scholarly journals The history of the creation of the Lipetsk lacquer miniature (the problems of the school and production crisis)

2021 ◽  
pp. 202-208
Author(s):  
Ольга Ивановна Мальцева
Keyword(s):  
Twentieth Century ◽  
National Culture ◽  
Scientific Research ◽  
Scientific Study ◽  
Historical Experience ◽  
Modern Development ◽  
Miniature Painting ◽  
History Of ◽  
Unique Experience ◽  
The Creation

Рассматривается и анализируется ранее не изученная часть истории русской лаковой миниатюрной живописи, которая началась более двухсот лет назад, но не все её страницы изучены и освещены. В статье выявляется уникальный опыт и проблема кризиса школы и производства. Данные, полученные в рамках представленного научного исследования, основанного на изучении истории возникновения и развития производства художественного промысла, анализа кризиса и причины упадка школы в их стереотипных и индивидуальных ассоциативных связях, закрепленных конкретными выводами об уникальном опыте создания художественного промысла в отрыве от мест бытования и причинах его утраты, позволяют понять, как избежать многих проблемных моментов внутри системы художественных промыслов и тенденции их современного развития. Исследовательский характер работы выражается в предложенных взглядах и выводах, опирающихся на архивную базу. В целом, выводы данного научного исследования содействуют систематизации анализа исторического опыта, результаты которого могут представлять интерес в пространстве русской национальной культуры и быть использованы как в учебных курсах в области декоративно-прикладного искусства, так и в художественно-производственной деятельности. This work analyzes a previously unexplored part of the history of Russian lacquer miniature painting, which began more than two hundred years ago, but not all of its pages have been studied and elucidated. Few people know that from the seventies of the twentieth century until 2000 there was an artistic craft of the Lipetsk miniature lacquer painting, the founders of which were the miniaturists of Kholui. The paper reveals the unique experience and the school and production crisis. The data obtained in the framework of the presented scientific research were based on the study of the history of the emergence and development of the production of artistic handicrafts, analysis of the crisis and the reasons for the decline of school in their stereotypical and individual associative connections, fixed by specific conclusions about the unique experience of creating artistic handicrafts in isolation from the places of existence and the reasons of its loss. The obtained data make it possible to understand how to avoid many problematic moments within the system of artistic crafts and the tendencies of their modern development. The research nature of the work is expressed in the proposed views and conclusions that draw upon the archival base. In general, the conclusions of this scientific study contribute to the systematization of the analysis of historical experience, the results of which may be of interest in the space of Russian national culture and be used both in educational courses in the field of decorative and applied arts and in artistic and production activities.

From the History of Book Culture of Ukraine: Research of Retrospective Book, Art, Music Publications and Historical Collections from the Funds of the Vernadsky National Library Of Ukraine

2021 ◽  
Author(s):  
H.I. Kovalchuk ◽  
Keyword(s):  
National Culture ◽  
Fine Arts ◽  
Scientific Research ◽  
Art Music ◽  
Book Art ◽  
National Library ◽  
Historical Collections ◽  
History Of ◽  
Book Culture ◽  
Library Collections

The collective monograph is the result of scientific research on the history of book culture of Ukraine, conducted by scientists of the Institute of Bibliology of the Vernadsky National Library Of Ukraine during 2016-2018 on the basis of the funds of the departments of antique prints and rare editions, fine arts, music collections, foreign Ukrainiana, library collections and historical collections of the Library. The history of book culture of Ukraine of the XVI-XX centuries, which appears from the pages of this edition, has a multifaceted, but absolutely reliable character, as it is based on specific sources. For bibliologists, librarians, bibliographers, historians of national culture.

scholarly journals “Sofiyivka”— a masterpiece landscape design of 18–19 centuries on 225th anniversary of its founding

2021 ◽  
pp. 5-17
Author(s):  
Ivan Kosenko
Keyword(s):  
Reproductive Biology ◽  
Scientific Research ◽  
Steppe Zone ◽  
Landscape Design ◽  
Forest Steppe ◽  
Modern Material ◽  
Technical Base ◽  
History Of ◽  
New Varieties ◽  
The Creation

The material describes the history of the dendrological park "Sofiyivka", as well as its modern material and technical base for scientific research related to monitoring the condition and preservation of flora of the forest-steppe zone of Ukraine; support and development of botanical collections, as well as biotechnology, genetics, breeding and reproductive biology of plants; Landscaping and landscaping not only ensures the preservation of the historic core and the development of the park, but also promotes the creation of already mentioned and other new varieties.

scholarly journals PRESERVATION THE TRADITIONS OF UKRAINIAN SPIRITUAL CHOIR CULTURE IN MUSIC SCIENTIFIC RESEARCH BY MYRON FEDORIV

2021 ◽  
Author(s):  
Yatsiv I. V.
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Catholic Church ◽  
Scientific Research ◽  
The United States ◽  
Musical Culture ◽  
Public Figure ◽  
Spiritual Culture ◽  
History Of ◽  
Ukrainian Catholic

The article is devoted to the evaluation of scientific works of the well - known in the Ukrainian diaspora musicologist and publicist Myron Fedoriv in the context of the preservation of national song traditions outside the ethnic territory. The information on the most important theoretical achievements of the scientist is given, the place and value of activity of the cultural public figure in the history of musical and choral culture of Ukraine and the western diaspora is defined. The author notes that Myron Fedoriv lived most of his life in the United States. He left a large amount of musical material and theoretical works in the history of Ukrainian choral culture, so he stopped the destruction of song traditions and examples of canonical liturgical singing in Ukrainian churches of the diaspora. In his works, Myron Fedoriv wrote that the singing tradition is the basis of the Ukrainian national spiritual culture, and therefore it should be preserved in the Ukrainian Catholic Church in America. As a result, the musicological heritage of Myron Fedoriv is very valuable for the Ukrainian musical culture of the twentieth century. Thus, its activities deserve more detailed study.

scholarly journals An Electronic Сatalogue of Slobozhanshchina Icons of the Late 18th – Early 20th Centuries: Prerequisites for Creation, Purposes, Functions

2021 ◽  
pp. 109-117
Author(s):  
И.В. Краснова
Keyword(s):  
Twentieth Century ◽  
Cultural Heritage ◽  
Significant Part ◽  
History Museum ◽  
Documentary Sources ◽  
Great Patriotic War ◽  
History Of ◽  
The Creation ◽  
Private Collections ◽  
The Way

В статье обосновывается необходимость создания виртуального каталога слобожанских икон и ставится цель разработки основных характеристик проектируемой электронной коллекции. Проведен анализ документальных источников, использованы результаты исследований российских и украинских ученых. Исследована история музеев Слободской Украины, собиравших произведения иконописи, изучено влияние событий ХХ в. на иконописное наследие Слобожанщины, которое вследствие атеистической кампании 1930-х гг. и действий оккупантов в период Великой Отечественной войны утратило единство и оказалось раздробленным между многочисленными музейными и частными коллекциями. Данный фактор, а также несомненная уникальность региональной иконописной традиции стали предпосылками к разработке концепции электронного каталога, который призван объединить все сохранившиеся на сегодняшний день произведения слобожанской иконописи. The article substantiates the need to create a virtual catalogue of Slobozhanshchina (Sloboda Ukraine) icons and sets the aim of developing the main characteristics of the projected electronic collection. Based on the use of systemic-historical and historical-genetic methods, documentary sources were analysed, the results of research of Russian and Ukrainian historians and culture scientists were studied. The history of museums in Sloboda Ukraine, which collected works of icon painting, is considered; special attention is paid to the Historical and Church Museum. Until the revolutionary events of 1917, this museum’s collections were constantly replenished with new exhibits. The history of the creation of the Museum of Ukrainian Art and the Central Art and History Museum named after Gregory Skovoroda (Museum of Sloboda Ukraine) is analysed. The influence of the events of the twentieth century on the icon-painting heritage of Sloboda Ukraine is considered. This heritage, as a result of the atheistic campaign of the 1930s and the actions of the occupiers during the Great Patriotic War, lost unity and was fragmented between numerous museum and private collections. The consequences of the German fascist invaders’ plunder of the museums of Sloboda Ukraine were especially grave: hundreds of thousands of exhibits were destroyed or taken out of the country. The fact of huge and often irreparable losses in the cultural heritage of Sloboda Ukraine by the middle of the twentieth century is stated. At present, the museums of Sloboda Ukraine have already collected a significant part of icon-painting works (about 500), but this number is not comparable with the richest heritage of Sloboda Ukraine of the beginning of the twentieth century. The author emphasises that a certain number of Slobozhanshchina icons continue to remain in churches and private collections in both Ukraine and Russia. Information about icons received from individuals is insufficient for attribution and museum documentation compilation, so many of the icons have not yet been fully introduced into museum circulation. The way out of this situation, according to the author, is to create an electronic catalogue of Slobozhanshchina icons, which will be a database of icon-painting works from museum and private collections with texts and images. The concept of the electronic catalogue has been developed. The catalogue is designed to unite all the works of Slobozhanshchina icon painting that have survived to date.

scholarly journals BORIS TISHCHENKO. THE TWELVE. CREATION HISTORY AND BASIC COMPOSING PRINCIPLES

Globus ◽  
2021 ◽  
Vol 7 (2(59)) ◽  
pp. 15-18
Author(s):  
Yuri Serov
Keyword(s):  
Twentieth Century ◽  
Soviet Union ◽  
Avant Garde ◽  
Music Score ◽  
The Soviet Union ◽  
History Of ◽  
Clean Air ◽  
The Creation ◽  
Symphonic Music

The article is devoted to the history of the creation and music score of the ballet Twelve based on the poem by A. Blok by the outstanding Russian composer of the second half of the twentieth century Boris Ivanovich Tishchenko. The ballet was staged by the famous Soviet choreographer Leonid Jacobson back in 1964 and became, in fact, the first avant-garde ballet in the Soviet Union. Critics noted Tishchenko’s bright modern symphonic music and Jacobson’s free plastics, which “became a breath of clean air in the rarefied atmosphere of classical epigonism”.

‘The Axile Tree’

2021 ◽  
pp. 209-259
Author(s):  
Francesca Brooks
Keyword(s):  
Twentieth Century ◽  
Old English ◽  
Catholic Church ◽  
Early Medieval ◽  
Dream Of The Rood ◽  
History Of ◽  
The Creation ◽  
The Cross ◽  
Poetic Sequences ◽  
The Catholic Church

Chapter 5 asks how Jones’s vision of an early medieval culture in which Welsh and English tradition are equally dominant resonates throughout the poem’s eight poetic sequences in the image of the cross. The chapter traces a history of Jones’s encounters with The Dream of the Rood, the Ruthwell monument, and the history of early medieval Northumbria during the 1930s, and explores how this experience of the landscape and history of Northumberland informed his reading of the Old English Dream of the Rood tradition. Jones’s visual and verbal engagement with the Ruthwell monument at the climax of The Anathemata in ‘Sherthursdaye and Venus Day’ allows for the creation of a new sign of the cross for the twentieth century, a sign which draws together the English and Welsh traditions that have informed the institution of the Catholic Church in England and Wales, as well as the poet’s own Catholicism.

Introduction

2018 ◽  
Author(s):  
Kirsten Leng
Keyword(s):  
Twentieth Century ◽  
Scientific Knowledge ◽  
Women's Movement ◽  
Sociology Of Science ◽  
Scientific Work ◽  
Diverse Range ◽  
Early Twentieth Century ◽  
History Of ◽  
The Creation

The Introduction makes a case for gendering the history of sexology; specifically it argues that focusing on women’s ideas facilitates a more complex understanding of sexology as a form of knowledge and power. It begins by introducing the key figures and exploring the kinds of political promise they saw in scientific knowledge. It then challenges the limits of Foucault’s highly influential analysis of sexology by contextualizing sexology’s emergence within the rise of the women’s movement in the later nineteenth and early twentieth century. Moreover, the Introduction draws on the sociology of science to reframe sexology as a field, and thus to argue that sexology was built and animated by a diverse range of actors with disparate investments in the creation of this knowledge. Finally, it discusses the limitations of women’s sexual scientific work and the ambivalent legacy it bequeathed.

Religious education in Russia and Europe in the twentieth century: historical experience and transfer of values

2020 ◽  
Keyword(s):  
Twentieth Century ◽  
Religious Education ◽  
State Intervention ◽  
Historical Experience ◽  
Christian Churches ◽  
Variety Of Groups ◽  
The Future ◽  
History Of ◽  
New Type ◽  
Almost All

The twentieth century was a time of trial for the Christian Churches of Europe and Russia. Their clash with a new type of state could not but affect the system of religious education. In almost all countries, it has faced state intervention, which has led to its significant transformation, and sometimes even a complete ban. At the same time, there was a search for new forms of religious education aimed at a wide variety of groups: from future priests and lay students to teenagers and preschoolers. This collection of articles provides reviews of these trends, as well as reviews of current discussions about the future of religious education. For historians, teachers and anyone interested in the history of religious education.

Education of transport industry specialists: reflecting on the experience of the oldest transport university in Russia

2021 ◽  
pp. 112-120
Author(s):  
V.V. Fortunatov ◽  
◽  
A.A. Beschasnaya ◽  
A.O. Zinoviev ◽  
A.G. Firsov
Keyword(s):  
Historical Analysis ◽  
National Literature ◽  
Historical Experience ◽  
Scientific Hypothesis ◽  
History Of University ◽  
Comparative Historical Analysis ◽  
History Of ◽  
Unique Experience ◽  
First Time ◽  
Scientific Pedagogical

Analyzed is historical experience in breeding of engineers of transport communications in Emperor Alexander the First Petersburg state transport university. For the first time in national literature presented is generalized characteristic of unique experience of breeding of young specialists at the first transport and engineering building institute of Russia. Presented is comparative-historical analysis of influence on brains and hearts of young Russians in oldest transport university of the country. As scientific hypothesis, given is supposition, that during more than 210 years of functioning of famous transport institution in breeding of engineers of transport on various stages there were solving similar tasks, and reckoning similar factors, and discovered were common tendencies and features in the process of breeding work of scientific-pedagogical collective. The process of breeding of future engineers of ways of communication examined is on material of four significant periods in the history of university.

What is Behind Yinshun’s Re-statement of the Nature of the M?lamadhyamakak?rik?? Debates on the Creation of a New Mah?y?na in Twentieth-century China

2013 ◽  
Vol 29 (2) ◽  
Author(s):  
Stefania Travagnin
Keyword(s):  
Twentieth Century ◽  
Chinese Buddhism ◽  
Textual Scholarship ◽  
Textual Study ◽  
Modern Chinese ◽  
History Of ◽  
The Creation ◽  
Chinese Buddhists ◽  
Contemporary Chinese

Yinshun (1906–2005) is regarded as one of the most eminent monks in twentieth-century Chinese Buddhism. Previous research has argued that Yinshun especially undertook the mission of writing new commentaries on Madhyamaka texts. His efforts provoked a revival of interest towards the Madhyamaka school among contemporary Chinese Buddhists, and a re-assessment of the position of the writings of N?g?rjuna within the history of Chinese Buddhism. This article focuses on Yinshun’s restatement of the nature of the M?lamadhyamakak?rik?, a text that has always been regarded as fundamental in the Madhyamaka/San-lun tradition in China. The first part analyzes Yinshun’s textual study of the M?lamadhyamakak?rik?, examining his approach to the text, and how he came to terms with previous Chinese traditional textual scholarship and canonical scriptures. The second part discusses Yinshun’s interpretation of the text by moving away from the micro-context of Chinese San-lun scholarship, and addressing the macro-context of the modern Chinese understanding of the Mah?y?na.

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