MASUK DAN BERKEMBANGNYA ISLAM DI KERAJAAN KUTAI KARTANEGARA

2019 ◽  
Vol 3 (02) ◽  
pp. 30
Author(s):  
Samsir Samsir
Keyword(s):  
17Th Century ◽  
16Th Century ◽  
Political Pressure ◽  
Central Kalimantan ◽  
East Kalimantan ◽  
The People ◽  
Strategic Location ◽  
Art And Culture ◽  
Crown Prince ◽  
In The Beginning

The condition of Islam in the beginning of its entry in Kutai Kertanegara was still simple. After following developments today as developments in the field of science and technology, the process of spreading Islam has progressed. After Islam was accepted by the king and the people of Kutai in a peaceful manner. So the King of the Crown Prince or the Noble King of Islam ordered his people to abandon the teachings of their religion by replacing Islam. The development of Islamic religious teachings increased rapidly with the birth of several Islamic organizations which not only fought for the interests of a group of people but also maintained the existence of Islam, besides the strategic location of Kutai Kartanegara. The Central Kalimantan region is central, causing it to get migration from all parties which gives rise to races and acculturation of cultures which gives rise to a culture that has a variety of styles. In the 16th century, the migration of the Malay to the East was due to the pressure of political pressure which violently flared in western Indonesia with the fall of Malacca in 1511 AD. The great flow of Malay migration to the East began with capital to Makassar where they controlled spices. -rempah Maluku together with Javanese people. Aceh's expansion of Johor and other regions of the Malacca Peninsula at the beginning of the 17th century. The disruption of the Dutch over Malacca in 1941 AD in Western Indonesia added to the swift flow to the East. With the acceptance of Islam as the official religion of the kingdom by the king of the Crown, all of his people also abandoned the religion previously believed. As a broadcaster on Islam, Lord Tunggang Parangan began teaching about monotheism and the teachings of Islam as a whole. For his patience and tenacity to teach about Islamic teachings, religious teachers and scholars were born who could help continue the mission in developing Islam in Kutai, especially in East Kalimantan. Thus Islam in East Kalimantan can develop both through education, marriage, trade, as well as art and culture.

scholarly journals Role of The Local Government in The Preservation Wadian Dadas of Ritual in The East Kalimantan Barito Regency of Central Province

2018 ◽  
Vol 1 (2) ◽  
pp. 153
Author(s):  
Effrata Effrata ◽  
Tresia Kristiana
Keyword(s):  
Local Government ◽  
Traditional Medicine ◽  
Secondary Data ◽  
Central Kalimantan ◽  
East Kalimantan ◽  
Healing Ritual ◽  
Village Government ◽  
The Times ◽  
In The Beginning

<em>This research is about the role of local government in the effort to preserve the cultural customs that exist in the life of the Dayak people who Ma'anyan live in areas along the Barito river in East Barito regency. Wadian Dadas is one of the means of ceremonies in the field of traditional medicine in Ma'anyan Dayak tribe community in Central Kalimantan Province. That said, Wadian dadas originally Obtained through the inspiration Obtained by a woman named Ineh Ngundri Mountains. The woman is inspired to perform the duties of a god to heal a person or what is commanded by God. This woman is the first Wadian and is a messenger of gods embodied in the form of an eagle, then Wadian will be continued by the next Descendants. This study used descriptive qualitative method. Data collection techniques were conducted by primary and secondary collecting the data through interviews and observations with resource persons, for secondary Data Obtained from history books and documents belonging to the village government. The results Showed that Wadian Dadas originally for the healing rituals of the sick who started with the preparation of offerings, to perform the healing ritual by involving Wadian (shaman) is very trusted by the Dayak community Ma'anyan. Wadians in Ma'anyan Dayak community have now developed into Wadian Dadas Dances. Dadas Wadian dance begins with dances performed in the process of traditional medicine performed by Wadian. In the early 1980s Wadian dadas was known by some so that Wadian dadas the which originally served as a ritual ceremony medication Became an inspiration for the appearance of the dance Wadian Dadas. Dadas Wadian dance is one of the traditional dances. This dance is unique in its simple and energetic motion, the which has deep meaning and is Often presented in traditional events of Central Kalimantan. In the beginning this dance is performed with the excuse to get healed and free from evil spirits cause disease. The findings of this study are as the times progress, this dance is also presented at the event of welcoming and marriage. But there are still many people of Indonesia, even the citizens of Borneo who have not understood and are reluctant to desire to preserve this traditional dance. Dadas Wadian magical dance contains high value Because in every movement contains meaning, even in movement there is a spell pronunciation.</em>

scholarly journals MIDDLE BRONZE AGE JERUSALEM: RECALCULATING ITS CHARACTER AND CHRONOLOGY

Radiocarbon ◽  
2021 ◽  
pp. 1-31
Author(s):  
Johanna Regev ◽  
Yuval Gadot ◽  
Helena Roth ◽  
Joe Uziel ◽  
Ortal Chalaf ◽  
...  
Keyword(s):  
Bronze Age ◽  
19Th Century ◽  
17Th Century ◽  
16Th Century ◽  
Southern Levant ◽  
15Th Century ◽  
Middle Bronze Age ◽  
In The Beginning ◽  
The 19Th Century ◽  
Early Phases

ABSTRACT The following paper presents the results of radiocarbon (14C) dating of Middle Bronze Age (MB) contexts in Jerusalem. The dates, sampled with microarchaeology methods from three different locations along the eastern slopes of the city’s ancient core, reveal that Jerusalem was initially settled in the early phases of the period, with public architecture first appearing in the beginning of the 19th century BC and continued to develop until the 17th century BC. At that time, a curious gap in settlement is noted until the 16th century BC, when the site is resettled. The construction of this phase continued into the early 15th century BC. The dates presented are discussed in both the site-level, as well as their far-reaching implications regarding MB regional chronology. It is suggested here that the high chronology, dating the Middle Bronze Age between 2000 and 1600 BC is difficult to reconcile with dates from many sites. In contrast, a more localized chronology should be adopted, with the Middle Bronze Age continuing into the early 15th century BC in certain parts of the southern Levant, such as the region of Jerusalem.

scholarly journals PENGEMBANGAN NASIONALISME DALAM KEARIFAN LOKAL MASYARAKAT ACEH YANG MENJALANKAN SYARIAT ISLAM

2020 ◽  
Vol 8 (2) ◽  
Author(s):  
Sulaiman . ◽  
Nurmasyitah .
Keyword(s):  
The Netherlands ◽  
17Th Century ◽  
16Th Century ◽  
Royal Court ◽  
The Past ◽  
The People ◽  
Islamic Values

The people of Aceh, in its history until now. considered a strong adherent of Islam. Islam has not only been strived to be upheld in the midst of society in terms of the implementation of its teachings, this religion has also become the main foundation in the formation of nationalist attitudes, the tradition of the royal court in the past is full of Islamic values, since the title used, the concept of governance , court ceremonial traditions (which do not differentiate between Islamic and royal traditions). and various royal religious policies, especially in the 17th century. Islam was not only an inspiration for development and progress in Aceh in various fields, it also played a major role in the strong resistance against the Portuguese in Malacca. in the first half of the 16th century, and the Netherlands, in the late 19th and early 20th centuries. This war in the name of religion has always been held closely by the community consistently. 

CAPRICCIOʼS GENRE IN MANDOLIN MUSIC AT THE END OF THE 19th – THE EARLY OF THE 20th CENTURIES (for example of the concert pieces by С. Munier)

2019 ◽  
pp. 60-71
Author(s):  
N. V. Bashmakova ◽  
K. V. Kravchenko
Keyword(s):  
19Th Century ◽  
Analytical Methods ◽  
17Th Century ◽  
Point Of View ◽  
Historical Approach ◽  
The Creation ◽  
Characteristic Features ◽  
Concert Works ◽  
In The Beginning ◽  
The 19Th Century

The purpose of this article is process of analyzing in reference to concert capriccio by C. Munier for mandolin with piano («Bizzarria», op. 201, Spanish сapriccio, op. 276) from the point of view of their genre specificity. Methodology. The research is based on the historical approach, which determines the specifics of the genre of Capriccio in the music of the late 19th and early 20th centuries and in the work of C. Munier; the computational and analytical methods used to identify the peculiarities of the formulation and the performing interpretation of the original concert pianos for mandolins with piano that, according to the genre orientation (according to the composerʼs remarks), are defined as capriccio. Scientific novelty. The creation of Florentine composer,61mandolinist-vertuoso and pedagog C. Munier, which made about 300 compositions, is exponential for represented scientific vector. Concert works by C. Munier for mandolin and piano, created in the capriccio genre, were not yet considered in the art of the outdoors, as the creativity and composer’s style of the famous mandolinist. Conclusions. Thus, appealing to capriccio by С. Munier, which created only two works, embodied in them virtually all the evolutionary stages of the development of genre. In his opus of this genre there are a vocal, inherent in capriccio of the 17th century solo presentation, virtuosity, originality, which were embodied in the works of 17th – 18th centuries and the national color of the 19th century is clearly expressed. Thus, the Spanish capriccio is a kind of «musical encyclopedia» of national dance, which features are characteristic features of bolero, tarantella, habanera, and so forth. The originality of opus number 201 – «Bizzarria», is embodied in the parameters of shaping (expanded cadence of the soloist in the beginning) and emphasized virtuosity, which is realized in a wide register range, a variety of technical elements.

Main Forms of Propagandistic Activities of the Right-Wing Parties (1904–1914)

2020 ◽  
Vol 102 ◽  
pp. 656-676
Author(s):  
Igor V. Omeliyanchuk
Keyword(s):  
20Th Century ◽  
Social Groups ◽  
Right Wing ◽  
Periodical Press ◽  
Political Movement ◽  
The People ◽  
The Social ◽  
The Right ◽  
In The Beginning ◽  
The 19Th Century

The article examines the main forms and methods of agitation and propagandistic activities of monarchic parties in Russia in the beginning of the 20th century. Among them the author singles out such ones as periodical press, publication of books, brochures and flyers, organization of manifestations, religious processions, public prayers and funeral services, sending deputations to the monarch, organization of public lectures and readings for the people, as well as various philanthropic events. Using various forms of propagandistic activities the monarchists aspired to embrace all social groups and classes of the population in order to organize all-class and all-estate political movement in support of the autocracy. While they gained certain success in promoting their ideology, the Rights, nevertheless, lost to their adversaries from the radical opposition camp, as the monarchists constrained by their conservative ideology, could not promise immediate social and political changes to the population, and that fact was excessively used by their opponents. Moreover, the ideological paradigm of the Right camp expressed in the “Orthodoxy, Autocracy, Nationality” formula no longer agreed with the social and economic realities of Russia due to modernization processes that were underway in the country from the middle of the 19th century.

Rīgā 17. gadsimtā sacerētās latīņu kāzu dzejas komponentes

2020 ◽  
pp. 212-226
Author(s):  
Anna Strode
Keyword(s):  
Cultural Heritage ◽  
17Th Century ◽  
16Th Century ◽  
Protestant Reformation ◽  
Latin Poetry ◽  
Julius Caesar ◽  
Basic Principles ◽  
Level Of Education ◽  
Occasional Poetry ◽  
Pseudo Dionysius

Soon after the Protestant Reformation took place in Livonia in the 16th century, the currents of European humanism came to Livonia. As a result of the historical and religious impact, the level of education increased, enabling an environment for the development of the literature. Soon various Latin poetry texts int. al. 17th-century occasional poetry written by the humanists of Riga started to appear. The aim of the article is to bring to light the components of nuptial (epithalamium, ὑμέναιος/hymenaeus, carmen nuptialis, etc.) poetry written in Riga in the 17th century, as well as by exploring the specific features of occasional poetry to capture readers’ and researchers’ interest in the previously undiscovered cultural heritage. At the beginning of the article, the tradition of nuptial poetry is explained. Then, by examining the basic principles one must take into account in composing occasional poetry based on works of the ancient rhetors – Menander (Μένανδρος Ῥήτωρ, c. 3rd century), pseudo-Dionysius (pseudo-Dionysius/Διονύσιος), Himerius (Ἱμέριος, c. 315–c. 386) and the book “Seven Books on Poetry” (Poetices libri septem, 1561) written by Italian humanist Julius Caesar Scaliger (1484–1558) – a table of the most used topics in nuptial poetry is formed. Afterwards, the poetry written in Riga and its most typical components (didactics, laudation, inducement, foresight, wishes/congratulations and prayers) is compared to the topics offered by previously mentioned theoreticians. Fragments of Latin nuptial poetry written in Riga are included to portray the components of poetry more clearly. All translations of poetry included in the article are made by the author of the article.

Rekonstruktion des Ursprungs und Neudatierung zweier magischer Gemmen mit Hilfe einer Zauberzeichensequenz

2020 ◽  
Vol 147 (2) ◽  
pp. 153-163
Author(s):  
Kirsten Dzwiza
Keyword(s):  
Comparative Study ◽  
Fine Arts ◽  
17Th Century ◽  
The State ◽  
Roman Period ◽  
16Th Century ◽  
New Findings ◽  
State Museum ◽  
Museum Of Fine Arts ◽  
First Time

SummaryThere are only a few sequences of ancient magic signs known to us today that have been preserved on multiple artefacts. A previously unnoticed sequence of 17 signs on a gem in the Museum of Fine Arts in Vienna occurs with minor but significant variations on two other gems in the State Museum of Egyptian Art in Munich. The Viennese gem is dated to the 16th century and is documented as a drawing in a 17th century publication. The first Munich gem has been assigned to the Graeco-Roman period. The second gem, which, according to the inventory card of the museum, also belongs to the Graeco-Roman period, is published here for the first time. A comparative study of the three gems and the drawing has lead to a number of new findings, including the re-dating of the Munich gems.

Origine et diffusion des expressions romanes du type jaune paille

2021 ◽  
Vol 133 (1) ◽  
pp. 3-27
Author(s):  
Sara Matrisciano ◽  
Franz Rainer
Keyword(s):  
20Th Century ◽  
19Th Century ◽  
18Th Century ◽  
17Th Century ◽  
16Th Century ◽  
Romance Languages ◽  
Short Discussion ◽  
Colour Term ◽  
The 19Th Century ◽  
And Diffusion

All major Romance languages have patterns of the type jaune paille for expressing shades of colour represented by some prototypical object. The first constituent of this pattern is a colour term, while the second one designates a prototypical representative of the colour shade. The present paper starts with a short discussion of the controversial grammatical status of this pattern and its constituents. Its main aim, however, concerns the origin and diffusion of this pattern. We have not found hard and fast evidence that Medieval Italian pigment compounds of the type verderame influenced the rise of the jaune paille pattern, which first appears in French in the 16th century. This pattern continued to be a minority solution during the 17th century, but established itself during the 18th century. In the 19th century, Italian, Spanish and Portuguese adopted the pattern jaune paille, while it did not reach Catalan and Romanian before the 20th century.

Eschatology and Religiosity of the People in Russia in the 17th Century

2021 ◽  
Vol 20 (8) ◽  
pp. 23-33
Author(s):  
Natalya S. Gurianova
Keyword(s):  
17Th Century ◽  
Church Reform ◽  
Christian Teaching ◽  
The People ◽  
The World ◽  
Spiritual Crisis ◽  
Time Of Troubles ◽  
Early Modern Era ◽  
Modern Era ◽  
The Church

The article studies the religiosity of Russian population in the 17th century in order to find out the type of this state of public mind. Special attention is drawn to the acuteness of eschatological expectations in society, which intensified during periods of crises. After the Time of Troubles (Smuta), the Church, trying to bring society out of the spiritual crisis, had been exploiting the “end of the world” topic through publishing relevant texts. This trend was especially noticeable during the time of Patriarch Joseph. The decision of the Moscow Printing House (Pechatnyi Dvor) to extend the amount of eschatological publications was determined not only by the direction of church policy, but also by the request in society, the desire of the population to get a more complete picture of the Christian teaching about the ultimate destinies of the world and man, since the spiritual crisis had presupposed an increase of apocalyptic moods. This desire indicates that the population was characterized by the religiosity of the medieval type. The article scrutinizes in particular the 2nd half of the 17th century, which modern researchers rightly designate as the early Modern era. In a society with such a keen perception of the time, the church reform, initiated in the middle of the century by Patriarch Nikon, was naturally not supported by a part of the population. In the interpretation of the defenders of the Old Belief, the actions of the reformers turned into clear signs of the advent of the kingdom of Antichrist, as it was prophesied in Christian teaching. It was not some peculiarity of the worldview of the opponents of church reform, their behavior adjusted the religiosity of the epoch. To justify these thoughts the position of Patriarch Nikon could be mentioned. Nikon found himself in a situation of disapproval and, arguing to be wrongfully convicted and misunderstood, he also used the eschatological doctrine. Based on the analysis of such facts, the article concludes that the 2nd half of the 17th century was characterized by religiosity of the medieval type.

Sign in / Sign up

Export Citation Format

Share Document