scholarly journals DISTINGUISHING FEATURES OF THE PAINTING MANNER OF MYKHAILO DEINEHA

2020 ◽  
Vol 11 (87) ◽  
Author(s):  
Olha Denysiuk ◽  
◽  
Anna Postranska ◽  
Keyword(s):  
Art Museum ◽  
High Culture ◽  
National University ◽  
New Ideas ◽  
Mountain Landscapes ◽  
Color Combinations ◽  
Color Scheme ◽  
Unique Style ◽  
Distinguishing Features ◽  
Main Factor

Mykhailo Deineha is a prominent artist, painter, weaver, and professor. His creative output includes more than a hundred paintings, each of which is unique. The artist has dedicated more than 30 years to his favorite craft. Mykhailo Deineha is a man of high culture and diverse talents. For many years, he has held the position of director of the Ivano-Frankivsk Regional Art Museum and for more than 10 years he has been professor at the Vasyl Stefanyk Precarpathian National University. His broad experience and strong academic background that he gained while studying at the Lviv National Academy of Arts contribute to the ability of the artist to create freely. No limitations exist for Deineha in his work, he is not tied to specific plots or techniques. He is constantly experimenting, looking for new ideas and forms. Among the genres in his creative work are most often abstract works and landscapes, sometimes portraits and still lifes. Nature is an inexhaustible source of inspiration for the artist. That is why he often goes to open airs, during which he experiences new feelings and tries to focus on his feelings and emotions. This process is integral to his creative approach, because association is the pillar of all Deineha's works. The associative series become key in the form making, and color is the main means of expression in his works. The artist pays considerable attention to color combinations, because he believes that color is the main factor in creativity after emotions and impressions. The color scheme in the works of the artist is always complex and saturated, and the palette is extremely rich. Although Deineha often likes to use local colors and contrasting combinations, he has a very subtle sense of painting, which is immediately noticeable in his paintings. This is how Mykhailo Deineha’s unique style of work developed — associative painting. This approach implies a clear transmission of associations by the author and a mandatory understanding of the work by the viewer. The work should not be extremely realistic, may have a somewhat simplified character and form, the general features may even be abstract. However, if the author painted the canvas under the impression of mountain landscapes, it will be read immediately and the viewer will be able to feel it for himself.

scholarly journals THE REFLECTION OF ELECTRONIC JOURNALS’ SUBJECT-MATTER IN A COLOR SYSTEM

2020 ◽  
Author(s):  
Hussain Abdulalee Falh Al Mnshdawy Ma
Keyword(s):  
Graphic Design ◽  
Electronic Journal ◽  
Electronic Journals ◽  
Factors Affecting ◽  
Color Palette ◽  
Color System ◽  
Color Combinations ◽  
Color Scheme ◽  
The Relationship ◽  
Distinguishing Features

The article examines an electronic journal as a modern type of a periodical from the standpoint of the distinguishing features of the color palette (color system). The topic of the color influence on the user in the electronic journals’ design has not been substantially studied to date. With the aim of attracting the target audience not only the content is important, but also the design.The emphasis is laid on identifying the relationship between the color system applied for the journal’s design and its content (functional focus). The author sampled and analyzed a considerable amount of factual material, representing the examples of the electronic pages’ design of the journals and magazines of various types. In accordance with the division into thematic groups, characteristic color combinations and the patterns of their use on the page were identified. The thematic component is far from being crucial in choosing the electronic journal’s color scheme. The reason for this is the presence of a large number of additional factors affecting its formation. Moreover, there are general trends in graphic design that set conventional limitations for the color palette, especially the trend towards minimalism.

scholarly journals ARTISTIC TRADITIONS OF THE EAST AND WEST IN CONTEMPORARY KAZAKH DESIGN

2019 ◽  
Vol 7 (6) ◽  
pp. 762-766
Author(s):  
Larisa Ivanovna Nekhvyadovich ◽  
Shakhizada Sainbekovna Turganbayeva ◽  
Lyazzat Tuleuvna Nurkusheva ◽  
Irina Valeryevna Chernyaeva ◽  
Erkezhan Omirhanovna Omarova
Keyword(s):  
Interdisciplinary Approach ◽  
Practical Significance ◽  
Creative Development ◽  
Western Art ◽  
Cultural Boundaries ◽  
East And West ◽  
Color Scheme ◽  
Fundamental Unity ◽  
Art Schools ◽  
Distinguishing Features

Purpose of the study: The purpose of the article is to determine the degree of interaction of the eastern and western art schools in the practice of Kazakh design and to identify their role in the formation and development of design in Kazakhstan. Methodology: The study is based on a complex methodology determined by an interdisciplinary approach involving the use of the methods of historicism, systematization, stylistic analysis, and comparative analysis. The methodology was based on research concepts of T. Stepanskaya, R. Yergaliyeva, E. Balabekov, B. Amanov, A. Mukhambetova. Main Findings: Based on the studied sources, the authors can draw the following conclusions: 1) The interaction of artistic traditions of the East and West is due to the fundamental unity of the human race, ensuring the permeability of cultural boundaries; 2) The diversity of creative individuality, originality of modern approaches combined with the achievements of traditional culture are the distinguishing features of the professional values of contemporary Kazakh design. Applications of this study: Thus, the scientific and practical significance of the study consists in the fact that: - the results can be the basis for the development of lecture courses in the framework of educational programs of higher education institutions for the specialty “Design”; - the conclusions can serve as an impulse for creative development in the modern practice of transmitting national traditions in design. Novelty/Originality of this study: The originality of the research is associated with the identification of trends and prospects for the development of fashion, advertising, interior, and environmental design in the modern cultural environment of Kazakhstan, as well as the establishment of the importance of spiritual and aesthetic foundations of color scheme in the disclosure of the figurative components of design projects. The novelty of the research consists in determining the influence of the traditional color scheme of Kazakh decorative and applied arts on the shaping and color scheme in the products of modern design, many of which are the main bearers of the regional ethno-semantics.

scholarly journals "Criticism is about creating timeless acoustics": an interview with art historian Olga Balashova

2020 ◽  
pp. 133-137
Author(s):  
Anna Kaluher ◽  
Olga Balashova
Keyword(s):  
Art History ◽  
Art Criticism ◽  
Phenomenological Study ◽  
Research Priorities ◽  
Assistant Professor ◽  
Art Museum ◽  
Disciplinary Boundaries ◽  
National University ◽  
History Of ◽  
Definition Of

Olga Balashova - art historian, kmbs and KAMA lecturer, art critic, deputy director for the development of the National Art Museum of Ukraine (NAMU) in 2017-2020. The interview was recorded in February 2020 by assistant professor Anna Kaluger (Chair of Art History, Taras Shevchenko National University of Kyiv). This interview was conducted as part of the Ph.D. research "The structure of art criticism in Ukraine at the beginning of the XXI century." The discussion will focus on the definition of art criticism in the Ukrainian art context and its disciplinary boundaries. Olga Balashova talks about her career path as art historian and critic, determining for her theoretical influences, the school of art history at NAOMA, and her research priorities within the study of the history of criticism. Part of the interview focuses on the methods of teaching criticism in the humanities in the context of the internetization of criticism and the loss of its usual disciplinary basis - the history of art. It will also discuss the genre classification of criticism at the level of objects of study, in particular: the portrait of the artist, curatorial strategy, or phenomenological study of artistic events. The final part of the interview focuses on options for constructing the history of criticism in Ukraine: both the history of resources and the history of authors, the history of interpretations, and the history of methodological approaches.

scholarly journals On specificity of the literary-jargonizing type of speech culture in newspaper texts

2021 ◽  
pp. 1-11
Author(s):  
Olga Sokolova
Keyword(s):  
Mass Media ◽  
Linguistic Research ◽  
Different Types ◽  
Professional Degree ◽  
The Subject ◽  
The Common ◽  
Creative Style ◽  
Unique Style ◽  
Linguistic Units ◽  
Distinguishing Features

This article analyzes the newspaper texts from the perspective of specificity of manifestation of the literary jargonizing type of speech culture – one of the relevant tasks of modern speech studies, substantiated by the state of modern journalism and linguistic problems of mass media. This paper complements a range of linguistic research that determine the attributes of the types of speech culture. The object of this article is the journalistic speech of the popular weekly newspaper “Komsomolskaya Pravda”, the linguistic peculiarities of which (intentional inclusion in the texts of colloquialisms and jargon elements) are substantiated by the thematic orientation of publications. The subject of this article is the texts of articles written by the correspondent A. Meshkov in their ration with the specificity of manifestation of the markers of literary-jargonizing type of speech culture. Special attention is given to the peculiarities of creative style of the journalist, which allow tracing the goals of jargonization of the own speech. The analysis of speech culture of A. Meshkov is based on the anthropocentric approach, as well as linguostylistic, communicative and discursive methods of modern Russian studies. The conclusion is made that the literary-jargonizing type cannot have an unambiguous assessment, since it characterizes different types of the users of jargon speech. The novelty of the study consists in the attempt to extend the boundaries of literary-jargonizing type by determining two variations with the common and distinguishing features. Analysis of the articles authored by A. Meshkov allows attributing his speech culture to the second type of literary jargonization, which is characterized by appropriateness and expediency of using extraliterary linguistic units for delivering the author’s message, professional degree, experience, creative individuality, and unique style.

Development life cycle of the games through software engineering

2018 ◽  
Vol 1 (2) ◽  
pp. 14-23
Author(s):  
Mohammad AL_ Ansari
Keyword(s):  
Health Care ◽  
Life Cycle ◽  
Development Process ◽  
The Elderly ◽  
Game Development ◽  
Development Life Cycle ◽  
The World ◽  
New Ideas ◽  
Positive Character ◽  
Main Factor

The games in our time are the main factor in the world of entertainment and it does not depend on young children, but also enjoyed by the elderly and also have the ability to influence their behavior, which leads to new ideas and strategies that affect the positive character of the game .,, But also are used for serious purposes and can be launched on various areas such as health care and education. We will try to highlight software development in the game development process and will try to bridge the gap between the software developments processes used to develop the games.

EVOLUTION OF TABLE-WARE COLOR SCHEME AS A PART OF HUMAN CULTURE DEVELOPMENT

2016 ◽  
Vol 6 (4) ◽  
pp. 70-73
Author(s):  
Ekaterina M. SHUVALOVA ◽  
Tatiana V. KARAKOVA
Keyword(s):  
Image Formation ◽  
Individual Selection ◽  
Psychological Processes ◽  
Color Combination ◽  
Human Culture ◽  
Color Combinations ◽  
Color Scheme ◽  
Culture Development ◽  
Selection Of

The paper is devoted to the problem of evolution of table-ware color scheme in diff erent periods, of correlation between color combination and culture aspects of one or another society, and of techniques of individual selection of color and color combinations in table-ware. The authors view compositional basis of design of welfare items - in particular of table-ware in diff erent periods of arts and civilization development - and analyze the principles of formation and decoration of table set items. The analytic parallel is revealed between preferences in table sets choice and specifi city of psychological processes of associative image formation at consumers.

scholarly journals From Three-Dimension to Two-Dimension: The Formation of Henri Matisse’s Painting Style

2021 ◽  
Vol 5 (11) ◽  
pp. 125-129
Author(s):  
Huifeng Zhang ◽  
Li Yuan
Keyword(s):  
Three Dimensional ◽  
Later Life ◽  
Early Years ◽  
Three Dimension ◽  
Two Dimensional ◽  
Two Dimension ◽  
Henri Matisse ◽  
Color Scheme ◽  
Unique Style ◽  
The Relationship

Through his life as a pupil in his early years and the transformation into a Fauve (wild beast), Henri Matisse learnt that he must forgo the traditional techniques of the masters and understand art in his own way. He first replaced the color scheme in his paintings with purer colors and clearer outlines of color ranges; in his later life, he devoted himself to two-dimensional coloring and finally to two-dimensional paper cut-outs. Therewith, a unique style brought forth by Henri Matisse took shape, ushering the diversification of the drawing medium. Since then, paintings are no more confined to rigid classicism, which only explores the relationship between colors in sketch-based three-dimensional spaces, but a reflection of the painters’ scrutiny of the nature of painting.

scholarly journals Paintings by Yuri Pimenov in the collection of the State Art Museum of Altai Krai

2020 ◽  
pp. 179-186
Author(s):  
T.N. Kanaryova
Keyword(s):  
Comparative Analysis ◽  
Ussr Academy ◽  
Art Museum ◽  
The State ◽  
Apple Trees ◽  
Railway Station ◽  
Great Patriotic War ◽  
Post War ◽  
Color Scheme ◽  
First Time

The article presents the results of research on a number of previously undescribed works by Yuri Pimenov, an academician of the USSR Academy of arts and people's artist of the USSR. The author for the first time carried out a comparative analysis of three paintings from the collection of the State Art Museum of Altai Krai – “Railway station”, “Apple Trees in the rain” and “Decorating the column”. Here coloristics, composition and plot of paintings are studied. The author analyzes the motif of the way and road, the characters of each painting, and describes the color scheme of the paintings. Similar features and motives have been identified in paintings belonging to the pre-war, post-war periods and the time of Great Patriotic war. The described paintings deepen the idea of Yuri Pimenov as an artist of the war years. Статья посвящена исследованию ряда ранее не описанных работ академика Академии художеств СССР, народного художника СССР Юрия Ивановича Пименова. Впервые проведен сравнительный анализ трех картин, находящихся в коллекции Государственного художественного музея Алтайского края: «Железнодорожная станция», «Яблони в дождь» и «Украшение колонны». Автор исследует колористику, композицию и сюжет живописных произведений. Проанализирован мотив пути-дороги, разобраны герои каждого полотна, описано цветовое решение картин. Выявлены схожие черты и мотивы в произведениях, принадлежащих к довоенному, военному и послевоенному периодам. Описанные картины углубляют представление о Юрии Пименове как художнике военных лет.

Development life cycle of the games through software engineering

10.32441/no1 ◽  
2018 ◽  
Vol 1 (1) ◽  
pp. 48-54
Author(s):  
Mohammad AL Ansari
Keyword(s):  
Health Care ◽  
Life Cycle ◽  
Development Process ◽  
The Elderly ◽  
Game Development ◽  
Development Life Cycle ◽  
The World ◽  
New Ideas ◽  
Positive Character ◽  
Main Factor

The games in our time are the main factor in the world of entertainment and it does not depend on young children, but also enjoyed by the elderly and also have the ability to influence their behavior, which leads to new ideas and strategies that affect the positive character of the game .,, But also are used for serious purposes and can be launched on various areas such as health care and education. We will try to highlight software development in the game development process and will try to bridge the gap between the software developments processes used to develop the games.

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