scholarly journals Northern Regions of Russia as Described by the Flemish Knight de Lannoy: "Non-Muscovite" Identity

Author(s):  
V.N. Kozulin

The article deals with a unique work of Rossica, the first in Western Europe detailed description of the northern Russian regions of Novgorod and Pskov, written by an eyewitness. Memoirs of the Flemish knight, which contain this description, have been known for a long time and have been repeatedly researched. But in the context of the regional imagology of Russia they are considered for the first time. The relevance of the problem is also related to the importance of the study of francophone Rossica, which has not yet been sufficiently studied, for imagology and the history of intercultural interaction. The memoirs are valuable because they represent the only work describing these regions even before they were part of the Muscovite principality, and thus the "non-Muscovite" identity of their population is clearly visible. Despite considerable cultural and socio-political similarities between the regions, the observer knight notes well the specificity of each of them separately. The question is raised that the “muscovite identity” was secondary and by no means the only one in the descriptions of the “Russian character” and Russian state in European Rossica, and that the earliest sources describe just a different alternative identity, apparently especially relevant for the northern regions and closer to the European than to the “Muscovite” identity. It is also concluded that it is necessary to attract more attention to the historical experience of these regions in the teaching of history and in the formation of the historical memory of contemporary Russians.

Author(s):  
I.I. Dokuchaev

The paper presents a new book published by the Russian State Pedagogical University named after A.I. Herzen in 2020, belonging to the pen of one of the most talented culturologists of their first generation in Russia — Igor Alexandrovich Smirnov. The book was written during the work of I.A. Smirnov at the Department of Theory and History of Culture of Russian State Pedagogical University named after A.I. Herzen in 1993, but published for the first time. It is extremely relevant today both in the subject of research and in the method. It presents the original concept of Soviet literature and culture, based on the constructivist methodology. I.A. Smirnov convincingly shows that Soviet culture is a structure created according to the model of classical culture, but not spontaneously, that is, as a result of free creativity or traditions that existed for a long time, but by state order. The paper demonstrates the deformations that inevitably arise as a result of the implementation of such projects.


Author(s):  
Felix S. Kireev

Boris Alexandrovich Galaev is known as an outstanding composer, folklorist, conductor, educator, musical and public figure. He has a great merit in the development of musical culture in South Ossetia. All the musical activity of B.A. Galaev is studied and analyzed in detail. In most of the biographies of B.A. Galaev about his participation in the First World War, there is only one proposal that he served in the army and was a bandmaster. For the first time in historiography the participation of B.A. Galaev is analyzed, and it is found out what positions he held, what awards he received, in which battles he participated. Based on the identified documentary sources, for the first time in historiography, it occured that B.A. Galaev was an active participant in the First World War on the Caucasian Front. He went on attacks, both on foot and horse formation, was in reconnaissance, maintained communication between units, received military awards. During this period, he did not have time to study his favorite music, since, according to the documents, he was constantly at the front, in the battle formations of the advanced units. He had to forget all this heroic past and tried not to mention it ever after. Therefore, this period of his life was not studied by the researchers of his biography. For writing this work, the author uses the Highest Orders on the Ranks of the Military and the materials of the Russian State Military Historical Archive (RSMHA).


Author(s):  
Semen M. Iakerson

Hebrew incunabula amount to a rather modest, in terms of number, group of around 150 editions that were printed within the period from the late 60s of the 15th century to January 1, 1501 in Italy, Spain, Portugal and Turkey. Despite such a small number of Hebrew incunabula, the role they played in the history of the formation of European printing cannot be overlooked. Even less possible is to overestimate the importance of Hebrew incunabula for understanding Jewish spiritual life as it evolved in Europe during the Renaissance.Russian depositories house 43 editions of Hebrew incunabula, in 113 copies and fragments. The latter are distributed as following: the Institute of Oriental Manuscripts of the Russian Academy of Sciences — 67 items stored; the Russian State Library — 38 items; the National Library of Russia — 7 items; the Jewish Religious Community of Saint Petersburg — 1 item. The majority of these books came in public depositories at the late 19th — first half of the 20th century from private collections of St. Petersburg collectors: Moses Friedland (1826—1899), Daniel Chwolson (1819—1911) and David Günzburg (1857—1910). This article looks into the circumstances of how exactly these incunabula were acquired by the depositories. For the first time there are analysed publications of Russian scholars that either include descriptions of Hebrew incunabula (inventories, catalogues, lists) or related to various aspects of Hebrew incunabula studies. The article presents the first annotated bibliography of all domestic publications that are in any way connected with Hebrew incunabula, covering the period from 1893 (the first publication) to the present. In private collections, there was paid special attention to the formation of incunabula collections. It was expressed in the allocation of incunabula as a separate group of books in printed catalogues and the publication of research works on incunabula studies, which belonged to the pen of collectors themselves and haven’t lost their scientific relevance today.


2020 ◽  
Vol 1 (2) ◽  
pp. 95-102
Author(s):  
V. A. Aleksandrova ◽  

The article is devoted to the history of an unrealized performance of M. P. Mussorgsky’s opera "Khovanshchina" orchestrated by B. V. Asafyev. On the basis of archival documents, stored in the Russian State Archive of Literature and Arts, the Russian National Museum of Music, Central State Archive of Literature and Art of Saint Petersburg, the Bolshoi Theatre Museum, most of which are introduced into scientific circulation for the first time, studied the circumstances under which the opera was planned to be staged in the State Academic Theatre of Opera and Ballet (nowadays — the Mariinsky Theatre). Fragments from the reports of the Artistic Council of Opera at the State Academic Theatre of Opera and Ballet meetings, the correspondence between B. V. Asafyev and P. A. Lamm, the manuscript "P. A. Lamm. A Biography" by O. P. Lamm and other unpublished archival documents are cited. The author comes to the conclusion that most attempts to perform "Khovanshchina" were hindered by the difficult socio-political circumstances of the 1930s, while the existing assumptions about the creative failure of the Asafyev’s orchestration don’t find clear affirmation, neither in historical documents, nor in the existing manuscript of the orchestral score.


2018 ◽  
Vol 8 (1) ◽  
pp. 11-20
Author(s):  
Vladimir Shaidurov

The period between the 19th – early 20th century witnessed waves of actively forming Polish communities in Russia’s rural areas. A major factor that contributed to the process was the repressive policy by the Russian Empire towards those involved in the Polish national liberation and revolutionary movement. Large communities were founded in Siberia, the Volga region, Caucasus, and European North of Russia (Arkhangelsk). One of the largest communities emerged in Siberia. By the early 20th century, the Polonia in the region consisted of tens of thousands of people. The Polish population was engaged in Siberia’s economic life and was an important stakeholder in business. Among the most well-known Polish-Siberian entrepreneurs was Alfons Poklewski-Koziell who was called the “Vodka King of Siberia” by his contemporaries. Poles, who returned from Siberian exile and penal labor, left recollections of their staying in Siberia or notes on the region starting already from the middle of the 19th century. It was this literature that was the main source of information about the life of the Siberian full for a long time. Exile undoubtedly became a significant factor that was responsible for Russia’s negative image in the historical memory of Poles. This was reflected in publications based on the martyrological approach in the Polish historiography. Glorification of the struggle of Poles to restore their statehood was a central standpoint adopted not only in memoirs, but also in scientific studies that appeared the second half of the 19th – early 20th century. The martyrological approach dominated the Polish historiography until 1970s. It was not until the late 20th century that serious scientific research started utilizing the civilizational approach, which broke the mold of the Polish historical science. This is currently a leading approach. This enables us to objectively reconstruct the history of the Siberian Polonia in the imperial period of the Russian history. The article is intended to analyze publications by Polish authors on the history of the Polish community in Siberia the 19th – early 20th century. It focuses on memoirs and research works, which had an impact on the reconstruction of the Siberian Polonia’s history. The paper is written using the retrospective, genetic, and comparative methods.re.


2021 ◽  
Vol 6 (3) ◽  
pp. 63-93
Author(s):  
Amiran Urushadze

The article analyzes governmental debates on the functions, rights and privileges of the Armenian Catholicoi in the context of inter-institutional controversies. The author attempts to identify and analyze the most influential programmes for solving the “Echmiadzin issue” and their origins presenting at the same time certain aspects of political interaction between the Russian Empire and the Armenian Church as overlapping processes and related events. The history of relationships between Russian state and Armenian Church in XIX–XX centuries shows that different actors of the imperial politics had different ideas about the optimal model of cooperation with Echmiadzin. The divisions took place not only between the various departments (the Ministry of Internal Affairs versus the Ministry of Foreign Affairs), but also within them, where individual officials could hold “anti-departmental” views in each particular case. All this hindered administrative consolidation, slowed down the empire's response to important political challenges and dragged the imperial structures into protracted service-hierarchical confrontations. The “Etchmiadzin Question” and the governmental discussions around it show in part the administrative paralysis of the autocracy and the decompensation of the system of power in the Russian Empire in the early 20th century. The article employs a rich documentary base of archival materials from the collections of the Russian State Historical Archive. These materials are introduced into the scholarly discourse for the first time ever.


Author(s):  
Alexander Sukhodolov ◽  
Tuvd Dorj ◽  
Yuriy Kuzmin ◽  
Mikhail Rachkov

For the first time in Russian historiography, the article draws attention to the connection of the War of Khalkhin Gol in 1939 and the conclusion of the German-Soviet Nonaggression Pact of 1939. For a long time, historical science considered these two major events in the history of the USSR and history of the world individually, without their historic relationship. The authors made an attempt to provide evidence of this relationship, showing the role that surrounding and defeating the Japanese army at Khalkhin Gol in August 1939 and signing in Moscow of the German-Soviet Nonaggression Pact played in the history of the world. The study analyzes the foreign policy of the USSR in Europe, the reasons for the failure in the conclusion of the Anglo-Franco-Soviet military union in 1939 and the circumstances of the Pact. It shows the interrelation between the defeat of the Japanese troops at Khalkhin Gol and the need for the Soviet-German treaty. The authors describe the historic consequences of the conclusion of the pact for the further development of the Japanese-German relations and the course of the Second World War. They also present the characteristics of the views of these historical events in the Russian historiography.


Literary Fact ◽  
2021 ◽  
pp. 115-130
Author(s):  
Veronika B. Zuseva-Özkan

The article considers the unpublished play by Maria Levberg, a little known female writer of the Silver Age. Aleksandr Blok praised this drama entitled Danton; thanks to his efforts, it was performed in the Bolshoi Drama Theater in 1919. Danton is discussed in several articles by Blok (Bolshoi Drama Theater in the Next Season, of 19 May 1919, Tribune (Tiberius Sempronius Gracchus)) and in his correspondence; it is also mentioned in Blok’s notebooks. The author of the article analyzes all these mentions, reconstructs the history of interactions between Blok and Levberg. Some of her letters to the poet are published here for the first time. Blok’s notes on the typed copy of Danton, preserved at the Manuscript Department of the Institute of Russian Literature in Saint Petersburg, are described. The relationship between this version of the play and the version, preserved at the Russian State Archive of Literature and Arts in Moscow, is revealed. The author analyzes the plot and the system of characters, characterizes the concept of history expressed in Danton, and proposes the hypothesis why this play turned out to be so dear to Blok. Blok’s reviews on Danton are compared to those written by A.M. Remizov (who also welcomed the play, as well as other dramas by Levberg — Stones of Death and The Chevalier’s Epee) and by M.A. Kuzmin who displayed a more critical attitude. Finally, the place of this drama among Levberg’s works and her main themes and ideas are considered.


2022 ◽  
Vol 78 (02) ◽  
pp. 6619-2022
Author(s):  
WIESŁAW NIEDBALSKI

The article reviews the history of BT occurrence in Europe and its present status. It describes the distribution of BT in Europe before 1998, the emergence of BTV in southern and eastern Europe in 1998-2006 and the epidemiology of BT in north-western Europe after 2006. Up to 1998, sporadic cases of BT were noted in Cyprus, on the Iberian Peninsula and on several Greek islands. However, since 1998, probably due to climatic changes, BTV has spread northwards into the Mediterranean Basin, where five BTV serotypes (1, 2, 4, 9 and 16) have been identified. In August 2006, BTV passed for the first time latitude 50°N, and BT outbreaks caused by BTV serotype 8 occurred in the Netherlands, Belgium, Germany, France and Luxembourg. Mass vaccination campaigns implemented in Europe in the spring of 2008 quickly limited the spread of disease caused by BTV-8, and it was eradicated by 2011. However, after a 3-year break, in September 2015, BTV-8 re-emerged in Europe, in central France, and subsequently spread throughout the entire country. In the following years, BTV-8 outbreaks were found in Switzerland, Germany, Belgium and Spain. In addition to BTV-8 outbreaks, BTV serotypes 1, 2, 4, 9 and 16 have recently circulated in Europe. As revealed by phylogeographic inference, the recent spread of BTV in Europe is a consequence of climatic, landscape and vertebrate host factors


2019 ◽  
Vol 2 ◽  
pp. 11
Author(s):  
Sеrhii Svіtlenko

The article aims to study the personality of Taras Shevchenko in the reflections of the Cyril and Methodius Society Members. The investigators of the figures of the Cyril and Methodius Society, the epistolary and memoir legacy of the participants of the Ukrainian National Movement and their sympathizers are analyzed. As a result, it is argued that the Cyril and Methodius Society Members had fruitful intellectual contacts with T. Shevchenko, knew well and highly respected his work, realized the importance of the poet as a true Ukrainian populist, who made a significant contribution to the national-cultural revival of Ukrainian culture and the creation of a Ukrainian national consciousness It was proved that the activities of the Cyril and Methodius completely coincided with the meaning of Shevchenkoʼs poetic creativity, while the charismatic personality of Kobzar organically entered into the intellectual core of the Cyril and Methodius Society circle, and made a powerful moral and psychological influence on the conscious Ukrainian youth. Members of the Cyril and Methodius Society appreciated the uncompromisingness, courage, radicalism, and deep folk of Shevchenkoʼs poetry. Ukrainian patriotism, patriotism for the fate of the native people united T. Shevchenko with other figures of the society, despite some ideological differences. Progressive Ukrainian youth valued Kobzar for great poetry talent, artistic plastic, extraordinary melodic singing, penetrating mind, deep vital sensibility and, at the same time, unique comic, humor and satire. At the same time, communicating with ideological supporters gav T. Shevchenko a new creative inspiration. During this period the Ukrainian poet was in a state of creative exaltation. It is concluded that the reflections of the Members of the Cyril and Mefodius Society, especially M. I. Kostomarov, P. O. Kulish, G. L. Andruzsky, V. M. Bilozersky, M. I. Gulak, O. D. Tulub, and others, written as during the life of T. Shevchenko, and retrospectively, is an important historical source of life and activity of Kobzar, one of the most prominent representatives of the Ukrainian national elite. The empirical article is written on various documentary and narrative primary sources, for the first time actualizes the problem of historical memory in the Ukrainian national movement at the beginning of its cultural-political stage, contains the original generalizations and conclusions regarding T. Shevchenko as a Ukrainian nation рорulist and harbinger of the Ukrainian national idea in reflections of the Cyril and Methodius Society Members. The material of the article may have practical application in scientific studios on the history of the Ukrainian national movement and the educational process of higher education.


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