scholarly journals Mbecek Culture in Religious and Social Perspectives in Ponorogo Regency, East Java

2020 ◽  
Vol 4 (1) ◽  
pp. 116
Author(s):  
Ahmad Muslich

This study aims to determine the early history of the mbecek culture and people's views of the mbecek culture in terms of religious, social and cultural perspectives. An exciting aspect of this research is that the culture of mbecek has become a tradition for generations. The culture which initially originated from values originating from the religion and culture of the nation began to shift costs that lead to the benefits of materialism, business and economy. Data collection is done by way of interviews with government leaders, religious leaders, community leaders, educational leaders and cultural actors. From the results of the study, it can conclude that the culture of birth based on religious, social and cultural values of the Indonesian people. In a spiritual perspective, religious leaders are of the view that the mbecek tradition needs to preserved on condition that it does not deviate from ethical values or teachings. In the socio-cultural perspective, community leaders are of the view that mbecek culture is an implementation of the realization that humans cannot live alone and need help from others. Mbecek culture is part of the values of cooperation or assistance in social life.

Author(s):  
St Zakiah

This study examines the leadership of women in Madrasah Aliyah in Bone District. The purpose of this study was to determine the profile of women's leadership, the views of religious leaders and community leaders on women's leadership and the contribution of women's leadership as the head of Madrasah Aliyah. Women's leadership styles tend to be democratic. The obstacles faced by the female Madrasah Aliyah head in Bone Regency are two, namely internal barriers and external barriers. Internal obstacles come from within the madrasa itself. With capitalization and tenacity internal obstacles can be overcome. Whereas external barriers originating outside the madrasah, namely obstacles that come from the family environment of the head of the madrasah itself. The leadership of the female head of the Madrasah Aliyah received support from religious leaders and community leaders in Bone Regency. The female head of the Madrasah Aliyah contributes in the fields of education, religion and social life.


2019 ◽  
Vol 14 (1) ◽  
pp. 52
Author(s):  
Muhammad Agung Pramono Putro ◽  
Bambang Soepeno ◽  
Rully Putri Nirmala P

Barong Using is a performance art which is native to the Using community. Barong Using is used as a sacred necessity for clean village rituals. Rituals are held twice a year. The Ider Earth Ritual on the 2nd of Shawwal and the moon village salvation ritual were recited. The cultural development of bringing the art of barong performance functions as a sacred and profane need. There are efforts to optimize the art of barong performance by the use of tourism. The problems contained in this study are related to discussing (1) the history of Barong Kemiren's performance in which it examines ritual processions with socio-cultural values; and (2) efforts to optimize the art of barong performance later using communities in 1996-2018 as the use of tourism. The research method used is the historical research method by using a cultural anthropology approach to study cultural change and using structural functionalism theory to analyze the shift in barong function socially as a result of tourism. The results of this discussion, the optimization of the art of barong performance is packaged in the interrelationships of the five pillars that support the development of tourism and creative industries, namely, the state, art and ritual actors, supporting communities, industry, and religious leaders. These pillars can provide the right input so that a good response emerges from entrepreneurs, bureaucrats, cultural practitioners, and practitioners of traditional and ritual arts. Now the art of barong performance has undergone many changes starting from the structure of performances and interludes which accompany.


SIASAT ◽  
2019 ◽  
Vol 3 (1) ◽  
pp. 10-23
Author(s):  
T. Nazaruddin ◽  
Sulaiman ◽  
Hasan Basri

In the context of Aceh, its society and social-ecnonomic development, based on a number of literatures, the meaning of local wisdom can be drawn from the values, norms, laws and knowledge formed by religious teachings, beliefs, traditional values and experiences inherited from ancestors ultimately forming a local knowledge system that is used to solve everyday problems by the community. Aceh, as a region, in addition to following national law practices and provisions, also has customary institutions and traditional / cultural values with its own management that involves community leaders who know a great deal about local wisdom in the region. This is where the roles of traditional leaders, religious leaders and socio-cultural figures are considered important in harmonizing local wisdom with spatial regulation and environmentally sustainable development


Author(s):  
Thi Hao Cao ◽  

The Tay people are an ethnic minority of Vietnam. Tay literature has many unique facets with relevance to cultural identity. It plays an important part in the diversity and richness of Vietnamese literature. In this study, Tay literature in Vietnam is analyzed through a cultural perspective, by placing Tay literature in its development from its birth to the present, together with the formation of the ethnic group, and historical and cultural conditions, focusing on the typical customs of the Tay people in Vietnam. The researcher examines Tay literature through poems of Nôm Tày, through the works of some prominent authors, such as Vi Hong, Cao Duy Son, in the Cao Bang province of Vietnam. Cao Bang is home to many Tay ethnic people and many typical Tay authors. The research also locates individual contributions of those authors and their works in terms of artistic language use and cultural symbolic features of the Tay people. In terms of art language, the article isolates the unique use of Nôm Tay characters to compose stories which affect the traditional Tay luon, sli, and so forth, and hence the use of language that influences poetry and proverbs of Tay people in the story of Vi Hong, Cao Duy Son. Assuming a symbolic framework, the article examines the symbols of birds and flowers in Nôm Tay poetry and the composition of Vi Hong, Cao Duy Son, so to point out the uniqueness of the Tay identity. The above research issue is necessary to help us better appreciate the cultural values preserved in Tay literature, thereby, affirming the unique cultural identity of the Tay people and planning to preserve and develop these unique cultural features from which emerges the risk of falling into oblivion in modern social life in Vietnam. In addition, this is also a research direction that can be extended to Thai, Mong, Dao, etc, ethnic minorities in Vietnam.


2016 ◽  
Vol 1 (1) ◽  
pp. 1
Author(s):  
Harli Brata Wardhana ◽  
Didik Hariyanto

Game Nusantara Online is the only online game that lifted the Indonesian culture hey day empires that ever existed and is the only original online games domestically-made. So it is not surprising that this game displays various types of display depicting national cultural identity in the game. The method used in analyzing was John Fiske the semiotics (semiology) through three tiers level, reality, representation, and ideology in the opening game in the form of nondialogue short film, but it was also analyzed in the game play in game logo, the cast of characters, and missions “Timun Mas”. Further analysis was based on the study of literature and other supporting data to determinenational cultural identity. After doing research on the game Nusantara Online, it was found thatnational cultural identity displayed on the level of reality by visualizing typical clothing and accessories of Indonesia empire at that time, the use of the name on the cast of characters that has its own story and has become the local culture, including Hayam Wuruk, Elephant Mada, and others. Visualization of social life, such as religious rituals Bendrong Dimples and Bali, and incorporate folklore or legends in the game missions. While the level of representation, the camera technique is used so that the details of the national cultural identity clearly visible on the clothing motif and shape of the building. The ideology that displayed the Nusantara Online games are games that have cultural values and history of Nusantara (Indonesia).


2020 ◽  
Vol 74 (4) ◽  
pp. 78-82
Author(s):  
S. Zhirenov ◽  
◽  
А. Smanova ◽  
Zh. Nebesaeva ◽  
◽  
...  

The article considers the coding of the system of national values in Kazakh art and their linguistic expression in the linguocultural aspect. There is a linguistic representation of the place of art in the national culture, the activity of cultural values in the worldview of the ethnos. If the indicator of the culture of an ethnos is cultural values, then the value of cultural values is determined by language. Art is an indicator of cultural and social life, endowed with the ancient cultural and spiritual value of the national existence of the ethnos. Considering that different forms of art and their compositions are marked and distinguished by language, the article analyzes in detail the question of the relationship of art to language, language to art. The existence of such categories as the history of a nation and the ethics of words, culture and art of an ethnos, aesthetic cognition and taste, folk wisdom and spiritual food is considered in the existence of a language. The role of language in expressing the essence of art is described in detail.


AS-SABIQUN ◽  
2021 ◽  
Vol 3 (1) ◽  
pp. 76-99
Author(s):  
Syahdan Syahdan

Nyelamak dilaok is a culture that has existed 400 years ago brought by sea travelers from Sulawesi. This tradition is carried out in the village of Tanjung Luar, Keruak District, East Lombok Regency in the month of Rajab in the Hijri calendar by floating the head of a buffalo on a cluster of rocks in the Tanjung Luar sea. The purpose of this study was to find out how the procedure for implementing nyelamak was carried out from beginning to end. This study also aims to determine the implications of nyelamak dilaok on the community's aqidah, especially for the students of TPQ Al-Mujaddid as the next generation. The data collection procedure used in this study is to collect data through interviews, observation, recording and documentation. Sources of data used are informants who are involved and understand about the tradition, namely traditional leaders, community leaders, religious leaders, village governments, the general public, students of TPQ Al-Mujaddid and books that support the research. While the data analysis method used is a description in the form of a narrative. From the results of the study it can be concluded that if viewed from a social perspective, the tradition of nyelamak dilaok has noble cultural values, but behind it all, in its implementation, it contradicts the teachings of Islam which has implications for the aqidah of TPQ Al-Mujaddin students


Author(s):  
Putu Agus Windu Yasa Bukian ◽  
Putu Dian Prima Kusuma Dewi

<p>The birth process for Hindus is a sacred process and full of beauty. Special Hindu humans in Bali have gone through a very diverse ritual process since the womb. This research is a type of qualitative research that involves the socio-cultural values and expectations of Hindu Balinese people from the ceremony to mend the placenta. Information was collected from religious leaders, community leaders and Balinese Hindu couples who have babies. Descriptive analysis and content used to analyze the results of the data obtained. The results show the process of ceremony of placenta a hereditary process of inheritance carried out by Hindu communities in Bali. There is no significant change from this process in a socio-cultural way because it considers the things that are commonly done by the philosophical media used to change some modifications. The hope and purpose of mending the placenta is still done through a short prayer. Many Balinese Hindu couples don't know about the special mantram that is said during the process of humming. It is recommended that the process of mending the placenta be carried out in accordance with the ceremony in accordance with Hindu literature through the guidance and guidance of traditional stakeholders and Hindu religious leaders, without changing food and support.</p>


2018 ◽  
Vol 16 (2) ◽  
pp. 350-368
Author(s):  
Henie Kurniawati ◽  
Sofia Retnowati ◽  
Bagus Riyono ◽  
Widyawati Widyawati

This article aims to literature review regarding spiritual care in Islamic culture perspective. Systematic review is done to support knowledge regarding spiritual care. Literature studies from 2007 to 2017 are identified narratively and reviewed critically in Islamic cultural perspectives. The method for literature analysis is using eight steps from Walker and Avant. The findings of this review stated that spiritual care is a dynamic activity to integrate physical, psychological, social, and spiritual aspects. Spiritual care takes the form of spiritual service that is done dynamically and integratively based on divine and human values especially Islamic cultural values. The main services include caring for the sick, identifying spiritual needs, and increasing spiritual well-being. The implications of the findings are to help building policies in nursing and to help nurses in developing positive attitude in applying spiritual care. The conclusion of this literature review produces a comprehensive definition regarding spiritual care and supports spiritual care competency in health in Islamic cultural perspective.


2020 ◽  
Author(s):  
Bruno Marques ◽  
Alison Baker

Aotearoa-New Zealand’s legal, ecological and social perspectives are composed of combined Pākehā (NZ European) and Māori identities, values, perspectives and traditions. These two very different cultural perspectives are reflected in the conversations and dialogues occurring with regards to the landscape, and also in the lands forms and features itself. The separation between traditional Māori values and prevailing European developments and design approaches promotes regional landscapes that lack place and a sense of place within the wider Aotearoa-New Zealand context. South Wairarapa, in Aotearoa-New Zealand’s lower North Island, presents such a collision; the land bears the imprints of its colonising rural pedigree, and blatantly and unashamedly disregards the undeniable Indigenous Māori connection. This paper explores how landscape architecture can overlay past cultural conversations to restructure and enhance the presence of a defined regional and cultural identity and therefore promote a re-emergence of placed identity. Cultural signatures are written onto the landscape to be read and interpreted, and can be re-written, corrected and modified so to further reflect Indigenous and intrinsic connectedness with one’s landscape and its associated processes. The design, management and development of rural regional landscapes can evidence cultural values and landscape heritages while maintaining their obvious need for economic and regional prosperity, and sustainability. The apparent disconnect most modern populations have with their landscape is palpable internationally; the processes and management techniques of old are insufficient. There is a need in Aotearoa-New Zealand for an alternative approach to regional planning and design practices, which evidence our cultural pedigrees. Prominent landscape signatures should be reworked, new ones written, and the old rewritten, to create an inter-relatedness and interconnectedness between humans and ecosystems to protect past places and placements, enhance new ones, and promote the sustainable management and stewardship of the landscape.


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