scholarly journals Planning for hospitable public spaces and the changing city: A content analysis of the city of Sunderland Unitary Development Plan

2019 ◽  
Vol 9 (3) ◽  
pp. 267-290
Author(s):  
Ian Joseph Morton ◽  
James Johnson
Keyword(s):  
Content Analysis ◽  
Public Space ◽  
Public Spaces ◽  
Development Plan ◽  
Policy Document ◽  
Policy Documents ◽  
Planning Policy ◽  
New Public ◽  
Tourism And Hospitality ◽  
The City

A plethora of new public spaces have been developed in central areas of many British cities. There is evidence of the emergence of new tourism and hospitality developments (particularly hotels) close to public spaces, which could influence how the spaces are used. Whilst an ongoing discussion of the hospitable city is prevalent within the literature, no study to date has focused specifically on the symbiosis of tourism, hospitality and public space in planning policy documents. To gain a better understanding of how cities plan for a productive relationship between tourism and hospitality and public space and hotel development this article presents a content analysis of the city of Sunderland’s Unitary Development Plan entitled UDP Alteration No. 2 (Central Sunderland) Adopted Policies, this being the central legal urban planning policy document that guides change in the city. The results of the content analysis suggest three central themes of prestige, variety and vibrancy.

scholarly journals Private control and public openness. The development of London’s public spaces since the Mayor’s 2009 manifesto

2016 ◽  
Vol 1 (1) ◽  
pp. 129
Author(s):  
Camilo Vladimir De Lima Amaral
Keyword(s):  
Public Space ◽  
Urban Space ◽  
Planning Process ◽  
Public Spaces ◽  
Critical Approach ◽  
Policy Document ◽  
Lived Spaces ◽  
Space Production ◽  
The Impact ◽  
The City

This research aims to analyse the ongoing privatization of public spaces in London. It also seeks to explore the impact of the 2009 Mayor’s policy document named ‘A Manifesto for Public Space - London’s Great Outdoors’ in this process. The manifesto argues in opposition to the growing ‘corporatisation’ and exclusion of privately controlled spaces and in favour of spaces that are open ‘for all Londoners’ and with a planning process overseen by the Public Sector. In order to understand if these goals were achieved, an initial inventory listed all the developments after 2009. The projects’ examination made it possible to identify the most important cases in each group. This article analyses whether these developments are private public spaces or whether they remain genuinely public, thus examining the manifesto’s effectiveness on London’s lived spaces. In order to do that, a critical approach was constructed upon the literature review, in order to confront the ideas of public space with the spatial experience. This dissection demonstrated how recent complexity of urban space production has created new phenomena in the city, that can be assembled in the concepts of Velvet Ground, Tangled Orbits and Repeated Compulsion of Space Consumption. The concepts clarify the relationship between social control, the democratic openness of public space, and citizenship. The study concludes that a new form of privatized space is taking over the city, and the proposed policies were unable to stop this tendency.

Bodies, Boards, and Wheels in Urban Public Space: Skateboarding the Ledges, Rails, and Steps of the City

2021 ◽  
Vol 47 (4) ◽  
pp. 461-479
Author(s):  
Lorne Platt
Keyword(s):  
Content Analysis ◽  
Built Environment ◽  
Public Space ◽  
Visual Imagery ◽  
Public Spaces ◽  
Geographic Information ◽  
Urban Public Space ◽  
Growing Body ◽  
Embodied Practice ◽  
The City

This paper considers skateboarding practices in urban public spaces. Often subversive, the interactions between skateboarders and built features are also regularly captured in visual imagery in print and online. The paper documents encounters between skateboarders and the built environment using visual geographic information and photo representation. Through content analysis of imagery from Instagram posts and Thrasher magazine, the aim is to organize visual/volunteered data to represent the varied types of interactions between skateboarders and particular features of the built environment. The images suggest that skateboarders seek out structures that are typically elements within a corporate plaza or city hardscape such as stairs, rails, planters. This imagery provides large amounts of data that researchers may cull in order to improve understanding of the ways such features are experienced, and of the potential conflicts that arise when a variety of users interact. The broader significance of the research contributes to the growing body of work that positions skateboarding as a legitimate practice in urban public spaces. Scholars, practitioners of architecture, and planners, among others may continue to engage with visualization methods to consider skateboarding as an evolving, responsive, embodied practice.

scholarly journals Democracy, discourse, and design: Cape Town’s (re)turn to public space

2020 ◽  
Vol 24 (3) ◽  
pp. 277-290
Author(s):  
Sharóne L. Tomer
Keyword(s):  
Twentieth Century ◽  
Public Space ◽  
Urban Design ◽  
Cape Town ◽  
Public Spaces ◽  
Space Program ◽  
Spatial Order ◽  
Policy Documents ◽  
History Of ◽  
The City

Public spaces had been central to Cape Town’s colonial planning and spatial order, but became marginalised in the twentieth century under modernist planning and apartheid policy. As apartheid came towards its close, architects and planners began to champion public space as a way of addressing the city’s deficiencies. Books, articles, and policy documents were written celebrating public space as a humanist device and vehicle for democracy. The City of Cape Town’s emerging Urban Design Branch instituted a major public space program: the Dignified Places Programme. This paper traces the history of public space as a terrain through which political aspirations, whether of domination or contestation, have been asserted in Cape Town. The paper will argue that at the end of apartheid, a public space turn occurred which reflected the specificities of post-apartheid democracy, in both its aspirations and limitations.

Reconstruction Of Urban Parks Of Culture And Rest Of The Soviet Period

2019 ◽  
pp. 61-65
Keyword(s):  
Public Space ◽  
Senior Citizens ◽  
Urban Parks ◽  
Public Spaces ◽  
Historical Background ◽  
Soviet Period ◽  
Limited Mobility ◽  
Functional Zoning ◽  
Functional Areas ◽  
The City

This article analyzes the main problems of urban public spaces, because today public spaces can determine the future of cities. It is noted that parks are multifunctional public spaces in the urban environment, as they are an important element of the citywide system of landscaping and recreation, perform health, cultural, educational, aesthetic and environmental functions. The article notes that the need for easily accessible and well-maintained urban parks remains, however, the state of parks in many cities of Russia remains unsatisfactory, requiring reconstruction. A brief historical background of the Park of Culture and Rest of the Soviet period in Omsk is expounded, the analysis of the existing territory of the Park is presented. It is revealed that the Park, being the largest public space in Omsk, does not meet the requirements of modern urbanism, although it represents a great potential for designing the space for the purpose of recreation of citizens. Performed functional zoning scheme of the territory of the Park in question, where its division into functional areas destined for active recreational users of the Park is presented, considered the interests of senior citizens, people with limited mobility, etc. Reconstruction of Parks of the Soviet period can provide the city with additional recreational opportunities, as well as increase its tourist attractiveness.

MURAL, KEKUATAN MODAL, DAN MASYARAKAT

DeKaVe ◽  
2013 ◽  
Vol 1 (1) ◽  
Author(s):  
Akbar Annasher
Keyword(s):  
Public Space ◽  
Public Spaces ◽  
Communication Media ◽  
Mural Painting ◽  
The People ◽  
The Media ◽  
Mural Art ◽  
The City ◽  
The Voice ◽  
Special Region

Broadly speaking, this paper discusses the phenomenon of murals that are now spread in Yogyakarta Special Region, especially the city of Yogyakarta. Mural painting is an art with a media wall that has the elements of communication, so the mural is also referred to as the art of visual communication. Media is a media wall closest to the community, because the distance between the media with the audience is not limited by anything, direct and open, so the mural is often used as media to convey ideas, the idea of ??community, also called the media the voice of the people. Location of mural art in situations of public spatial proved inviting the owners of capital to use such means, in this case is the mural. Manufacturers of various products began racing the race to put on this wall media, as time goes by without realizing the essence of the actual mural art was forced to turn to the commercial essence, the only benefit some parties only, the power of public spaces gradually occupied by the owners of capital, they hopes that the community can view the contents of messages and can obtain information for the products offered. it brings motivation and cognitive and affective simultaneously in the community.Keywords: Mural, Public Space, and Society.

DEVELOPING HYBRID MEDIA INSTALLATION GAME IN TAMAN GAJAH TUNGGAL

2020 ◽  
Vol 13 (1) ◽  
pp. 16-23
Author(s):  
Agatha Maisie Tjandra ◽  
Lalitya Talitha Pinasthika ◽  
Rangga Winantyo
Keyword(s):  
Public Space ◽  
Social Marketing ◽  
Future Development ◽  
Design Method ◽  
Public Spaces ◽  
Digital Game ◽  
Interactive Installation ◽  
City Parks ◽  
The City ◽  
Media Installation

In the recent five years, City parks have been developing rapidly in urban cities in Indonesia. Built in 2007, Taman Gajah Tunggal is one of the city parks located in Tangerang. This park is situated at The Center of Tangerang City on the edge of Cisadane River. Like many public spaces in Indonesia, this park has littering issues by visitors’ lack of care. This re- search is offered to develop social marketing by using a digital game for gaining awareness of Taman Gajah Tunggal’s visitors age 17-30 years old about littering issues. This paper focused on developing the prototyping process in iteration design method by using a digital game to suggest possibilities design for future development interactive installation design in public space which can bring a new experience.

scholarly journals Activating Data through Eco-Didactic Design in the Public Realm: Enabling Sustainable Development in Cities

2021 ◽  
Vol 13 (8) ◽  
pp. 4577
Author(s):  
Carmela Cucuzzella ◽  
Morteza Hazbei ◽  
Sherif Goubran
Keyword(s):  
Sustainable Development ◽  
Public Space ◽  
Knowledge Exchange ◽  
Public Spaces ◽  
Public Realm ◽  
Design Data ◽  
Art And Design ◽  
The Public ◽  
Community Based Design ◽  
The City

This paper explores how design in the public realm can integrate city data to help disseminate the information embedded within it and provide urban opportunities for knowledge exchange. The hypothesis is that such art and design practices in public spaces, as places of knowledge exchange, may enable more sustainable communities and cities through the visualization of data. To achieve this, we developed a methodology to compare various design approaches for integrating three main elements in public-space design projects: city data, specific issues of sustainability, and varying methods for activating the data. To test this methodology, we applied it to a pedogeological project where students were required to render city data visible. We analyze the proposals presented by the young designers to understand their approaches to design, data, and education. We study how they “educate” and “dialogue” with the community about sustainable issues. Specifically, the research attempts to answer the following questions: (1) How can we use data in the design of public spaces as a means for sustainability knowledge exchange in the city? (2) How can community-based design contribute to innovative data collection and dissemination for advancing sustainability in the city? (3) What are the overlaps between the projects’ intended impacts and the 17 United Nations Sustainable Development Goals (SDGs)? Our findings suggest that there is a need for such creative practices, as they make information available to the community, using unconventional methods. Furthermore, more research is needed to better understand the short- and long-term outcomes of these works in the public realm.

Reconceptualizing the Public Spaces of New Urban Areas in Hanoi: The End or the New of Public-Making?

2021 ◽  
Vol 12 (1) ◽  
Author(s):  
Minh-Tung Tran ◽  
◽  
Tien-Hau Phan ◽  
Ngoc-Huyen Chu ◽  
◽  
...  
Keyword(s):  
Public Space ◽  
Urban Areas ◽  
Public Spaces ◽  
The Public ◽  
Doi Moi ◽  
The World ◽  
Relationship Of ◽  
The Relationship ◽  
The City ◽  
Neighborhood Level

Public spaces are designed and managed in many different ways. In Hanoi, after the Doi moi policy in 1986, the transfer of the public spaces creation at the neighborhood-level to the private sector has prospered na-ture of public and added a large amount of public space for the city, directly impacting on citizen's daily life, creating a new trend, new concept of public spaces. This article looks forward to understanding the public spaces-making and operating in KDTMs (Khu Do Thi Moi - new urban areas) in Hanoi to answer the question of whether ‘socialization’/privatization of these public spaces will put an end to the urban public or the new means of public-making trend. Based on the comparison and literature review of studies in the world on public spaces privatization with domestic studies to see the differences in the Vietnamese context leading to differences in definitions and roles and the concept of public spaces in KDTMs of Hanoi. Through adducing and analyzing practical cases, the article also mentions the trends, the issues, the ways and the technologies of public-making and public-spaces-making in KDTMs of Hanoi. Win/loss and the relationship of the three most important influential actors in this process (municipality, KDTM owners, inhabitants/citizens) is also considered to reconceptualize the public spaces of KDTMs in Hanoi.

scholarly journals Systemic Triangulation, a Tool for Complex Urban Diagnosis. The Case of Horsh Beirut

2019 ◽  
pp. 5-36
Author(s):  
Joumana Stephan ◽  
Nada Chbat
Keyword(s):  
Public Space ◽  
Public Spaces ◽  
Complex Case ◽  
Space Design ◽  
Linear Representations ◽  
Complexity Thinking ◽  
Relational Diagnosis ◽  
Urban Problems ◽  
The City ◽  
Public Space Design

Perceived as a complex system, public space could be examined through the means of complexity thinking. Complexity thinking not only offers a new urban terminology delivering interesting insights on the city and its public space, it also offers new tools that could deepen our understanding of their major issues. In this paper, the complex case of Horsh Beirut is diagnosed with one of these tools: Systemic Triangulation. As a trans disciplinary tool for relational diagnosis, Systemic Triangulation acknowledges the inscription of urban problems in structural, functional and dynamic continuums, establishing the relationships between them, and projecting interactions between the system and its environment. This paper searches for the implication of this method, based on non-linear representations of urban reality, in public space design and management. And explores to what extent the systemic approach could give us fresh answers on classic urban problems such as dysfunctional green public spaces and spatial segregation.

scholarly journals The (No-)Public Space. Reviewing the Transformation of Al-Qaed Ibrahim's Urban Image

2020 ◽  
pp. 177-192
Author(s):  
Iman Hegazy
Keyword(s):  
Public Space ◽  
Public Spaces ◽  
The Political ◽  
Urban Image ◽  
Political Conflicts ◽  
Political Events ◽  
The One ◽  
The Impact ◽  
The City

Public spaces are defined as places that should be accessible to all inhabitants without restrictions. They are spaces not only for gathering, socializing and celebrating but also for initiating discussions, protesting and demonstrating. Thus, public spaces are intangible expressions of democracy—a topic that the paper tackles its viability within the context of Alexandria, case study Al-Qaed Ibrahim square. On the one hand, Al-Qaed Ibrahim square which is named after Al-Qaed Ibrahim mosque is a sacred element in the urban fabric; whereas on the other it represents a non-religious revolutionary symbol in the Alexandrian urban public sphere. This contradiction necessitates finding an approach to study the characteristic of this square/mosque within the Alexandrian context—that is to realize the impact of the socio-political events on the image of Al-Qaed Ibrahim square, and how it has transformed into a revolutionary urban symbol and yet into a no-public space. The research revolves around the hypothesis that the political events taking place in Egypt after January 25th, 2011, have directly affected the development of urban public spaces, especially in Alexandria. Therefore methodologically, the paper reviews the development of Al-Qaed Ibrahim square throughout the Egyptian socio-political changes, with a focus on the square’s urban and emotional contextual transformations. For this reason, the study adheres to two theories: the "city elements" by Kevin Lynch and "emotionalizing the urban" by Frank Eckardt. The aim is not only to study the mentioned public space but also to figure out the changes in people’s societal behaviour and emotion toward it. Through empowering public spaces, the paper calls the different Egyptian political and civic powers to recognize each other, regardless of their religious, ethnical or political affiliations. It is a step towards replacing the ongoing political conflicts, polarization, and suppression with societal reconciliation, coexistence, and democracy.

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