scholarly journals “Into her Dream he Melted”: Women Artists Remodelling Keats

2008 ◽  
pp. 0
Author(s):  
Sarah Wootton
Keyword(s):  
Women Artists ◽  
Turn Of The Century ◽  
Final Phase ◽  
Critical Attention ◽  
The Subject ◽  
Late Nineteenth ◽  
Role Of Women ◽  
Narrative Poems

Abstract This essay examines the central role of women in modelling Keats’s posthumous reputation during the late nineteenth and early twentieth centuries by focusing on the visual heritage of his narrative poems. While the Pre-Raphaelite’s interest in and well-known renderings of Keats’s poems have been the subject of previous critical attention, many comparable images by women artists have been neglected. This essay analyses a wide variety of paintings, drawings and illustrations based on Keats’s “Isabella; or, the Pot of Basil” and “La Belle Dame sans Merci” by women artists at the turn-of-the-century. This examination of women artists, who were celebrated during their own lifetimes but are now virtually forgotten, culminates in a detailed discussion of Jessie Marion King. Her highly innovative illustrations for Keats’s poetry are not only indicative of the final phase of Pre-Raphaelitism and the distinctive “Glasgow Style;” they also underline the significance of women’s artistic responses to literature during this period.

Pater's Parerga: Framing the Imaginary Portraits

2013 ◽  
Vol 3 (2) ◽  
pp. 119-135
Author(s):  
Giles Whiteley
Keyword(s):  
Nineteenth Century ◽  
Formal Structure ◽  
Literary Genre ◽  
Late Nineteenth Century ◽  
Liminal Space ◽  
Critical Attention ◽  
Similar Operation ◽  
Late Nineteenth ◽  
The Relationship

Walter Pater's late-nineteenth-century literary genre of the imaginary portrait has received relatively little critical attention. Conceived of as something of a continuum between his role as an art critic and his fictional pursuits, this essay probes the liminal space of the imaginary portraits, focusing on the role of the parergon, or frame, in his portraits. Guided by Pater's reading of Kant, who distinguishes between the work (ergon) and that which lies outside of the work (the parergon), between inside and outside, and contextualised alongside the analysis of Derrida, who shows how such distinctions have always already deconstructed themselves, I demonstrate a similar operation at work in the portraits. By closely analysing the parerga of two of Pater's portraits, ‘Duke Carl of Rosenmold’ (1887) and ‘Apollo in Picardy’ (1893), focusing on his partial quotation of Goethe in the former, and his playful autocitation and impersonation of Heine in the latter, I argue that Pater's parerga seek to destabilise the relationship between text and context so that the parerga do not lie outside the text but are implicated throughout in their reading, changing the portraits constitutively. As such, the formal structure of the parergon in Pater's portraits is also a theoretical fulcrum in his aesthetic criticism and marks that space where the limits of, and distinctions between, art and life become blurred.

Domesticity and Dissent: The Role of Women Artists in Germany 1918 to 1938

1994 ◽  
Vol 15 (2) ◽  
pp. 56
Author(s):  
Alessandra Comini ◽  
Martin Davies ◽  
Marsha Meskimmon
Keyword(s):  
Women Artists ◽  
Role Of Women

Women under Italian Fascism

1976 ◽  
Vol 19 (4) ◽  
pp. 947-968 ◽  
Author(s):  
Alexander De Grand
Keyword(s):  
State Policy ◽  
Birth Rate ◽  
The State ◽  
Italian Fascism ◽  
Private Lives ◽  
General Impression ◽  
The Subject ◽  
Role Of Women ◽  
Work Done

Perhaps because the subject seemed so obvious, there has been little work done on women under fascism. This omission is unfortunate not only because Fascist policy was more complicated than the general impression of it but also because it offered an interesting example of the interaction between propaganda and reality in an authoritarian society. Women played an important role in several major propaganda campaigns of fascism, such as the ruralization policy and the battle to increase the birth rate. Concern for the role of women was at the heart of the conservative and stabilizing nature of fascism and, in so far as it meant the subjugation of the private lives of citizens to the demands of the State, policy towards women reflected the totalitarian and imperialistic side of fascism as well.

Greek Attitudes Towards Women: The Mythological Evidence

1984 ◽  
Vol 31 (1) ◽  
pp. 37-47 ◽  
Author(s):  
P. Walcot
Keyword(s):  
North America ◽  
Western Europe ◽  
Social Relevance ◽  
New Horizons ◽  
Ancient Society ◽  
The Subject ◽  
Role Of Women ◽  
Socially Relevant ◽  
Images Of Women

Students today demand that what they are taught or what they discuss is ‘socially relevant’. A topic appears to exhibit social relevance when it is related to some issue currently reckoned important and the subject of controversy. No topic at present is thought more socially relevant than the role of women in society. Extra-mural students can vote with their feet as undergraduates cannot, and it is significant how regularly the brochures of university extra-mural departments in Britain have come to feature courses with titles such as ‘Women's Studies’, ‘New Horizons for Women’, ‘Images of Women’, and ‘Women Speak’. Teachers of Classics have not been reluctant to devise their own courses on women in antiquity, and it is my impression that no university in North America is without a course of this type, while postgraduate seminars covering the same field of interest seem to have become firmly established throughout Western Europe. Books, articles, and notes on women and ancient society abound, and the resultant bibliography grows more and more daunting each year.

Connecting People: A Central Asian Sufi network in turn-of-the-century Istanbul

2012 ◽  
Vol 46 (2) ◽  
pp. 373-401 ◽  
Author(s):  
LÂLE CAN
Keyword(s):  
Turn Of The Century ◽  
Political Connections ◽  
Diverse Range ◽  
The People ◽  
Central Asian ◽  
Late Nineteenth ◽  
Late Ottoman ◽  
Exclusive Focus

AbstractThe role of Sufi networks in facilitating trans-imperial travel and the concomitant social and political connections associated with the pilgrimage to Mecca is often mentioned in the literature on Ottoman-Central Asian relations, yet very little is known about how these networks operated or the people who patronized them. This paper focuses on the Sultantepe Özbekler Tekkesi, a Naqshbandi lodge in Istanbul that was a primary locus of Ottoman state interactions with Central Asians and a major hub of Central Asian diasporic networks. It departs from an exclusive focus on the experiences of elites, to which much of the conventional historiography on Ottoman-Central Asian relations has confined itself, and examines the butchers and bakers, craftsmen and students who set out on the hajj to Mecca in the late nineteenth and early twentieth centuries. Drawing on sources from the private archive of this lodge, the paper reconstructs the experiences of a diverse range of remarkably mobile actors and explores the myriad ways in which this Ottoman-administered institution facilitated their travel to and from Mecca. Through its focus on the conduits and mediators, the structures and buildings—the actual sites—where connections were forged, the paper sheds light on the role that such state-administered Sufi lodges played in delivering on the paternalistic rhetoric and system of sultanic charity that was an integral part of late Ottoman politics and society.

scholarly journals Image of women in Novels by Okky Madasary

2021 ◽  
Vol 7 (1) ◽  
pp. 32-44
Author(s):  
Helmi Setiawan ◽  
Anwar Efendi
Keyword(s):  
Literary Criticism ◽  
Qualitative Method ◽  
The Public ◽  
Feminist Literary Criticism ◽  
Public Areas ◽  
The Subject ◽  
Role Of Women ◽  
Domestic Roles ◽  
Descriptive Qualitative

This research is descriptive qualitative research using the feminist literary criticism approach. The subject of this research are three novels by Okky Madasari which are titled: 1) Maryam, 2) 86, and 3) Entrok. The technique of data collecting used in this research is to study the library read the note, conducted by reading carefully and repeated thoroughly and classifying the data obtained based on women’s image. Analyzing data in this research use the descriptive qualitative method. The research finding in the form of physical women’s image, the image of women’s psychic and the role of women consisting of domestic and public areas. Domestic roles include as a child, wife, and mother. The role of women in the public domain consists of the educator, economic, and social movement sectors.

scholarly journals Avantgarde Suomessa

2021 ◽  
Keyword(s):  
20Th Century ◽  
Visual Arts ◽  
Women Artists ◽  
Early 20Th Century ◽  
Avant Garde ◽  
The Social ◽  
Role Of Women ◽  
First Time

Avant-garde in Finland is the first book to provide an overarching introduction to avant-garde art by Finnish artists. The articles in the book discuss the application and development of the cultural ideas of the avant-garde in Finnish art from the early 20th century till the present day. The book focusses on the social, political, and artistic characteristics of avant-garde art and their manifestation in Finnish avant-garde literature, visual arts, architecture, fashion, and music. The book shows the remarkable role of women artists in the development of the Finnish avant-garde. Many artists and groups are presented in the book for the first time. At the same time, the articles highlight connections between well-known Finnish artists and international avant-garde movements that have not been recognized in earlier research. A key theme of the book is the tension between the internationality of avant-garde and the nationalist elements of Finnish culture. The book is peer-reviewed, and its authors are eminent senior scholars and younger researchers.

Anti-Japanese War

2018 ◽  
Author(s):  
Caroline Rose
Keyword(s):  
Cultural Studies ◽  
East Asia ◽  
Field Of Study ◽  
The Past ◽  
The Subject ◽  
China And Japan ◽  
Role Of Women ◽  
War Of Resistance ◽  
Collaborative Efforts

The Anti-Japanese War 抗日战争 (kangRi zhanzheng), or the Chinese People’s War of Resistance Against Japan 中国人民抗日战争 (Zhongguo renmin kangRi zhanzheng), dates from July 1937 to 1945 (or in some interpretations the war dates from the so-called Manchurian Incident of 18 September 1931) and was the most bitter and destructive war the region had experienced. Millions of Chinese soldiers and civilians were killed or injured during the Japanese invasion and occupation, and millions more became refugees for the duration of the conflict. The failure to fully reconcile the legacy of the war has led to ongoing tensions and diplomatic wrangles between China and Japan over different interpretations of the past and continues to de-stabilize East Asia. The subject of the Anti-Japanese War has long been the focus of academic attention but has benefited in particular in the last two decades from the opening of archives, declassification of documents, and publication of memoirs, letters, and diaries: this, in turn, has produced a much richer understanding of an increasingly wider spectrum of topics including the role of women, cities at war, visual and popular cultural studies, among others. Despite the depth and breadth of scholarly engagement with the topic, the Anti-Japanese War continues to be a contested and sometimes emotive field of study (particularly in relation to war responsibility and the difficulties surrounding reconciliation), and the field would benefit from further collaborative efforts to address some of these issues.

Pilgrimage and the Dynamics of Urbanism Reconsidered: Faubourg Architecture in Romanesque Aquitaine

2010 ◽  
Vol 53 ◽  
pp. 41-76
Author(s):  
Robert Maxwell
Keyword(s):  
Urban Growth ◽  
Cultural Practices ◽  
Late Nineteenth Century ◽  
Relative Importance ◽  
Santiago De Compostela ◽  
Commercial Markets ◽  
Heated Debate ◽  
The Subject ◽  
Late Nineteenth

Since the late nineteenth century, scholars have considered pilgrimage a dynamic catalyst that influenced a range of cultural practices, not least architecture. The charismatic stewardship of such influential scholars as Arthur Kingsley Porter, Kenneth John Conant, Emile Mâle and Elie Lambert helped propel the study of ‘pilgrimage architecture’ to a leading field of study, and a handful of churches — notably St-Sernin in Toulouse, St-Martin in Tours, St-Martial in Limoges, Ste-Foy in Conques and the cathedral at Santiago de Compostela — achieved status as paradigmatic monuments. At the same time, the subject was also for a long while a source of heated debate fuelled by nationalist interests, occasionally lapsing even into ad hominem squabbles. The matter has in recent decades generated calmer discussion, including new perspectives introduced by studies of other complementary cultural phenomena. Urban and economic historians, in particular, have looked to the role of pilgrimage in relation to urban growth and the rise of commercial markets. This scholarship has contributed to re-evaluations among art historians and has shed greater light, for example, on the predatory fervour with which certain bishops, cathedral chapters and abbots enticed pilgrims to destinations like Chartres, Santiago de Compostela or Cluny, just as the infusion of interdisciplinary perspectives has helped architectural historians reassess so-called pilgrimage architecture. After all, not all churches of that type were on the pilgrimage roads, nor do all churches on those roads reflect the Toulousain-Compostelan model. The relative importance of the paradigmatic five churches has been called into question.

The Role of Women in Early English Nonconformity

1983 ◽  
Vol 52 (3) ◽  
pp. 299-311 ◽  
Author(s):  
Richard L. Greaves
Keyword(s):  
Seventeenth Century ◽  
Civil War ◽  
Full Membership ◽  
Christian Community ◽  
Male And Female ◽  
Patriarchal Family ◽  
The Subject ◽  
Role Of Women ◽  
Early English

The involvement of English women in the radical Protestant movements of the 1640s and 1650s has attracted the attention of a number of modern historians. The hub of such studies is Keith Thomas's provocative 1958 essay, “Women and the Civil War Sects,” which focuses on the expanded role of women in these groups and on the way in which sectarian views indirectly undermined the patriarchal family. More recently, Dorothy Ludlow has studied female preachers in this period, insisting that they were not fanatics but sober women with a distinctive sense of Christian calling who claimed full membership in the Christian community. The more well-known women, such as Anne Hutchinson and Mary Cary, have been the subject of recent studies in their own right. For the period after 1660, Pamela Volkman has examined the contrasting ways in which male and female converts to the sects were depicted, noting that women were more likely to be accused of emotional volatility, immorality, or even insanity than were men. These studies have progressed to the point that we are in no danger of overlooking the role of women in English Nonconformity in the mid-seventeenth century.

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