scholarly journals A Study of the Role of Sivathamil Selvi Thangamma Appakutty in the Development of Hinduism in Sri Lanka

2021 ◽  
Vol 6 (2) ◽  
pp. 120-125
Author(s):  
A Vyasan

The vegan culture of Sri Lanka is ancient and unique. Many have contributed to the development of this culture. The twentieth century opened new chapters in educational development, social change and change of thinking as a result of English rule. Such changes began to have a massive impact on the perception of women. New chapters were opened. Such changes began to have a massive impact on the perception of women. Women’s education, women’s going to work, etc. were made possible. Born and educated at this time, Deivath Thirumakal - Dr. Sivathamilch Selvi Thangamma Appakutty was a teacher. The study, entitled A Role of Sivathamil Selvi Thangamma Appakutty in the Development of Hinduism in Sri Lanka, entitled How Her Contribution to the Educational Development of Sri Lanka Women and Overcoming the Challenges Facing Women. This study is carried out with the aim of the study. This study forms a descriptive study. Performed with analysis, comparison and historical analysis when appropriate. The mothers were eloquent, well-managed, artistic and literary, and had a fearless and dedicated service mindset. Traditional studies on women should be carried out in the field of education and social service, and studies on women should be conducted from different angles through various fields. Such research and their findings may help to show our present and future generations that ancient women lived and excelled in the Hindu society subject to various restrictions.

Author(s):  
Annette Rodríguez

This chapter explores the development of pedagogical choices and historical practice via familial and professional mentorship. Rodríguez argues for the critical role of mentorship for the development of women in the historical profession. Naming her work “a history of the gaps,” she discusses widening the definition of historical actors as well as subjects of historical analysis. As an example, the chapter points to the continuum of women acting against racist violence, documenting, analyzing, and historicizing racist violence—against previously masculinist narratives. Demonstrating a “history of the gaps,” Rodríguez’s chapter concludes with the testimonies of Mexican and Mexican American women whose X marks confirmed anti-Mexican murders at the turn of the twentieth century.


Author(s):  
Christoph Auffarth

This chapter discusses sacrifice and gift exchange as perspectives on ritual relations between gods and humans. It begins by noting the role of Protestant theology in emphasizing the centrality of sacrifice to religion and the contributions of Victorian evolutionist scholars as well as twentieth-century thinkers to the conceptualization of sacrifice. Problems with these analyses—and with interpretations of mythic narratives of sacrifice more generally—suggest the value of a comprehensive religio-historical analysis of sacrifice. This suggests the value of considering sacrifice within a more general framework: as communicative gift in a gift economy. Sacrificial ritual establishes ritual commensality, thus constituting a performance of social order and power. Anthropological concepts and typologies of gifting facilitate comparing and contrasting exchange relations between humans with those between humans and gods. More generally, it allows us to characterize the roles of exchange relations in society, thus adding to our understanding of religion’s social roles.


Author(s):  
Svitlana Kotliar ◽  
Vitalii Volkov

The purpose of the research is to analyze the first steps of the television formation in Ukraine, to determine the factors of the television influence's growth on the viewer audience. The research methodology consists of the following methods: historical – analysis of sources about the first steps and development of television in Ukraine in the 50–the 70s of the twentieth century; theoretical – the factors’ study of the increasing television influence on the audience. The scientific novelty of the research is the investigation of the main stages of the television space development of Ukraine in the first decades from the beginning of regular broadcasting, as well as the works of researchers of the history of Ukrainian television, have been thoroughly analyzed, the facts about the first announcers of UT have been systematized for the first time. Conclusions. In the course of the article, we proved that the technical and technological development of television in Ukraine, the growth of its influence on viewers, would have been impossible without prominent figures, representatives of various television professions who took part in the process of organizing and providing television broadcasting. The audience saw some of them on the screens, but many iconic names remained behind the scenes. The task of researchers is to identify the personas and roles of all pioneers and to preserve these names for history, for future generations.


1980 ◽  
Vol 9 (3) ◽  
pp. 359-382 ◽  
Author(s):  
Michael Cahill ◽  
Tony Jowitt

ABSTRACTThe early twentieth century has been seen as a crucial period in the development of British social policy. However, attention has been concentrated almost entirely on the increased role of the state, and in particular on the Liberal ‘welfare reforms’ after 1906. These developments have tended to mask the significant changes that were taking place in the field of voluntary charitable effort. One organization which emerged out of the ferment surrounding social policy in late Victorian and Edwardian England was the Guild of Help movement.The first guild was formed in Bradford in 1904 and embodied a new approach to the organization of charity. It rapidly expanded from Bradford throughout England and Wales and was in 1919 the leading organization which took part in the merger which created the National Council for Social Service. In this article the creation of the guild will be examined within the context of the changing economic situation, the growth of the labour movement and the nature of existing charitable provision in an attempt to give a critical assessment of the nature and role of this new body.


2021 ◽  
Vol 2 (2) ◽  
pp. 65-74
Author(s):  
Felix Ferdin Bakker ◽  
Muhammad Alvi Syahrin

Immigration as the spearhead of state sovereignty has an official bond school, namely the Immigration Polytechnic as a place for forging future immigration cadres. Immigration cadets as future generations of immigration leaders are expected not only to have good technical immigration skills but also to have a heart to serve the community. Seeing this, the Immigration cadets for the Surabaya and Sidoarjo regions took the initiative to be able to contribute to social service activities which were held on May 13, 2021 at the Darul Ulum Hikmah Orphanage located in the governorate of Surabaya. It is hoped that this can be continued so that the role of immigration is not only felt in the immigration service but in the social field of immigration standing with the community.


Author(s):  
Jim Sykes

This chapter is a musical cartography of Sri Lankan Tamil traditional musics: through interviews in the Tamil-dominated north and east and the capital Colombo, archival research, and consultation of Tamil and English secondary sources, the chapter provides the first consideration in English of which musical genres and styles are prevalent in which regions of the Tamil heartland of northern and eastern Sri Lanka. The chapter focuses particularly on the musical drama form called kooththu and its revival in the twentieth-century through the efforts of Suppiramaniam Vithiananthan and his student Sinniah Maunaguru. The chapter discusses their play Ravanesan (staged in 1961–1962) and Maunaguru’s later revival of it as a commentary on Sri Lanka’s civil war and the tragic role of women in the conflict.


2020 ◽  
Vol 38 (1) ◽  
pp. 65-81
Author(s):  
Jane Carr ◽  
Deborah Baddoo

The Black Dance Archives project collected materials that record the activities of black British artists who created and performed dance predominantly in the later years of the twentieth century. Through the form of a dialogue we bring the perspective of the dance producer who led the project together with a more academic interest in the potential of the materials collected to contribute to dance research. Our shared reflections reveal how a focus on archiving the work of dance artists of diasporic heritage emphasises that dance, as a form of intangible cultural heritage, is particularly vulnerable to becoming lost to future generations. This leads to reflections upon the role of dance archives within the context of post-colonial Britain that brings to the fore some of the complexities of the archival process and the significance of how this project resulted in materials being dispersed across different institutions.


2001 ◽  
pp. 54-61
Author(s):  
K. Nedzelsky

Ivan Ogienko (1882-1972), also known as Metropolitan Hilarion, devoted much attention to the role and place of religion in the national life of Ukrainians and their ethnic identity in their scholarly and theological works. Without exaggeration it can be argued that the problem of national unity of the Ukrainian people is one of the key principles of all historiosophical considerations of the famous scholar and theologian. If the purpose of the spiritual life of a Ukrainian, according to his views, is to serve God, then the purpose of state or terrestrial life is the dedicated service to his people. The purpose of heaven and the purpose of the earthly paths, intersecting in the life of a certain group of people through the lives of its individual representatives, give rise to a unique alliance of spiritual unity, the name of which is "people" or "nation." Religion (faith) in the process of transforming the anarchist crowd into a spiritually integrated and orderly national integrity serves as the transformer of the imperfect nature of the human soul into perfect.


2000 ◽  
Vol 2 (1) ◽  
pp. 107-123 ◽  
Author(s):  
Muzaffar Iqbal

This article attempts to present a comparative study of the role of two twentieth-century English translations of the Qur'an: cAbdullah Yūsuf cAlī's The Meaning of the Glorious Qur'ān and Muḥammad Asad's The Message of the Qur'ān. No two men could have been more different in their background, social and political milieu and life experiences than Yūsuf cAlī and Asad. Yūsuf 'Alī was born and raised in British India and had a brilliant but traditional middle-class academic career. Asad traversed a vast cultural and geographical terrain: from a highly-disciplined childhood in Europe to the deserts of Arabia. Both men lived ‘intensely’ and with deep spiritual yearning. At some time in each of their lives they decided to embark upon the translation of the Qur'an. Their efforts have provided us with two incredibly rich monumental works, which both reflect their own unique approaches and the effects of the times and circumstances in which they lived. A comparative study of these two translations can provide rich insights into the exegesis and the phenomenon of human understanding of the divine text.


2019 ◽  
Vol 58 (2) ◽  
pp. 249-259
Author(s):  
Joseph Acquisto

This essay examines a polemic between two Baudelaire critics of the 1930s, Jean Cassou and Benjamin Fondane, which centered on the relationship of poetry to progressive politics and metaphysics. I argue that a return to Baudelaire's poetry can yield insight into what seems like an impasse in Cassou and Fondane. Baudelaire provides the possibility of realigning metaphysics and politics so that poetry has the potential to become the space in which we can begin to think the two of them together, as opposed to seeing them in unresolvable tension. Or rather, the tension that Baudelaire animates between the two allows us a new way of thinking about the role of esthetics in moments of political crisis. We can in some ways see Baudelaire as responding, avant la lettre, to two of his early twentieth-century readers who correctly perceived his work as the space that breathes a new urgency into the questions of how modern poetry relates to the world from which it springs and in which it intervenes.


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