Integrated Bioinformatics Analyses of PIN1, CKX, and Yield-Related Genes Reveals the Molecular Mechanisms for the Difference of Seed Number Per Pod Between Soybean and Cowpea

There is limited advancement on seed number per pod (SNPP) in soybean breeding, resulting in low yield in China. To address this issue, we identified PIN1 and CKX gene families that regulate SNPP in Arabidopsis, analyzed the differences of auxin and cytokinin pathways, and constructed interaction networks on PIN1, CKX, and yield-related genes in soybean and cowpea. First, the relative expression level (REL) of PIN1 and the plasma membrane localization and phosphorylation levels of PIN1 protein were less in soybean than in cowpea, which make auxin transport efficiency lower in soybean, and its two interacted proteins might be involved in serine hydrolysis, so soybean has lower SNPP than cowpea. Then, the CKX gene family, along with its positive regulatory factor ROCK1, had higher REL and less miRNA regulation in soybean flowers than in cowpea ones. These lead to higher cytokinin degradation level, which further reduces the REL of PIN1 and decreases soybean SNPP. We found that VuACX4 had much higher REL than GmACX4, although the two genes essential in embryo development interact with the CKX gene family. Next, a tandem duplication experienced by legumes led to the differentiation of CKX3 into CKX3a and CKX3b, in which CKX3a is a key gene affecting ovule number. Finally, in the yield-related gene networks, three cowpea CBP genes had higher RELs than two soybean CBP genes, low RELs of three soybean-specific IPT genes might lead to a decrease in cytokinin synthesis, and some negative and positive SNPP regulation were found, respectively, in soybean and cowpea. These networks may explain the SNPP difference in the two crops. We deduced that ckx3a or ckx3a ckx6 ckx7 mutants, interfering CYP88A, and over-expressed DELLA increase SNPP in soybean. This study reveals the molecular mechanism for the SNPP difference in the two crops, and provides an important idea for increasing soybean yield.

The role of Culture in Environmental Sustainability

Culture's importance is becoming a critical issue in our society. This is because such positions must be clearly defined for sustainable development to become a reality. The society appears to be having some difficulties right now. These factors include urbanization and climate change. The way these issues are solved will have a significant impact on society's future. This paper will examine literature to study the connection or relationship that exists between the built environment, sustainable development, and culture to describe the subject matter of this research. The importance of culture, the built environment, and sustainability will be highlighted in this section. Relevant and valid articles that demonstrate how culture is crucial in any sustainable environment or community will be the emphasis. The literature study explains how culture has a greater impact on societal development in both social and economic terms. Culture plays an important influence in long-term development. In other words, it is a critical component of the process. This is because it oversees assisting people in forming relationships and cultivating the proper attitude in the society in which they live. Sustainable development is an important idea and role in every culture and society. This is due to the fact that it has been discovered to have a good impact on every aspect of an embedded civilization. This paper will attempt to provide a comprehensive examination of culture and its contributions to environmental and sustainability issues. Culture will be considered as a fundamental component of any sustainable environment, as well as a component of the environmental, economic, and social implications of sustainable development.

Nizami's literary heritage is bridge for the reality of mankind

Nizami’s heritage is wide meaningful, the author shows the poet’s literary works with short considerations, he wants to explain to the readers that Nizami’s literary works were founded on the literary grounds. Example, when the value system of life breaks down, a man can’t understand his essence, he is indifferent against the nature and Allah (the God), this is important idea that no idea is higher than the idea of Allah. Each high idea makes the necessity against Allah and etc. The ideological line in the novel manifests in a large scale inspite of its short ground. Key words: Nizami, Ganja, Ganjavi, word, poem, poet, mankind, world, thinker, idea, ideal, period, time, personality

The non-romantic idea of nature in African theology

In many ways, the African world view and African theology are closer to nature than Euro-American theology is. This can be seen, for example, in its emphasis on holism and interconnectedness, and its inclination to consider all natural objects to be inhabited by the spirit world. This article argues that this closeness to nature should not be confused with a Romantic reverence for nature. Since the 19th century, Romanticism has been very influential in the Euro-American idea of nature. Nature came to be seen as something that is both good and valuable in itself. The conception of nature that is dominant in African ways of thinking is very different: nature is seen as potentially threatening and, at best, ambivalent; and respect for nature and living in balance with nature is judged by the extent to which they help humans to live successfully. In this article, a theological and philosophical clarification of these two contrasting conceptions of nature is combined with qualitative anthropological analysis of the way Zambian pastors speak about nature in their sermons. These two approaches together bring out the often-misinterpreted non-Romantic idea of nature in African theology.Contribution: This article clarifies the important idea of nature within the context of African theology. It brings out how the meaning of holism and sacredness in African settings differs from the meaning of these ideas in Western eco-theological contexts. Hereby, it untangles important confusions in the field of eco-theology.

Justice, Power, and Participatory Socialism: on Piketty’s Capital and Ideology

Thomas Piketty’s Capital and Ideology constitutes a landmark achievement in furthering our understanding of the history of inequality, and presents valuable proposals for constructing a future economic system that would allow us to transcend and move beyond contemporary forms of capitalism. This article discusses Piketty’s conceptions of ideology, property, and ‘inequality regimes’, and analyses his approach to social justice and its relation to the work of John Rawls. I examine how Piketty’s proposals for ‘participatory socialism’ would function not only to redistribute income and wealth, but also to disperse economic power within society, and I discuss the complementary roles of redistribution and predistribution in his proposals, and Piketty’s place in a tradition of egalitarian political economy associated with James Meade and Anthony Atkinson. Having elaborated on Piketty’s account of the relationship between economic policy and ideational change, and his important idea of the ‘desacralization’ of private property, I develop ‘seven theses’ on his proposals for participatory socialism, examining areas in which his approach could be enhanced or extended, so as to create a viable twenty-first century version of democratic socialism.

Szymanowski, a Hafiz ‘Grablied’, and the ‘Translation’ of Nietzsche

Szymanowski’s two cycles of ‘Love Songs of Hafiz’ (1911 and 1914), settings of paraphrases by Hans Bethge, are often considered crucial steps in the composer’s shift from a style which openly displays its debts to Wagner and Strauss to a more personal idiom. He discovered Bethge’s Hafiz while tiring of the Straussian idiom but remaining an enthusiastic Nietzschean. Bethge’s translations of Hafiz offered Szymanowski a seductive vehicle for ‘translating’ what he wished to preserve of Nietzsche into the spirit of his new compositional style. The ‘Grablied’ was a particularly important idea in this creative re-thinking. In Nietzsche’s Zarathustra the ‘Grablied’ has a crucial function in overcoming past seductions (Wagner) and present enemies. Bethge’s poem, ‘Das Grab des Hafis’ is replete with echoes of Nietzsche. Szymanowski’s setting (1914), in the same key (B minor) as Strauss’s Zarathustra ‘Grablied’, introduces an ‘Urmotiv’ of exotic cut, as the musical equivalent of perfume rising from the grave. It offers distance from the style of Austro-German modernism while retaining transformed traces of its legacy. In this song Szymanowski ‘translates’ his ‘German’ musical idiom and key aspects of the Nietzschean ‘Grablied’ into a new language evocative of ‘Persian’ regeneration.

Introduction as a Genre of Auto-Commentary in Works of I. S. Turgenev

The phenomenon of the author’s reflection on his works is considered on the basis of the introductions by I. S. Turgenev. The absence of special works on this topic allows us to speak about the novelty of the study. Its relevance is associated with raising the question of the specifics and role of the author’s understanding of the meaning of his own works and its correlation with the perception of the reader. The results of a comparative analysis of all of Turgenev’s introductions are presented in the article. The attitude of Turgenev to the opinion of the reader and criticism is shown. It is proved that Turgenev’s introductions “do not justify” their theoretical expectations, because the writer deliberately refuses to comment on the intentionality and meaning of his works in them. It is concluded that this allows the writer to express a theoretically important idea about the “non-interference” of the writer in the text he created. Particular attention is paid to the “Introduction to the Novels”, which is a kind of metatext uniting all six works of this genre, which allows Turgenev to determine the main direction and principles of his work. It is shown that these issues are considered by the writer in the context of general aesthetic problems: the specifics of artistic cognition, freedom of creativity, the conscious and unconscious in art, the relationship between the artist and the critic / reader, etc.

On the World of the Virus

This short article deals with the concept of the world, and that concept's ability to engage with the impact of the coronavirus and the remaking of image theory anew. The concept of the world can, it is argued, be utilized to offer a sustained engagement with the influence of COVID-19, particularly as the concept of the world is manifested in the work of the philosopher Martin Heidegger. To understand Heidegger's work on his most important idea of the world, this article briefly looks at image theory, at Heidegger's introduction of the notion of the gigantic, at the author's own engagement with the gigantic in the microscopic image, and finally at how we can develop and revise our appreciation of the world of the virus.

Articulating bargaining theories: movement, chance, and necessity as descriptive principles

The Nash Demand Game (NDG) has been one of the first models (Nash in Econometrica 21(1):128–140, 1953. 10.2307/1906951) that has tried to describe the process of negotiation, competition, and cooperation. This model has had enormous repercussions and has leveraged basic and applied research on bargaining processes. Therefore, we wonder whether it is possible to articulate extensive and multiple developments into a single unifying framework. The Viability Theory has this inclusive approach. Thus, we investigate the NDG under this point of view, and, carrying out this work, we find that the answer is not only affirmative but that we also advance in characterising viable NDGs. In particular, we found foundations describe the distributive Bargaining Theory: the principle of movement and the principle of chance and necessity. Finally, this initial work has many interesting perspectives. The probably most important idea is to integrate developments of the Bargaining Theory and thus capture the complexity of the real world in an articulated way.

The Russian Silver Age: Dionysianism Versus Principium Individuationis

The article examines the existence, development and historical fate of the famous Nietzschean antithesis “Apollonian and Dionysian” in Russian culture of the late 19th - early 20th century. The author considers reasons for the true triumph of Nietzsche in Russia during the Silver Age and the peculiarities of the reception of his ideas by the Russian intelligentsia. The emphasis in the work is on the ideas of V. Ivanov - the main guide, herald and living embodiment of the idea of Dionysianism in Russia (the works of almost all other authors who addressed this topic were written under his influence). The main stages of the formation of his original concept of the cult of Dionysus, perceived by Ivanov as a primarily a religious phenomenon, are analyzed (the thinker refuses to use the concepts “Apollonian” and “Dionysian” as metaphors to describe a particular cultural reality). Ivanov's most important idea was the presentation of the cult of Dionysus and the “religion of the suffering god” as a “preparation” for Christianity. In the "restoration" of the Dionysian cult, Ivanov sees the way to overcome the crisis of the modern world, based on the principium individuationis.