scholarly journals FOLKLORE NARRATIVE IN THE CONTEXT OF THE NOVEL «MAVKA’S DIARY» BY DARA KORNIY TO THE PROBLEM OF THE TEXT IN THE TEXT

2020 ◽  
Vol 11 (87) ◽  
Author(s):  
Olena Mizinkina ◽  
◽  
Alina Kara ◽  

The formulation of the problem says about experimenting with content and form as a creative method of Dara Korniy. Artistic (14 books) and research (2 books) achievements of the Ukrainian writer gives the opportunity to learn about culture, ideology, ancient beliefs of our ancestors. However, the writer successfully combines mythology and modernity, eternal themes and problems of modern society in her novels. This result is achieved through the reception of the game – with characters, with plot, with traditions. Researchers of Dara Korniy’s creativity determine its belonging to the genre of fantasy relevant in the modern literary process. Analysis of publications and researches of the novel «Mavka’s Diary» showed that critics paid attention to the mosaic composition, mythopoetics, allusions and reminiscences, the image making in it. Therefore, among the previously unselected problems is the frequent inclusion of various texts in the context of the novel. Among the expressive intertextuality with echoes in domestic and foreign classics, we especially single out folklore narratives. To analyze this problem, a leading historical-comparative method is used, which helped to compare the content of folklore texts with their meanings and functions in the novel «Mavka’s Diary». It is emphasized that proverbs and sayings are most noticeable in the artistic world of the novel. They describe the characters, their way of life, inner world, mainly. It is observed that some paremias were used by the writer in their original sound and meaning, some were adapted and endowed with new meaning. Also in the context of the novel two lullabies «sound», which help to reveal the mental state of Magdalena-Mavka. Situations and their material content have been analyzed, where family and household lyric is arising and emphasizing the borderline state of the main character. The situation of choice in a woman's life is also complemented by Chumak songs. The philosophical issues in the novel are emphasized by parables. The parable of the woman and the parable of the seeds both emphasize the role of art in Olexiy-Mamay’s life. The protagonist of the novel is artist and parables demonstrate his path to the main vocation. The conclusions state that the novel «Mavka's Diary» continues the literary tradition – a close connection with folklore. Mostly folk narratives help to highlight the temper of the characters and more clearly convey complicated situations. Such texts are partly inserted to the dialogues of the characters, to the inner speech of the protagonists and nominate the chapter of the novel. Prospects of research problems of the text in the context of large prose are seen in the tracking of literary inclusions in the novel «Mavka’s Diary», which will demonstrate the stylistic manner of Dara Korniy.

2021 ◽  
Vol 9 (SPE1) ◽  
Author(s):  
Ochirova Nyudlya Chetyrovna ◽  
Sharapova Nina Nikolaevna ◽  
Davaeva Arina Boovaevna ◽  
Dyusamalieva Mariya Anatoljevna ◽  
Ivasenko Mariya Aleksandrovna

The article analyzes the motive of the Cossack mode of life in the works of an outstanding representative of Kalmyk literary Diaspora, a publicist, a journalist, a public figure, an officer of the Cossack regiment of the Don army, a participant of the Civil War in Russia, a bearer of living history belonging to the first wave of Russian emigration. As a result of an objective study of definite specific features of the traditional way of life of Don Kalmyks-Cossacks in the works of S.Balykov, the pattern of the writer's appeal to the realities of the traditional Cossack mode of life of Don Kalmyks is examined, the principles of its representation on the material of the novel “Zalamdzha” are revealed, a variety of phenomena related to the the most important concepts of everyday life, mode of life and foundations of the Don Cossacks-Kalmyks are analyzed. The realities of the national mode of life and the foundations of Kalmyk Cossacks are fully reflected in the writer's works. The consideration of preceding events having made an impact on the writer's works and his interaction with common-literary process gives us reasons to presume the extreme importance of historical cultural phenomena, the reflection of which has become the result of S. Balykov's immediate flashbacks.


2020 ◽  
pp. 95-111
Author(s):  
Małgorzata Maria Fijał

The aim of this article is to present the problem of Italian national identity on the example of Padania. Particular attention was paid to the context of the Venetian and Lombard referendum for greater autonomy which took place on 22 October 2017. The analysis is aimed at verifying the research hypothesis assuming a weakening of the sense of the Italian national identity in favor of regional identity. To explain the research problems was applied a historical-comparative method which would allow to attempt to answer if Northern Italy, often identified with Padania could aspire to be a new independent state. There is analyzed the evolution of separatist tendencies in Italy.


2021 ◽  
Vol 15 (9) ◽  
pp. e0009727
Author(s):  
Kaki Tsang ◽  
Gilles de Wildt ◽  
Upendo Mwingira ◽  
Tara B. Mtuy

Background Despite aspects of the SAFE strategy for reducing trachoma in Tanzania have been somewhat successful, the disease still persists in marginalised communities even with repeated trachoma control interventions. This study aims to understand the facilitators and barriers associated with implementing trachoma control programmes in these communities, from the perspective of non-governmental organisations (NGOs). Methods Participants were the representatives of NGOs who had knowledge and experience in the implementation of trachoma control programmes. Data was collected using in-depth, semi-structured interviews guided by a topic guide, which was updated after each interview using a constant comparative method. Interviews were audio-recorded and then transcribed verbatim. Thematic analysis was done inductively. Codes were generated from the transcripts and then clustered into themes. Findings The context within marginalised communities often acted as a perceived barrier to successful implementation of control programmes. This included poor environmental cleanliness, lack of trust, poor disease knowledge and traditional lifestyles. Community values could either be a facilitator or a barrier, depending on the scenario. The anatomical location of the disease and the poor understanding of the disease progression also served as barriers. Considerations affecting decision-making among NGO’s include financial feasibility, community needs and whether the quality of the intervention could be improved. NGOs felt that the collaboration and the opportunity to learn from other organisations were beneficial aspects of having different actors. However, this also resulted in variability in the effectiveness of interventions between districts. Conclusion NGOs should focus on behaviour change and health education that is tailored to marginalised communities and seek innovative ways to implement trachoma intervention programmes whilst being minimally intrusive to the traditional way of life. Partners should also implement ways to ensure high quality programmes are being provided, by increasing staff accountability and compensating volunteers fairly.


Jurnal KATA ◽  
2018 ◽  
Vol 2 (2) ◽  
pp. 336
Author(s):  
Yulia Pebriani

<em>Local culture is very diverse Indonesia became an honor and challenge to maintain and inherited to the next generation. Local Indonesian culture is very proud because it has a very varied diversity and unique. As time, lead to changes in lifestyle a more modern society. As a result, people will prefer the new culture that may be considered more practical than the local culture. Views on kinship, treasures, and wander in the novel Tenggelamnya Kapal Van Der Wijck Hamka works and novels Bulan Susut works Ismet Fanany changes and cultural shifts. Kinship, treasures, and wander in the novel Sinking Ship Van Der Wijck Hamka's work is described explicitly, whereas kinship, treasures, and wander in the novel Month Losses Ismet work Fanany described implicitly. Changes in people's lives has implications for social Minangkabau culture in Minangkabau society. A leadership that is both functional mamak transformed into symbolic leadership. Mamak originally as straps tribesmen, has changed the status and intrinsic meaning.</em>


ZDM ◽  
2021 ◽  
Author(s):  
Johan Prytz

AbstractThis paper concerns the relationship between research and governance policy in three Swedish major development projects in mathematics education: the New Math project (1960–1975), the PUMP project (1970–1980), and the Boost for Mathematics project in (2012–2016). All three projects were driven or financed by the Swedish central school authorities. Using a historical comparative method, this study deepens the understanding of how research co-exists with governance policy when preparing innovations in mathematics education. The main historical sources are official reports and governmental decisions concerning the three projects. The analysis is focused on the nature of the innovations of each project and the role of researchers in the process of creating the innovations. The analysis highlights the theories and the methods involved in those processes. The three projects are also positioned in a context of school governance policy. In Sweden, the prevailing school governing policy changed from a highly centralised governance in the 1960s to a highly decentralised governance in the 2010s. The paper concludes by discussing to what degree the researchers adhered to principles of research or school governance; in particular, the Boost for Mathematics project is considered in this regard. The relevance of the paper in relation to the emerging field of implementation research in mathematics education concerns how historical studies can give new insights about contemporary development projects in mathematics education.


Author(s):  
K.A. Ushmaeva ◽  
◽  
A.S. Goncharov

This study is devoted to the study of relevant works on the history of the Stavropol Cossacks, works in the field of education of the Stavropol Cossacks as an independent Cossack group, trade, cultural and economic ties in the Stavropol Territory, spiritual life, language, culture, traditions and customs of the Stavropol Cossacks. Among modern studies in the history of the Stavropol Cossacks, the following topics stand out: military life and everyday life, folklore and song traditions, the movement for the revival of the Cossacks, as well as the current state and prospects for the development of Cossack organizations. The prospect of the development of pedagogical technologies based on the Cossack traditions of educating young people in Stavropol is highlighted as a separate topical topic. The relevance of the study lies in the need for a private study of the historiography of the regional Cossack group of Stavropol Cossacks in order to expand the scientific and pedagogical tools in the field of «Cossack studies». The practical significance of the study is expressed in the possibility of using the data of the article in the search for supporting material for teaching the "History of the Cossacks" in a higher educational institution (taking into account the regional specifics). The scientific novelty of the research is expressed in a new view of the Stavropol Cossacks as an independent Cossack group formed at the end of the XVIII century. The source base is represented mainly by archival data from the State Archives of the Stavropol Territory, data banks on archaeological, cultural and linguistic expeditions, sources of personal origin, the works of contemporary historians and directly the works of historians, whose studies formed the basis of the historiography of the history of the Stavropol Cossacks. The research methodology is based on the principles of historiographic comparative studies and comparative analysis of sources. Within the framework of the sociocultural approach, we rely on the following methods. Special-historical: the narrative method, the historical-comparative method, the historical-systemic method, the retrospective method. Sociological: document analysis, method of generalizing characteristics, method of ideal types. Culturological: comparative method, cultural-systemic method. Pedagogical: pedagogical interviewing, a method of studying and generalizing pedagogical experience.


2022 ◽  
Vol 12 ◽  
Author(s):  
Ayoub Bouguettaya ◽  
Clare E. C. Walsh ◽  
Victoria Team

When faced with adverse circumstances, there may be a tendency for individuals, agencies, and governments to search for a target to assign blame. Our focus will be on the novel coronavirus (COVID-19) outbreak, where racial groups, political parties, countries, and minorities have been blamed for spreading, producing or creating the virus. Blame—here defined as attributing causality, responsibility, intent, or foresight to someone/something for a fault or wrong—has already begun to damage modern society and medical practice in the context of the COVID-19 outbreak. Evidence from past and current pandemics suggest that this tendency to seek blame affects international relations, promotes unwarranted devaluation of health professionals, and prompts a spike of racism and discrimination. By drawing on social and cognitive psychology theories, we provide a framework that helps to understand (1) the effect of blame in pandemics, (2) when people blame, whom they blame, and (3) how blame detrimentally affects the COVID-19 response. Ultimately, we provide a path to inform health messaging to reduce blaming tendencies, based on social psychological principles for health communication.


Author(s):  
Erlina Zulkifli Mahmud ◽  

This research article discusses one of the translation strategies namely paraphrase. The method used is a mixed method of descriptive-comparative method with both quantitative and qualitative research approaches. The data source is the translation of a novel, Tarian Bumi written in Indonesian language as the source language text and ‘Earth Dance’ in English as the target language text. The data used for this research are taken from the first part of the novel. The background of this research is the phenomenon showing that from all the sentences in the first part of the novel, more than 50% are being paraphrased. To identify what linguistic units are paraphrased, what kinds of paraphrase involved and which paraphrase is used more than others are the objectives of this research. The results show that the paraphrases involve all linguistic units ranging from word, phrase, clause, to sentence. The paraphrase can be used individually or in a combination consisting of two paraphrases and among the four kinds of paraphrase, the explicative paraphrase is used more than others either it is used individually or in combination.


Author(s):  
Anni Lappela

Mountains and City as Contrary Spaces in the Prose of Alisa Ganieva I analyze Alisa Ganieva’s novel Prazdnichnaia gora (2012) and her novella Salam tebe, Dalgat! (2010) from a geocritical (Westphal, Tally) point of view. Ganieva was born in 1985 in Moscow, but she grew up in Dagestan, in North Caucasia. Since 2002, she has lived in Moscow. All Ganieva’s novels are set in present-day Dagestan, not only in the capital Makhachkala but also in the countryside.  I study the ways the two main spaces and main milieus, the mountains and the city, oppose each other in Prazdnichnaia gora. I also analyze how this opposition constructs the utopian and dystopian discourses of the novel. In this high/low opposition, the mountains appear as the utopian place of a better future, and the city in the lowlands is depicted as a dystopian place of the present-day life. The texts’ multilayered time is also part of my analysis, which follows Westphal’s idea of the stratigraphy of time. Furthermore, the mountains are associated with the traditional way of life and the Soviet past. In this way, the mountains have two kinds of roles in the texts. Nevertheless, the city is a central element of the postcolonial dystopian discourse of Prazdnichnaia gora. In my opinion, Ganieva’s texts problematize referentiality, one of the key concepts of geocriticism. Whilst the city tends to be very referential, the mountains escape the referential relationship to the “real” geographical space.


Author(s):  
Chernysh A.Ye.

The purpose of the article is to analyze the mechanism of the emergence and functioning of the discourse of neurosis of Vasyl Stefanyk on the material of the artistic and biographical novel by S. Protsyuk “Rose of Ritual Pain”.Methods of analysis, synthesis, description, interpretation, psychoanalytic methodology, postcolonial reading were used to analyze the set goal.Research results. The novel presents a wide range of artistic psychoanalytic tools – unconscious processes of mental development of the hero, traumas and traumatic events in the life of Vasily Stefanyk, a body of mental inspirations, built on numerous fears, neuroses, pain, a number of associations and suggestions, well-associated images and visionary discourses, indepth archetypes. It was found that neurosis is a natural consequence of the intensified struggle of various incarnations of Vasyl Stefanyk, which he tried to reconcile with each other. Significant aspects of the appearance and functioning of the neurotic state of the hero added children’s trauma, fears, complexes, stress, excessive anxiety. Internal tension and early childhood trauma formed deeply associated images of the beast with the bloody paw and the Bullet of Alarm as fundamental neurotic factors. The Oedipus complex and the conflict between the real idea of oneself and one’s ideal self also significantly developed the neurotic way of life of Vasyl Stefanyk. It is established that the image of Vasyl Stefanyk in the novel is marked by dispersive tension, excessive anxiety, which led to the emergence of a depressive, melancholic and partly infantile worldview. It was found that creativity helped the character to alleviate tension, fears, guilt, sins.Conclusions. The image of Vasyl Stefanyk in the novel is marked by neurosis, the key components of which are excessive anxiety, depression, actually neurotic and mental disorders in behavior, fears and addictions, communication problems, the Oedipus complex, multiple personality. Important psychoanalytic codes for the interpretation of the neurotic type of personality are the deep personal associations of the Bullet of Alarm and the beast with the bloody paw, which express the neurotic discourse of the protagonist’s performance.Key words: neurosis, fear, trauma, anxiety, association. Мета статті – на матеріалі художньо-біографічного роману С. Процюка «Троянда ритуального болю» проаналізувати механізм появи і функціонування дискурсу неврозу Василя Стефаника.Для аналізу поставленої мети використано дослідницькі прийоми систематизації, класифікації та узагальнення, застосовано психоаналітичну методологію, постколоніальне прочитання.Результати дослідження. У романі представлений широкий художній психоаналітичний інструментарій – неусвідомлені процеси психічного розвитку героя, травми і травматичні події у житті Василя Стефаника, корпус душевних інспірацій, розбудованих на численних страхах, неврозах, болях, низка асоціацій і сугестій, вдало засоційованих образів тривоги і неспокою, хитросплетених сновидного й візійного дискурсів, поглибленої архетипіки. Зʼясовано, що невроз є закономірним наслідком утривавленої боротьби різних іпостасей Василя Стефаника, які він намагався примирити між собою. Вагомих аспектів появи і функціонування невротичного стану героя додали дитячі травми, страхи, комплекси, стреси, надмірна тривожність. Внутрішня напруга й рання дитяча травма виформували глибоко засоційовані образи звіра із кривавою пащекою і Кулі Тривоги як засадничих невротичних факторів. Едіпів комплекс і конфлікт між реальним уявленням себе та своїм ідеальним Я також вагомо розвивали невротичний спосіб життєукладу Василя Стефаника. Встановлено, що образ Василя Стефаника в романі відзначається дисперсійною напругою, надмірною тривожністю, що призвело до появи депресійного, меланхолійного і почасти інфантильного світоставлення. Зʼясовано, що творчість допомагала персонажеві притлумлювати напругу, страхи, відчуття провини, гріхи.Висновки. Образ Василя Стефаника в романі маркований неврозом, ключовими складниками якого є надмірна тривога, депресія, власне невротичні і психічні зриви в поведінці, страхи і залежності, проблеми в комунікації, Едіпів комплекс, множинна особистість. Важливими психоаналітичними кодами потрактування невротичного типу особистості є глибинні осібні асоціації Кулі Тривоги та звіра із кривавою пащекою, що увиразнюють невротичний дискурс виповнення головного героя.Ключові слова: невроз, страх, травма, тривога, асоціація.


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