Know Why is one of his famous short story from his short stories collections The Triumph of the Egg which is one of his most representative works. The purpose of this thesis is to analyze the unnamed frst-person narrator, aged ffteen at the time of the events with Freud's theory of three structures of personality. With the help of Freud's psyoanalysis, this essay mainly probes into the inner spiritual world of the narrator in order to locate his own personality.


2018 ◽  
Vol 2 ◽  
pp. 133
Author(s):  
Demétrio Alves Paz ◽  
Mithiele Da Silva Scarton

O presente trabalho, relacionado ao estudo desenvolvido pelo projeto de pesquisa intitulado Mulheres fortes: O conto africano de língua portuguesa de autoria feminina (PROBIC/FAPERGS), tem por objetivo analisar a condição feminina presente em nove contos da obra Mornas eram as noites, de autoria da escritora cabo-verdiana Dina Salústio. A partir da leitura de obras críticas de especialistas nas literaturas africanas de língua portuguesa, como Maria Aparecida Santilli (2007), Manuel Ferreira (1987), Pires Laranjeira (1995) e Simone Caputo Gomes (2006; 2013), assim como em artigos publicados em revistas acadêmicas, revisamos a fortuna crítica da autora com o intuito de conhecer seus temas. Nas nove narrativas, observamos que há figuras femininas diferenciadas, representando um amplo apanhado de todas as classes sociais e de diferentes idades. A grande maioria das histórias é narrada em primeira pessoa, o que aproxima o leitor da condição feminina e também funciona como uma espécie de pedido de cumplicidade por parte das narradoras para sentir-se parte desse emaranhado de sentimentos e situações em que elas se encontram.Palavras-chave: Literatura de autoria feminina. Conto. Literatura cabo-verdiana. Dina Salústio. Condição feminina.ABSTRACTThis article, related to the study developed in the research project Strong Women: African short stories written by women writers (PROBIC/FAPERGS), aims to to analyze the women’s condition in 9 (nine) short stories in Warm were the nights, by the Cape Verdean writer Dina Salústio. From the reading of critical works by scholars of African Literature in Portuguese Language such as Maria Aparecida Santilli (2007), Manuel Ferreira (1987), Pires Laranjeira (1995) e Simone Caputo Gomes (2006, 2013), as well as articles in academic journals, we revised the critical works about the author to get a better knowledge of her themes. In the nine narratives, we noted that there are differentiated feminine figures, representing a broad view of all social classes and different ages. The majority of stories were narrated in the first person, which connect the reader to the women’s condition as well as it works as a kind of asking for partnership by the narrators to feel part of this connection of feelings and situations in which the characters are involved. Keywords: Women’s writing. Short story. Cape Verdean Literature. Dina Salústio. Women’s condition.


2020 ◽  
Vol 21 (2) ◽  
pp. 343-364
Author(s):  
Darsita Suparno

Abstrak Penelitian ini berupaya untuk menggambarkan pemakaian deiksis dalam teks terjemahan berbahasa Indonesia dari bahasa sumbernya, bahasa Arab. Deiksis dipahami sebagai bagian dari studi pragmatik, dengan begitu deiksis merupakan salah satu objek bidang kajian dari pragmatik. Masalah dalam penelitian ini: 1) bagaimanakah jenis-jenis deiksis; 2) bagaimanakan maksud dibalik penggunaan deiksis sosial pada kumpulan cerpen Al-Kabuus. Tujuan yang hendak dicapai dalam penelitian ini adalah: 1) untuk mendeskripsikan aneka jenis deiksis, 2) mendeskripsikan maksud penggunaan deiksis sosial pada kumpulan cerpen Al-Kabuus. Objek penelitian yang dikaji adalah jenis, maksud serta hubungan deiksis sosial dengan  yang terdapat pada cerpen Al-Kabuus. Subjek penelitiannya adalah cerpen karya Najib Kailani yang diterjemahkan oleh Zuriyati. Data dalam penelitian ini adalah kata, frase, klausa, kalimat yang di dalamnya terdapat jenis dan maksud penggunaan deiksis sosial dalam cerpen Al-Kabuus. Sumber data dalam penelitian ini terdiri dari sumber data primer dan sumber data sekunder. Teknik pengumpulan data dalam penelitian ini dengan menggunakan dokumentasi. Hasil penelitian ini menunjukkan bahwa sebanyak 20 cerpen dari Al-Kabuus diperoleh 60 deiksis sosial, terdapat 5 deiksis sosial jenis gelar, 4 deiksis sosial jenis jabatan, 12 deiksis sosial jenis profesi, dan terdapat 36 deiksis sosial jenis julukan.---Abstract This study attempted to describe the use of deixis in Indonesian language translation text from the source language, Arabic. Deixis understood as part of a pragmatic study, so deixis is one of the object field of study of pragmatics. The problem in this research: 1) how the types of deixis; 2) how is the intention behind the use of social deixis on a collection of short stories Al-Kabuus. Goals to be achieved in this research are: 1) to describe the various types of deixis, 2) describe the intended use of social deixis on a collection of short stories Al-Kabuus. The object of research by reviewing the type, purpose and relationship with the social deixis contained in Al-Kabuus short stories. Subject of research is the short story by Najib Kailani translated by Zuriyati. The data in this study are words, phrases, clauses, sentences in which there are different types and the intended use of social deixis in short stories Al-Kabuus. Sources of data in this study consisted of primary data sources and secondary data sources. Data collection techniques in this study using documentation. The results of this study indicate that as many as 20 short stories from Al-Kabuus obtained 60 social deixis, social deixis there are 5 types of titles, positions four types of social deixis, social deixis 12 kinds of professions, and social deixis there are 36 kinds of nicknames.


2020 ◽  
Vol 2 (1) ◽  
pp. 14-22
Author(s):  
Awla akbar Ilma ◽  
Puri Bakthawar

Indonesian is a multicultural plural society. Therefore, almost every ethnic group in Indonesia has varied tradition and culture, especially in responding to the phenomenon of obsequies through unique ceremonies and symbols. The research aims to examine how people in several ethnic groups responded to the death event through traditional ceremonies represented by literary works, especially short stories in the 2014-2017 Kompas Selections. Samples to be used in this study are the short story "In the Body of the Tarra, in the Womb of the Tree" by Faisal Oddang in 2014, the short story "Linuwih Aroma Jarik Baru" by Anggun Prameswari in 2015, and the short story "Kasur Tanah" by Muna Masyari in 2017. Results research shows that the three short stories elevate and interpret the tradition of obsequies in Javanese, Madura, and Toraja cultures. In Javanese society, kawung batik is a symbol of man's separation from the natural world. In Madurese society, Sortana is a "gift" of human separation from the social environment. In Toraja society, the tradition of passiliran becomes a symbol of the reuniting of humans with nature as the original.


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