scholarly journals STYLISTIC DEVICES IN REVEALING CHARACTERS’ EMOTIONS AND WAYS OF THEIR TRANSLATION

2021 ◽  
pp. 12-18
Author(s):  
Anastasiia Bodnarchuk
Keyword(s):  
Key Words ◽  
Comparative Method ◽  
Original Text ◽  
Source Text ◽  
Communicative Intention ◽  
Literal Translation ◽  
Emotional Component ◽  
American Author ◽  
Stylistic Device

The present research focuses on the analysis of the most common stylistic devices that are used to depict characters’ emotions in two novels “Flowers for Algernon” (2006) and “The Minds of Billy Milligan” (1995) written by the American author Daniel Keyes. The patterns of translation of emotionally coloured extracts of the text where these stylistic devices have been used are analysed in this research. As stylistic devices are considered to be an integral part of the composition of works of fiction and they add emotional colouring and exert pragmatic influence on the readers, translators Viktor Shovkun and Olena Stusenko faced onerous work as their task was to find accurate equivalents and use translation transformations in order to avoid literal translation, achieve adequacy on all levels and preserve the stylistic colouring. Furthermore, it is worth mentioning that the translation should fully replace the original text and recipients should perceive the translated text as identical to the original even though stylistic devices and the emotional component of linguistic semantics are arduous to convey in translation. This research also concludes that translators most often resorted to lexical (concretization, generalization and modulation), lexico-grammatical (omission and addition) and grammatical (verbalization and nominalization) translation transformations to avoid literal translation. It has also been established and verified by a comparative method that more stylistic devices are used in the Ukrainian translation than in the original text. The most widely used stylistic devices are metaphors, epithets, comparisons and idioms. Key words: stylistic device, translation transformation, source text, target text, pragmatics, communicative intention, emotions.

scholarly journals The Translation of Idioms in George Orwell’s Animal Farm

Lexicon ◽  
2019 ◽  
Vol 6 (1) ◽  
Author(s):  
Husnul Abdi ◽  
Aris Munandar
Keyword(s):  
Original Text ◽  
Source Text ◽  
Literal Translation ◽  
Translation Strategy ◽  
Phrasal Verb ◽  
Animal Farm ◽  
Bahasa Indonesia

This research aims to study the use of idioms in Animal Farm (1954) and their translation into Bahasa Indonesia. The idioms found in the original text are classified based on the classification of idioms by Adam Makkai (1972). The idiom translation strategy is identified by comparing the idioms in the source text to the translation in the target text. The research identifies 156 idioms and classifies them into phrasal verb idioms (39%), tournure idioms (34%), irreversible binomials (11%), phrasal compound idioms (14%), and incorporating verb idioms (2%). There are 4 strategies to translate an idiom following Mona Baker (1992) and 1 strategy following Newmark (1991). The idiom translation strategy is classified into translating an idiom by using an idiom of similar meaning and form (1.92%), translating an idiom by using an idiom of similar meaning but different form (1.92%), translating an idiom by using paraphrase (85.90%), translating an idiom by using omission (0.64%), and literal translation strategy (9.62%).

Marie Curie and Parody

2016 ◽  
Author(s):  
Jonathan Evans
Keyword(s):  
Original Text ◽  
Marie Curie ◽  
Source Text ◽  
Publication History ◽  
Literal Translation ◽  
History Of ◽  
Selection Of

This chapter focuses on Davis’s story ‘Marie Cure, So Honorable Woman’. This story challenges the boundary between translation and writing as it is constructed from overly literal translation fragments from a biography of Marie Curie that Davis had translated in a more conventional way elsewhere. Beginning with the publication history of the story, the chapter argues that it can be read as a form of parody of the original text through the selection of material presented and through the expressly unidiomatic translation style, although at the same time the source text is not as well-known as might be expected of parodies. Through its use of style, the story questions the role of representation in translation and biography. How a story is told is shown to be central to the understanding of that story.

scholarly journals The Domestication in Gabrielle Wahbeh’s Translation of Hemingway’s “The Old Man and the Sea”

2021 ◽  
Vol 10 (2) ◽  
pp. 248
Author(s):  
Ibtehaj Mohammed Akhoirsheda
Keyword(s):  
English Language ◽  
Ernest Hemingway ◽  
Target Language ◽  
Original Text ◽  
The Novel ◽  
Source Text ◽  
Source Language ◽  
Translation Strategy ◽  
American Author ◽  
The Individual

The Old Man and the Sea is a novel that is written by the American author Ernest Hemingway, . The novel is full of religious utterances and symbols. Different translators have translated this novel into various languages. Gabrielle Wahbeh is a Christian Egyptian writer who translated this novel into Arabic.  By reading the source text and the translated text, I can tell that Wahbe’s translation of the novel differs from the original text in regards to religious terms paraphrasing them. The results show that none of the Arabic idioms used in this study have equivalences in English language and so, what is shown are the paraphrased meaning for each  My study will be based on the comparison and analysis of the translation including some examples from the source text into Arabic. The main aim for this study is to highlight Venuti’s translation strategy “domestication “that has been used in translating this novel into Arabic.   Translation is the process of rendering a unit from one language (Source Language) into another (Target Language). When it comes to idioms (fixed expressions consisting of two words or more giving a meaning different from the meaning of the individual words), the translators are going to face a number of troubles. This study focuses on translating the Arabic idioms . The methodology of this study is based on a number of statements collected verbally or through written texts and expressing the meaning by paraphrasing them. The results show that none of the Arabic idioms used in this study have equivalences in English language and so, what is shown are the paraphrased meaning for each.

¿Griego o hebreo? Agustín y Jerónimo sobre la traducción bíblica

Augustinus ◽  
2019 ◽  
Vol 64 (1) ◽  
pp. 173-185
Author(s):  
Teppei Kato ◽  
Keyword(s):  
Literary Work ◽  
Historical Study ◽  
Greek Text ◽  
Original Text ◽  
Source Text ◽  
Literal Translation ◽  
The Bible ◽  
Free Translation ◽  
High Level ◽  
Biblical Translation

This article elucidates the main topic in the discussion between Augustine and Jerome about biblical translation, by focusing on their views about the language of the source text of translation. According to the historical study of translation, translators at the time of Cicero were allowed to show their creativity, since they presupposed the reader’s ability to compare the Greek text with the Latin translation. Cicero, accordingly, chose free translation as his own principle. Augustine expected the readers of the Bible to compare the source text with the translation, claiming that the source text should be the Greek Bible, namely, the LXX. However, Augustine preferred literal translation, for he estimated the reader’s comprehension of the source text to be low. Jerome, on the other hand, anticipated the readers at a high level, so that he basically adopted free translation as a translation method of any kind of literary work, including the Bible. Moreover, since Jerome accepted the Hebrew text as the original text, rejecting the authority of the LXX, he recommended the non-Hebrew readers ask the Hebrews to examine the accuracy of his translation. In addition, as Augustine and Jerome have different attitudes towards translation, they also have different views on the ideological state of the LXX: Augustine allowed the LXX to be a free translation, while Jerome strictly demanded it to be a literal translation, even though their own translation theories are opposite, respectively.

TRANSLATION ANALYSIS OF PROMISING AND OFFERING UTTERANCES IN FORREST GUMP MOVIE

2018 ◽  
Vol 6 (1) ◽  
pp. 10-17
Author(s):  
Anita Dwianasari
Keyword(s):  
Qualitative Method ◽  
Speech Act ◽  
Source Text ◽  
Dynamic Equivalence ◽  
Literal Translation ◽  
Translation Technique ◽  
Translation Analysis ◽  
Translation Techniques

The purpose of the paper is to analyze the promising and offering utterances in commissive of speech act, translation techniques and its equivalences in Forrest Gump movie subtitles. The method used is qualitative method. The results showed several techniques employed, such as adaptation, borrowing, established equivalent, linguistic compression, literal translation, modulation, particularization, reduction, transposition, and variation. The translation technique mostly used is established equivalence. For the shift rendering in source text and target text in Forrest Gump movie subtitles, it is concluded that mostly the data do not occur any shift in promising or offering utterances. Also, in terms of translation equivalence, the dominant kind of translation equivalence in this research is dynamic equivalence.

Instantiation and individuation in Buddhist scripture translation

2021 ◽  
Vol 3 (2) ◽  
pp. 227-246
Author(s):  
Pin Wang
Keyword(s):  
Social Identity ◽  
Original Text ◽  
Source Text ◽  
Buddhist Scripture ◽  
English Translations ◽  
Functional Features ◽  
Chinese And English ◽  
Heart Sutra

Abstract This paper analyses and compares the systemic functional features of the Sanskrit original text and the Chinese and English translations of the Buddhist scripture Heart Sutra, focusing on the ideational components that are manifest on the strata of discourse semantics and lexicogrammar. Results show that there are both expected equivalence and significant differences among the Sanskrit original text and the two translated texts. The accounts for the equivalence and differences are twofold (on two hierarchies): in terms of instantiation, the translators go along different re-instantiation routes in finding corresponding potentials between the source text and their respective target texts; in terms of individuation, the English and Chinese translators’ personal and social identity has an immediate influence on their respective reproductions of the text.

(Trans)fusions of Conrad’s darkness: Selected adaptations of Heart of Darkness

2021 ◽  
Vol 14 (1) ◽  
pp. 65-86 ◽  
Author(s):  
Ewa Kujawska-Lis
Keyword(s):  
Chamber Opera ◽  
Original Text ◽  
Source Text ◽  
Cultural Backgrounds ◽  
Language Version ◽  
The United Kingdom ◽  
Heart Of Darkness ◽  
The Us ◽  
Polish Language ◽  
Radio Broadcast

Heart of Darkness, due to its semantic complexity, interpretative openness and universal thematic interests, has been frequently intersemiotically adapted in a variety of media, encompassing radio broadcast, films, opera, graphic narratives and video games, as well as rewritten in the form of interlingual translations and refracted, with refractions including reviews and critical assessments, but also textual versions radically different from the source text. This article considers selected reinterpretations of Conrad’s text and comments briefly on how in each case the adaptation illustrates a fusion of Conrad’s vision with that of the adapter, hence (trans)fusion, and how this may give a new life to the source text via interpretative shifts. The article presents case studies: the film adaptation – Francis Ford Coppola’s Apocalypse Now (1979), Tarik O’Regan’s one-act chamber opera (both the United Kingdom in 2011 and the US staging in 2015), the graphic narrative by Catherine Anyango and David Zane Mairowitz (2010) and Jacek Dukaj’s Polish language version Serce ciemności (2017). This selection is governed by the variety of media and by the dissimilar approaches of the adapters to their source text. What is evident based on these variants is the role of the adapter as a creative participant in the process of transmitting the ideas of the original text, often updating them to make them relevant to new recipients of various cultural backgrounds. Additionally, reinterpretations and recontextualizations of the novella result directly from adaptive strategies specific to a given medium.

Emphatic Sentences: A Comparative-Translational Study of Formal-Functional Relations in English and Romanian

Transilvania ◽  
2021 ◽  
pp. 75-84
Author(s):  
Mona Arhire
Keyword(s):  
Target Language ◽  
Original Text ◽  
John Fowles ◽  
Translational Study ◽  
Form And Function ◽  
Functional Relations ◽  
Wide Range ◽  
Research Questions ◽  
And Function ◽  
Stylistic Device

Emphasis, a well-acknowledged stylistic device, is a carrier of a considerable load of emotional content in the fictional dialogue. Its manifestation can take sundry forms and can be attached to a wide range of feelings and can take different degrees of intensity, all of which determines the creation of the atmosphere and impacts the reception by the readership. This paper reports on the investigation of the occurrence of emphasis embedded in the dialogic utterances of John Fowles’ novel Mantissa. The focus lies on the relation between the formal construction of emphatic sentences and the functional values deriving therefrom. The study entails a comparative analysis of emphatic utterances depicted from the English original text and its translation into Romanian. The three research questions refer to the comparative-contrastive realization of emphatic sentences in the two languages, to the extent to which the functional component succeeds in being transferred to the target language and to possible means of compensation when structural differences pose translational problems. The analysis is structured along a typology of sentences adapted to the nature of the text under scrutiny and to the aims of this study. The findings and conclusions ultimately indicate the importance of establishing a relation between form and function in matter of emphasis in the literary dialogue as an act of communication depending on linguistic devices for its effectiveness.

Literal translation: A study with several translation techniques to get a good translation result

2019 ◽  
Author(s):  
Vartina Riecher
Keyword(s):  
Local Government ◽  
Print Media ◽  
Source Text ◽  
Literal Translation ◽  
Language Style ◽  
Translation Techniques ◽  
Different Cultures

In translating advertisements, there are things to keep in mind. First, ad text has a different type of character from other text, secondly, there are limitations in the ad itself. An advertisement is limited to customs and habits, religion and beliefs, norms and ethics as well as the use of language and language style. This implies that an advertisement cannot freely express the ideas or ideas of producers to potential consumers, especially if the advertisement is aimed at consumers who have different languages ​​and of course different cultures. A picture or sentence that can be considered neutral in one area but has a different interpretation in another. For example: in a print media commercial advertisement issued by the local government, one type of regional superior product is written which is called 'sarong goyor'. If this advertisement is given to an audience outside the area where the source text originates, then the word sarong goyor may become lepas in its meaning. For this reason, in translating a text, the translator needs to understand the approach, strategy and ideology used by the translator.

Metaphoric proverbs in efl learners’ translation

2021 ◽  
Vol 8 (1) ◽  
Author(s):  
Sadia Belkhir
Keyword(s):  
Higher Education ◽  
Experimental Study ◽  
First Language ◽  
Source Text ◽  
Close Attention ◽  
Semantic Equivalence ◽  
Translation Strategies ◽  
Efl Learners ◽  
Literal Translation ◽  
Adequate Method

Abstract Metaphoric proverbs represent interesting cultural instances of conventional metaphors (Belkhir 2014, 2012). The ubiquity of metaphoric proverbs in language and the problems this phenomenon causes in translation is an issue that requires close attention. Translation aims at providing semantic equivalence between two languages. According to Vinay and Darbelnet (1995), equivalence constitutes the adequate method that should be used by translators when dealing with proverbs. However, no translator can provide perfect translation of a source text due to cultural specificities. The present paper offers a modest report of an experimental study conducted with a group of efl students who have been taught translation as a subject in a higher education context (Mouloud Mammeri University). A set of English proverbs has been collected to build up the experiment that was administered to the subjects who were asked to translate them into Arabic, then into their first language, Kabyle. The question raised is whether these students are able to translate the proverbs appropriately. The study aims (1) to investigate translation strategies used by efl learners; and (2) to show how leaners’ L1 (Kabyle) and L2 (Arabic) interfere in the translation of English proverbs. The results showed that the more the students were acquainted with proverbs, the more they used equivalence in their translation. Similarly, the lesser they were acquainted with proverbs, the more they used literal translation or paraphrase. In addition, some translations provided by the participants revealed the presence of language interference.

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