scholarly journals Estéticas feministas y prácticas artísticas audiovisuales en España. Intervenir en la memoria, sentir el presente, impulsar el futuro

2021 ◽  
Vol 25 ◽  
pp. 246-276
Author(s):  
Ana Martínez Collado
Keyword(s):  
Paradigm Shift ◽  
The Public ◽  
The Sublime ◽  
The Everyday ◽  
The Creation ◽  
Las Mujeres ◽  
Feminist Aesthetics

This article analyzes the relationships between current developments in audiovisual practices and feminist aesthetics in Spain. This confluence actively participates in the paradigm shift, both discursive and experiential, of certain contemporary identity issues, thus promoting a rewriting of both concepts and practices, encouraging the creation of alternative imaginaries. Hence, in this symbiotic participation, new forms and experiences are discovered, alterations of the traditional canon of art, of the beauty and the sublime, and a visibility of the everyday through a reaffirmation of the experience blurring the limits of the public and the private. In this regard, we will conclude pointing out the importance of said interweaving, focusing on how female artists and feminist aesthetics have intervened the hegemonic imaginaries through a rereading of memory, feeling the present and promoting more inclusive alternative ways of seeing. El presente artículo analiza las relaciones entre los desarrollos actuales de las prácticas audiovisuales y la Estética feminista en España. Dicha confluencia participa activamente en el cambio de paradigma, tanto discursivo como experiencial, de ciertas cuestiones identitarias contemporáneas, promoviendo así una reescritura tanto de los conceptos como de las prácticas, incitando la creación de imaginarios alternativos. De este modo, en dicha participación simbiótica se descubren nuevas formas y experiencias, alteraciones del canon tradicional del arte, de la belleza y lo sublime, y una visibilización de lo cotidiano a través de una reafirmación de la experiencia que diluye los límites de lo público y lo privado. Concluiremos, así, señalando la importancia de dicha imbricación, incidiendo en cómo las mujeres artistas y la estética feminista han intervenido los imaginarios hegemónicos a través de una relectura de la memoria, sintiendo el presente e impulsando modos de ver alternativos más inclusivos.

E-Projects Challenges in India – Role of Human Resource Management and Technology

2018 ◽  
Vol 6 (8) ◽  
pp. 263
Author(s):  
Ramnik Kaur
Keyword(s):  
Developing Countries ◽  
Public Administration ◽  
Paradigm Shift ◽  
Successful Implementation ◽  
The Public ◽  
Government Services ◽  
The Past ◽  
The Government ◽  
Traditional Approaches

E-governance is a paradigm shift over the traditional approaches in Public Administration which means rendering of government services and information to the public by using electronic means. In the past decades, service quality and responsiveness of the government towards the citizens were least important but with the approach of E-Government the government activities are now well dealt. This paper withdraws experiences from various studies from different countries and projects facing similar challenges which need to be consigned for the successful implementation of e-governance projects. Developing countries like India face poverty and illiteracy as a major obstacle in any form of development which makes it difficult for its government to provide e-services to its people conveniently and fast. It also suggests few suggestions to cope up with the challenges faced while implementing e-projects in India.

‘Langen Katresnan’ Video Animasi dengan Tema Ramayana Episode Penculikan Shinta

2014 ◽  
Author(s):  
Ika Yulianti
Keyword(s):  
Performing Arts ◽  
New Work ◽  
Two Dimensional ◽  
The Public ◽  
The Creation

Ramayana story has been widely known in Indonesian society since centuries ago. This story has been disseminated from generation to generation. The story is familiar to the public in the form of this kakawin often staged in the form of performing arts, dramatari, puppet performances, as well as in the form of puppet or sculpture. Ramayana story has a lot of episodes, but in the creation of this animated video work taking Shinta kidnapping episode. This animated video works explored the form of characters and stories, as well as collaborate with dance, heater and musical arts. Kidnapping of Shinta’s story became the basis of the principal narrative in the creation of animated video with the theme of Ramayana episode kidnapping Shinta ‘Langen Katresnan’ which then developed in accordance with the ideas and concepts. It also supports the creation of new work that promotes originality of the work. This animated video works using two-dimensional techniques. This is actually a reference to that puppet animation that was first recognized by earlier ancestors.Keywords: puppet, Ramayana, animation

Makna Alif dalam Puisi Zikir D. Zawawi Imron dan Sajak Alif Ahmadun Yosi Herfanda

2020 ◽  
Vol 2 (1) ◽  
pp. 52
Author(s):  
Sholeha Rosalia ◽  
Yosi Wulandari
Keyword(s):  
Comparative Study ◽  
Comparative Method ◽  
The Self ◽  
Sociology Of Literature ◽  
Self Reflection ◽  
The Public ◽  
The Creation

Alif means the first, saying the Supreme Life and is Sturdy and has the element of fire and Alif is formed from Ulfah (closeness) ta'lif (formation). With this letter Allah mementa'lif (unite) His creation with the foundation of monotheism and ma'rifah belief in appreciation of faith and monotheism. Therefore, Alif opens certain meanings and definitions of shapes and colors that are in other letters. Then be Alif as "Kiswah" (clothes) for different messages. That is a will. "IQRO" is a revelation that was first passed down to the Prophet Muhammad. Saw. Read it, which starts with the letter Alif and ends with the letter Alif. The creation of a poem is influenced by the environment and the self-reflection of a poet where according to the poet's origin, in comparing in particular Alif's poetry from the two poets. The object of this research is the poetry of Zikir by D. Zawawi Imron and Sajak Alif by Ahmadun Yosi Herfanda. This study uses a comparative method and sociology of literature. Through a comparative study of literature between the poetry of Zikir D. Zawawi Imron and Sajak Alif Ahmadun Yosi Herfanda, it is hoped that the public can know the meaning of Alif according to the poet's view. With this research, the Indonesian people can accept different views on the meaning of Alif in accordance with their respective understanding without having to look for what is right and wrong. The purpose in Alif is like a life, in the form of letters like a body, a tree that is cut to the root, from the heart is split to the seeds, then from the seeds are split so that nothing is the essence of life. So, it is clear that Alif is the most important and Supreme letter. Talking about the meaning of Alif as the first letter revealed on earth. After the letter Alif was revealed, 28 other Hijaiyah letters were born. The letter Alif is made the beginning of His book and the opening letter. Other letters are from Alif and appear on him.

Perancangan Boneka Edukasi Terinspirasi oleh Pencipta Boneka Si Unyil

2018 ◽  
Vol 1 ◽  
Author(s):  
Azhari Amri
Keyword(s):  
Design Process ◽  
Urban Culture ◽  
Urban Life ◽  
Rural Region ◽  
The Public ◽  
The Creation ◽  
The Difference ◽  
The City ◽  
Simple Materials

Film Unyil puppet comes not just part of the entertainment world that can be enjoyed by people from the side of the story, music, and dialogue. However, there is more value in it which is a manifestation of the creator that can be absorbed into the charge for the benefit of educating the children of Indonesia to the public at large. The Unyil puppet created by the father of Drs. Suyadi is one of the works that are now widely known by the whole people of Indonesia. The process of creating a puppet Unyil done with simple materials and formation of character especially adapted to the realities of the existing rural region. Through this process, this research leads to the design process is fundamentally educational puppet inspired by the creation of Si Unyil puppet. The difference is the inspiring character created in this study is on the characters that exist in urban life, especially the city of Jakarta. Thus the results of this study are the pattern of how to shape the design of products through the creation of the puppet with the approach of urban culture.

Archiving the British Raj

2018 ◽  
Author(s):  
Sabyasachi Bhattacharya
Keyword(s):  
Public Sphere ◽  
Colonial Rule ◽  
Historical Records ◽  
The Public ◽  
British Raj ◽  
National Archives ◽  
The World ◽  
The Creation ◽  
The Public Sphere ◽  
Central Archive

The archives are generally sites where historians conduct research into our past. Seldom are they objects of research. Sabyasachi Bhattacharya traces the path that led to the creation of a central archive in India, from the setting up of the Imperial Record Department, the precursor of the National Archives of India, and the Indian Historical Records Commission, to the framing of archival policies and the change in those policies over the years. In the last two decades of colonial rule in India, there were anticipations of freedom in many areas of the public sphere. These were felt in the domain of archiving as well, chiefly in the form of reversal of earlier policies. From this perspective, Bhattacharya explores the relation between knowledge and power and discusses how the World Wars and the decline of Britain, among other factors, effected a transition from a Eurocentric and disparaging approach to India towards a more liberal and less ethnocentric one.

scholarly journals Energy Transition in Poland—Assessment of the Renewable Energy Sector

Energies ◽  
2021 ◽  
Vol 14 (8) ◽  
pp. 2046
Author(s):  
Michał Bernard Pietrzak ◽  
Bartłomiej Igliński ◽  
Wojciech Kujawski ◽  
Paweł Iwański
Keyword(s):  
Renewable Energy ◽  
Energy Transition ◽  
Biomass Energy ◽  
The Public ◽  
Critical Situation ◽  
Low Emission ◽  
Harmful Substances ◽  
The Creation ◽  
Modern Technologies ◽  
New Jobs

The topic of the article considers the functioning of the renewable energy (RE) sector in Poland. This is really important in the context of the energy transition of the national economy because it influences the creation of modern technologies and increases the competitiveness and innovation of the country. Poland is in a process of energy transition where the RE sector has been developing for two decades. The authors aimed to research the RE sector improvement possibilities in Poland, including the influence of this sector on chosen social and economic aspects. Because of this research’s aim a critical situation assessment of RE in Poland was conducted and a survey of a group of experts in this field was also involved. Legal, physical and mental determinants and their influence on RE sector were looked into. In the legal determinant context a necessity to simplify relevant legislation acts in Poland was found. Undoubtedly there is a need to improve several legal acts, including the Distance Act. In physical determinants it was found that solar, wind and biomass energy have the biggest chances for development. In the case of mental determinants the authors paid attention to the need of educating the public about using and obtaining energy. It is also important to make people aware how the RE sector influences the low emission economy positively. This will improve the creation of new jobs and reduce the emissions of harmful substances to the environment.

Pictorial Debates: The Tatar Satirical Journal Yalt-Yolt and Muslim Modernity Discourses, 1906-1917

Experiment ◽  
2013 ◽  
Vol 19 (1) ◽  
pp. 149-181
Author(s):  
Azade-Ayse Rorlich
Keyword(s):  
Public Sphere ◽  
Ottoman Empire ◽  
Russian Empire ◽  
Reform Era ◽  
The Public ◽  
The Creation ◽  
The Public Sphere ◽  
The Russian Empire

Abstract The Great Reform era in Russia, as well as the modernist movements in the Ottoman Empire and other Muslim lands represent the background against which the Muslims of the Russian Empire engaged in the scrutiny of the reasons behind the backwardness of their societies and began advocating the compatibility of Islam with modernity. After 1906, the Muslim press became the most important instrument in the creation of the public sphere where issues of tradition and modernity were debated. This essay focuses on the Tatar satirical journal Yalt-Yolt to explore its contribution to the critique of the old Muslim mentalité, as well as its role as an instrument of modernity.

scholarly journals Emancipating the Image: The Beijing Olympics, Regeneration, and the Power of Performance

2013 ◽  
Author(s):  
Carol Mei Barker
Keyword(s):  
Olympic Games ◽  
Public Image ◽  
Beijing Olympics ◽  
The Public ◽  
Susan Sontag ◽  
Counter Narrative ◽  
The Everyday ◽  
The World ◽  
The Government ◽  
Rapid Transformation

“In China, what makes an image true is that it is good for people to see it.” - Susan Sontag, On Photography, 1971 The Olympic Games gave the world an opportunity to read Beijing’s powerful image-text following thirty years of rapid transformation. David Harvey argues that this transformation has turned Beijing from “a closed backwater, to an open centre of capitalist dynamism.” However, in the creation of this image-text, another subtler and altogether very different image-text has been deliberately erased from the public gaze. This more concealed image-text offers a significant counter narrative on the city’s public image and criticises the simulacrum constructed for the 2008 Olympics, both implicitly and explicitly. It is the ‘everyday’ image-text of a disappearing city still in the process of being bulldozed to make way for the neoliberal world’s next megalopolis. It exists most prominently as a filmic image text; in film documentaries about a ‘real’ hidden Beijing just below the surface of the government sponsored ‘optical artefact.’ Film has thus become a key medium through which to understand and preserve a physical city on the verge of erasure.

Eventful Transformations: Al-Futuwwa between History and the Everyday

2007 ◽  
Vol 49 (3) ◽  
pp. 689-712 ◽  
Author(s):  
Wilson Chacko Jacob
Keyword(s):  
Original Study ◽  
Historical Event ◽  
Public Figure ◽  
Colonial Modernity ◽  
The Public ◽  
Gender Norm ◽  
New Politics ◽  
Present Essay ◽  
The Everyday ◽  
Historical Relationship

A special correspondent for the leading Egyptian newspaper al-Ahram wrote from Alexandria on 28 May 1936: “One of the effects of the Al-Bosfur nightclub murder in Cairo is that its circumstances have led to an interest in the problem of ‘al-futuwwat’ [sing., al-futuwwa] and how much power and influence (al-sat˙wa) they have in the capital and in other Egyptian cities.” The murder referred to was that of a popular singer and dancer, Imtithal Fawzi, by a band of assassins led by failed businessman and weight-trainer Fuad al-Shami. I argue here that this murder can be read as an instance of a larger event, which might be inscribed in the following way: a moment that irrevocably branded the public figure of futuwwa with the additional meanings of thug, mobster, and nefarious villain—bal ˙tagi. This is not the conventional way of registering this moment; indeed, the modern transformation of al-futuwwa is rarely considered as a historical event. It is not my aim here to affirm or deny the outcome of this transformation, nor am I suggesting that the normative conception of al-futuwwa as an Islamic ideal of masculinity had never before had any negative connotations. Rather, I posit—and want to interrogate—a changed historical relationship in the constitution of al-futuwwa, in which the nature of history itself was radically transformed and contributed to the formation of a new politics and a new subject of politics. As part of the hegemonic rise of this field of politics and its subject, history typically shows, or simply presumes, that other life-worlds, like that of the futuwwat and their particular form of power, were rendered exceptional and ultimately obsolete. In a larger project from which this article is drawn, I explored the gendered constitution of that new cultural and political hegemony. I labeled the gender norm that emerged at the intersection of colonial modernity and nationalism as effendi (bourgeois) masculinity, which I located in a new constellation of practices and discourses around the desirable, modern body. The present essay is in part an effort to de-center this bourgeois figure and the terms of its narration, which I unwittingly reproduced in the original study by rendering the event of the futuwwa's transformation as a bit part within a larger story of ostensibly greater national and historical import.

Sign in / Sign up

Export Citation Format

Share Document